Images at Librifly

Glass multiple cosmetic flask (kohl tube), Late Imperial, 5th century A.D., Roman, Syrian, Glass; blown, tooled, and trailed, H. 8 5/16 in. (21.1 cm), Glass, Translucent yellow green; handles and trails in translucent deep turquoise blue.,

Terracotta skyphos (deep drinking cup), Classical, 5th century B.C., Greek, Attic, Terracotta; black-glaze, H. 7.59 cm., Vases, This type of skyphos, with fine walls that taper to a narrow base, originated in Corinth during the seventh

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, H.: 4 5/16 in. (11 cm), Glass, Translucent dark blue green. Everted rim, folded round and in, with beveled upper surface and inner lip slightly overhanging mouth;

Terracotta head of a youth, Hellenistic, 3rd–2nd century B.C., Etruscan, Terracotta, H.: 11 1/2 in. (29.2 cm), Terracottas, Stylistically, this type of head is ultimately derived from Hellenistic Greek prototypes and was especially popular

A Woman and a Cat, Edo period (1615–1868), ca. 1793–94, Japan, One sheet of a triptych of polychrome woodblock prints; ink and color on paper, H. 15 1/8 in. (38.4 cm); W. 10 3/16 in. (25.9 cm), Prints, Kitagawa Utamaro (Japanese,

Naniwaya Okita, Teahouse Waitress, Edo period (1615–1868), ca. 1793, Japan, Polychrome woodblock print; ink and color on paper, 14 1/8 x 9 7/8 in. (35.9 x 25.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), The poem on this print

Glass perfume bottle, Early imperial, 1st century A.D., Roman, Glass; blown, 2 1/16 x 1 1/2in. (5.2 x 3.8cm), Glass, Small perfume bottle Translucent cobalt blue. Lopsided, splayed rim with rounded lower edge and beveled top; cylindrical

六十余州名所図会　因幡　か路小山, View of Kajikoyama, Inaba Province, from the series Views of Famous Places in the Sixty-Odd Provinces, Edo period (1615–1868), ca. 1853, Japan, Polychrome woodblock print; ink and color on

Salvator Mundi, ca. 1622–23, Oil on wood, 23 1/2 x 17 1/4 in. (59.7 x 43.8 cm), Paintings, Domenico Fetti (Italian, Rome (?) 1591/92–1623 Venice), The picture was painted in Venice for Count Francesco Gambara of Brescia. Fetti had moved to

Glass jar, Late Imperial, 3rd–4th century A.D., Roman, Glass; blown and trailed, Overall: 2 7/8 x 2 3/4 x 1 7/8 in. (7.3 x 7 x 4.8 cm), Glass, Colorless with pale green tinge; same color trail. Plain rounded rim; flaring mouth; short concave

Design for single light window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, and graphite on light-weight off-white wove paper mounted on warm grey paper-faced board on warm grey secondary

冨嶽三十六景　甲州三島越, Mishima Pass in Kai Province (Kōshū Mishima goe), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and

Jérusalem, Saint-Sépulcre, Chapelle du Calvaire, 1854, Salted paper print from paper negative, Image: 32.5 x 23.4 cm (12 13/16 x 9 3/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Tile Panel, first quarter 17th century, Attributed to Iran, probably Isfahan, Stonepaste; polychrome glazed within black wax resist outlines (cuerda seca technique), Panel: H. 45 1/2 in. (115.6 cm), Ceramics-Tiles, Isfahan, the Safavid

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Overall: 6 in. (15.2 cm), Glass, Large candlestick unguentarium. Colorless. Tubular rim folded out, down, over and pressed into top of mouth; cylindrical neck,

Yuki, 雪月花　雪, Snow, Edo period (1615–1868), ca. 1769, Japan, Polychrome woodblock print; ink and color on paper, 11 1/8 x 8 3/8 in. (28.3 x 21.3 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770

Le devote meditatione sopra la passione del nostro signore, 1487, Printed book with woodcut illustrations, 8 11/16 x 6 5/16 x 1/2 in. (22 x 16 x 1.3 cm), Books, The anonymous author of this Franciscan devotional tract, once attributed to Saint

Vue prise à la Seconde Cataracte, March 1850, Salted paper print from paper negative, Image: 5 1/2 × 8 11/16 in. (14 × 22 cm), Photographs, Maxime Du Camp (French, 1822–1894

