Images at Librifly

Gates of Paradise, 1798, Twelve engravings, each sheet: 20 7/8 x 22 13/16 in. (53.1 x 58 cm), Prints, Feodor Ivanovich Kalmuk (Russian, 1765–1832), After Lorenzo Ghiberti (Italian, Florence 1378–1455 Florence

[House, Simla], 1850s, Albumen silver print, Image: 10.4 x 17 cm (4 1/8 x 6 11/16 in.), Photographs, Unknown

Fireman's Helmet (Kajikabuto) for a Daimyo, 18th century, Japanese, Gilt copper, leather, felt, silk, lacquer, 39 3/4 x 24 7/16 x 20 1/2 in. (101 x 62 x 52 cm), Helmets

Vue générale des ruines du Palais de Karnac, prise du Nord, 1849–50, Salted paper print from paper negative, Image: 6 in. × 8 3/8 in. (15.3 × 21.2 cm), Photographs, Maxime Du Camp (French, 1822–1894

Temple with Figure, 1st–8th century, Mexico, Mesoamerica, Guerrero, Mezcala, Stone, Height 6-1/2 in., Stone-Sculpture

Terracotta skyphos (deep drinking cup), Classical, mid-5th century B.C., Greek, Attic, Terracotta; red-figure, H. 3 1/4 in. (8.3 cm); diameter 4 in. (10.1 cm); width with handles 6 1/4 in. (15.9 cm), Vases, Obverse and reverse, owl between

Study of a Tree, late 16th–early 17th century, Pen and brown ink over black chalk, sheet: 8 1/16 x 6 1/16 in. (20.4 x 15.4 cm), Drawings, Jacques de Gheyn II (Netherlandish, Antwerp 1565–1629 The Hague

Ichikawa Yaozo III in the Role of Sukeroku from the Play 'Yukari no Edo-sakura', also known as 'Sukeroku', Edo period (1615–1868), 1784, Japan, Polychrome woodblock print; ink and color on paper, 15 1/4 x 10 1/4 in. (38.7 x 26 cm), Prints,

Epichysis, Hellenistic, ca. 325–300 B.C., Greek, South Italian, Apulian, Terracotta; applied color, H. 16.79 cm., Vases

Terracotta oinochoe (jug), Late Classical, ca. 350–330 B.C., Greek, South Italian, Apulian, Canosan, Terracotta; applied color, H. 7 1/16 in. (18 cm), Vases, Decorated with ivy vine

東海道五十三次之内　濱松　冬枯の図, Hamamatsu, Toko no Zu, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 1/16 in. (24.1 x 35.7 cm), Prints, Utagawa Hiroshige

Limestone statue fragment of a hand holding a pyxis or bobbin, Hellenistic, 3rd–1st century B.C., Cypriot, Limestone, Overall: 5 x 4 3/4 x 6 1/2 in. (12.7 x 12.1 x 16.5 cm), Stone Sculpture, The left hand, the nails of which are well

The Zoological Garden, Brussels, 1854, Salted paper print from paper negative, Image: 9 5/16 × 11 9/16 in. (23.7 × 29.4 cm), Photographs, Louis-Pierre-Théophile Dubois de Nehaut (French, active Belgium, 1799–1872

Vase on stand, ca. 1867, French, Paris, Enamel on silver, partially gilt, Overall (confirmed): 12 9/16 x 10 x 7 7/8 in. (31.9 x 25.4 x 20 cm), Enamels, Enameler: Charles Lepec (1830–after 1888), This vase on stand was exhibited in the

Limestone statuette of a beardless male votary with a wreath of leaves, Early Hellenistic, 4th century B.C., Cypriot, Limestone, H. 8 x 4 x 1 3/4 in. (20.3 x 10.2 x 4.4 cm), Stone Sculpture, Young male figure leaning on column

Ocarina, Pre-Columbian, 1300–1500, Sierra Nevada de Santa Marta, Colombia, Tairona People; Gayraca style, Ceramic, L. 5 cm (1-15/16 in.); W. 4.6 cm (1-13/16 in.), Aerophone-Whistle Flute-vessel flute

Mrs. F. H. Evans, ca. 1901, Platinum print, Image: 7 1/2 × 5 3/4 in. (19 × 14.6 cm), Photographs, Mounted by Frederick H. Evans (British, London 1853–1943 London

Terracotta tumbler, Middle Minoan IA, ca. 2100–1950 B.C., Minoan, Terracotta; White-on-dark ware, 2 13/16in. (7.1cm), Vases, Decorated with white band on a dark slip

Porringer, ca. 1720, Made in Newport, Rhode Island, United States, American, Silver, Overall: 2 1/4 x 8 1/16 in. (5.7 x 20.5 cm); 8 oz. 16 dwt. (274.3 g), Silver, Possibly John Coddington (ca. 1690–1743

Terracotta neck-amphora (jar), Archaic, ca. 500 B.C., Greek, Attic, Terracotta; black-figure, H. 13 1/16 in. (33.1 cm); diameter 8 1/8 in. (20.7 cm), Vases, Obverse, Herakles and the Nemean lion, Reverse, women at a fountain house.

