Images at Librifly

Ocarina, Pre-Columbian, 1300–1500, Sierra Nevada de Santa Marta, Colombia, Tairona People; La Aguja Style, Ceramic, 2 11/16 × 2 5/8 in. (6.8 × 6.6 cm), Aerophone-Whistle Flute-vessel flute

実競色乃美名家見　三浦屋小紫　白井権八, The Lovers Miura-ya Komurasaki and Shirai Gonpachi., Edo period (1615–1868), probably 1797, Japan, Polychrome woodblock print; ink and color on paper, 15 x 9 15/32 in. (38.1 x 24.1

Manzai Dancers, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 7/16 x 5 7/16 in. (21.4 x 13.8 cm), Prints, Teisai Hokuba (Japanese, 1771–1844

Jardin zoologique de Bruxelles; Les trois jumeaux fils de Mr. Lebens et toute la famille, 1854–56, Salted paper print from paper negative, Image: 5 13/16 × 7 11/16 in. (14.7 × 19.5 cm), Photographs, Louis-Pierre-Théophile Dubois de Nehaut

『画本虫撰』 「松虫」「虫蛍」, Tree cricket (Matsumushi); Firefly (Hotaru), from the Picture Book of Crawling Creatures (Ehon mushi erami), Edo period (1615–1868), 1788, Japan, Page from woodblock printed book; ink and color on

Winter, 1855, Albumen silver print from glass negative, Image: 20.5 x 17.3 cm (8 1/16 x 6 13/16 in.), Photographs, Charles Conway (British

Mongol with Horse and Camel, Yuan dynasty (?) (1271–1368), China, Album leaf; ink and color on silk, 12 x 12 5/16 in. (30.5 x 31.3 cm), Paintings, Unidentified Artist, Copy after Li Gonglin (Chinese, ca. 1041–1106

Vue générale des Spéos de Phré et d'Athor, à Abousembil, prise de l'île, March 29, 1850, Salted paper print from paper negative, Image: 5 1/4 × 8 7/16 in. (13.3 × 21.5 cm), Photographs, Maxime Du Camp (French, 1822–1894

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Portrait of a Man, 1491, Oil on linden, 18 3/4 x 13 in. (47.6 x 33 cm), Paintings, German (Nuremberg) Painter (late 15th century), This portrait of an unidentified man, depicted in an interior with a landscape seen through the open window at

Return of the Japanese Embassy from City Hall, 1860, Albumen silver print from glass negative, Image: 7.5 x 15 cm (2 15/16 x 5 7/8 in.), Photographs, Edward Anthony (American, 1818–1888

Loom Width with Floral and Tiger-stripe Design, 16th century, Attributed to Turkey, Bursa, Silk, metal wrapped thread; lampas (kemha), Textile: L. 79 5/8 in. (202.2 cm), Textiles-Woven, This loom width panel features an unusual combination of

Relief-decorated Lentoid Bottle ('New Year's Bottle'); Horus falcon in marshes on one side; cow goddess in marshes on the other, Late Period, Dynasty 26, 664–525 B.C., From Egypt, Faience, H 11.4 cm (4 1/2 in), The goddess Nebethetep, who

Glass oinochoe (perfume jug), Late Classical or Hellenistic, mid-4th–early 3rd century B.C., Greek, Eastern Mediterranean or Italian, Glass; core-formed, Group II, H.: 4 15/16 in. (12.5 cm), Glass, Translucent cobalt blue, with handle and

The Three Ages of Man, Oil on canvas, 30 1/2 x 44 in. (77.5 x 111.8 cm), Paintings, Dosso Dossi (Giovanni de Lutero) (Italian, Tramuschio ca. 1486–1541/42 Ferrara), This painting is one of Dosso Dossi's finest surviving landscapes, a genre

Bowling Alley and Raquet Court at Foochow, ca. 1869, Albumen silver print from glass negative, Image: 8 9/16 × 11 7/16 in. (21.8 × 29 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

The House over a Stump of a Big Tree, 1865–66, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Shunshoku, Onkyoku no Shirabe, Spring Scenery; Melody of a Musical Performance, 1877? (ink stain renders date partly illegible), Japan, Triptych of polychrome woodblock prints; ink and color on paper, 14 1/2 x 28 5/8 in. (36.8 x 72.7 cm),