近代, 陳衡恪, 臨水書閣, 冊頁, Studio by the Water, dated 1921, China, Album leaf; ink and color on paper, 13 1/4 x 18 3/4 in. (33.7 x 47.6 cm), Paintings, Chen Hengke (Chinese, 1876–1923), From 1902 to 1909 Chen Hengke

Various Shells with Sea Weeds, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 x 7 1/16 in. (20.3 x 17.9 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Terracotta aryballos (oil flask), Early Corinthian, ca. 620–590 B.C., Greek, Corinthian, Terracotta; black-figure, H.: 4 3/8 in. (11.1 cm), Vases, Komasts (padded dancers) During the Early Corinthian period, there seem to have been

Vase fragment, Neolithic, second period, ca. 4000–3000 B.C., Neolithic, Thessaly, Terracotta, length 2 13/16in. (7.1cm), Vases

Fragment, late 15th–early 16th century, Attributed to Egypt, Wool; appliqued and embroidered, H. 9 in. (22.9 cm), Textiles-Embroidered, The Mamluks developed a system of emblems or blazons to signify the role of courtiers serving under each

Pitcher, 1835–65, Made in New York, United States, American, Blown glass with applied decoration, H. 7 1/4 in. (18.4 cm), Glass, Possibly Redwood Glass Company (1828–1868), The applied red threading on the neck of this pitcher is rare

Kalamkari Hanging with Figures in an Architectural Setting, ca. 1640–50, Attributed to India, Deccan, Cotton; plain weave, mordant-painted and dyed, resist-dyed, Textile: L. 100 in. (254 cm), Textiles-Painted and/or Printed, Kalamkari, a

The duchesse de Berry, ca. 1820, French, Paris, Hard-paste biscuit and glazed porcelain; bronze, Overall, on bronze plinth: 27 1/2 × 15 1/8 × 9 1/2 in. (69.9 × 38.4 × 24.1 cm), Ceramics-Porcelain, After an original by Henri Joseph

木曽海道六拾九次之内 和田, Wada Station, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 1/4 in. (24.1 x 36.2 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Vase fragment, Early Helladic, ca. 3000–2200 B.C., Terracotta, 1 9/16 x 1 7/16in. (3.9 x 3.6cm), Vases

Parrot on a ring perch, ca. 1750–75, Dutch, Delft, Faience (tin-glazed earthenware), Height: 6 7/8 in. (17.5 cm), Ceramics-Pottery

Candlestick, ca. 1845–65, Made in United States, American, Pressed glass, H. 10 1/8 in. (25.7 cm), Glass

Relief of a Female Deity's Head, New Kingdom, Ramesside, Dynasty 19, ca. 1200–1194 B.C., From Egypt, Limestone, H. 36.2 cm (14 1/4 in.); W. 35.5 cm (14 in.); D. 3.5 cm (1 3/8 in.), This goddess wears the sun disk and horns on top of a

Eye idol, Middle Uruk, ca. 3700–3500 B.C., Syria, Tell Brak, Gypsum alabaster, 3 7/8 in. (9.8 cm), Stone-Sculpture

Fille de Shanghai, 1870s, Albumen silver print from glass negative, 23.7 x 19.2 cm (9 5/16 x 7 9/16 in.), Photographs, Raimund von Stillfried (Austrian, 1839–1911

Cruet, 1815–45, Probably made in Ohio, United States, American, Blown, pattern-molded glass, H. 6 7/8 in. (17.5 cm), Glass

Lamp, Roman, Cypriot, Terracotta, Overall: 1 1/8 x 4 in. (2.9 x 10.2 cm), Terracottas, With bunches of grapes

Nubie. Grand Temple d'Isis, A Philoe. Vue générale prise du nord, 1850, Salted paper print (Blanquart-Évrard process) from paper negative, 16.8 x 23.1 cm. (6 5/8 x 9 1/16 in.), Photographs, Maxime Du Camp (French, 1822–1894

[Barricades pres de Ministere de la Marine et l'Hötel Crillon], 1871, Albumen silver print from glass negative, 21.7 x 30.9 cm (8 9/16 x 12 3/16 in. ), Photographs, Hippolyte-Auguste Collard (French, 1811–1887

Busts of Achilles, Agamemnon, and Hector in Conference (from Scenes from The Story of The Trojan War), ca. 1470–90, Made in Tournai, South Netherlands, South Netherlandish, Wool warp, wool wefts with a few silk wefts, Overall: 31 x 66in.