(Copy after) The Sixteen Luohans, Qing dynasty (1644–1911), 19th–early 20th century, China, Handscroll; ink on paper, 19 5/8 in. × 20 ft. 9 3/4 in. (49.8 × 634.4 cm), Paintings, In the Style of Shitao (Zhu Ruoji) (Chinese, 1642–1707

Nakasu no suzumi, Enjoying the Evening Cool at Nakasu, Edo period (1615–1868), ca. 1782–83, Japan, Polychrome woodblock print; ink and color on paper, 14 3/4 x 10 1/2 in. (37.5 x 26.7 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Porringer, 1750–70, Possibly made in South Kingstown, Rhode Island, United States; Possibly made in Exeter, Rhode Island, United States, American, Silver, Overall: 1 13/16 x 7 5/8 in. (4.6 x 19.4 cm); 8 oz. 11 dwt. (263.1 g), Silver,

Hinge from the Hendrick Smit House, ca. 1704, Made in Ulster County, New York, United States, American, Wrought iron, 1 1/16 x 2 15/16 x 13 1/4 in. (2.7 x 7.5 x 33.7 cm), Metal

Gabbro mace head, Early Bronze Age, ca. 2500–1900 B.C., Cypriot, Gabbro, Overall: 2 1/2 x 2 1/2 x 2 1/2in. (6.3 x 6.3 x 6.3cm), Miscellaneous-Stone, Spherical with a hole through the center

Tumbler, ca. 1825, Made in Pittsburgh, Pennsylvania, United States, American, Blown and cut glass; clay cameo, H. 3 3/8 in. (8.6 cm); Diam. 3 1/8 in. (7.9 cm), Glass, Bakewell, Page & Bakewell (1808–1882), The cameo portrait in the base

Terracotta lebes (deep bowl), Classical, ca. 450–425 B.C., Greek, Attic, Terracotta; black-glaze, H. 10 1/2 in. (26.7 cm), Vases, At symposia (drinking parties) and other occasions, vases were wreathed with tendrils or stems of various

Vase fragment, Neolithic, second period, ca. 4000–3000 B.C., Neolithic, Thessaly, Terracotta, length 1 15/16in. (4.9cm), Vases

Snaphaunce Gun, 18th century, Moroccan, Kabyle, Wood, steel, ivory, silver, iron, L. 53 in. (134.6 cm), Firearms-Guns-Snaphaunce

近江八景之内　堅田落雁, Returning Geese at Katada, Edo period (1615–1868), ca. 1832, Japan, Polychrome woodblock print; ink and color on paper, 8 7/8 x 13 3/4 in. (22.5 x 34.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

Limestone votive Ionic capital, Hellenistic, ca. 3rd–1st century B.C., Cypriot, Limestone, Overall: 10 1/8 x 27 3/4 x 23 1/2 in. (25.7 x 70.5 x 59.7 cm), Stone Sculpture, The unusual triangular shape and the presence of a hollow in the top

Silver bracelet ending in snake's heads, Classical, 5th century B.C., Greek, Silver, Diam.: 3 3/4 in. (9.5 cm), Gold and Silver, The flattened ends are incised with lines representing stylized snakes' heads

[Banian Tree], 1850s, Albumen silver print, Image: 19.3 x 23.2 cm (7 5/8 x 9 1/8 in.), Photographs, Captain R. B. Hill

Terracotta statuette of Harpokrates riding a goose, Imperial, ca. 2nd century A.D., Roman, Egyptian, Terracotta, H.: 7 13/16 in. (19.8 cm), Terracottas, In high headdress riding on a swan; right hand on mouth

Boy with Cow at the River's Edge, Meiji period (1868–1912), Japan, Album leaf; ink and color on silk, 14 1/8 x 10 3/8 in. (35.9 x 26.4 cm), Paintings, Hashimoto Gahō (Japanese, 1835–1908

Set of four three-light wall brackets, ca. 1785, French, Gilt bronze, Each: H. 34 1/8 x W. 17 x 11 in. (86.7 x 43.2 x 27.9 cm), Metalwork-Gilt Bronze

