Images at Librifly

Rev. Dr. William Hamilton Burns, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Porringer, 1725–45, Made in Boston, Massachusetts, United States, American, Silver, Overall: 1 13/16 x 7 13/16 in. (4.6 x 19.8 cm); 8 oz. (247.9 g), Silver, John Burt (1692/93–1745/46

Radha's Friend Pleads with Her to Receive Krishna: Page from a Dispersed Rasikapriya, 1634, India (Madhya Pradesh, Malwa), Ink and opaque watercolor on paper, 7 3/4 x 6 in. (19.7 x 15.2 cm), Paintings, Krishna approaches Radha’s pavilion,

Ce fut un religieux mystère, from the album Amours, 1899, Color lithograph, sheet: 21 1/4 x 16 5/16 in. (54 x 41.5 cm), Prints, Maurice Denis (French, Granville 1870–1943 Saint-Germain-en-Laye

Terracotta wine amphora, Republic, ca. 100 B.C., Roman, Terracotta, H. 40 1/2 in. (102.9 cm), Vases, The amphora comes from a shipwrecked cargo vessel (Grand Congloué B) that was explored by Capt. Cousteau and Prof. Benoît in 1952-3. The

Landscape, Qing dynasty (1644–1911), China, Album leaf; ink and color on silk, 8 9/16 x 13 5/8 in. (21.7 x 34.6 cm), Paintings, Unidentified Artist

富本豊ひな, The Lady Tomimoto Toyohina Reading a Letter, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print; ink and color on paper, H. 14 5/8 in. (37.1 cm); W. 9 3/8 in. (23.8 cm), Prints, Kitagawa Utamaro (Japanese,

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, 2 in. (5.1 cm), Glass, Small perfume bottle Translucent cobalt blue. Plain, rounded rim; flaring mouth; funnel-shaped neck; globular body; slightly cncave bottom.

Glass dish, Early Imperial, 1st century A.D., Roman, Cypriot, Glass; blown, 1 3/4 x 8 3/16in. (4.5 x 20.9cm), Glass, Translucent pale blue green. Rounded, flaring rim, with horizontal outward rib below; slightly convex side of uneven

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 3/16 × 1 9/16 × 1/8 in. (3.1 × 4 × 0.3 cm), Vases

Terracotta amphora (two-handled jar), Mid-Imperial, ca. A.D. 100–225, Roman, Syrian, Terracotta; alkaline-glazed ware, H. 16 11/16 in. (42.4 cm), Vases, Decorated with reliefs and grooves

The Empire State - C. Grove, ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled album

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 1/16 × 9 7/8 in. (35.7 × 25.1 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

The Demon Marichi Tries to Dissuade Ravana, ca. 1780, India (Himachal Pradesh, Kangra), Ink, opaque watercolor, silver, and gold on paper, 9 3/4 x 14 in. (24.8 x 35.6 cm), Paintings, After Ravana decides to abduct Sita, he leaves his

Terracotta hydria: kalpis (water jar), Late Classical, early 4th century B.C., Greek, Attic, Terracotta; red-figure, H. 17 5/8 in. (44.7 cm); diameter mouth 7 in. (17.8 cm); diameter foot 6 1/4 in. (15.8 cm), Vases, Poseidon and Amymone

Terracotta relief with the head of a woman, Classical, mid-5th century B.C., Greek, Corinthian, Terracotta, H. 5 1/2 in. (14 cm), Terracottas, Holes for suspension. Long narrow face, large eyes with little detail; full lips, slightly

John Ban MacKenzie, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Nîmes, Tour Magne, 1853, Albumen silver print from paper negative, Image: 42.9 x 33 cm (16 7/8 x 13 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889), At the Tour Magne in Nîmes, Baldus filled the frame with the

Gold spiral, Late Bronze Age, ca. 1600–1100 B.C., Cypriot, Gold, Length: 11/16 in. (1.7 cm), Gold and Silver, Of plain wire with one turn

Lead wreath of lotus buds, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 3/8 in. (0.9 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of

Landscape with Man Crossing Bridge, Ming dynasty (?) (1368–1644), China, Miniature from album of eleven paintings; ink and color on silk, 5 x 6 3/4 in. (12.7 x 17.1 cm), Paintings, Fan Hong

A Farm in Brittany, ca. 1894, Oil on canvas, 28 1/2 x 35 5/8 in. (72.4 x 90.5 cm), Paintings, Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands), Breton culture, infused with vestiges of its pagan Celtic past,

