Images at Librifly

Jacob Abbott, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Limestone statuette of Herakles as an archer, Archaic, middle or 3rd quarter of the 6th century B.C., Cypriot, Limestone, Overall: 20 3/4 x 7 in. (52.7 x 17.8 cm), Stone Sculpture, Figure holding bow

Gold spiral, Late Bronze Age, ca. 1600–1100 B.C., Cypriot, Gold, Length: 1 1/4 in. (3.1 cm), Gold and Silver, Of plain wire with one turn

Soprano Dulcian, late 16th–early 17th century, Spain?, Spanish?, Boxwood, brass, Height: 14 1/8 in. (35.8 cm), Aerophone-Reed Vibrated-double reed, The bajoncillo is the smallest form of the bajón. Equipped with the usual two keys, this

Wreaths, 11, Greek, Laconian, Lead, 3/4 × 11/16 in. (2 × 1.7 cm), Miscellaneous-Lead

Actor, Nakamura Shikan plays as Ootomo no Kuronushi, Onoe Taganojō plays as Kurosome no rei, from Tsumoru koiyuki no sekinoto, Meiji period (1868–1912), dated 1882, Japan, Two panels of a triptych of polychrome woodblock prints; ink and

Plaque fragment, Iron Age II, ca. 9th century B.C., Iran, Hasanlu, Iran, Ivory, 1.65 x 0.98 x 0.2 in. (4.19 x 2.49 x 0.51 cm), Ivory/Bone-Reliefs

The Domes, Yosemite, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Photographs, Attributed to Carleton E. Watkins (American, 1829–1916

La robe écossaise, 1860s, Albumen silver print from glass negative, 5.1 x 8.6 cm. (2 x 3 3/8 in.), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

Designs of Writing-Paper with Flowers, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 5/8 x 7 7/16 in. (14.3 x 18.9 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca.

Marble head of Athena: The so-called Athena Medici, Mid-Imperial, Antonine period, ca. A.D. 138–92, Roman, Marble, H.: 7 7/8 in. (20 cm), Stone Sculpture, Copy of a Greek statue of ca. 430 B.C. attributed to Pheidias. This head is from a

Saint-Cloud, July 1921, Albumen silver print from glass negative, Image: 17.5 x 21.5 cm (6 7/8 x 8 7/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Hester Middleton, ca. 1752–58, Watercolor on ivory, 1 1/2 x 1 in. (3.8 x 2.5 cm), Paintings, Mary Roberts (died 1761 Charleston, South Carolina), The English émigré Mary Roberts was the first known miniaturist in the American colonies. She

Three Women at the Base of a Pine Tree, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 15 1/8 × 10 1/8 in. (38.4 × 25.7 cm), Prints, Katsukawa Shunchō (Japanese, active ca. 1783–95

Glass cinerary urn with lid, Imperial, Flavian or Trajanic, 1st–early 2nd century A.D., Roman, Glass; blown, H.: 12 1/8 in. (30.8 cm), Glass, Jar (A):, Translucent blue green., Broad, tubular rim, folded out, down, and in, forming

Horse and Rider, Japan, Triptych of polychrome woodblock prints; ink and color on paper, 14 1/4 x 29 5/8 in. (36.2 x 75.2 cm), Prints, Tsukioka Yoshitoshi (Japanese, 1839–1892

Knife Coin, Han dynasty (206 B.C.–A.D. 220), China, Bronze, L. 7 1/4 in. (18.4 cm), Metalwork

'Zal Slays Khazarvan and Puts Shamasas to Flight', Folio from a Shahnama (Book of Kings), ca. 1430–40, Attributed to India, Ink, opaque watercolor, and gold on paper, Image: H. 10 3/4 in. (27.3 cm), Codices

南宋 傳閻次于 松壑隱棲圖 團扇, Hermitage by a Pine-covered Bluff, Song dynasty (960–1279), second half of the 12th century, China, Fan mounted as an album leaf; ink and color on silk, (a): 8 7/16 x 9 1/16 in. (21.4 x 23 cm), b):

Whistle, mid-19th century, Democratic Republic of the Congo, Kuba, Wood, L. 19.6cm (7 11/16in.), Aerophone-Whistle Flute-whistle

Shahnama (Book of Kings), 1475–1675, Attributed to Iran, Tabriz, Leather; tooled and gilded; ink on paper, H. 18 3/8 in. (46.7 cm_, Codices

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown and trailed, 3 1/16 in. (7.7 cm), Glass, Translucent blue green, with trail in same color. Rim folded out, round, and in; short, flaring mouth; cylindrical neck,

