Images at Librifly

In the Attics, 1896, Platinum print, Image: 15.4 x 21 cm (6 1/16 x 8 1/4 in.), Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton),

[Ghulam Muhammad Mosque, Calcutta], 1850s, Albumen silver print, Image: 18.6 x 23.3 cm (7 5/16 x 9 3/16 in.), Photographs, Captain R. B. Hill

南宋至元 吉州窯月影梅紋瓷盒, Covered box with flowering plum, Southern Song (1127–1279)–Yuan (1271–1368) dynasty, 13th–14th century, China, Porcelain with cut-glaze decoration (possibly Jizhou ware), H. 1 1/2 in. (3.8 cm);

Glass striped mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/8 x 15/16 in. (2.8 x 2.4 cm), Glass, Rim fragment., Translucent turquoise blue layered with yellow appearing green,

Limestone group of a male banqueter and a woman, Cypro-Archaic II, 6th century B.C., Cypriot, Limestone, Overall: 7 1/16 × 9 7/16 in. (18 × 24 cm), Stone Sculpture, The standing female figure was added by Cesnola to replace an original, now

元 景德鎮窯青白瓷菩薩像, Bodhisattva, Yuan dynasty (1271–1368), 14th century, China, Glazed porcelain (Qingbai ware), H. 11 3/4 in. (29.8 cm); W. 6 3/4 in. (17.1 cm); D. 6 1/8 in. (15.6 cm), Ceramics

井手の玉川, The Tama River at Ide, Yamashiro Province, Edo period (1615–1868), probably 1766, Japan, Polychrome woodblock print; ink and color on paper, 10 1/4 x 7 3/4 in. (26 x 19.7 cm), Prints, Suzuki Harunobu (Japanese,

English Guitar, late 18th century, London, England, United Kingdom, British, Wood, L. 73.5 cm (28-15/16 in); String L. 45 cm (17-13/16 in), Chordophone-Lute-plucked-fretted, Unusual form with arched back of 21 flamed maple ribs, decorated

[Bridge Over a Pond], 1850s, Albumen silver print from paper negative, Photographs, Unknown (British

Ring bottle, 1820–30, Probably made in Southern, United States, American, Earthenware, H. 12 1/8 in. (30.8 cm), Ceramics

The Third Sawamura Sojuro as a Man Standing in a Room, Edo period (1615–1868), ca. 1793, Japan, Polychrome woodblock print; ink and color on paper, 12 1/8 x 5 5/8 in. (30.8 x 14.3 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819

Busk, 17th century, French, metal, The love poem reads, 'I have from the Lady this favor to be long on her bosom. Whence I hear a lover sigh who covets my place

冨嶽三十六景　山下白雨, Storm below Mount Fuji (Sanka no haku u), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on

Glass globular bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, H.: 9 in. (22.9 cm), Glass, Translucent light purple., Collared rim, folded out, down, round, and up, forming a thick flange around top of neck,

Newhaven Fishwives, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Horse Muzzle, dated 1552, German, Iron, H. 8 1/4 in. (21 cm); W. 8 1/4 in. (21 cm); D. 10 1/4 in. (26 cm); Wt. 1 lb. 5.9 oz. (620.9 g), Equestrian Equipment

Scenes from the Story of Abraham, mid-17th century, British, Linen worked with silk thread; tent and couching stitches, H. 23 x W. 37 1/4 inches (58.4 x 94.6 cm), Textiles-Embroidered, This panel was probably intended as a cushion cover. It

Busk, 17th century, French, ivory, The inscription with the flaming hearts reads, 'loves joins them' and 'the arrow unites us, ' while the message of the sun shining on a flower is 'to see you or to die

Four Friends of Calligraphy: Lady Komachi, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/8 x 7 3/16 in. (20.6 x 18.3 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Embroidered Fragment, 4th–3rd century B.C., Peru, Paracas, Camelid hair, cotton, Overall: 4 x 5 1/4 in. (10.16 x 13.34 cm), Textiles-Woven

Kyo Shi, Edo period (1615–1868), ca. 1765, Japan, Polychrome woodblock print; ink and color on paper, H. 10 3/16 in. (25.9 cm); W. 7 9/16 in. (19.2 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790

A Country Road, 1648, Oil on canvas, 38 7/8 x 52 7/8 in. (98.7 x 134.3 cm), Paintings, Salomon van Ruysdael (Dutch, Naarden, born ca. 1600–1603, died 1670 Haarlem), In this mature work Van Ruysdael seems to follow the advice given to

