Images at Librifly

Coat, fall/winter 1930–31, French, silk

Pitcher, ca. 1430, Made in probably Manises, Valencia, Spain, Spanish, Tin-glazed earthenware, Overall: 18 3/8 x 9 in. (46.7 x 22.9 cm), Ceramics, Pitchers with exaggeratedly tall necks, beaklike spouts, and large heavy handles were common

Brhaspati (The Personification of the Planet Jupiter), Sena dynasty, 12th century, India (Bihar, Bengal) or Bangladesh, Stone, H. 22 in. (55.9 cm); W. 13 3/4 in. (34.9 cm); D. 5 1/4 in. (13.3 cm), Sculpture

東海道五十三次　袋井, Fukuroi, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

Fragment, ca. 946–74, Attributed to Egypt, Linen, silk; plain weave, tapestry weave, H. 12 1/4 in. (31.1 cm), Textiles-Woven

Newhaven Fisherman with Two Boys, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Glass alabastron (perfume bottle), Late Classical or Hellenistic, 4th–3rd century B.C., Eastern Mediterranean or Italian, Glass; core-formed, Group II, H.: 1 in. (2.5 cm), Glass, Translucent cobalt blue, with handles in same color; trails

Rat on a Fūchin, Ornament with a Design of Egoyomi (Pictorial Calendar), Edo period (1615–1868), 1816, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 9/16 x 5 1/2 in. (14.1 x 14 cm), Prints, Kubo Shunman (Japanese,

Plum Blossom, Edo period (1615–1868), 1815, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/2 x 6 5/8 in. (14 x 16.8 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Chiyoda Castle (Album of Men), Meiji period (1868–1912), 1897, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm); thickness of album 1 9/16 in. (4 cm),

A Man in a Kneeling Posture Bending Forward and Listening to an Oiran who is Playing the Shamisen, Edo period (1615–1868), ca. 1705–7, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 13 1/4 in. (24.1 x 33.7 cm), Prints,

Fragment of a terracotta kantharos (drinking cup with high handles), Late Archaic, early 5th century B.C., Greek, Boeotian, Terracotta; black-figure, greatest length 4 3/8 in. (11.1 cm); estimated diameter of lip 6 5/16 in. (16 cm), Vases,

Small chalk amphora (jar), Archaic or Classical ?, 6th–3rd century B.C.?, Cypriot, Chalk, Overall: 5 3/8 x 3 3/4 in. (13.7 x 9.5 cm), With wide mouth and two loophandles

The Actor Arashi Wakano as a wakashu (youth) in a kappa (raincoat), Edo period (1615–1868), ca. 1725, Japan, Polychrome woodblock print; ink and color on paper (Urushi-e), Overall: 12 3/4 x 6in. (32.4 x 15.2cm), Prints, Nishikawa Yoshinobu

Glass fragments of bowl decorated with mosaic fish, Imperial, 1st–3rd century A.D., Roman, Glass; cast, Overall (a): 1 3/4 x 1 3/16 in. (4.4 x 3 cm), Glass, The fragments depict life-like fish swimming in a river, lake, or pool, indicated

Marble statue of Aphrodite, Imperial, 1st or 2nd century A.D., Roman, Marble, H. with plinth 62 1/2 in. (158.8 cm), Stone Sculpture, Copy of a Greek statue of the 3rd or 2nd century B.C., The lower legs have been restored with casts taken

Terracotta aryballos (oil flask) in the form of a pomegranate, Archaic, 6th century B.C., Lydian, Terracotta, H. 2 9/16 in. (6.5 cm), Vases, Incised tongues and meander pattern

Mustard pot, ca. 1744–45, German, Meissen, Hard-paste porcelain, H. 8 in. (20.3 cm.), Ceramics-Porcelain, This mustard pot comes from the so-called Anreevsky Service given by August III of Saxony, king of Poland (1734–1763), to Empress

Marble votive relief fragment of goddesses, mother, nurse, and infant, Classical, late 5th century B.C., Greek, Marble, Island, h. 10 1/2in (26.7cm); w. 8 9/16in. (21.7cm), Stone Sculpture, Childbirth in antiquity often resulted in the

Bowl, 1835–55, Made in Sandwich, Massachusetts, United States, American, Pressed glass, H. 11 15/16 in. (30.3 cm), Glass

百人一首　天智天皇, Sympathy, Edo period (1615–1868), ca. 1768, Japan, Polychrome woodblock print; ink and color on paper, H. 10 in. (25.4 cm); W. 7 5/ 16 in. (18.6 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), An empress