Gold pendant in the form of a bull's head, Late Bronze Age, ca. 1400–1050 B.C., Cypriot, Gold, L. 1. 1/8 in. (2.9 cm), Gold and Silver, Most of the raw materials for Cypriot jewelry came from the East. Gold became plentiful in the Late

St. Cloud, 1915–19, printed 1956, Gelatin silver print, Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

(Untitled), Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, Image: 14 3/8 in. × 10 in. (36.5 × 25.4 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Limestone statuette of a bearded male votary in Greek dress, Archaic, second half of the 6th century B.C., Cypriot, Limestone, Overall: 11 7/8 x 5 1/2 x 2 1/2 in. (30.2 x 14 x 6.4 cm), Stone Sculpture, Bearded, male figure with himation

Mirror View of Sentinel Rock, Yosemite, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Image: 13 1/4 × 10 1/2 in. (33.7 × 26.6 cm), Photographs, Attributed to Carleton E. Watkins (American, 1829–1916

Apollo Lyre, 1848–53, New York?, United States?, American, various materials, H. 82.8 cm (32-3/4 in.), Greatest W. 39.2 cm (15-1/2 in.), D. 11.7 cm (4-3/4 in.), Aerophone-Free Reed-harmonium, This instrument, the only known example of

『閨の雛形』　正月, Plate from the Erotic Book Mounds of Dyed Colors: A Pattern Book for the Boudoir (Someiro no yama neya no hinagata), First Month, Edo period (1615–1868), ca. 1736–44, Japan, Hand-colored woodblock illustration;

[Wilton House, Detail of Main Facade], 1850s, Salted paper print from paper negative, Photographs, Unknown (British

Terracotta stemmed dish, Archaic, 6th century B.C., Lydian, Terracotta, H. 3 1/16 in. (7.8 cm), Vases, Shallow bowl on high foot, decorated with concentric circles in black

Bedside table (table de nuit), Attributed to Bernard II van Risenburgh (ca. 1696–ca. 1767), ca. 1750–56, French, Paris, Oak veneered with tulipwood and kingwood; gilt-bronze mounts; Sarrancolin marble; silk moiré drawer lining (not

清 趙之謙 芍藥 扇面, Peony, Qing dynasty (1644–1911), dated 1862, China, Folding fan mounted as an album leaf; ink and color on gold-flecked paper, 7 x 20 3/4 in. (17.8 x 52.7 cm), Paintings, Zhao Zhiqian (Chinese, 1829–1884),

Demi-Mail Phaeton No. 4009, 1888, Graphite, sheet: 13 1/2 x 21 3/4 in. (34.3 x 55.2 cm), Drawings, Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New Haven, Connecticut, Brewster & Company, specialized in

Faience aryballos (oil flask) in the form of a hedgehog, Archaic, 6th century B.C., East Greek, Faience, 1 1/2 × 1 1/2 × 2 3/16 in. (3.8 × 3.8 × 5.5 cm), Miscellaneous-Faience, Hedgehogs are among the most common forms of faience oil

The Actor, Ichikawa Danjuro I, 1660–1704 as a Woman in Unidentified Role, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 11 3/4 in. (29.8 cm); W. 5 3/4 in. (14.6 cm), Prints, Torii Kiyonobu

Bronze statuette of a pantheress, Imperial, 1st–2nd century A.D., Roman, Bronze, H. 3 7/8 in. (9.9 cm); L. 5 7/8 in. (14.9 cm), Bronzes, This bronze likely served as an attachment for a chariot

Porringer, ca. 1735, Possibly made in Philadelphia, Pennsylvania, United States; Possibly made in Boston, Massachusetts, United States, American, Silver, Overall: 1 13/16 x 8 1/8 in. (4.6 x 20.6 cm); 8 oz. 11 dwt. (266.2 g), Silver,

The Bōtan Show, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 15 1/8 × 10 1/16 in. (38.4 × 25.6 cm), Prints, Katsukawa Shunchō (Japanese, active ca. 1783–95

Terracotta amphora with Phoenician inscription, Cypro-Archaic I, second half of 7th century B.C., Cypriot, Clay, H.: 18 15/16 in. (48.1 cm), Cesnola Inscriptions, The painted inscription below the rim reads B‘LY (Baalay), the name of the

Limestone statuette of a boy holding a pyxis, Hellenistic, late 4th century–late 1st century B.C., Cypriot, Limestone, Overall: 25 1/2 x 8 1/2 x 3 1/2 in. (64.8 x 21.6 x 8.9 cm), Stone Sculpture, Figure wearing flat cap and holding incense