Vue de Djebel-el-teir et du Convent de la Poulie, 1850, Salted paper print from paper negative, Image: 5 5/8 × 8 3/8 in. (14.3 × 21.3 cm), Photographs, Maxime Du Camp (French, 1822–1894

Chessboard' Carpet, late 16th–early 17th century, Attributed to probably Syria, Animal hair (warp and pile), wool (weft); asymmetrically knotted pile, Rug: H. 73 1/2 in. (186.7 cm), Textiles-Rugs, The field of the so-called 'Chessboard'

Self-Portrait, ca. 1665, Oil on wood, 19 1/4 x 15 3/8 in. (48.9 x 39.1 cm), Paintings, Gerrit Dou (Dutch, Leiden 1613–1675 Leiden), Dou was the leading figure among the Leiden fijnschilders (fine painters) who continued the earlier

Bronze bow fibula (safety pin) with four ducks, ca. 900 B.C., Villanovan, Bronze, Overall: 3 7/16 x 3/8 in. (8.8 x 1 cm), Bronzes, The incorporation of four swimming ducks makes this fibula unusual. Delicate patterns on the bow, bold spirals

Foglia di Peonia, 1839, Photogenic drawing, 18.6 x 12 cm (7 5/16 x 4 3/4 in.), irregularly trimmed, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Glass gold-band mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 7/8 x 5/8 in. (2.2 x 1.5 cm), Glass, Rim fragment., Translucent blue, turquoise blue and yellow appearing green,

Statuette of Herakles holding apples, Roman Period, ca. 1st–2nd century, From Egypt, Bronze, H. 9.5 cm (3 3/4 in.), The hero holds the golden apples of the Hesperides in his left hand

Cour Saint-Guillaume, ca. 1865, Albumen silver print from glass negative, Image: 34.2 x 27.2 cm (13 7/16 x 10 11/16 in.), Photographs, Charles Marville (French, Paris 1813–1879 Paris

Old Mission Church, Santa Barbara, 1876, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Study for 'Portrait of an Indian', ca. 1807, Oil on canvas, 16 x 12 7/8 in. (40.6 x 32.7 cm), Paintings, Anne Louis Girodet-Trioson (French, Montargis 1767–1824 Paris), This highly finished oil sketch served as the modello for a portrait now

京都名所之内　祇園社雪中, Gion Shrine in Snow, Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 15 1/8 in. (24.8 x 38.4 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

Plaque with the Crucifixion, 13th century, Made in Limoges, France, French, Champlevé enamel, copper-gilt, Overall: 8 9/16 x 6 11/16 x 1/4in. (21.8 x 17 x 0.7cm), Enamels-Champlev

Three Girls Singing and Dancing, probably 1815, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 15/16 x 7 in. (20.2 x 17.8 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Ax, ca. 1450–1500, Syrian, Steel, gold, wood, H. 28 1/2 (72.3 cm); H. of axhead 10 1/4 in. (26.0 cm); H. of handle 27 in. (68.6 cm); W. of blade 9 1/4 in. (23.5 cm); Wt. 2 lb. 15 oz. (1341 g), Shafted Weapons, The Mamluk sultans and emirs

Glass jug with spout, Late Imperial, 3rd–4th century A.D., Roman, Glass; blown and trailed, H.: 4 1/2 in. (11.4 cm), Glass, Translucent pale blue green; handle, spout, and trails in same color. Plain, rounded rim; flaring mouth;

The Actor Nakamura Utaemon I as a Monk under a Willow Tree, Edo period (1615–1868), 1726–1792, Japan, Polychrome woodblock print; ink and color on paper, 12 1/8 x 5 7/8 in. (30.8 x 14.9 cm), Prints, Katsukawa Shunshō (Japanese,

[Part of Governor General's Camp at Cawnpoor, 1859], 1859, Albumen silver print, Image: 13.2 x 19.9 cm (5 3/16 x 7 13/16 in.), Photographs, Unknown

Piece, early 17th century, Italian or Spanish, Silk and linen, Overall: 15 1/2 x 18 in. (39.4 x 45.7 cm), Textiles-Woven

Children Play-acting a Daimyo Procession, Edo period (1615–1868), ca. 1763, Japan, Polychrome woodblock print; ink and color on paper, 12 1/8 x 16 1/2 in. (30.8 x 41.9 cm), Prints, Torii Kiyomitsu (Japanese, 1735–1785