Rowing Home the Schoof-Stuff, 1886, Platinum print from glass negative, Image: 13.8 x 27.9 cm (5 7/16 x 11 in.), Photographs, Peter Henry Emerson (British, born Cuba, 1856–1936), Emerson immersed himself in the culture of East Anglia,

木曽海道六拾九次之内　芦田, Ashida Station, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, Oban 10 x 14 29/32 in. (25.4 x 37.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Iwai Hanshirō IV, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, 11 3/4 x 5 1/2 in. (29.8 x 14 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

清 沈焯 山水 冊頁, Landscape, Qing dynasty (1644–1911), dated 1827, China, Album leaf; ink and color on paper, 9 3/4 x 13 1/2 in. (24.8 x 34.3 cm), Paintings, Shen Zhuo (active 19th century

Quart decanter, 1850–70, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, H. 13 3/4 in. (34.9 cm), Glass, With the development of new formulas and techniques, glass-pressing

Glass cup, Early Imperial, 1st century A.D., Roman, Glass; blown, H.: 3 3/8 in. (8.6 cm), Glass, Translucent blue green. Everted, rounded, and slightly thickened rim; concave wall to carination, marked by horizontal bulge, then tapers to

Vase, 1898–1902, Made in New York, New York, United States, American, Enamel on copper, H. 1 11/16 in. (4.3 cm), Metal, Tiffany Glass and Decorating Company (American, 1892–1902), (Stourbridge Glass Company), This object forms part of

Hever Castle, Kent, 1857, Albumen silver print, Photographs, Henry Thomas Wood (British

Mother and Child at Play, Edo period (1615–1868), 18th century, Japan, Hanging scroll; ink and color on silk, 40 3/4 x 12 1/2 in. (103.5 x 31.8 cm), Paintings, Isoda Koryūsai (Japanese, 1735–ca. 1790

Valence for a bed (Lit à la duchesse en impériale), ca. 1780–90, French, Beauvais, Silk and wool (20-25 warps per inch, 8-11 per centimeter), H. 19 × L. 70 in. (48.3 × 177.8 cm), Textiles-Tapestries, As its full-size domed canopy is

Lady Maria Conyngham (died 1843), ca. 1824–25, Oil on canvas, 36 1/4 x 28 1/4 in. (92.1 x 71.8 cm), Paintings, Sir Thomas Lawrence (British, Bristol 1769–1830 London), Lady Maria's father was created Marquess Conyngham in the peerage of

Sard ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Plasma, Length: 5/8 in. (1.6 cm), Gems, Fortuna or Demeter seated with cornucopia in one hand and small figure in the other

Lac de Gaube, Cauterets, 1853, Salted paper print from paper negative, Image: 9 9/16 × 14 5/16 in. (24.3 × 36.3 cm), Photographs, Joseph Vigier (French, 1821–1862

Lead ornament, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 15/16 in. (2.4 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of Laconia; over

Terracotta statuette of an actor, Late Classical, late 5th–early 4th century B.C., Greek, Attic, Terracotta, H. 4 1/4 in. (10.8 cm), Terracottas, Fourteen of these figures are said to have been found together in a burial in Attica. They are

東都司馬八景　高輪帰帆, River View at Takanawa, Edo period (1615–1868), ca. 1856, Japan, Polychrome woodblock print; ink and color on paper, 9 x 14 in. (22.9 x 35.6 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Poem which Accompanies a Ceremonial Robe, Edo period (1615–1868), Japan, Handscroll; ink on paper, 12 3/4 x 67 1/2 in. (32.4 x 171.5 cm), Calligraphy

Table cover with fringe, ca. 1890, American, Cotton, woven, 105 x 71 in. (266.7 x 180.3 cm), Textiles

Fibula, boat-shaped type, Bronze, Other: 4 in. (10.2 cm), Bronzes

Whale-oil lamp, 1830–40, Made in Sandwich, Massachusetts, United States, American, Blown-molded and pressed glass, Glass, Probably Boston & Sandwich Glass Company (American, 1825–1888, Sandwich, Massachusetts

Scene from a Drama, Edo period (1615–1868), 1769, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/4 in. (31.1 cm); W. 5 5/8 in. (14.3 cm), Prints, Ippitsusai Bunchō (Japanese, active 1760–1794

近江八景　石山秋月, Autumn Moon at Ishiyama, Edo period (1615–1868), 1857, Japan, Polychrome woodblock print; ink and color on paper, H. 6 5/8 in. (16.8 cm); W. 9 in. (22.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Speculum Romanae Magnificentiae: Sacrificial Instruments Based on Ancient Relief Sculpture, ca. 1550–75, Engraving., sheet: 11 7/8 x 15 13/16 in. (30.1 x 40.2 cm), Prints, Attributed to Nicolas Beatrizet (French, Lunéville 1515–ca. 1566

Dish, ca. 1794–1800, Made in Norwalk, Connecticut, United States, American, Earthenware; Redware with slip decoration, 16 1/2 x 12 3/4 in. (41.9 x 32.4 cm), Ceramics, Absalmon Day (1770–1843), The conjoined initials “AD” undoubtedly

Scene from the Drama 'Shusse Taiheike, ' Performed at the Ichimura Theatre, Edo period (1615–1868), probably 1709, Japan, Polychrome woodblock print; ink and color on paper, 10 3/8 x 14 3/4 in. (26.4 x 37.5 cm), Prints, Okumura Masanobu

Manuscript Leaf with the Dedication of a Church in an Initial T, from a Gradual, second half 15th century, Made in Florence, Italy, Italian, Tempera, ink, and gold on parchment, Overall: 28 3/16 x 20 in. (71.6 x 50.8 cm), Manuscripts and

Limestone head of a female with a plain headdress, Archaic, 2nd half of the 6th century B.C., Cypriot, Limestone, Overall: 2 7/8 x 2 1/8 x 2 1/4 in. (7.3 x 5.4 x 5.7 cm), Stone Sculpture, The head, to the base of the neck, remains. There is

Seaweed Food and Kitchen Utensils, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 3/8 x 7 1/4 in. (21.3 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Spatula or curette, Bronze, Other: 6 9/16 in. (16.7 cm), Bronzes

Terracotta female head, Late Classical or Hellenistic, 4th–3rd century B.C., Greek, Terracotta, H. 2 5/8 in. (6.7 cm), Terracottas, Wearing a phendone

Faience djed-pillar amulet, Late Dynastic–Hellenistic, 664–30 B.C., Egyptian, Clay, glazed, H.: 2 1/8 in. (5.4 cm), Gold and Silver, Symbolic objects used for amulets include a menat-pendant, the djed-sign, and a papyrus capital, all

Hôtel du Bourgtheroulde, Rouen, 1852–54, Salted paper print from glass negative, 33.6 x 24.9 cm (13 1/4 x 9 13/16 in. ), Photographs, Edmond Bacot (French, 1814–1875

Plaque fragment with a monkey and a locust between a winged figure and ram-headed figures, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 2.01 x 2.95 x 0.35 in. (5.11 x 7.49 x 0.89 cm),

Two Women in a Boat; One, Holding a Basket of Mussels, Edo period (1615–1868), ca. 1798, Japan, Polychrome woodblock print; ink and color on paper, H. 14 5/8 in. (37.1 cm); W. 9 7/8 in. (25.1 cm), Prints, Utagawa Toyokuni I (Japanese,

Disembarking from a Pleasure Boat on the Sumida River, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 14 13/16 in. (37.6 cm); W. 10 in. (25.4 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Terracotta amphora (jar), Archaic, ca. 520–510 B.C., Greek, Attic, Terracotta; black-figure, H. 15 3/4 in. (40 cm), Vases, Obverse and reverse, revelers. Drinking plays a large part in Attic vase-painting. Many of the shapes were made for

Terracotta two-handled bowl, Orientalizing, 7th century B.C., Italic, Villanovan, Terracotta, H. with handles 5 1/2 in. (14 cm), Vases, Reddish-brown two-handled vase, decorated with incised vertical lines

Branch of Blossoming Plum, Ming dynasty (1368–1644), China, Folding fan mounted as an album leaf; ink on gold paper, 6 1/2 x 20 in. (16.5 x 50.8 cm), Paintings, Xiang Shengmo (Chinese, 1597–1658

A Kamuro is Shown Bringing a Love Letter to Her Mistress, Meiji period (1868–1912), Japan, Monochrome woodblock print; ink on paper, 10 1/4 x 14 11/16 in. (26 x 37.3 cm), Prints, After Okumura Masanobu (Japanese, 1686–1764

View of Lake Tai, Ming dynasty (1368–1644), dated 1543, China, Folding fan mounted as an album leaf; ink and color on gold-flecked paper, 9 3/4 x 20 3/4 in. (24.8 x 52.7 cm), Paintings, Wen Zhengming (Chinese, 1470–1559), Wen Zhengming