Armband with Spirals, 14th–12th century B.C., European Bronze Age, Copper alloy, Overall: 3 3/4 x 3 11/16 x 3 1/4 in. (9.5 x 9.4 x 8.3 cm), Metalwork-Copper alloy

Book Cover (Two Flower Vases), 1656, Etching; second state of two, sheet: 4 1/8 x 5 1/2 in. (10.5 x 14 cm), Prints, Sébastien Leclerc I (French, Metz 1637–1714 Paris

Bronze forceps or tweezers, Early Imperial, ca. 1st century A.D., Roman, Bronze, length 13.00 cm., Bronzes, The instrument has long arms, unlike those of the standard type of Roman depilation tweezers, indicating that it may have been used

Pocket bottle, 1815–45, Possibly made in Pennsylvania, United States; Probably made in Ohio, United States, American, Blown pattern-molded glass, H. 6 5/8 in. (16.8 cm), Glass

Jérusalem, Casque trouvé dans le Jourdain, 1, 1854, Salted paper print from paper negative, Image: 23.5 x 33.3 cm (9 1/4 x 13 1/8 in.), Photographs, Auguste Salzmann (French, 1824–1872), For Salzmann history was in the details. Though

「摂府真助」「市川子團次」「岸野年秋　市川左團次」 「西条高盛　市川團十郎」 「倉田進八郎 尾上菊五郎」「正太郎 中村仲太郎」「孫市 尾上菊之介」「徳丸

Plaque fragment, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 0.94 x 1.81 x 0.24 in. (2.39 x 4.6 x 0.61 cm), Ivory/Bone-Reliefs

Parc de Courances, 1860–70, Salted paper print from paper negative, Image: 25.4 x 33.7 cm (10 x 13 1/4 in.), Photographs, Eugène Cuvelier (French, 1837–1900

Terracotta vase in the form of a black African youth's head, Classical, 4th century B.C., Etruscan, Terracotta, H. 9 in. (22.9 cm), Vases, This vase combines the distinctive neck of the so-called Shape VII oinochoe with a naturalistic head of

The Oiran Hinazuru of Chōjiya Holding a Round Fan (Uchiwa), Edo period (1615–1868), ca. 1794, Japan, Polychrome woodblock print; ink and color on paper, H. 14 5/8 in. (37.1 cm); 9 7/8 in. (25.1 cm), Prints, Chōbunsai Eishi (Japanese,

Gold and cabochon garnet ring, Hellenistic, 2nd–1st century B.C., Greek, Gold and cabochon garnet, Overall: 1 1/16 x 15/16 x 1 3/8 in. (2.7 x 2.4 x 3.5 cm), Gold and Silver, The size of the hexagonal bezel, set with a plain but impressively

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 x 1 3/16 in. (2.6 x 3 cm), Glass, Translucent purple and blue, opaque white and yellow, and colorless., Part of flat bottom

Cooling Off at Ryogoku in Edo, Edo period (1615–1868), Japan, Triptych of polychrome woodblock prints; ink and color on paper, 11 5/8 x 16 5/8 in. (29.5 x 42.2 cm), Prints, Kikugawa Eizan (Japanese, 1787–1867

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 5/8 x 1 3/16 in. (1.5 x 3 cm), Glass, Translucent deep purple, pale greyish blue appearing green, opaque white, yellow, and

Bronze oinochoe (pitcher), Classical, 4th century B.C., Greek, Bronze, H. 7 7/8 in. (20 cm), Bronzes, The high handle terminates in a beautiful relief of an inverted palmette and lotos rising from acanthus leaves. In the past the piece was

Terracotta base and lower body of a vessel, Late Neolithic, ca. 3800–3300 B.C., Dimini culture, Terracotta, length 2 15/16in. (7.5cm), Vases, From Thessaly. Dark lines and checkerboard on light ground

Glass mosaic bead, Early Imperial, ca. 1st century A.D., Roman, Glass; rod-formed, Overall: 1/2 in. (1.3 cm), Glass, Opaque brick red ground; details in opaque white and pale yellow, and translucent blue., Globular, slightly flattened at

Terracotta bowl, 2nd half of 1st century AD, Roman, Terracotta; red slip ware, 1 7/8in. (4.8cm), Vases, Red-glazed plate with vase; terra sigillata; leaf design in barbotine

Catherine Augusta Wilmerding, 1843, Watercolor on ivory, 6 1/4 x 5 1/2 in. (15.9 x 14 cm), Paintings, Henry Colton Shumway (1807–1884