Fibula, boat-shaped type, Bronze, Other: 1 13/16 in. (4.6 cm), Bronzes

Miniature Dress, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 11 1/4 x W. 10 1/8 in. (28.9 x 25.4 cm), Textiles-Featherwork

Kardâcy, Sanctuaire, Niches et Inscriptions Taillées dans les Carrières, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.7 x 30.6 cm. (9 5/16 x 12 1/16 in.), Photographs, Félix Teynard (French, 1817–1892

近江八景之内 石山秋月, The Autumn Moon at Ishiyama on Lake Biwa, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 9 7/8 x 14 15/32 in. (25.1 x 36.8 cm), Prints, Utagawa Hiroshige

Bottle with Pine and Character for Longevity (Shou), Ming dynasty (1368–1644), Jiajing period (1522–66), China, Porcelain painted in underglaze blue, H. 6 7/8 in. (17.5 cm); Diam. 6 in. (15.2 cm), Ceramics

Limestone beardless male head with a wreath of rosettes, Late Archaic, early 5th century B.C., Cypriot, Limestone, Overall: 10 x 7 x 8 3/4 in. (25.4 x 17.8 x 22.2 cm), Stone Sculpture, Male head with wreath of large flowers

Marble portrait head of the Emperor Constantine I, Late Imperial, Constantinian, ca. A.D. 325–370, Roman, Marble, 37 1/2 x 23 x 261/2 in. (95.25 x 58.4 x 67.3 cm), Stone Sculpture, Constantine the Great was the first Christian emperor of

Buddha and Attendants, 阿弥陀二十五菩薩来迎図, Edo period (1615–1868), 17th–18th century, Japan, Hanging scroll; ink and color on paper, 37 15/16 x 18 3/16 in. (96.4 x 46.2 cm), Paintings

Scene From a Drama, Edo period (1615–1868), ca. 1789, Japan, Polychrome woodblock print; ink and color on paper, 14 3/8 × 10 in. (36.5 × 25.4 cm), Prints, Katsukawa Shunchō (Japanese, active ca. 1783–95

Glass mosaic carinated bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 5/8 x 1 in. (1.5 x 2.5 cm), Glass, Body fragment., Translucent cobalt blue and purple, opaque white, yellow,

Silver gilt spirals and bead, Archaic, 2nd half of the 6th century B.C., Greek, Gold, silver, Other (average length): 1 1/16 in. (2.7 cm), Gold and Silver, Five pairs of silver spiral earrings, two with palmette decoration, and an elongaded

Version of Legend of Michizane: Woman Riding Ox Which a Man is Leading, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 6 13/16 x 8 1/8 in. (17.3 x 20.6 cm), Prints, Utagawa Toyohiro (Japanese,

Terracotta statuette of a man seated on a horse, Late Classical or Hellenistic, ca. 350–200 B.C., Greek, Terracotta, H. 4 5/8 in. (11.7 cm), Terracottas, Carrying shield on a galloping horse

Insects and Grasses, Edo period (1615–1868), dated 1847, Japan, Handscroll; ink and color on silk, Image: 8 1/4 x 95 in. (21 x 241.3 cm), Paintings, Yamamoto Baiitsu (Japanese, 1783–1856), This consummate summer subject, painted by

Gorge d'Astos, prise en revenant du lac d'Oo, Luchon, 1853, Salted paper print from paper negative, Image: 9 3/4 × 14 5/16 in. (24.7 × 36.3 cm), Photographs, Joseph Vigier (French, 1821–1862

Sweret Bead on Gold Wire, New Kingdom, Dynasty 18, ca. 1479–1425 B.C., From Egypt, Upper Egypt, Thebes, Wadi Gabbanat el-Qurud, Wadi D, Tomb of the 3 Foreign Wives of Thutmose III, Carnelian, gold, Diam. of wire 10 cm (3 15/16 in), The

Agate oval seal, Archaic, 6th century B.C., Greek, Agate, banded, Length: 3/4 in. (1.9 cm), Gems, Two prancing ibexes

Page of Calligraphy from a Shahnama (Book of Kings), 1562–83, Attributed to Iran, Shiraz, Ink, opaque watercolor, and gold on paper, Codices

南宋 高宗 草書天山陰雨七絕詩 團扇, Quatrain on Heavenly Mountain, Song dynasty (960–1279), after 1162, China, Fan mounted as album leaf; ink on silk, 9 1/4 x 9 5/8 in. (23.5 x 24.4 cm), Calligraphy, Emperor Gaozong (Chinese,