Entrance to a Dutch Port, ca. 1665, Oil on canvas, 25 7/8 x 30 5/8 in. (65.7 x 77.8 cm), Paintings, Willem van de Velde II (Dutch, Leiden 1633–1707 London), In 1672 the artist and his father, Willem van de Velde the Elder, moved from

東海道五十三次之内　品川　諸侯出立, Shinagawa; Shoko Detachi, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 1/4 x 14 1/4 in. (23.5 x 36.2 cm), Prints, Utagawa Hiroshige

Vase fragment, Early Minoan II, Minoan, Terracotta, 1 3/4 × 1 7/8 × 1/4 in. (4.5 × 4.7 × 0.6 cm), Vases

Wall anchor, ca. 1740, Made in Albany County, New York, United States, American, Wrought Iron, 5 x 1 1/4 x 16 in. (12.7 x 3.2 x 40.6 cm), Metal, More elaborate New York Dutch colonial houses were often faced with brick rather than pine

Carnelian ring stone, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Carnelian, Length: 13/16 in. (2.1 cm), Gems, Apollo, resting lyre on draped female statuette

Sobieski Stuart, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

『春雨集』　摺物帖, Edo period (1615–1868), ca. 1805–10, Japan, Privately published woodblock prints (surimono) mounted in an album; ink and color on paper, 8 1/4 x 5 1/2 in. (21 x 14 cm), Prints, Ryūryūkyo Shinsai (Japanese,

Terracotta perfume flask in the shape of a shoe, Late Hellenistic, 1st century B.C., Lydian, Terracotta, 2 3/8in. (6.1cm), Vases, The object consists of a small alabastron (perfume vase) that has been inserted into the opening of the shoe. The

Vallé de Lur prise du chemin de Sasie à St-Sauveur, 1850, Salted paper print from paper negative, Sheet: 12 in. × 18 9/16 in. (30.5 × 47.2 cm), Photographs, Joseph Vigier (French, 1821–1862

[Lady Canning], 1858–61, Albumen silver print, Image: 16.3 x 19.8 cm (6 7/16 x 7 13/16 in.), Photographs, Unknown

Furniture support: female sphinx with Hathor-style curls, Middle Bronze Age–Old Assyrian Trading Colony, ca. 18th century B.C., Anatolia, probably from Acemhöyük, Old Assyrian Trading Colony, Ivory (Hippopotamus), gold foil, H. 5 x W. 4

Lacock Abbey, 1840, Photogenic drawing from paper negative, Image: 17 x 20 cm (6 11/16 x 7 7/8 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Ivory disk with a rosette, Late Bronze Age, ca. 1600–1050 B.C., Cypriot, Ivory, Diameter 2 13/16 in. (7.1 cm), Ivory was imported to Cyprus from the Near East or Egypt. The rosette was a popular decorative motif originally inspired by designs

Design for a confessional, ca. 1750, Pen and gray ink, sheet: 9 3/4 x 12 7/16 in. (24.8 x 31.6 cm), Drawings, Anonymous, Flemish, 18th century (?), Anonymous, French, 18th century

[View of the City from the Ochterlony Monument, Calcutta], 1850s, Albumen silver print, Image: 17.6 x 23.4 cm (6 15/16 x 9 3/16 in.), Photographs, Captain R. B. Hill

Tour de Saint-Ouen, Rouen, 1852–54, Salted paper print from glass negative, 33.7 x 24.9 cm (13 1/4 x 9 13/16 in. ), Photographs, Edmond Bacot (French, 1814–1875

Glass double cosmetic flask (kohl tube), Late Imperial, 4th century A.D., Roman, Syrian, Glass; blown, tooled, and trailed, H.: 3 7/16 in. (8.7 cm), Glass, Colorless with greenish tinge; handles and trail in translucent turquoise blue with

Saber, 1522–66, probably Istanbul, Turkish, probably Istanbul, Steel, gold, fish skin, wood, L. 37 7/8 in. (96.2 cm); L. of blade 30 3/4 in. (78.1 cm); W. 6 1/8 in. (15.5 cm); Wt. 2 lb. 5 oz. (1049 g), Swords, This saber is fitted with

Terracotta statuette of a youth seated on a rock, Hellenistic, ca. 300 BC, Greek, Boeotian, Terracotta, H. 4 3/8 in. (11 cm), Terracottas, Seated on a rock, wearing chlamys and fillet, right hand under chin, left in lap