Thomas Chalmers, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Ingrain carpet runner piece, ca. 1890, American, Wool, 43 x 27 1/4 in. (109.2 x 69.2 cm), Textiles

Landscape, Ming dynasty (1368–1644), China, Folding fan mounted as an album leaf; ink on gold paper, 7 1/4 x 19 1/4 in. (18.4 x 48.9 cm), Paintings, Unidentified Artist, After Lu Zhi (Chinese, 1495–1576

名君　閨中の粧ひ, The Oiran Yoso-oi Seated at Her Toilet, Edo period (1615–1868), ca. 1799, Japan, Polychrome woodblock print; ink and color on paper, 14 3/5 x 9 29/32 in. (37.1 x 25.2 cm), Prints, Kitagawa Utamaro (Japanese,

Lampholder column, Bronze, H.: 8 15/16 in. (22.7 cm), Bronzes

Carbine with Flintlock alla Fiorentina, ca. 1660–70, Brescia, Italian, Brescia, Steel, wood (walnut), L. 37 3/4 in. (95.9 cm), Firearms, Bottarelli's firearms are notable for the sculptural quality of their chiseled parts

Glass cinerary urn with lid, Imperial, mid-1st–2nd century A.D., Roman, Glass; blown, H.: 12 13/16 in. (32.6 cm), Glass, Urn: Translucent blue green; handles in same color. Everted rim, folded over and in, and smoothed into side of mouth;

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

Marble sarcophagus with the myth of Selene and Endymion, Severan, early 3rd century A.D., Roman, Marble, H. 28 1/2 in. (72.39 cm), Stone Sculpture, An inscription at the center of the lid informs us that this trough-shaped sarcophagus was

Fibula, Greek, Cypriot, Bronze, Other: 4 5/16in. (10.9cm), Bronzes

A Woman and Her Child, Early Dynastic Period, Dynasty 1, ca. 3100–2900 B.C., From Egypt, Northern Upper Egypt, Abydos, Osiris temple, Egypt Exploration Fund excavations, 1902-03, Faience, H. 5.3 cm (2 1/16 in.); W. 1.7 cm (11/16 in.); D.

Terracotta jug, Late Cypriot II, ca. 1450–1200 B.C., Cypriot, Terracotta; Base-Ring Ware, H. 6 3/8 in. (16.2 cm), Vases, Narrow-necked jug with handle, with white binding pattern

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 1/2 in. (34.6 × 24.1 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

A Rooster near Trees, 明 （傳）程嘉燧 金箋水墨公鷄圖扇頁, Ming (1368–1644)–Qing (1644–1911) dynasty, China, Folding fan mounted as an album leaf; ink on gold paper, 6 1/2 x 20 3/8 in. (16.5 x 51.8 cm), Paintings,

St. Andrews. The Harbor, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Ebisu and Benten Walking in the Snow, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 9/16 x 7 9/16 in. (21.7 x 19.2 cm), Prints, Utagawa Toyohiro (Japanese, 1763–1828

Vase fragment, Early Minoan III, Minoan, Terracotta, 2 × 2 1/2 × 9/16 in. (5.1 × 6.3 × 1.4 cm), Vases

Esther and Ahasuerus, mid-17th century, British, Canvas worked with silk thread; tent, Gobelin, satin, long-and-short, split, stem, knotted, straight, Ceylon, rococo, and detached buttonhole stitch variations; fringe, H. 16 7/8 x W. 20

Jérusalem, Enceinte du Temple, Vue générale de la face Sud 2, 1854, Salted paper print from paper negative, Image: 23.1 x 32.7 cm (9 1/8 x 12 7/8 in.), Photographs, Auguste Salzmann (French, 1824–1872

Head of Christ, Oil on canvas, 16 3/4 x 13 1/2 in. (42.5 x 34.3 cm); with added strips 18 5/8 x 14 5/8 in. (47.3 x 37.1 cm), Paintings, Style of Rembrandt (Dutch, 1650s), Rembrandt painted this subject a number of times; three examples, one

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, H. 2 3/4 in. (7 cm); width 1 5/16 in. (3.3 cm); diameter of rim 3/4 in. (1.9 cm), Glass, Translucent blue. Thin, everted rim; cylindrical neck, with tooled indent

Opaque blue glass oval engraved gem, Late Republican, 1st century B.C., Roman, Glass, opaque blue paste, Overall: 11/16 x 9/16 in. (1.7 x 1.4 cm), Gems, According to tradition, Rome was founded in 753 B.C. by the twins Romulus and Remus.