Bag with Fringes, 7th–10th century, Peru, Wari, Cotton, camelid hair, Height 10-1/2 in., Textiles-Woven

Terracotta alabastron (jar), Late Bronze Age, ca. 1600–1050 B.C., Mycenaean, Terracotta, H. 2 1/2 in. (6.3 cm.), Vases, Low body and two small handles

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 3/4 x 1 in. (1.9 x 2.6 cm), Glass, Rim fragment., Translucent purple, opaque yellow and red, and colorless., Applied

Bronze arrowhead, 6th–4th century B.C. or later, Greek or Achaemenid, Bronze, Other: 1 5/16 in. (3.3 cm), Bronzes, With socket; three flanged

Scene from a Play, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/4 in. (31.1 cm); W. 5 3/4 in. (14.6 cm), Prints, Katsukawa Shunjō (Japanese, died 1787

Vivien and Merlin, 1874, Albumen silver print from glass negative, 30.4 x 25.3 cm (11 15/16 x 9 15/16 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon), In 1874, Julia Margaret Cameron

Madame Medori, ca. 1857, Salted paper print from glass negative, Image: 20.6 x 15.6 cm (8 1/8 x 6 1/8 in.), Photographs, Mathew B. Brady (American, born Ireland, 1823?–1896 New York), Brady was a skilled daguerreotypist, having learned the

Vase fragment, Neolithic, second period, ca. 4000–3000 B.C., Neolithic, Thessaly, Terracotta, length 2 5/16in. (5.9cm), Vases

The Fourth Iwai Hanshiro as a Woman Standing under a Torii, Edo period (1615–1868), ca. 1791?, Japan, One sheet of a triptych of polychrome woodblock prints; ink and color on paper, 12 3/4 x 5 5/8 in. (32.4 x 14.3 cm), Prints, Katsukawa

Recumbent Anubis, Late Period–Ptolemaic Period, 664–30 B.C., From Egypt, Memphite Region, North Saqqara, Sacred Animal Necropolis, Temple deposit, EES excavations 1966–67, Limestone, originally painted black, h. 38.1 cm (15 in); l.

Design of Flowers, Edo period (1615–1868), Japan, Polychrome woodblock print (leaf from an album); ink and color on paper, H. 10 in. (25.4 cm); W. 14 3/16 in. (36 cm), Prints, Ogata Kōrin (Japanese, 1658–1716

Vase fragment, Neolithic, first period, Neolithic, Thessaly, Terracotta, length 2 1/4in. (5.7cm), Vases

Statuette of an athlete, Classical, 5th century B.C., Greek or Etruscan, Bronze, H.: 3 x 1 1/2 x 2 3/8 in. (7.6 x 3.8 x 6 cm), Bronzes

Bronze hydria (water jar), Late Classical, ca. 375–350 B.C., Greek, Bronze, silver, H. 19 1/16 in. (48.4 cm), Bronzes, The relief under the handle shows Boreas, the north wind, abducting Oreithyia, the daughter of Erechtheus, legendary

東海道五十三次　小田原, Odawara, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

Portrait of a Woman, 1648, Oil on canvas, Overall 40 3/4 x 31 1/2 in. (103.5 x 80 cm); painted surface 40 3/4 x 30 7/8 in. (103.5 x 78.4 cm), Paintings, Cornelis Jonson van Ceulen the Elder (Dutch, London 1593–1661 Utrecht

Relief from a Pulpit with the Symbol of Saint Luke, ca. 1180, Made in Abruzzo, Central Italy, Italian, Limestone with lead, Overall: 45 1/4 x 22 1/16 x 8 1/4in. (115 x 56 x 21cm), Sculpture-Architectural, Master Christophanus or Stephanus

Fragment of a Tunic, 3rd–4th century, Attributed to Egypt, Wool, linen; plain weave, tapestry weave, 8 1/16 in. high 9 5/8 in. wide (20.4 cm high 24.5 cm wide), Textiles

Glass bead, Late Classical, 2nd half of 4th century B.C., Carthaginian, Glass; rod-formed, 15/16 × 1 1/8 in. (2.3 × 2.8 cm), Glass, Ground in semi-opaque dark blue, appearing black; additions in opaque yellow and white., Spherical with

Glass ribbed bowl, Early Imperial, Augustan or Julio-Claudian, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, tooled, and cut, H.: 2 1/8 x 4 5/8 in. (5.4 x 11.7 cm), Glass, Translucent cobalt blue., Slightly outsplayed