A Woman Playing the Theorbo-Lute and a Cavalier, ca. 1658, Oil on wood, 14 1/2 x 12 3/4 in. (36.8 x 32.4 cm), Paintings, Gerard ter Borch the Younger (Dutch, Zwolle 1617–1681 Deventer), Ter Borch was an astute observer of social behavior as

Couch and footstool with bone carvings and glass inlays, Imperial, 1st–2nd century A.D., Roman, Wood, bone, glass, 41 1/2 × 30 × 84 1/2 in. (105.4 × 76.2 × 214.6 cm), These pieces of furniture have been reassembled from fragments, some

Altar Shrine with Madonna and Child with Donor, last quarter 15th century, Made in Strasbourg, Alsace, Germany, South German, Tempera and oil on wood, Overall: 26 3/4 x 15 3/4 in. (67.9 x 40 cm), Paintings-Panels

Bird, late Eastern Zhou dynasty (770–256 B.C.), China, Bronze, H. 6 1/16 in. (15.4 cm), Metalwork

Three Courtesans and a Kamuro Strolling in the Street, Meiji period (1868–1912), Japan, Monochrome woodblock print; ink on paper, 10 1/4 x 14 11/16 in. (26 x 37.3 cm), Prints, After Okumura Masanobu (Japanese, 1686–1764

Femme du Canton, 1870s, Albumen silver print from glass negative, 23.7 x 19.2 cm (9 5/16 x 7 9/16 in.), Photographs, Unknown

Silver bracelet in the form of a snake, Late Imperial, 3rd century A.D., Roman, Silver, Diameter: 1 7/8 in., 0.9oz. (4.8 cm, 26.7g), Gold and Silver, Bracelet terminating in snakes' heads

Terracotta plate, Archaic, ca. 520–510 B.C., Greek, Attic, Terracotta; red-figure, Diam.: 7 3/8 in. (18.7 cm), Vases, Youth riding rooster. Plates were favored by some of the major vase-painters, both black-figure and red-figure, during

Spectacles and Telescope with Cases, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 7/16 x 7 5/16 in. (13.8 x 18.6 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca.

Saiko Hajime, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, H. 8 7/16 in. (21.4 cm); W. 14 7 /16 in. (36.7 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Landscape, Meiji period (1868–1912), 1800, Japan, Album leaf; ink and color on silk, 14 1/2 x 11 1/2 in. (36.8 x 29.2 cm), Paintings, Kawabata Gyokushō (Japanese, 1842–1913

Dried Sardines, Tablet of Sea-Weed and Nuts, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 3/16 x 7 1/16 in. (13.2 x 17.9 cm), Prints, Ryūryūkyo Shinsai (Japanese, active

Avignon, Pont St. Bénezet, ca. 1864, Albumen silver print from glass negative, Image: 21.1 x 28.5 cm (8 5/16 x 11 1/4 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Gemellion (Hand Basin) with a Knight on Horseback, ca. 1250–75, Made in Limoges, France, French, Copper, wrought and gilt, and champlevé enamel: medium blue, red and white, Overall: 10 5/8 x 1 1/2 in. (27 x 3.8 cm), Enamels-Champlev

Yosemite Fall. Down the Valley. 2637 Ft., 1861, Yosemite, Albumen silver print from glass negative, Image: 44 × 50.9 cm (17 5/16 × 20 1/16 in.), Photographs, Carleton E. Watkins (American, 1829–1916

Mynah on Reed, Ming dynasty (?) (1368–1644), China, Album leaf; ink and color on silk, 11 x 14 1/2 in. (27.9 x 36.8 cm), Paintings, Attributed to Fulan Taorên

Sard scarab, Hellenistic, 3rd century B.C., Etruscan, Sard, H.: 3/4 in. (1.9 cm), Gems, Seated Herakles with Hypnos (or Thanatos

Cage of Fireflies at Dawn in Summer, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/2 x 10 1/2 in. (14 x 26.7 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849

Sharpened Sticks from Tutankhamun's Embalming Cache, New Kingdom, Dynasty 18, ca. 1336–1327 B.C., From Egypt, Upper Egypt, Thebes, Valley of the Kings, Embalming Cache of Tutankhamun (KV 54), Davis/Ayrton excavations, 1907–08, Reed

Terracotta stamnos (jar), Classical, ca. 440 B.C., Greek, Attic, Terracotta; red-figure, H. 15 11/16 in. (39.9 cm); diameter of mouth 9 5/16 in. (23.6 cm); diameter of foot 5 3/8 in. (13.7 cm), Vases, Obverse, Dionysos, the god of wine, on