Eagle on a Rock; Flowering Azaleas, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 15/16 x 7 3/16 in. (20.2 x 18.3 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Lintel with Shiva on Nandi, Angkor period, 11th century, Cambodia, Stone, H. 23 1/2 in. (59.7 cm); L. 54 in. (137.2 cm), Sculpture

東海道五十三次　宮, Miya, from the series The Fifty-three Stations of the Tōkaidō Road, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige (Japanese,

Study for one of the 'Chevaux de Marly', ca. 1740, Black chalk, sheet: 16 15/16 x 13 3/4 in. (43 x 35 cm), Drawings, Guillaume Coustou the Elder (French, Lyons 1677–1746 Paris), This study is related to the Chevaux de Marly (Horses of

'Manuchihr Kills Tur', Folio from a Shahnama (Book of Kings), late 19th–early 20th century, Attributed to India, Kashmir, Ink, opaque watercolor, silver, and gold on paper, 12 1/2 x 8 5/8in. (31.8 x 21.9cm), Codices

Plaque fragment, Neo-Assyrian, ca. 8th–7th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 0.75 x 0.16 in. (1.91 x 0.41 cm), Ivory/Bone-Reliefs, Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms

Vessel, Chalcolithic, ca. early 5th millennium B.C., Iran, Dalma Tepe, Iran, Ceramic, paint, H. 5 15/16 in. (15 cm), Ceramics-Vessels

椿に目白と四十雀図, Japanese White-eye and Titmouse on a Camellia Branch, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print, 10 7/32 x 7 7/32 in. (26.0 x 18.4 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Scene from the Tenth Act of Chushingura, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, H. 10 5/16 in. (26.2 cm); W. 7 9/16 in. (19.2 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819

Rev. Thomas Jollie, Bowden, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

(17) Untitled, 1840s–60s, Albumen silver print, Photographs, Luigi Pesce (Italian, 1818–1891

忠臣蔵八段目, Two Tori-oi, or Itinerant Women Musicians of the Eta Class, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 15 in. (38.1 cm); W. 10 1/2 in. (26.7 cm), Prints, Kitagawa Utamaro

Glass ribbed bowl, Early Imperial, 1st century A.D., Roman, Glass; cast, tooled, and cut, 2 1/16 x 4 9/16in. (5.2 x 11.6cm), Glass, Translucent blue green. Plain rounded rim; sides curving in to slightly concave bottom. On exterior, fifteen

Framed Painting, Small Stand with a Wine Cup and a Dish with a Fish, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 1/16 x 6 11/16 in. (17.9 x 17 cm), Prints, Ryūryūkyo

Plaque fragment, Neo-Assyrian, ca. 8th–7th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 1.18 x 1.14 x 0.31 in. (3 x 2.9 x 0.79 cm), Ivory/Bone-Reliefs, Built by the Assyrian king Ashurnasirpal II, the palaces and

West Front - Peterboro, 1856, Albumen silver print from paper negative, 21.0 x 27.1 cm. (8 1/4 x 10 11/16 in.), Photographs, Alfred Capel Cure (British, 1826–1896

官女ステーション着車図, Illustration of Ladies-in-waiting boarding at a station (Kanjo sutēshon chakusha zu), Meiji period (1868–1912), 1879, Japan, Polychrome woodblock print; ink and color on paper, 13 5/8 x 27 3/4 in. (34.6 x

名所江戸百景 廓中東雲, Kakuchu Shinonome, Edo period (1615–1868), 4th month, Snake year 1857, Japan, Polychrome woodblock print; ink and color on paper, 14 3/5 x 9 7/8 in. (37.1 x 25.1 cm), Prints, Utagawa Hiroshige (Japanese,

Terracotta head, possibly of a comic actor, Classical, 4th century B.C., Greek, South Italian, Tarentine, Terracotta, H. 2 1/2 in. (6.35 cm), Terracottas, Not enough of the piece is preserved to be sure whether it was part of a mask or a

Glass jar, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, H.: 2 5/8 x 2 13/16 x 2 3/8 in. (6.7 x 7.1 x 6 cm), Glass, Translucent pale blue green. Tubular rim, folded out, down, round, and pressed into top of outsplayed mouth;

Bag, 12th–15th century, Chile, Central Andes, Arica, Camelid hair, W. 9 x D. 7 1/2 in. (22.86 x 19.05 cm), Textiles-Woven