Lamp, Roman, Cypriot, Terracotta, Overall: 1 x 3 3/4 in. (2.5 x 9.5 cm), Terracottas, With warrior

Bronze annular earring, Bronze Age, 2nd millennium B.C., Minoan, Bronze, Diameter 7/8 in. (2.1 cm), Bronzes, Bronze hoop earring

Vue prise au Nord-Ouest de Jérusalem, August 1850, Salted paper print from paper negative, Image: 6 1/4 × 9 3/16 in. (15.8 × 23.3 cm), Photographs, Maxime Du Camp (French, 1822–1894

Design for heating register plate, late 19th–early 20th century, Made in New York, United States, American, Pen, black ink, and graphite on light-tan smooth-surfaced lightweight artist board, Overall: 10 5/8 x 13 3/16 in. (27 x 33.5 cm),

Pair of Stirrups (Yob Chen), 16th–18th century, Tibetan, Iron, gold, silver, H. 6 1/2 in. (16.5 cm), Equestrian Equipment-Stirrups

Terracotta kyathos (single-handled cup), 7th century B.C., Italic, Villanovan, Terracotta, H. with handle 3 13/16 in. (9.7 cm), Vases, This fine vase with its sharp carination and precise execution represents an early form in the lineage of

Shichirigahama in Sagami Province (Sōshū Shichirigahama), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　相州七里浜, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print;

Cubiculum (bedroom) from the Villa of P. Fannius Synistor at Boscoreale, Late Republic, ca. 50–40 B.C., Roman, Fresco, Room: 8 ft. 8 1/2 in. x 10 ft. 11 1/2 in. x 19 ft. 7 1/8 in. (265.4 x 334 x 583.9 cm), Miscellaneous-Paintings, Room M of

Shield boss, Bronze, Diam.: 1 3/4 in. (4.4 cm), Bronzes

Bell, 4th century B.C., Cypriot, Bronze, 1 15/16in. (4.9cm), Bronzes

Durga and Kali Approach the Gathered Armies of Chanda and Munda: Scene from the Devi Mahatmya, ca. 1780, India (Himachal Pradesh, Guler), Graphite and ink on paper, pricked for transfer, 5 1/4 x 7 5/8 in. (13.3 x 19.4 cm), Paintings, This

Head of a Bearded Elder, 1768, French, probably Paris, Terracotta on a bleu turquin marble socle, Overall, without socle (confirmed): 14 1/4 x 12 1/8 x 9 1/2 in. (36.2 x 30.8 x 24.1 cm), Sculpture-Miniature, Augustin Pajou (French, Paris

Vase fragment, Early Minoan II, Minoan, Terracotta, 2 7/8 × 2 9/16 × 3/16 in. (7.3 × 6.6 × 0.5 cm), Vases

Le Parterre de l'Orangerie de Chantilly, 1680s, Etching, Prints, Adam Perelle (French, Paris 1640–1695 Paris

江戸高名会亭尽　池之端　蓬莱亭　青楼花見の休み, Ikeno Mata (Horai-ya), Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, H. 9 7/8 in. (25.1 cm); W. 14 5/8 in. (37.1 cm),

Carnelian scarab, Archaic, early 5th century B.C., Greek, Carnelian, Length: 9/16 in. (1.5 cm), Gems, Herakles wielding his club and holding a lion by the tail

English Horn, ca. 1860–70, Vienna, Austria, Nickel-silver, boxwood, L. 78.6 cm (30-15/16 in.), Aerophone-Reed Vibrated-double reed, Successors of Johann Tobias Uhlmann (1776–1838

Rev. Dr. Keith, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Portable Picnic Set (sagejū) with Chrysanthemums, Foliage Scroll, and Tokugawa Family Crest, 菊唐草葵紋蒔絵提重, Edo period (1615–1868), 18th century, Japan, Lacquered wood with gold, silver hiramaki-e, gold and silver foil

Locket, 1706, Made in Boston, Massachusetts, United States, American, Gold, hair, and crystal, 9/16 x 13/16 in. (1.4 x 2.1 cm), Jewelry