Pottery Whistle, Pre-Columbian, ca. 800–1500, Central Region?, Costa Rica, Costa Rican, Clay, L. 4.9 cm (2 in.); W. 4.3 cm (1-3/4 in.); H. 3.4 cm (1-3/8 in.); Wt. 26 g, Aerophone-Whistle Flute-whistle

[untitled], ca. 1869, Albumen silver print from glass negative, Image: 8 in. × 11 5/16 in. (20.3 × 28.8 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Bronze statuette of a draped man, Hellenistic or Early Imperial, 1st century B.C.–1st century A.D., Greek or Roman, Bronze, H. 4 3/4 in. (12.1 cm), Bronzes, This impressive statuette shows a mature, bearded man who stands purposefully and

Terracotta lekythos (oil flask), Classical, ca. 420 B.C., Greek, Attic, Terracotta; white-ground, H. 13 5/8 in. (34.6 cm), Vases, Woman and youth at a tomb. One of the objects carried by the woman is a plemochoe, a container for perfumed

Glass beaker, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Height: 3 9/16in. (9cm), Glass, Colorless with green blue tinge. Rounded, inverted rim; hour-glass shape to body with sides tapering in downward and then expanding

David Maitland Makgill Crichton, Rankeillour, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland

Attachment in the form of the head of a goddess wearing the double crown, Third Intermediate Period, ca. 1070–664 B.C., From Egypt, Leaded bronze, gold and electrum sheet on crown, Egyptian blue and glass inlays, h. 16.5 cm (6 1/2 in); w.

Landscape in the Style of Huichong, Qing dynasty (1644–1911), 18th century or later, spurious date of 1676, China, Folding fan mounted as an album leaf; ink and color on paper, 6 3/8 x 20 1/2 in. (16.2 x 52.1 cm), Paintings, Unidentified

Fragment of a terracotta calyx-krater (mixing bowl), Late Classical, ca. 400–380 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, Overall: 6 x 3 9/16in. (15.3 x 9cm), Vases, The ransom of Hector and Apollo with a goddess. The

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Other: 3/4 x 1 15/16 in. (1.9 x 4.9 cm), Glass, Body fragment., Translucent cobalt blue, purple, opaque white

Terracotta pyxis (cosmetic box), Archaic, 6th century B.C., Greek, Boeotian, Terracotta; black-figure, H.: 3 5/16 in. (8.4 cm), Vases, The pattern on the box of the pyxis is reminiscent of an organic material such as rush, grass, possibly

Terracotta pyxis (box), Classical, last quarter of 5th century B.C., Greek, Attic, Terracotta; red-figure, diameter 2 5/8in. (6.6cm), Vases, Forepart of lion. This pyxis forms a pair with .81.1a, b

Terracotta miniature Panathenaic amphora, Classical, ca. 400 B.C., Greek, Attic, Terracotta; black-figure, H. 3 1/16 in. (7.8 cm), Vases, Obverse, Athena., Reverse, seated athlete

Boston, as the Eagle and the Wild Goose See It, 1860, Albumen silver print from glass negative, Image: 18.5 x 16.7 cm (7 5/16 x 6 9/16 in.), irregularly trimmed, Photographs, James Wallace Black (American, 1825–1896), After Southworth and

Vue du Village d'Abou-hor (Tropique du Cancer), April 1850, Salted paper print from paper negative, Image: 5 3/4 × 8 9/16 in. (14.6 × 21.8 cm), Photographs, Maxime Du Camp (French, 1822–1894

Gold ring with intaglio of seated woman and flying Eros, Classical, 2nd half of the 5th century B.C., Greek, Gold, Overall: 7 1/16 x 7/16in. (18 x 1.1cm), Gold and Silver, The bezel of this ring has an exquisitely detailed intaglio of a woman

Viaduc de la Voulte, 1861 or after, Albumen silver print from glass negative, Image: 30.5 x 43.2 cm (12 x 17 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 3/8 in. × 10 in. (36.5 × 25.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Terracotta amphoriskos (flask), Late Classical, 4th century B.C., Greek, Attic ?, Terracotta, H. 2 5/8 in. (6.7 cm), Vases, Handles folded down on shoulders

Shells under Water, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print; ink and color on paper, 9 1/8 x 14 7/8 in. (23.2 x 37.8 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Water cooler, 1850–59, Made in Bennington, Vermont, United States, American, Stoneware, H. 13 in. (33 cm); Diam. 10 in. (25.4 cm), Ceramics, Julius and Edward Norton (active 1850–59), During the 1850s, Julius and Edward Norton, like

Glass mosaic inlay fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 7/8 x 1 5/16 in. (2.2 x 3.3 cm), Glass, Opaque deep purple and white., Flat, triangular plaque., Marbled mosaic