Belt hook, Eastern Zhou dynasty, Warring States period (475–221 B.C.), 5th–3rd century B.C., China, Bronze with gold and silver inlay inset with nephrite, Length 8 in. (20.2 cm), Metalwork

Roundel, medallion with head of Artemis, Roman, Cypriot, Bronze, Other: 13/16in. (2.1cm), Bronzes

Dish with Floral Design, ca. 1545–60, Made in Turkey, Iznik, Stonepaste; polychrome painted under transparent glaze, H. 2 7/8 in. (7.3 cm), Ceramics, This dish shows a cusped edge drawn from a Ming prototype. The wave, foam and rock design

Design for a window, 1902–3, Made in New York, United States, American, Watercolor, gouache, pen and metallic ink, and graphite on off-white wove paper, Overall: 15 3/16 x 13 11/16 in. (38.5 x 34.8 cm), Drawings, Tiffany Studios

Statuette of a dog, Roman, Bronze, length 3.71 cm., Bronzes

Le voile, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Scene from a Drama, Edo period (1615–1868), ca. 1744, Japan, Polychrome woodblock print; ink and color on paper, 12 1/8 x 5 1/2 in. (30.8 x 14 cm), Prints, Okumura Masanobu (Japanese, 1686–1764

Pincian Garden, Rome, 1853–56, Albumen silver print, Image: 19.3 × 25 cm (7 5/8 × 9 13/16 in.), Photographs, Possibly by Jane Martha St. John (British, 1803–1882

Mrs. Jameson, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Limestone head of a youth with wreath, Cypro-Classical, mid–5th century B.C., Cypriot, Limestone, Overall: 12 1/4 x 8 1/2 x 9 3/4 in. (31.1 x 21.6 x 24.8 cm), Stone Sculpture, Figure wearing crown of leaves and berries

Compote, 1810–25, Probably made in Pittsburgh, Pennsylvania, United States, American, Blown-molded and engraved glass, H. 5 3/4 in. (14.6 cm); Diam. 8 13/16 in. (22.4 cm), Glass, Benjamin Bakewell & Co. (1809–1813) or, Bakewell, Page &

Jérusalem, Saint-Sépulcre, Détails du Clocher, 1854, Salted paper print from paper negative, Image: 32.5 × 23.5 cm (12 13/16 × 9 1/4 in.), Photographs, Auguste Salzmann (French, 1824–1872

Rev. Henry Grey, D.D., St. Mary's, Edinburgh, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland

Band Fragment, 7th–10th century, Peru, Peruvian, Cotton, camelid hair, Height 7 in., Textiles-Woven

Iron bar, Archaic ?, 7th–5th century B.C. ?, Greek, Laconian, Iron, 15/16 × 3 11/16 × 3/4 in. (2.4 × 9.3 × 2 cm), Miscellaneous-Iron, Bar of iron

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown and tooled, 2in. (5.1cm), Glass, Small perfume bottle Translucent pale blue green. Rim folded out, over, and in, with beveled upper surface; tall cylindrical neck,

Wall painting fragment from the peristyle of the Villa of P. Fannius Synistor at Boscoreale, Late Republican, ca. 50–40 B.C., Roman, Fresco, Overall: 58 x 46in. (147.3 x 116.8cm), Miscellaneous-Paintings, A large covered vase and a silver

Terracotta vessel fragment with boss, Late Neolithic, ca. 4000–3000 B.C., Greek Neolithic, Terracotta; Dark monochrome ware, length 2 3/16in. (5.5cm), Vases, From Hagiorgetika in the Peloponnese

Black jasper ring stone, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Jasper, black, Length: 1/2 in. (1.2 cm), Gems, Mouse on a table

Terracotta pyxis (box), Classical, ca. 400 B.C., Greek, Attic, Terracotta; red-figure, Other: 2 3/4 x 4 5/8 in. (7 x 11.7 cm), Vases, Women, youths, and Erotes. The setting for the figures here seems to be outdoors, due to the rocky

Belgian Flag, ca. 1917, Watercolor and black chalk on thin beige wove paper, 8 1/4 x 7 1/16 in. (21 x 17.9 cm), Drawings, Auguste-François-Marie Gorguet (French, 1862–1927

Béni Haçan, Architecture Hypogéenne, Tombeau d'Amoneï, 1851–52, Salted paper print from paper negative, Image: 24.4 x 30.6 cm (9 5/8 x 12 1/16 in.), Photographs, Félix Teynard (French, 1817–1892), By the time Teynard set out for