Old Boston Fuseliers on State Street, 1858, Albumen silver print, Photographs, Unknown (American

Glass jar, Mid to Late Imperial, 3rd to mid–4th century A.D., Roman, Glass; blown, trailed, and tooled, 4 1/16 in. (10.2 cm), Glass, Translucent pale blue green, with trail in same color. Plain, rounded rim; flaring neck; conical body,

Costume Plate: Hispania Rustica mul. (with label on ground), ca. 1557–58, Engraving, sheet: 5 7/8 x 3 5/8 in. (15 x 9.2 cm), Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

商 青銅方鼎, Rectangular Cauldron (Fangding), Shang dynasty (ca. 1600–1046 B.C.), 12th–11th century B.C., China, Bronze, H. 9 in. (22.9 cm); W. 6 in. (15.2 cm); D. 7 in. (17.8 cm), Metalwork, The most common decorative motif on Shang

Actor (Sanjo Kantaro?) in the Role of a Courtesan, Edo period (1615–1868), ca. 1728, Japan, Polychrome woodblock print (urushi-e); ink and color on paper, H. 12 5/16 in. (31.3 cm); W. 5 7/8 in. (14.9 cm), Prints, Okumura Toshinobu (active

Glass alabastron (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 3 3/4 in. (9.6 cm), Glass, Opaque red brown, with handles in a mixture of opaque turquoise blue and

Pendant in the form of a fish, Cypriot, Bronze, Other: 1 1/8in. (2.8cm), Bronzes

Terracotta onos (leg guard used in carding wool), Archaic, last quarter of 6th century B.C., Greek, Attic, Terracotta; black-figure, length 11 9/16in. (29.4cm), Vases, On each side, two quadrigae (four-horse chariots), On the end, two

Seventy deben weight, Middle Kingdom, Dynasty 12, late, ca. 1850–1640 B.C., From Egypt, Memphite Region, Lisht North, cemetery south of pyramid below House A2:3, Pit 497, 1913–14, Rhyolite, h. 9 cm (3 9/16 in); w. 6.5 cm (2 9/16 in);

Bronze statuette of an actor, Imperial, ca. 1st–2nd century A.D., Roman, Bronze, H. 2 3/16 in. (7.2 cm), Bronzes, Statuette of an actor

Plaque in the form of a sphinx, Iron Age II, ca. 8th century B.C., Syria, Bronze, 4.87 x 3.87 in. (12.37 x 9.83 cm), Metalwork-Reliefs, Hammered from single sheets of bronze, these sphinxes look outward toward the viewer. Their striding poses

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Rev. George Lewis, Dundee, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Souvenirs Covered with Wrapping Cloth, Edo period (1615–1868), probably 1816, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/2 x 7 3/8 in. (14 x 18.7 cm), Prints, Unidentified Artist

Fragment, 14th century, Attributed to Spain, Silk, Textile: L. 6 in. (15.2 cm), Textiles-Woven

Cosmetic Box (mayudzukuri-bako) with Pine, Bamboo, Plum, and Tokugawa Family Crest on Wood-Grain Ground, 木目地松竹梅葵紋蒔絵眉作箱, Edo period (1615–1868), early 18th century, Japan, Lacquered wood with gold, silver

Mounted vase, porcelain early 18th century, mounts ca. 1750, Chinese with French mounts, Hard-paste porcelain; gilt-bronze mounts, H. 23 3/8 x W. 13 3/4 x D. 12 1/2 in. (59.4 x 34.9 x 31.8 cm), Metalwork-Gilt Bronze, With delight one notices .

The First Nakamura Nakazo as Warrior Disguised as a Rokubu, Edo period (1615–1868), 1770 or 1771, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 5 13/16 in. (31.8 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese,

Terracotta cup with one handle, Late Bronze Age, ca. 1600–1050 B.C., Mycenaean, Terracotta, H. 2 1/16 in. (5.2 cm.), Vases, One-handled

新吉原仮宅両国之図, Picture of the Temporary Lodgings of the New Yoshiwara Pleasure Quarter at Ryōgoku (Shin Yoshiwara Karitaku Ryogoku no zu), Edo period (1615–1868), 1784, Japan, Polychrome woodblock print; ink and color on paper,