Bronze and amber fibula (safety pin), Geometric, 7th century B.C., Etruscan or Italic, Amber, Other (amber): 5 3/4 in. (14.6 cm), Miscellaneous-Amber, Fibula with a bronze clasp and spring supporting a large amber bow. Too large to be worn in

商 青銅觥, Spouted Wine Vessel (Gong), Shang dynasty (ca. 1600–1046 B.C.), 13th century B.C., China (Henan Province, possibly Anyang), Bronze, H. 8 1/2 in. (21.6 cm), Metalwork, Every surface of this vessel is animated with fantastic

'A Gathering of Court Women', Folio from the Davis Album, late 17th–early 18th century, Attributed to India, Ink, opaque watercolor, and gold on paper, Page: H. 13 1/8 in. (33.3 cm), Codices, A rare glimpse into the lives of women at the

Terracotta jug, Cypro-Archaic II–Cypro-Classical I, 600–400 B.C., Cypriot, Terracotta, H. 7 9/16 in. (19.2 cm), Vases, In relief, bull's head The bull's head is not perforated. Thus, it served as decoration or in some symbolic capacity

Faience amulet of Ra Horakhty, Late Dynastic–Hellenistic, 664–30 B.C., Egyptian, Clay, glazed, H.: 1 1/4 in. (3.2 cm), Gold and Silver, Amulets representing animals were attributed to a deity: a hawk for Ra, the Sun God, a lion for

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 3 7/8 x 2 3/4in. (9.9 x 7cm), Vases

Terracotta amphora (jar), Late Classical, 4th century B.C., Greek, South Italian, Apulian, Terracotta; black-glaze, H.: 30 1/2 in. (77.5 cm), Vases, In the general shape of the body, lip, handles, and foot, the vase is a descendant of

Inkwell with twelve Zodiac medallions, late 12th–early 13th century, Attributed to Iran, Brass; cast, inlaid with silver and copper, H. 2 3/8 in. (6 cm), Metal, The twelve signs of the zodiac are arranged around the surface of the vessel in

Abhisarika Nayika, a Heroine Longing for Her Lover, ca. 1790–1800, India (Punjab Hills, Kangra), Ink, opaque watercolor, and gold on paper, 6 x 3 3/4 in. (15.2 x 9.5 cm), Paintings, The Indian predilection for the categorization of

History of Kamakura: Building Tsurugaoka Hachiman Shrine, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/16 x 7 1/4 in. (20.5 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

James DeLancey, ca. 1785, Oil on canvas, Sight size: 30 x 24 in. (76.2 x 61 cm), Paintings, Gilbert Stuart (American, North Kingston, Rhode Island 1755–1828 Boston, Massachusetts

Embroidered Mantle Fragment, 5th–2nd century B.C., Peru, Paracas, Camelid hair, Overall: 4 1/4 x 5 in. (10.8 x 12.7 cm), Textiles-Woven

Wreaths, 6, Greek, Laconian, Lead, 15/16 × 3/4 in. (2.3 × 1.9 cm), Miscellaneous-Lead

Aquamanile in the Form of Samson and, ca. 1380–1400, Northern European (?), possibly German, Bronze; quaternary copper alloy (approx. 78% copper, approx. 10% zinc, approx. 6% tin, approx. 5% lead) with natural patina. Remnants of the iron

Pair of bronze ankle guards, Classical, 5th century B.C., Greek, Bronze, left guard length 9 1/8in. (23.1cm), Bronzes, The ankle guard is an exceptional piece of equipment, intended to protect the leg below the greave

Porringer, 1750–76, Made in Charlestown, Massachusetts, United States, American, Silver, Overall: 1 15/16 x 8 in. (4.9 x 20.3 cm); 8 oz. (248.5 g), Silver, Josiah Austin (1719/20–ca. 1780

Young Lady and Iris Garden, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 24 1/4 x 4 7/16 in. (61.6 x 11.3cm), Prints, Chōbunsai Eishi (Japanese, 1756–1829

The Fourth Ichikawa Danjuro in Shibaraku, Edo period (1615–1868), 12th month, 1774, Japan, Polychrome woodblock print; ink and color on paper, 12 11/32 x 5 1/2 in. (31.4 x 14.0 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

[The British Soprano Euphrosyne Parepa-Rosa (1836-1874)], 1870s, Albumen silver print from glass negative, 13.3 x 8.3 cm (5 1/4 x 3 1/4 in. ), Photographs, Jeremiah Gurney (American, 1812–1895 Coxsackie, New York