Portrait of a Woman, 1635, Oil on wood, 26 7/8 x 22 7/8 in. (68.3 x 58.1 cm), Paintings, Jan van Ravesteyn (Dutch, Culemborg (?) ca. 1572–1657 The Hague

Terracotta jug in the shape of a head of an African, Imperial, 3rd century A.D., Roman, Terracotta, 7 1/8in. (18.1cm), Vases, Red-glazed jug in the form of an African's head

The Actor Ichimura Uzaemon IX in the Role of the Warrior Nitta Yoshisada (1301–1338), Edo period (1615–1868), ca. 1759, Japan, Polychrome woodblock print; ink and color on paper, 14 3/8 x 6 5/8 in. (36.5 x 16.8 cm), Prints, Torii Kiyomitsu

Pin, ca. 1905, Made in Chicago, Illinois, United States, American, Gold, sapphire, pearls, emeralds, enamel, 2 1/2 x 2 3/4 in. (6.4 x 7 cm), Jewelry, Florence Koehler (1861–1944), Embodying the ideals of the Aesthetic and Arts and

Textile for a handscroll, Qing dynasty (1644–1911), Kangxi period (1662–1722), dated March 18, 1714, China, Handscroll; ink and color on silk and paper backed, 12 1/8 x 158 1/2 in. (30.8 x 402.6 cm), Paintings

Jérusalem, Saint-Sépulcre, Détails de la façade, 1854, Salted paper print from paper negative, Image: 22.7 × 33.1 cm (8 15/16 × 13 1/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Coin, Han dynasty (206 B.C.–A.D. 220), China, Bronze, W. 1 3/4 in. (4.4 cm); L. 5 1/4 in. (13.3 cm), Metalwork

Ritual Wine Beaker (Gu), Shang dynasty (ca. 1600–1046 B.C.), 13th–11th century B.C., China, Bronze, H. 12 1/4 in. (31.1 cm); Diam. 6 11/16 in. (17 cm), Metalwork

Oboe, 1837–38, Paris, France, French, Boxwood, ivory, brass, Overall height: 22 5/16 in. (56.6 cm), Aerophone-Reed Vibrated-double reed, Henri Brod (French, Paris 1799–1839 Paris

Mandora, 1726, Augsburg, Germany, German, Maple, spruce, ebony, L. to nut77.1cm (30.35 in.);String L.: Minimum 67.5 cm (26.58 in.); L. of top 48.5 cm. (19.09 in.), Chordophone-Lute-plucked-fretted, Gregori Ferdinand Wenger

Vase fragment, Helladic, Greek, Laconian, Terracotta, 15/16 × 1 1/2 × 1/4 in. (2.4 × 3.8 × 0.7 cm), Vases

Bowl, late 11th–early 12th century, Made in Egypt or Syria, Stonepaste; luster-painted on opaque white glaze, H. 2 1/8 in. (5.4 cm), Ceramics, Luster ceramics developed in the medieval period, as artists transformed plain ceramics with the

Piece, first half 15th century, Italian, Silk, 10 x 22 1/2 inches (25.4 x 57.2 cm), Textiles-Velvets

Louisa Blaney, 1870s, Albumen silver print from glass negative, 9.3 x 5.5 cm (3 11/16 x 2 3/16 in. ), Photographs, Unknown (British), A sobering foil to the cartes-de-visite of the celebrated and powerful, these records from an unidentified

Terracotta tankard, Late Minoan III, ca. 1400–1200 B.C., Minoan, Terracotta; Plain fine ware, H. 5 9/16 in. (14.1 cm.), Vases, One-handled, no decoration

Limestone statuette of Pan, Hellenistic or Roman, Cypriot, Limestone, Overall: 21 1/2 x 6 3/4 x 3 1/2 in. (54.6 x 17.1 x 8.9 cm), Stone Sculpture, A nebris knotted around the neck covers the shoulders and falls to the back. The ears are pointed

Openwork furniture plaque with a grazing stag, Neo-Assyrian, ca. 9th–8th century B.C., Syria, probably from Arslan Tash (ancient Hadatu), Assyrian, Ivory, 1.75 x 4.75 in. (4.45 x 12.07 cm), Ivory/Bone-Reliefs, During the early first

Terracotta shallow angular bowl, Late Helladic IIIB, ca. 1300–1090 B.C., Mycenaean, Terracotta, H. 13/16 in. (2 cm.), Vases, Shallow bowl with angled rim

Design for the Decoration of the Semi-Dome of a Church Apse., ca. 1545–55, Pen and brown ink, brush and gray wash, over black chalk and ruling in black chalk, sheet: 19 13/16 x 13 1/4 in. (50.4 x 33.6 cm), Drawings, Workshop of Battista