Carnelian intaglio of a gladiator fighting a lion, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Carnelian, H. 9/16 in. (1.5 cm), Gems, In the Early Imperial period, a popular part of the gladiatorial games was the

狂月坊, The Palace in the Moon, Edo period (1615–1868), 8th month, 1789, Japan, Polychrome woodblock print; ink and color on paper, 9 3/8 x 14 11/16 in. (23.8 x 37.3 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Bronze statuette of a bull, ca. 2nd century A.D., Roman, Bronze, H.: 2 5/16 x 4 5/16 in. (5.9 x 11 cm), Bronzes, The bull was a powerful symbol in many ancient religions, none more so than in that of Egypt, where the animal was worshipped as

Squat lekythos, Late Classical, ca. 350–300 B.C., Greek, South Italian, Apulian, Terracotta, 5 7/16in. (13.8cm), Vases

Terracotta pyxis (box), Classical, last quarter of 5th century B.C., Greek, Attic, Terracotta; red-figure, diameter 2 11/16in. (6.8cm), Vases, Forepart of a lion. This pyxis forms a pair with .81.2a, b

Decanter, ca. 1867, Made in Sandwich, Massachusetts, United States, American, Blown, cut, and engraved glass, H. 12 3/4 in. (32.4 cm); Diam. 3 7/16 in. (8.7 cm), Glass, In 1867, after twenty-two years of employment as factory

Glass monochrome inlay fragment, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; cast, Overall: 1 1/4 x 2 3/16 in. (3.2 x 5.6 cm), Glass, Fragment of revetment plaque., Opaque red., Flat inlay, with irregular

Star-Shaped Plaque, first half 16th century, Attributed to Iran, Ivory; carved with traces of pigment, H. 1/4 in. (0.6 cm) , Ivories and Bone, Muhammad Talib Gilani, This carved ivory plaque bears the signature of an otherwise unknown

Bronze bust of a Silenus, Imperial, ca. A.D. 50–125, Roman, Bronze, H. 4 3/4 in. (12 cm), Bronzes, The Silenus wears a fawn skin and ivy wreath. There is silver inlay on the hair, the body and the whites of the eyes. There is copper inlay

Terracotta statuette of a satyr, Early Hellenistic, late 4th–early 3rd century B.C., Greek, South Italian, Tarentine, Terracotta, H. 8 5/16 in. (21.1 cm), Terracottas, The satyr wears a wreath and holds a cornucopia in his left hand

Jérusalem, Hospital de Sainte-Hélène, Face Sud, 1854, Salted paper print from paper negative, Image: 32.5 x 23.7 cm (12 13/16 x 9 5/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

[Palace of the Shah], 1850s, Albumen silver print from paper negative, Photographs, Luigi Pesce (Italian, 1818–1891

Glass rod, Early Imperial, ca. 1st century A.D., Roman, Glass; drawn and twisted, H.: 10 5/16 in. (26.2 cm), Glass, Translucent yellowish green., Long rod, spirally twisted, tapering towards one end, and tooled into a biconical knob at the

Bottle, 1815–45, Possibly made in Pennsylvania, United States; Possibly made in Ohio, United States, American, Blown, pattern-molded glass, H. 8 in. (20.3 cm), Glass

Chest, Joseon dynasty (1392–1910), early 20th century, Korea, Lacquered wood with mother-of-pearl, tortoiseshell, sharkskin, brass wire inlay and brass fittings, H. 34 in. (86.4 cm); W. 27 5/8 in. (70.2 cm); D. 16 3/4 in. (42.5 cm),

Seated Jain Tirthankara, 15th century, India, Bronze, H. 7 9/16 in. (19.2 cm); W. 5 1/16 in. (12.9 cm); D. 3 1/4 in. (8.3 cm), Sculpture

Glass lamp, Late Imperial, 4th century A.D., Roman, Glass; blown, Height: 5 3/4 in. (14.6 cm), Glass, Translucent pale green with bluish tinge Unworked, uneven, knocked off rim; narrow bulging collar below; almost straight sides tapering to

Design for Saint Michael's Church, Charleston, South Carolina, ca. 1905, Made in New York, United States, American, Watercolor, pen and metallic ink, and graphite pencil on artist board, Overall: 23 3/16 x 18 5/8 in. (58.9 x 47.3 cm),