Bird and Wisteria, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 14 1/2 x 5 in. (36.8 x 12.7 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Twilight, Looking at Wild Geese Flying Down Toward Yoshida Bridge, Edo period (1615–1868), January 1861, Japan, Polychrome woodblock print; ink and color on paper, 14 x 9 1/2 in. (35.6 x 24.1 cm), Prints, Utagawa Yoshitora (Japanese,

The Mountain Nymph Sweet Liberty, 1866, Albumen silver print from glass negative, 36.1 x 28.6 cm (14 3/16 x 11 1/4 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon), In Cameron's Mountain

東都名所　両国花火の図, Ryogoku Hanabi no Zu, Edo period (1615–1868), ca. 1841, Japan, Polychrome woodblock print; ink and color on paper, 10 3/32 x 14 3/4 in. (25.6 x 37.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Fragment of a terracotta amphora (jar), Archaic, ca. 540 B.C., Greek, Attic, Terracotta; black-figure, length 6in. (15.3cm), Vases, Departure of a warrior in a chariot. The subject may be the departure of Amphiaraos

Zumihari Zuki, 月二拾八景之内　弓張月, Bow Moon, Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, 14 7/8 x 6 15/16 in. (37.8 x 17.6 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

Nephthys, Horus, and Isis Amulet, Late Period, Saite, Dynasty 26, 664–525 B.C., From Egypt, Faience, H. 4.0 cm (1 9/16 in), These three deities make up the Osirian triad from the great myth in Egyptian funerary religion. Horus, the young

Bag, 7th century, Peru, Rio Grande de Nasca, Nasca, Camelid hair, Overall: 8 1/8 x 21 1/8 in. (20.62 x 53.66 cm), Textiles-Woven

Panel with the Angel Appearing to Zacharias (from a Retable depicting Saint John the Baptist and scenes from his life), 1464–1507, Made in Aragon, Spain, Spanish, Tempera on wood, gold ground, 37 1/2 x 27 1/4 in. (95.3 x 69.2 cm),

Bronze handle of a vessel with Silenos mask, Late Classical, early 4th century B.C., Etruscan, Bronze, H.: 6 3/4 x 5 3/4 in. (17.1 x 14.6 cm), Bronzes, From a vase; with garlands

Pyxis lid, Protocorinthian, ca. 900–700 B.C., Greek, Corinthian, Terracotta, 1 7/16in. (3.7cm), Vases, Lid with bands, and on knob a star-ornament

Pines and Cherry Blossoms, probably 1814, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 1/8 x 7 in. (13 x 17.8 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 3 3/4 x 1 1/2in. (9.5 x 3.8cm), Vases

木曽海道六拾九次之内　福しま, Fukushima Station, Edo period (1615–1868), ca. 1837, Japan, Polychrome woodblock print; ink and color on paper, 8 3/4 x 13 3/4 in. (22.2 x 34.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

Glass dish, Late Imperial, 4th–5th century A.D., Roman, Glass; blown, Diam.: 13 1/2 in. (34.3 cm), Glass, Translucent purple., Tubular rim, folded out and down, forming flange covering side, with an inward fold at base; low convex

Fragmentary marble inscription, Late Classical, 4th–3rd century B.C., Greek, Attic, Marble, H., 3 1/2', W., 3 3/4', D., 2', Stone Sculpture, Inscribed fragment of an Attic decree

Reception by the Japanese of the Americans at Yokohama, early Meiji period (1868–1912), 1870s, Japan, Diptych of polychrome woodblock prints; ink and color on paper, 14 3/4 x 20 5/8 in. (37.5 x 52.4 cm), Prints, Sensai Eiko

Jérusalem, Enceinte du Temple, Porte hérodienne, 1854, Salted paper print from paper negative, Image: 32.9 x 23.1 cm (12 15/16 x 9 1/8 in.), Photographs, Auguste Salzmann (French, 1824–1872), Tucked into a corner, Salzmann’s camera

Utagawa's Lifetime Masterpiece, from the Japanese version of the Shuihu Zhuan, Edo period (1615–1868), 1863 (5th month), Japan, Polychrome woodblock print; ink and color on paper, 14 1/8 x 28 1/2 in. (35.9 x 72.4 cm), Prints, Utagawa

Cain Killing Abel, 1524, Engraving, sheet: 4 5/8 x 29 1/2 in. (11.7 x 75 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden