Images at Librifly

Terracotta pelike (jar), Late Classical, ca. 350–300 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. 11 3/8 in. (28.9 cm), Vases, On the shoulder, obverse, kneeling Eros with mirror and aryballos (oil flask), Reverse,

Terracotta neck-amphora (jar), Archaic, ca. 570–560 B.C., Greek, Attic, Terracotta; black-figure, H. 13 9/16 in. (34.4 cm); diameter of mouth 5 11/16 in. (14.4 cm); diameter of foot 4 9/16 in. (11.5 cm), Vases, On the body, obverse, two

Terracotta miniature Panathenaic amphora, Classical, ca. 400 B.C., Greek, Attic, Terracotta; black-figure, H. 3 1/4 in. (8.3 cm); diameter 1 5/8 in. (4.2 cm), Vases, Obverse, Athena, Reverse, athlete seated with a race torch. The seated

Three Warriors and Their Horses, Study for a Bas Relief Sculpture in the Chateau de Tervueren, first half 19th century, Pen and brown ink over graphite with touches of black chalk, 8 7/8 x 21 in. (22.5 x 53.3 cm), Drawings, François Rude

Book of Chinese Designs, taken from the originals of Persia, of the Indies, of China and of Japan, 1735, Woodcut, engraving, pen and ink, Overall: 21 3/4 x 16 x 1 3/4 in. (55.2 x 40.6 x 4.4 cm), Jean Antoine Fraisse (French, active ca.

Landscape after Huang Gongwang, Qing dynasty (1644–1911), dated 1677, China, Folding fan mounted as an album leaf; ink and color on white paper, 6 3/16 x 19 1/2 in. (15.7 x 49.5 cm), Paintings, Wang Shimin (Chinese, 1592–1680

Terracotta lamp, 1st century A.D., Roman, Terracotta; lead-glazed ware, 2 1/2 x 5 1/8 in. (6.4 x 13.0 cm), Terracottas, Lead-glazed lamp with handle

Still Life with Jar, Cup, and Apples, ca. 1877, Oil on canvas, 23 7/8 x 29 in. (60.6 x 73.7 cm), Paintings, Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence), In addition to apples—a favorite motif of Cézanne’s—the

'Zal Returned to Sam', Folio from a Shahnama (Book of Kings), late 19th–early 20th century, Attributed to India, Kashmir, Ink, opaque watercolor, silver, and gold on paper, 12 5/8 x 9 1/2in. (32 x 24.1cm), Codices

Mrs. John Puget (Catherine Hawkins), Oil on copper, 6 x 4 3/4 in. (15.2 x 12.1 cm), Paintings, Attributed to Richard Gainsborough Dupont (British, Sudbury 1789–1874 Sudbury

Studies of the leaves, blossoms, fruits and trunk of a whitebeam (Sorbus subgenus Aria), 1788, Watercolor, over a sketch in black chalk. Double framing line in pen and black ink., sheet: 20 15/16 x 14 3/4 in. (53.2 x 37.5 cm), Drawings,

Vase fragment, Neolithic, first period, ca. 4000 B.C., Neolithic, Nemea, Terracotta, length 2 3/4in. (7cm), Vases

The Great Pagoda, January–March 1858, Albumen silver print from waxed paper negative, Image: 33.6 x 30.1 cm (13 1/4 x 11 7/8 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902 Devonport

Kajikazawa in Kai Province (Kōshū Kajikazawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　甲州石班沢, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and

清 王翬 太行山色圖 卷 絹本, The Colors of Mount Taihang, Qing dynasty (1644–1911), Dated 1669, China, Handscroll; ink and color on silk, Image: 10 x 82 1/2 in. (25.3 x 209.4 cm), Paintings, Wang Hui (Chinese, 1632–1717), Wang

Méditation, 1860s, Albumen silver print from glass negative, 5.1 x 8.6 cm. (2 x 3 3/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Glass jar, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Height: 4 7/16 in. (11.3 cm), Glass, Colorless with slight greenish tinge. Plain, rounded rim; flaring neck; elongated piriform body; small, concave bottom. Single

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 1/4 × 9 1/2 in. (36.2 × 24.1 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

[Main Entrance], 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin

Limestone hand, Hellenistic, 3rd–1st century B.C., Roman, Cypriot, Limestone, Overall: 4 3/4 × 6 × 3 1/4 in. (12.1 × 15.2 × 8.3 cm), Stone Sculpture, The large, closed right hand has carefully rendered nails

Openwork furniture plaque with leaves, Neo-Assyrian, ca. 9th–8th century B.C., Syria, probably from Arslan Tash (ancient Hadatu), Assyrian, Ivory, 5 x 2.37 in. (12.7 x 6.02 cm), Ivory/Bone-Reliefs-Inscribed, During the early first

Mezzetin, ca. 1718–20, Oil on canvas, 21 3/4 x 17 in. (55.2 x 43.2 cm), Paintings, Antoine Watteau (French, Valenciennes 1684–1721 Nogent-sur-Marne), Mezzetin, a stock comic character of the Italian commedia dell'arte, became an

Pocketbook, ca. 1760, Embroidered wool on linen with silk tapes, 3 3/4 x 6 3/8 in. (9.5 x 16.2 cm), Textiles, Mary White

One of a Pair of Chair Strips with Auspicious Patterns, Qing dynasty (1644–1911), 18th century, China, Tapestry-woven (kesi) silk and metallic thread, Overall: 64 x 19 in. (162.6 x 48.3 cm), Textiles-Tapestries, Unlike upholstered furniture

Virgin and Child, ca. 1250–1300, North French, Ivory, Overall: 11 3/4 x 3 5/16 x 2 1/16 in. (29.8 x 8.4 x 5.2 cm), Ivories, The many devotional images of the Virgin—to be found in every medium—reflect the belief in her ability to comfort,

明 姚綬 文飲圖 卷, Drinking and Composing Poetry, Ming dynasty (1368–1644), 1485, China, Handscroll; ink on paper, Image: 9 3/16 x 30 3/8 in. (23.3 x 77.2 cm), Paintings, Yao Shou (Chinese, 1423–1495), Yao Shou left government

Tray, late 13th–early 14th century, Attributed to Egypt, Brass; engraved and inlaid with silver and black compound, H. 1 1/2 in. (3.8 cm), Metal, This tray has concentric bands of decoration around a central Sun disk. Included in the bands

[Town Hall of Calcutta], 1858–61, Albumen silver print, Image: 16.9 x 21.9 cm (6 5/8 x 8 5/8 in.), Photographs, Unknown

Old Cypress Trees in Carthusian Convent, Rome, 1853–56, Albumen silver print, Image: 24.9 × 19.7 cm (9 13/16 × 7 3/4 in.), Photographs, Possibly by Jane Martha St. John (British, 1803–1882

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown and trailed, 4 7/8 in. (12.4 cm), Glass, Colorless with purple tinge; trail in opaque white. Rim folded out, round, and in; short, flaring mouth; cylindrical neck,

Bedroom Scene, Edo period (1615–1868), ca. 1739, Japan, Polychrome woodblock print; ink and color on paper (hand colored), 10 3/4 x 15 1/8 in. (27.3 x 38.4 cm), Prints, Okumura Masanobu (Japanese, 1686–1764

Column, ca. 1400, Made in probably Veneto, Italy, North Italian, Limestone (Broccato Rosso di Verona), Overall: 126 1/2 x 18 1/8 x 18 1/4 in. (321.3 x 46 x 46.4 cm), Sculpture-Architectural

Terracotta statuette of a woman, Hellenistic, 2nd century B.C., Greek, Pontus, Terracotta, H. 9 11/16 in. (24.5 cm), Terracottas, Standing, draped, right hand at waist holding drapery, fan downward, in left hand

Lady Arranging Binsashi (Support for the Hair over the Temples) to put in Her Hair, Edo period (1615–1868), ca. 1808, Japan, Polychrome woodblock print; ink and color on paper, 14 15/16 x 9 7/8 in. (37.9 x 25.1cm), Prints, Torii Kiyomine

The Wrathful Bon Deity Walse Ngampa, One of the Five Fortress Meditational Deities, early 15th century, Tibet, Ink, gold and opaque watercolor on cloth, 38 x 29 1/4 in. (96.5 x 74.3 cm), Paintings

Glass striped mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 7/8 x 1 1/8 in. (2.3 x 2.8 cm), Glass, Rim fragment., Translucent blue, turquoise blue largely layered with yellow

Aquamanile in the Form of a Dragon, ca. 1200, North German, Copper alloy, Overall: 8 3/4 x 7 1/4 in., 4.4 lb. (22.2 x 18.4 cm, 2 kg), Metalwork-Copper alloy, Aquamaniles, which are water vessels used for washing hands, served both

Bronze statuette of a youth, Late Republican or Imperial, 1st century B.C.–2nd century A.D., Roman, Bronze, H.: 5 7/16 in. (13.8 cm), Bronzes, A chlamys is draped over his left shoulder