Miniature terracotta jug, Geometric, late 9th century B.C., Greek, Attic, Terracotta, H. 2 3/16 in. (5.5 cm), Vases, From the Hymettos deposit

The Second Ichikawa Komazo as a Man standing in a Dramatic Attitude, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 11 1/2 x 5 1/2 in. (29.2 x 14 cm), Prints, Katsukawa Shunkō (Japanese,

Glass beaker, Early Imperial, 1st century A.D., Roman, Glass; blown and cut, Height: 3 3/16 in. (8.2 cm), Glass, Colorless with purple streaks below rim. Knocked-off rim; almost straight sides to body, tapering downward; concave bottom. Thick

Presa da una litografia, 1839–40, Photogenic drawing from paper negative, Image: 12 x 17.8 cm (4 3/4 x 7 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Print, Edo period (1615–1868), 1750–1835, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/2 x 7 7/16 in. (14 x 18.9 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Terracotta pithoid jar, Late Helladic III, ca. 1400–1050 B.C., Mycenaean, Terracotta, H. 5 11/16 in. (14.5 cm.), Vases, Pear-shaped vase with three handles, bands, and conventional pattern

Mouse Eating Lichee Fruit, Song dynasty (?) (960–1279), China, Album leaf; ink and color on silk, 9 3/4 x 9 15/16 in. (24.8 x 25.2 cm), Paintings, Unidentified Artist, Formerly Attributed to Mao I (active 12th century

Flintlock Pistol, 18th century, Balkan, lock and barrel European (probably French), Steel, silver, gold, L. 20 1/2 in. (57.1 cm); L. of barrel 13 1/2 in. (34.3 cm); L. of lock 4 5/8 in. (11.8 cm); Cal. .65 in. (16.5 mm); Wt. 2 lb. 12 oz.

Bowl (jatte à anses relevées or jatte écuelle), 1787–88, French, Sèvres, Hard-paste porcelain, Overall (confirmed): 3 x 10 x 7 1/2 in. (7.6 x 25.4 x 19.1 cm), Ceramics-Porcelain, Queen Marie-Antoinette’s dairy at Rambouillet, one of

Radha Speaks to Krishna: Page from the Boston Rasikapriya (Lover's Breviary), ca. 1610, India (Rajasthan, Amber?), Ink, opaque watercolor, and gold on paper, Sheet: 5 11/16 × 5 3/16 in. (14.4 × 13.2 cm), Paintings

Amoy Harbour, ca. 1869, Albumen silver print from glass negative, Image: 7 1/4 × 10 3/4 in. (18.4 × 27.3 cm), Photographs, John Thomson (British, Edinburgh, Scotland 1837–1921 London

Terracotta fragments of a neck-amphora (jar), Archaic, ca. 540 B.C., Greek, Attic, Terracotta; black-figure, H. 14 3/4 in. (37.5 cm), Vases, Obverse, assembly of gods, Reverse, warriors and women

Vase fragment, Early Helladic, ca. 3000–2200 B.C., Terracotta, 1 7/8 x 1 1/4in. (4.8 x 3.1cm), Vases

Edinburgh. Greyfriars' Churchyard, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848

Head of a woman, Terracotta, H.: 5 1/2 in. (14 cm), Terracottas

東海道五十三次　見附　天竜川図, Mitsuke; Tenryugawa Ferry, Station No. 29, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 8 7/8 x 13 11/16 in. (22.5 x 34.8cm), Prints, Utagawa Hiroshige

Djerf-Hocein (Tutzis), Hemi-Spéos, Colosses de la Partie Extérieure, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.7 x 30.4 cm. (9 5/16 x 12 in.), Photographs, Félix Teynard (French, 1817–1892

Abâzîz, Intérieure d'un Village Arabe, 1851–52, Salted paper print from paper negative, Image: 23.6 x 30.3 cm (9 5/16 x 11 15/16 in.), Photographs, Félix Teynard (French, 1817–1892

Terracotta alabastron (perfume vase), Transitional, ca. 630–615 B.C., Greek, Corinthian, Terracotta; black-figure, H. 2 3/4 in. (7 cm), Vases, Two animal friezes: bird and boar, coursing hounds

Terracotta tumbler, Archaic, ca. 525–510 B.C., Greek, Attic, Terracotta; black-figure, H. 3 3/8 in. (8.5 cm), Vases, Eight dancing youths. These youths are descendents of the komasts, the padded dancers that originally entered Athenian

Terracotta jug, Late Cypriot I, ca. 1600–1450 B.C., Cypriot, Terracotta; Base-Ring Ware, H. 6 1/8 in. (15.6 cm), Vases, Long-necked jug with funnel-shaped mouth, handle and spiral bands in relief

Limestone arm holding a sword, Hellenistic or Roman, 3rd century B.C.–1st century A.D., Cypriot, Limestone, Overall: 7 1/8 x 7 1/2 x 12 3/4 in. (18.1 x 19.1 cm), Stone Sculpture, The left forearm and hand, the thumb of which is missing,

Bronze crab, Hellenistic, 3rd–1st century B.C., Greek, Bronze, Overall: 2 1/4 x 6 1/2 x 5 1/2in. (5.7 x 16.5 x 14cm), Bronzes, The hole at the top of the carapace indicates that the crab served as a furniture attachment or as a base,

Entrée du Spéos d'Athor, à Abousembil, March 1850, Salted paper print from paper negative, Image: 8 5/8 × 6 3/8 in. (21.9 × 16.2 cm), Photographs, Maxime Du Camp (French, 1822–1894

Pottery Flute, Pre-Columbian, ca. 300–900, San Diego, Mexico, Mexican, Clay, L. 50 mm.; W. 31 mm.; D. 40 mm.; Wt. 21 g., Aerophone-Whistle Flute-recorder

Ax Head, 15th–18th century, probably Chinese, Iron, gold, L. 9 in. (22.9 cm); H. 5 7/8 in. (14.9 cm), Shafted Weapons

Cloisters of St. Paul's, the Basilica, Outside the Walls of Rome, by 1858, Albumen silver print from glass negative, Image: 34.8 x 25.8 cm (13 11/16 x 10 3/16 in.), Photographs, Robert Macpherson (British, Tayside, Scotland 1811–1872 Rome

Portrait of a Woman, 1633, Oil on wood, Oval, 26 3/4 x 19 3/4 in. (67.9 x 50.2 cm), Paintings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), The sitter’s identity is unknown, as in many Rembrandt portraits of the

Rachel, September 1, 1893, Albumen silver print from glass negative, Image: 14.6 x 9.8 cm (5 3/4 x 3 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Monkeys, Meiji period (1868–1912), March 1888, Japan, Album leaf; ink and color on silk, 14 1/4 x 10 7/8 in. (36.2 x 27.6 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889

Yashoda Binds Krishna’s Hands: Page from a Dispersed Bhagavata Purana Manuscript, 1640–50, India (Gujarat), Ink and opaque watercolor on paper, 10 3/8 x 8 7/8 in. (26.4 x 22.5 cm), Paintings, In a futile attempt to keep him from stealing

Town Hall, Calcutta, 1850s, Albumen silver print, Image: 19.1 x 24.3 cm (7 1/2 x 9 9/16 in.), Photographs, Captain R. B. Hill

Scene Four from the Life of the Reverend Jean de la Barrière, 1696, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite, 20 15/16 x 17 3/8 in. (53.2 x 44.1 cm), Drawings, Matthieu Elias (French, Peene

[Tomb at the Qutub Minar, Delhi], 1858–61, Albumen silver print, Image: 21.2 x 16.6 cm (8 3/8 x 6 9/16 in.), Photographs, Unknown

Roundel, 1893–96, Made in Queens, New York, New York, United States, American, Favrile glass, Diam. 14 1/2 in. (36.8 cm), Glass, Tiffany Glass and Decorating Company (American, 1892–1902

Portrait of a Woman, Said to Be Emily Bertie Pott (died 1782), 1781, Oil on canvas, 29 3/4 x 24 7/8 in. (75.6 x 63.2 cm), Paintings, George Romney (British, Beckside, Lancashire 1734–1802 Kendal, Cumbria

Washing the Book, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/8 in. (25.7 cm); W. 7 9/16 in. (19.2 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790

Ishiyama no Shūgetsu, 近江八景之内　石山秋月, Autumn Full Moon at Ishiyama, Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, Image: 9 3/4 × 14 3/4 in. (24.8 × 37.5 cm), Prints,

Kuwana, 東海道五十三次　桑名　七里の渡舟, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

Dagger (Qama) with Sheath and Knife, dated, 1856–57, 1861, Caucasian, Steel, bone, silver, gold, shark skin, ivory, niello, iron, Dagger (a); L. with sheath 19 1/4 in. (48.9 cm); L. without sheath 19 1/16 in. (48.4 cm); L. of blade 14

Glass pendant in the shape of an African’s head, Hellenistic, 2nd–1st century B.C., Greek, Eastern Mediterranean, Glass; cast in a two-part mold, 7/8 × 7/16 × 3/8 in. (2.3 × 1.1 × 1 cm), Glass, Uncertain color, possibly deep purple,