Ring, Cypriot, Bronze, Other: 1 7/16in. (3.6cm), Bronzes

Shōno Hakuu, 東海道五十三次之内　庄野　白雨, White Rain at Shōno, Edo period (1615–1868), 1797–1861, Japan, Polychrome woodblock print; ink and color on paper, 9 1/2 x 14 1/2 in. (24.1 x 36.8 cm), Prints, Utagawa

近江八景, Eight Views of Ōmi (Ōmi hakkei), Edo period (1615–1868), Probably late 18th or early 19th century, Japan, Six-panel folding screen; ink and paper, Image: 46 in. x 13 ft. (116.8 x 396.2 cm), Screens, After Soga Shōhaku

Watercolor of musician playing drum, late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

Coin with Gemini Zodiac Sign, dated A.H. 1027/ A.D. 1618, Attributed to India, Silver, Diam. 13/16 in. (2 cm), Coins, This coin bears a Gemini symbol, but it was not created for talismanic purposes. This sign instead corresponds to the month

Caswell Garden; Geneviève, 1853–56, Salted paper print, Image: 12.8 × 11 cm (5 1/16 × 4 5/16 in.) (a), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

Needle, netting, Bronze, Other: 7 3/4 in. (19.7 cm), Bronzes

近江八景之内 瀬田夕照, Seta no Sekisho. Sunset, Seta. Lake Biwa, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 8 23/32 x 13 5/8 in. (22.2 x 34.6 cm), Prints, Utagawa Hiroshige

Gold earring with convex disk and small disk, Imperial, 1st–2nd century A.D., Roman, Gold, Other: 1 3/16 in. (3 cm), Gold and Silver, Convex discs of plain foil

Porringer, 1720–35, Made in Newport, Rhode Island, United States, American, Silver, Overall: 2 x 8 1/8 in. (5.1 x 20.6 cm); 7 oz. 18 dwt. (246.1 g), Silver, Samuel Vernon (1683–1737

Lady Playing Shamisen, with Her Lover and Attendant Nearby, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, H. 10 3/16 in. (25.9 cm); W. 14 1/2 in. (36.8 cm), Prints, Nishikawa Sukenobu (Japanese, 1671–1750

Platter (Siye Kon), 19th–early 20th century, Vanuatu, Ambrym Island, Ambrym Island, Wood, H. 5 7/8 x W. 12 x D. 33 3/4 in. (14.9 x 30.5 x 85.7 cm), Wood-Containers

Terracotta oinochoe (jug), Hellenistic, ca. 330–300 B.C., Greek, South Italian, Campanian, Teano, Terracotta; applied color, H. 6 5/8 in. (16.8 cm), Vases, Decorated with ivy vine and egg-pattern

Gold stater, Archaic, ca. 560–546 B.C., Lydian, Gold, Overall: 3/8 x 9/16 x 1/16 in. (1 x 1.4 x 0.2 cm), Coins, Foreparts of lion and bull confronted

隋 青銅鎏金觀音菩薩像, Bodhisattva Avalokiteshvara (Guanyin), Sui dynasty (581–618), late 6th century, China, Gilt bronze; piece-mold cast, H. 17 1/4 in. (43.8 cm); W. 5 in. (12.7 cm); D. 4 7/8 in. (12.4 cm), Sculpture, This

Glass amphoriskos (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H. 3 1/16 in. (7.8 cm), Glass, Translucent blue, with handles in same color; trails in opaque yellow and

Cup with Molded Honeycomb Pattern, 7th–10th century or later, Probably made in Iraq, Glass, colorless with yellow tinge; dip-molded, blown, H. 4 1/8 in. (10.5 cm), Glass, The imprecise 'honeycomb' pattern that decorates the surface of this

Cunningham, Beff, John Hamilton, Guthrie, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland

Taweret Amulet, Late Period, Dynasty 26–29, 664–332 B.C., From Egypt, Faience, H. 5.1 cm (2 in), Taweret and other closely related goddesses were created from a blending of lion, hippo, crocodile, and human attributes. The three animals

'Battle Scene', Folio from a Zafarnama (Book of Victories) of Sharaf al-Din 'Ali Yazdi, 1485–86, Attributed to present-day Afghanistan, Herat, Ink, watercolor, and gold on paper, Painting: H. 9 3/8 in. (23.8 cm), Codices

Seated Male Nude, 1704, Black chalk, heightened with white, 12 1/16 x 18 1/4 in. (30.7 x 46.4 cm), Drawings, Louis de Boullogne the Younger (French, Paris 1654–1733 Paris), Son and student of the painter Louis de Boullogne The Elder, one