Fragmentary bronze statuette of a male votary, Middle Minoan III–Late Minoan I, ca. 1700–1450 B.C., Minoan, Bronze, H. 1 11/16 in. (4.3 cm), Bronzes, Upper part of a man with arms brought to his chest

Compote, 1820–35, Made in Pittsburgh, Pennsylvania, United States, American, Blown and cut glass, Overall: H. 7 1/4 in. (18.4 cm), Glass, Bakewell, Page & Bakewell (1808–1882

Vase fragment, Neolithic, second period, ca. 4000–3000 B.C., Neolithic, Thessaly, Terracotta, length 2 1/8in. (5.4cm), Vases

Ichimura Uzaemon IX in the Role of Kiyohime in Musume Dōjōji (the Girl of Dōjōji), Edo period (1615–1868), ca. 1771, Japan, Polychrome woodblock print; ink and color on paper, Hosoe: 12 3/4 x 5 7/8 in. (32.4 x 14.9 cm), Prints,

Beit-Lehem, Mosaïque de l'Église I, 1854, Salted paper print from paper negative, Photographs, Auguste Salzmann (French, 1824–1872

Decanter, 1815–40, Probably made in Massachusetts, United States, American, Blown-molded glass, H. 9 1/4 in. (23.5 cm), Glass

Wall painting fragment from the peristyle of the Villa of P. Fannius Synistor at Boscoreale, Late Republican, ca. 50–40 B.C., Roman, Fresco, Overall: 35 3/4 x 25 1/2in. (90.8 x 64.8cm), Miscellaneous-Paintings, Corinthian column with festoon

Tortures of the Damned, ca.1800, India, Ink and opaque watercolor on paper, 5 1/16 x 10 5/8 in. (12.9 x 27 cm), Paintings

Terracotta tondo from a phiale (libation bowl), Hellenistic, 3rd century B.C., Greek, South Italian, Campanian, Calenian, Terracotta; black-glaze, diameter 2 7/8in. (7.3cm), Vases, The tondo contains a gorgoneion (face of a gorgon

Glass spherical bottle, Early Imperial, early 1st century A.D., Roman, Glass; blown and trailed, Diam.: 1 5/8 in. (4.1 cm), Glass, Translucent honey brown, with opaque white trail. Sphere with small jagged solid knob at top, where the glass

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Other: 13/16 x 1 1/4 in. (2 x 3.1 cm), Glass, Body fragment., Translucent honey yellow, deep purple appearing

Panel from beneath feet of a cartonnage, with scorpions on soles, Ptolemaic Period–Roman Period, late 3rd century BC–1st century AD, From Egypt, Cartonnage, paint, 26.7 × 22 cm (10 1/2 × 8 11/16 in.), This panel once adorned the

Jérusalem, Fragments judaïque et romain, 1854, Salted paper print from paper negative, Image: 23.5 x 30.9 cm (9 1/4 x 12 3/16 in.), Photographs, Auguste Salzmann (French, 1824–1872), For Salzmann history was in the details. Though the

Rape of the Sabines, 1600, Pen and brown ink, brown wash over black chalk, 8 1/4 x 12 1/4 in. (20.9 x 31.1 cm), Drawings, Hans Rottenhammer, I (German, Munich, 1564–1625, Augsburg

Punch Ladle, 1783–ca. 1800, Made in Philadelphia, Pennsylvania, United States, American, Silver, wood, Overall: L. 14 13/16 in. (37.6 cm); 3 oz. 2 dwt. (97 g), Silver, Joseph Anthony Jr. (1762–1814

Glass cup, Imperial, 2nd–3rd century A.D., Roman, Glass; blown, H.: 3 1/16 in. (7.8 cm), Glass, Translucent pale blue green. Thickened, everted rim, with rounded lip; undulating side to body, expanding downwards, then curving in to flat

The Clemency of Augustus (Corneille, Cinna, V, 3) (recto); Knight Restraining a Female Figure (verso), 1788, Pen and brown ink, brush and brown wash, over traces of red chalk; perspective lines in graphite (recto). Red chalk; squared in red

Battle Ax of Baki, New Kingdom, Dynasty 18, early, ca. 1504–1447 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb of Neferkhawet, east chamber, Burial of Baki (III), in coffin, mummy's right, 1935–36, Bronze or copper alloy,

Le Fidelle Jardinier, 1636, Engraving, Overall: 14 15/16 x 11 13/16 x 3/8 in. (38 x 30 x 1 cm), Books, Pierre Betin

[Governor General's State Elephant and Silver Howdah], 1858–61, Albumen silver print, Photographs, Unknown