Arts et Métiers (Ancien Modèle), 1864, Albumen silver print from glass negative, Image: 36.6 x 24.1 cm (14 7/16 x 9 1/2 in.), Photographs, Charles Marville (French, Paris 1813–1879 Paris), Along with the wholesale redrawing of the map of

東京汐留鉄道蒸気車通行図, Illustration of a Steam Locomotive Passing Shiodome in Tokyo (Tōkyō Shiodome testudō jōkisha tsūkō zu), Meiji period (1868–1912), 1872, Japan, Triptych of polychrome woodblock prints; ink and color

冨嶽三十六景　尾州不二見原, Fujimigahara in Owari Province (Bishū Fujimigahara), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink

Bronze belt clasp, Archaic, 7th century B.C., Greek, Macedonian, Bronze, H. 3 in. (7.6 cm); diameter 8 in. (20.3 cm), Bronzes, Clasp for a belt

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, Overall: 2 13/16 in. (7.1 cm), Glass, Translucent light blue green. Slanting rim folded out, over, and in, forming slight constriction to mouth; short cylindrical

Kabuki actors play the role of 47 Ronin (Seichū gishi den), Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, a–t:, 14 x 9 1/4 in. (35.6 x 23.5 cm) (each), Prints, Utagawa Kunisada (Japanese,

Porringer with Cover, ca. 1700, Possibly made in New England; Possibly made in New York, New York, United States, American, Silver, Overall: 3 3/4 x 9 1/4 in. (9.5 x 23.5 cm); 18 oz. 3 dwt. (565.2 g), Silver

Glass bottle, Late Imperial, 4th–5th century A.D., Roman, Glass; blown, tooled, and trailed, H. 8 1/16 in. (20.5 cm), Glass, Translucent blue green; handle and trails in translucent cobalt blue., Thick rim, folded over and in, forming

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 15/16 x 2 1/4 in. (2.4 x 5.7 cm), Glass, Rim fragment., Translucent honey yellow and opaque white., Rounded rim;

Autumn Landscape, 明/清 項聖謨 秋景圖 冊頁, Qing dynasty (1644–1911), datable to 1654–55, China, Leaf from a collective album of many leaves; ink and color on paper, 9 3/4 x 13 in. (24.8 x 33 cm), Paintings, Xiang Shengmo

Mandarin Wife, 1860–1863, Albumen silver print from glass negative, Image: 9 in. × 6 3/4 in. (22.9 × 17.2 cm), Photographs, Milton M. Miller (American, active China, 1830–1899

Edgar Allan Poe, 19th century, Cut paper and silk, sheet: 6 7/8 x 3 15/16 in. (17.5 x 10 cm), Cut Paper, Anonymous, American, 19th century

Limestone head of a bearded male wearing a conical helmet, Archaic, 6th–5th century B.C., Cypriot, Limestone, H.: 14 1/2 x 9 x 10 3/4 in. (36.8 x 22.9 x 27.3 cm), Stone Sculpture, The beard, broken around the lower edge, is divided into

Hémicycle de l'enceinte des Temples, à Baâlbek, September 15, 1850, Salted paper print from paper negative, Image: 8 5/8 × 6 1/2 in. (21.9 × 16.5 cm), Photographs, Maxime Du Camp (French, 1822–1894

Roses, Edo period (1615–1868), ca. 1810, Japan, Polychrome woodblock print; ink and color on paper, H. 7 13/16 in. (19.8 cm); W. 15 3/16 in. (38.6 cm), Prints, Kashosai Shunsen (Japanese, died after 1830

Altar Tusk, 18th–19th century, Nigeria, Court of Benin, Edo peoples, Ivory, H. 45 9/16 x W. 2 1/8 x D. 5 1/4 in. (115.8 x 5.4 x 13.3 cm), Bone/Ivory-Sculpture

The Second Ichikawa Yaozo as a Man Standing with His Arms Crossed, Edo period (1615–1868), 1773 or 1774, Japan, Polychrome woodblock print; ink and color on paper, 12 5/8 x 5 3/4 in. (32.1 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese,

Mosaic glass fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 x 1 1/4 in. (2.5 x 3.1 cm), Glass, Translucent cobalt blue and opaque white., Convex curving side., Marbled mosaic pattern in

Rosy Sunset, Ming dynasty (1368–1644), 16th century, China, Handscroll; ink and color on silk, Image: 22 x 101 in. (55.9 x 256.5 cm), Paintings, Attributed to Wen Tong (Chinese, 1019–1079