Amoy Fishing Boats, ca. 1869, Albumen silver print from glass negative, Image: 6 3/4 × 9 3/16 in. (17.2 × 23.3 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Courtesan, Shinohara and Kamuro of Tsuruya, Edo period (1615–1868), late 18th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 15 1/8 × 10 1/8 in. (38.4 × 25.7 cm), Prints, Kitagawa Utamaro (Japanese,

The Coronation of Louis XIV, 1655, Etching, sheet: 24 13/16 x 18 7/8 in. (63.1 x 47.9 cm), Jean Le Pautre (French, Paris 1618–1682 Paris

Bronze oinochoe (jug), Classical, early 5th century B.C., Etruscan, Bronze, H.: 9 1/4 in. (23.5 cm), Bronzes, The shape, known archaeologically as an oinochoe shape 6, is characterized by the beaked spout and the low carination on the body.

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 1/2 × 9 1/2 in. (34.3 × 24.1 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861

Fragment, 12th century, Attributed to Egypt, Fustat, Linen and silk, H. 6 in. (15.2 cm), Textiles-Woven

Bronze statuette of a hound gnawing a bone, Hellenistic, 3rd–2nd century B.C., Greek, Bronze, length 3in. (7.6cm), Bronzes, Hound crouching and gnawing an object held in his paws

Ikushima Shingoro as a Bushi (Samurai) and Ogino Yaegiri as a Woman with A girl Attendant, Edo period (1615–1868), probably 1709, Japan, Polychrome woodblock print; ink and color on paper, 10 7/32 x 14 3/4 in. (26.0 x 37.5 cm), Prints,

Drunk with Flowers, Edo period (1615–1868), ca. 1781, Japan, Polychrome woodblock print; ink and color on paper, H. 9 13/16 in. (24.9 cm); W. 7 1/4 in. (18.4 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Saigo Ryusei Kubi jitsu ken, Presentation of the Head of Saigo to the Prince Arisogawa, Meiji period (1868–1912), Oct. 16, 1877 (Meiji 10), Japan, One sheet of a triptych of polychrome woodblock prints; ink and color on paper, Triptych 14 x

婦女人相十品　相観, “Woman Holding Up a Parasol” from the series Ten Classes of Women’s Physiognomy (Fujo ninsō juppen: Higasa o sasu onna), Edo period (1615–1868), ca. 1792–93, Japan, Polychrome woodblock print; ink and

The Genoese Castle, Balaklava, 1855, Salted paper print from glass negative, Image: 27.4 x 34.8 cm (10 13/16 x 13 11/16 in.), Photographs, Roger Fenton (British, 1819–1869

The Hills of Kuaiji, Ming (1368–1644) or Qing dynasty (1644–1911), China, Handscroll; ink and color on silk, 19 3/8 in. × 23 ft. 4 3/8 in. (49.2 × 712.2 cm), Paintings, Unidentified Artist

Montmajour, ca. 1862, Albumen silver print from glass negative, Image: 19.6 x 28.1 cm (7 11/16 x 11 1/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Bell, 1879, Shwebo, Sagaing District, Myanmar (formerly Burma), Burmese, Bronze, Height: 27 in. (68.6 cm), Idiophone-Struck-bell-without clapper, Cast in Shwebo, a town north of Mandalay, this monastery bell weighs approximately one

Hare amulet, Late Period–Ptolemaic Period, 664–30 B.C., From Egypt, Faience, L. 3.5 × W. 1.3 × H. 2.1 cm (1 3/8 × 1/2 × 13/16 in.), The amulets have a uniformity of size and detailing that constitutes a stylistic relationship. Possibly

唐 青銅鎏金觀音菩薩像, Bodhisattva Avalokiteshvara (Guanyin), Tang dynasty (618–907), late 7th–early 8th century, China, Gilt leaded bronze, piece-mold cast, H. 9 1/16 in. (23 cm), Sculpture

Landscape with a Village in the Distance, 1646, Oil on wood, 30 x 43 in. (76.2 x 109.2 cm), Paintings, Jacob van Ruisdael (Dutch, Haarlem 1628/29–1682 Amsterdam), This ambitious picture is one of nine known landscape paintings that bear the

Terracotta lagynos (oil flask), Late Hellenistic, 150–50 B.C., Cypriot, Terracotta; Painted White Ware, h. 9 1/8 in. (23.2 cm), Vases, The late Hellenistic date of this lagynos is suggested by its shape, characterized by a long neck and

The Actor Nakamura Riko as an Oiran Tying Her Obi, Edo period (1615–1868), ca. 1779, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 5 5/8 in. (31.1 x 14.3 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792