Costume Plate: Hispana Rustica mul. (with cloth and fan), ca. 1557–58, Engraving, sheet: 5 7/8 x 3 11/16 in. (15 x 9.4 cm), Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

Bedroom Scene, Edo period (1615–1868), ca. 1739, Japan, Polychrome woodblock print; ink and color on paper (hand colored), 10 3/4 x 15 1/8 in. (27.3 x 38.4 cm), Prints, Okumura Masanobu (Japanese, 1686–1764

Portrait of a Lady, 1837, Made in United States, Watercolor on ivory, 2 1/4 x 1 7/8 in. (5.7 x 4.8 cm), Paintings, Samuel Broadbent Jr. (American, 1810–1880

[Metcalfe House, Delhi], 1858–61, Albumen silver print, Image: 21 x 28.4 cm (8 1/4 x 11 3/16 in.), Photographs, Jean Baptiste Oscar Mallitte (French, 1829–1905

Stephen Thorn, 1818, Watercolor on ivory, 2 11/16 in. x 2 1/8 (6.8 x 5.4 cm), Paintings, George Augustus Baker Sr. (Strasbourg 1760–1847 New York

Terracotta dish, Hellenistic, ca. 330–300 B.C., Greek, South Italian, Campanian, Teano, Terracotta; applied color, Other: 1 5/8 x 9 1/2 in. (4.1 x 24.1 cm), Vases, Shallow dish with ring base, decorated with ivy vine and stamped pattern

Reading a Sutra by Moonlight, 即非如一筆　墨蹟, Edo period (1615–1868), 17th century, Japan, Hanging scroll; ink on paper, Image: 10 13/16 x 23 7/8 in. (27.5 x 60.6 cm), Paintings, Sokuhi Nyoitsu (Jifei Ruyi) (Chinese/ Japanese,

Mantel from Elias Hasket Derby House, Salem, Massachusetts, 1798, Made in Salem, Massachusetts, United States, American, Wood, composition ornament, 54 3/4 x 77 x 9 in. (139.1 x 195.6 x 22.9 cm), Architecture, Samuel McIntire

The First Nakamura Nakazo in the Role of Chinzei Hachiro in the Drama 'Kite Kaeru nishiki no wakayagi', Edo period (1615–1868), 12th month, 1780, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 6 in. (32.4 x 15.2 cm),

La Marquise Mathilde, 1861–66, Albumen silver print from glass negative, Image: 9.9 x 7.5 cm (3 7/8 x 2 15/16 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Colorless glass ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Glass, Length: 9/16 in. (1.5 cm), Gems, Hermes sitting on a rock with a kerykeion (herald's staff)., Adaptation of a Greek work of the

Glass striped mosaic carinated bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 1 3/8 x 1 3/4 in. (3.5 x 4.4 cm), Glass, Thick-walled body fragment., Translucent blue, turquoise blue

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 2 3/4 x 1 5/8in. (7 x 4.1cm), Vases

Terracotta squat lekythos (oil jar), Classical, early 4th century B.C., Greek, Attic, Terracotta; red-figure, H. 5 1/4 in. (13.3 cm), Vases, Griffin between two women

Glass cosmetic flask with four compartments (kohl tube), Late Imperial or Early Byzantine, 5th–6th century A.D., Roman, Syrian, Glass; blown and trailed, H. 7 3/4 in. (19.7 cm), Glass, Translucent blue green, appearing greenish blue at

東海道五十三次 川崎, Kawasaki, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

Entrance to a Village, ca. 1665, Oil on wood, 29 1/2 x 43 3/8 in. (74.9 x 110.2 cm), Paintings, Meyndert Hobbema (Dutch, Amsterdam 1638–1709 Amsterdam), This picture represents the artist's favorite theme of quiet village life, an image

Lobster-Tail Burgonet (Zischägge), ca. 1630–40, German, Steel, gold, brass, leather, textile, H. including nasal 14 1/2 in. (36.8 cm); H. excluding nasal 11 in. (27.9 cm); W. 10 in. (25.4 cm); D. 16 in. (40.6 cm); Wt. 4 lb. 2 oz. (1880 g),

Portrait of Ichimura Takenojō and Sanjō Kantarō, Edo period (1615–1868), ca. 1793, Japan, Tan-e (hand-colored print); ink and color on paper, Aiban; H. 13 3/16 in. (33.5 cm); W. 9 in. (22.9 cm), Prints, Okimura Toshinobu (Japanese,

Terracotta statuette of a bull, Archaic, 3rd quarter of 6th century B.C., Greek, Boeotian, Terracotta, H.: 4 1/8 in. (10.5 cm), Terracottas, Hand molded statuette of a bull