Yosemite Valley, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Photographs, Attributed to Carleton E. Watkins (American, 1829–1916

Street Scene in the Outskirts of Edo on an Evening in Winter, Meiji period (1868–1912), ca. 1878, Japan, Polychrome woodblock print; ink and color on paper, 9 5/32 x 13 5/8 in. (23.3 x 34.6 cm), Prints, Kobayashi Kiyochika (Japanese,

'A King Offers to Make Amends to a Bereaved Mother', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, 1597–98, Attributed to India, Main support: Ink, opaque watercolor, gold on paper, H. 9 3/4 in. .(24.8 cm), Codices, Painting

Sunflowers, 1887, Oil on canvas, 17 x 24 in. (43.2 x 61 cm), Paintings, Vincent van Gogh (Dutch, Zundert 1853–1890 Auvers-sur-Oise

Wine Pot, Wine Cup and Folded Fan, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 11/16 x 6 9/16 in. (19.5 x 16.7 cm), Prints, Yashima Gakutei (Japanese,

清, 八大山人, （朱耷）, 蓮塘戲禽圖, 卷, Birds in a lotus pond, Qing dynasty (1644–1911), ca. 1690, China, Handscroll; ink on satin, 10 3/4 x 80 3/4 in. (27.3 x 205.1 cm), Paintings, Bada Shanren (Zhu Da) (Chinese,

Purse, first quarter 17th century, British, Canvas embroidered with silk, silver, and silver-gilt thread, H. 4 1/2 to 5 1/4 x W. 4 1/2 to 5 3/4 inches (11.4 to 13.3 x 11.4 to 14.6 cm), Textiles-Embroidered

本朝名所　相州江ノ嶋岩屋之図, Soshu, Enoshima Iwaya no Zu, Edo period (1615–1868), ca. 1830, Japan, Polychrome woodblock print; ink and color on paper, 9 7/8 x 14 3/5 in. (25.1 x 37.1 cm), Prints, Utagawa Hiroshige (Japanese,

Vase fragment, Archaic, East Greek/Sardis, Lydian, Terracotta, Overall: 4 13/16 x 4in. (12.2 x 10.1cm), Vases

Fragment of a terracotta kylix: eye-cup (drinking cup), Archaic, ca. 520 B.C., Greek, Attic, Terracotta; red-figure, Overall: 3 5/8 x 2 1/8in. (9.2 x 5.4cm), Vases, Boxer. The original decoration would have shown the boxer between a pair of

[Japanese Woman in Traditional Dress], 1870s, Albumen silver print from glass negative, 25.2 x 19.7 cm (9 15/16 x 7 3/4 in.), Photographs, Suzuki Shin'ichi (Japanese, 1835–1919

Fibula, Greek, Cypriot, Bronze, Other: 4 1/2in. (11.4cm), Bronzes

Nubie. Ibsamboul. Entrée du Spéos d'Hathor, 1850, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, Maxime Du Camp (French, 1822–1894

雪月花　武陽金沢八勝夜景, Panorama of the Eight Views of Kanasawa under a Full Moon, Edo period (1615–1868), 1857, Japan, Triptych of polychrome woodblock prints; ink and color on paper, H. 14 5/8 in. (37.1 cm); W. 29 7/8 in.

Nakayama Tatezo as a Courtesan Standing, Facing Toward the Left, Edo period (1615–1868), ca. 1792–93, Japan, Polychrome woodblock print; ink and color on paper, 12 5/8 x 5 2/3 in. (32.1 x 14.4 cm), Prints, Katsukawa Shun'ei (Japanese,

Terracotta oinochoe (jug), Archaic, 6th century B.C., East Greek, Milesian, Fikellura, Terracotta, H. 6 in. (15.3 cm); diameter of mouth 3 1/4 in. (8.2 cm); diameter of body 4 3/8 in. (11.2 cm), Vases, Decorated with cable pattern on the

[St. James Church, Delhi], 1850s, Albumen silver print, Image: 17.8 x 24.3 cm (7 x 9 9/16 in.), Photographs, Unknown

Women Worshipping the Rising Sun between the Twin Rocks at Ise, Edo period (1615–1868), Japan, Triptych of polychrome woodblock prints; ink and color on paper, 14 1/8 x 28 23/32 in. (35.9 x 73.0 cm), Prints, Kitagawa Utamaro (Japanese,

Terracotta kylix (drinking cup), Classical, mid-5th century B.C., Greek, Attic, Terracotta; red-figure, width 11 3/4in. (29.9cm); diameter 9in. (22.9cm), Vases, Interior, Eros at a herm, Exterior, obverse and reverse, banqueters. The