東海道五十三次之内　石薬師　石薬師寺, The Ishiyakushi Temple at Ishiyakushi, Edo period (1615–1868), 1834, Japan, Polychrome woodblock print; ink and color on paper, 8 7/8 x 13 5/8 in. (22.5 x 34.6 cm), Prints, Utagawa

Beaker with Fish Motifs, 13th–14th century, Attributed to Syria, Glass, colorless with yellow tinge; blown, applied ring foot, enameled and gilded, H. 5 1/4 in. (13.3 cm), Glass, Glass decorated with contrasting colors was common in the

Glass jug with snake-thread decoration, Mid Imperial, late 2nd–3rd century A.D., Roman, Rhenish, Glass; blown and trailed, H. with handle 5 3/8 in. (13.6 cm), Glass, Colorless with pale green tinge; handle in same glass; trails in

[Mosque at Sultaniye, [same as 46] ], 1840s–60s, Albumen silver print, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, Overall: 4 1/16 in. (10.3 cm), Glass, Translucent pale blue green. Rim folded out, over, and in, flattened on top with slight constriction to mouth; cylindrical

Mr. McNab - Botanical Gardens, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Actor Nakamura Senya as Tokonatsu in the Kabuki Play, 'The Legacy of the Three-Comma Family Crest Revealed' (Mitsutomoe Katoku Binaki), Edo period (1615–1868), ca. 1716, Japan, Polychrome woodblock print (tan-e); ink and color on paper, 23

Terracotta stamnos (jar), Classical, ca. 450–440 B.C., Greek, Attic, Terracotta; red-figure, H. 12 1/4 in. (31.1 cm), Vases, Obverse, woman ladles wine from a stamnos into a phiale (libation bowl) while companions hold phiale and

Kylix fragments, 6, Late Archaic, ca. 490 B.C., Greek, Attic, Terracotta; red-figure, 7 5/8 × 7 1/4 in. (19.4 × 18.4 cm), Vases

Snow-covered Mountains, Song dynasty (960–1279), ca. 1000, China, Album leaf; painted silk, 14 x 12 1/4 in. (35.6 x 31.1 cm), Paintings, Attributed to Xu Daoning (active ca. 1030–67

Contrabassoon in C, 1825–33, Vienna, Austria, Austrian, Maple, brass, Length (end to end) 1612 mm, Diameter of bell (215 mm), Length of tube ca. 4100 mm (including crook and reed), Length of crook extension 680 mm, Length of wing

[Soldier with Rifle and Bugle], 1880s–90s, Gelatin silver print, Photographs, Unknown (French

The Lesson, 1856, Albumen silver print, Photographs, William G. Campbell (British

Glass striped mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/16 x 15/16 in. (2.7 x 2.4 cm), Glass, Rim fragment., Translucent honey brown, blue, purple appearing opaque

唐 彩繪石雕阿難陀像（石灰岩）, Monk, probably Ananda (Anantuo), Tang dynasty (618–907), 8th century, China, Limestone with pigment, H. (incl. stone dowel): 69 in. (175.3 cm), Sculpture, This young monk, most likely Ananda,

Ichikawa Yaozo III with a Lady, Edo period (1615–1868), ca. 1785, Japan, Polychrome woodblock print; ink and color on paper, 11 3/4 x 5 7/8 in. (29.8 x 14.9 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

[Young Lady in White Dress with Green Sash], ca. 1857, Albumen silver print, Photographs, Unknown (German

Women and an Infant Boy in a Public Bath House, Edo period (1615–1868), ca. 1799, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Each sheet: 15 x 10 in. (38.1 x 25.4 cm), Prints, Utagawa Toyokuni I (Japanese,

Burgonet in Oriental Fashion, late 16th century, probably Augsburg, German, probably Augsburg, Steel, gold, bronze, glass, H. 15 1/2 in. (39.3 cm); W. 8 3/8 in. (21.2 cm); D. 11 7/8 in. (30.5 cm); Wt. 4 lb. 6 oz. (1976 g), Helmets

Red jasper ring stone, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Jasper, red, Length: 3/4 in. (1.9 cm), Gems, Roma seated with figure of Victory in one hand The seated Roma is common on Roman coins from the time

From the Tapestry Room, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick

Fragment of a terracotta architectural tile, Archaic, 6th century B.C., Lydian, Terracotta, Overall: 5 1/2 x 5 in. (14 x 12.7 cm), Terracottas, Decorated terracotta tiles were fixed to the roof line and upper walls of Lydian houses