Vase fragment, Neolithic, first period, ca. 4000 B.C., Neolithic, Nemea, Terracotta, length 1 7/8in. (4.7cm), Vases

Garnet ring stone, Late Republican or Early Imperial, ca. 1st century B.C., Roman, Garnet, Length: 13/16 in. (2 cm), Gems, Bust of a middle-aged beardless man, Signed by Apollonios. The man portrayed in this gem is sometimes identified as

Portrait of Yada Gorosaemon Suketake, Edo period (1615–1868), 1852, Japan, Polychrome woodblock print; ink and color on paper, H. 14 5/8 in. (37.1 cm); W. 9 7/8 in. (25.1 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861

Pair of seated figures with globes, ca. 1735, French, Chantilly, Soft-paste porcelain painted with colored enamels over tin glaze; gilt bronze, Height: 6 1/2 in. (16.5 cm), Ceramics-Porcelain, In the seventeenth and eighteenth centuries,

Patroclus, 1840, Photogenic drawing from paper negative, Image: 15.7 x 13.6 cm (6 3/16 x 5 3/8 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Figure Painting, Qing dynasty (1644–1911), mid-19th century, China, Handscroll; ink and color on paper, 18 1/4 x 43 in. (46.4 x 109.2 cm), Paintings, Shen Zhenlin

Ile de Fîleh (Philæ), Édifice de l'Est - Façade Occidentale - Vue du Point E, 1851–52, printed 1853–54, Salted paper print from paper negative, 25.1 x 30.5 cm. (9 7/8 x 12 in.), Photographs, Félix Teynard (French, 1817–1892

Bidri Box for Holding Pan, early–mid 17th century, Attributed to India, Deccan, Bidar, Zinc alloy; cast, engraved, inlaid with silver and brass (bidri ware), H. 3 15/16 in. (9 cm), Metal, This box was probably meant to hold pan, the

Gathering Sea-Weed, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 1/2 x 10 3/8 in. (19.1 x 26.4 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo

Skyphos, Late Classical, ca. 350–300 B.C., Greek, South Italian, Apulian, Terracotta, 3 3/4in. (9.5cm), Vases

The Brilliants, January 15, 1801, Etching and aquatint, Sheet: 17 5/8 x 22 3/8 in. (44.8 x 56.8 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Glass gold-band mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 7/8 x 1 1/8 in. (2.2 x 2.8 cm), Glass, Rim fragment., Translucent cobalt blue, deep honey brown, turquoise

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 1/2 in. (34.6 × 24.1 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Album Containing Twelve Paintings of Flowers, 19th century, China, Album of twelve leaves; color on pith paper, Image (each): 8 3/4 × 13 1/4 in. (22.2 × 33.7 cm), Paintings, Unidentified Artist

四季の花, Girls Picking Green Leaves, from the illustrated book Flowers of the Four Seasons, Edo period (1615–1868), 1801, Japan, Polychrome woodblock print; ink and color on paper, 6 13/16 x 9 7/8 in. (17.3 x 25.1 cm), Prints,

Nail, Bronze, Other: 3 5/8in. (9.2cm), Bronzes

Tapestry Bag, 7th century, Peru, Nasca, Camelid hair, cotton (warp, cotton; weft, wool), H x W: 16 1/16 x 14 3/8in. (40.8 x 36.5cm), Textiles-Woven

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Terracotta Hadra hydria (water jar), Hellenistic, late 3rd century B.C., Greek, Ptolemaic, Cretan, Terracotta, h. 17 13/16 in. (45.3 cm); d. 9 3/4 in. (24.8 cm), Vases, This is a 'dropped floor' hydria, so-called because the floor of the

Candlestick Base with Interlacing Dragons, early to mid-13th century, Attributed to Northern Iraq, southeastern Turkey, or Syria, Brass; hammered, turned, engraved, incised, inlaid with silver and copper, H. 9 3/8 in. (23.75 cm), Metal,

Setting Sun on the Autumn River, Ming dynasty (1368–1644), dated 1604?1664?, China, Folding fan mounted as an album leaf; ink and color on gold paper, 6 1/4 x 19 in. (15.9 x 48.3 cm), Paintings, Pan Yunyu (Chinese, active ca. 15th–16th

Dish with Lion Design, Edo period (1615–1868), 18th century, Japan, Stoneware with overglaze enamels (Sanuki ware, Gennai type), H. 1 3/4 in. (4.4 cm); W. 8 3/4 in. (22.2 cm), Ceramics