Images at Librifly

Terracotta statuette of a seated woman, Late Archaic, 525–500 B.C., Greek, Attic, Terracotta, h. 4 3/8 in. (11.1 cm), Terracottas, Seated

Terracotta statuette of a female figure, Archaic, 7th century B.C., Greek, Cretan, Terracotta, 6 in. x 2 in. (15.2 cm x 5 cm), Terracottas, Body of a nude, frontal female figure

Segawa Kikunojo II, Edo period (1615–1868), ca. 1772, Japan, Polychrome woodblock print; ink and color on paper, Hosoe: 12 7/16 x 5 7/8 in. (31.6 x 14.9 cm), Prints, Ippitsusai Bunchō (Japanese, active 1760–1794

Tunic Fragment, 7th–9th century, Peru, Wari, Camelid hair, cotton, H.7 7/8 x 10 5/8in. (20 x 27cm), Textiles-Woven

Manuscript Leaf Cutting from a Choir Book with an Illuminated Initial B and the Archangel Michael, second half of the 15th century, Made in Lombardy, Italy, Italian, Tempera, gold, silver, ink on parchment, 3 3/8 x 3 3/4 in. (8.5 x 9.5 cm);

Vase, 1830–70, Made in Sandwich, Massachusetts, United States, American, Pressed glass, H. 11 7/8 in. (30.2 cm), Glass, This vase was pressed in two pieces, and a flat disk was used to join the bowl to the stem. This technique is believed

Coffer, mid-17th century, Dutch, Pine veneered with ebony and macassar ebony; padauk wood; painted alabaster; ivory; mirror glass, Overall: 14 5/8 × 16 1/2 × 11 3/4 in. (37.1 × 41.9 × 29.8 cm), Woodwork-Furniture, In contrast to the severe

Studies of the leaves, blossoms, fruits and trunk of an English elm (Ulmus procera), 1788, Watercolor, over a sketch in black chalk. Double framing line in pen and black ink., sheet: 21 1/8 x 14 13/16 in. (53.6 x 37.6 cm), Drawings, Ludwig

江戸高名会亭尽　雑司ヶ谷の図　茗荷屋, Zoshigaya no Zu (Myoga-ya), Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, H. 9 7/16 in. (24 cm); W. 14 3/16 in. (36 cm), Prints, Utagawa

Sofa (part of a set), Gabriele Capello ((called Il Moncalvo), Italian, 1806–1876), and Carlo Chivasse, ca. 1835, Italian, Piedmont, Mahogany veneered with maplewood and mahogany, covered with modern silk brocade, 42 1/2 x 90 x 31 1/8 in.

Tombeaux Musulmans à Herment, 1849–50, Salted paper print from paper negative, Mount: Approximately 32 x 47 cm (12 5/8 x 18 1/2 in.), Photographs, Maxime Du Camp (French, 1822–1894

Terracotta lekythos (oil flask), Classical, 2nd quarter of 5th century B.C., Greek, Attic, Terracotta; red-figure, H. 6 15/16 in. (17.7 cm); diameter 2 5/16 in. (5.9 cm), Vases, Warrior. The young warrior is equipped with a helmet, shield,

[Man], 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Watercolor of musician playing laba, late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

Portrait of a Man Wearing the Order of the Annunziata of Savoy, Oil on wood, 14 1/4 x 11 in. (36.2 x 27.9 cm), Paintings, ? French Painter (first quarter 16th century

Fibula, Cypriot, Bronze, Other: 1 1/2in. (3.8cm), Bronzes

Cream pitcher, 1886–90, Made in Findlay, Ohio, United States, American, Blown-molded Onyx glass, H. 4 1/2 in. (11.4 cm); Diam. 4 in. (10.2 cm), Glass, Dalzell, Gilmore and Leighton (1885–1898

英吉利国倫敦図, Illustration of London in England (Igirisukoku rondon zu), Edo period (1615–1868), 1866, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Oban; 29 5/8 x 14 9/16 in. (75.2 x 37 cm), Prints,

The Life Line, 1884, Etching, printed in dark green ink, plate: 12 13/16 x 17 3/4 in. (32.5 x 45.1 cm), Prints, Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine

Axehead, Early Bronze Age, ca. 3200–2000 B.C., Cypriot, Bronze, Other: 4 13/16in. (12.2cm), Bronzes

Femme de Canton, 1870s, Albumen silver print from glass negative, 23.7 x 19.3 cm (9 5/16 x 7 5/8 in.), Photographs, Raimund von Stillfried (Austrian, 1839–1911

Limestone statuette of a boy with a wreath of leaves, Late Hellenistic, 2nd–1st century B.C., Cypriot, Limestone, Overall: 26 1/2 x 11 x 6 in. (67.3 x 27.9 x 15.2 cm), Stone Sculpture, Standing Figure holding dove and apple

Buckle, Tang dynasty (618–907), China, Bronze, L. 5 in. (12.7 cm), Metalwork

Wall painting fragment, 2nd–3rd century A.D., Roman, Fresco, 12 1/2 x 11 3/8in. (31.8 x 28.9cm), Miscellaneous-Paintings, This charming fragment, depicting a bird surrounded by ivy leaves, is painted with loose, quick brushstrokes unlike

Chest of Drawers, 1730–60, Made in Boston, Massachusetts, United States, American, Walnut, walnut veneer, white pine, 90 x 44 x 22 1/4 in. (228.6 x 111.8 x 56.5 cm), Furniture, In the 1730s, Boston cabinetmakers transformed the

Hotei Opening His Bag which Is Full of Small Boys, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 3/16 x 10 3/4 in. (18.3 x 27.3 cm), Prints, Kita Busei (Japanese, 1776–1856

Bronze statuette of a man, Classical, 3rd quarter of the 5th century B.C. or later, Greek, Bronze, 10 1/2 × 3 × 2 13/16 in. (26.7 × 7.6 × 7.2 cm), Bronzes, In its original condition, this will have been a fine, small figure of a man.

Haute-Égypte. Entrée de la première Cataracte, 1850, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, Maxime Du Camp (French, 1822–1894

Vase fragment, Early Minoan II, Minoan, Terracotta, 2 11/16 × 2 15/16 × 11/16 in. (6.8 × 7.4 × 1.8 cm), Vases

History of Kamakura: Poem-bridge of Egara Tenjin Shrine, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 3/16 in. (21 x 18.3 cm), Prints, Kubo Shunman (Japanese,

Design for a Corinthian Hall, in The Architecture of A. Palladio in Four Books containing a Short Treatise on the Five Orders (L'Architecture de A. Palladio en quatre livres... / Il quattro libri dell'architettura) (Volume 1, book 2, plate 28),

Plaque from a Reliquary, early 13th century, Made in Cologne, Germany, German, Champlevé and cloisonné enamel, copper-gilt, Overall: 3 7/16 x 1 9/16 x 5/16 in. (8.7 x 4 x 0.8 cm), Enamels, Workshop of Master of the Virgin Mary's Reliquary

Oiran and Attendant out for a Stroll, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 27 5/8 in. (70.2 cm); W. 4 7/16 in. (11.3 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790

Two Beauties at Spring Garden with a Pond, Edo period (1615–1868), ca. 2nd month, 1864, Japan, Polychrome woodblock print; ink and color on paper, Image: 14 3/8 × 9 7/8 in. (36.5 × 25.1 cm), Prints, Toyohara Kunichika (Japanese,

Statuette of a youth, Classical, 5th century B.C. or later, Etruscan, Bronze, H.: 4 5/16 x 1 3/16 x 1 3/8 in. (11 x 3 x 3.5 cm), Bronzes

La Citella Romana (Maiden), ca. 1580, Engraving, Sheet: 9 x 6 3/16 in. (22.9 x 15.7 cm), Prints, Attributed to Pietro Bertelli (Italian, active Padua, ca. 1571–1621), These engravings illustrating the costumes of Roman women from different

Actor Ichimura Uzaemon (1699–1762) as a Comb Vendor, Edo period (1615–1868), ca. 1730, Japan, Polychrome woodblock print (urushi-e); ink and color on paper, H. 12 1/2 in. (31.8 cm); W. 6 1/16 in. (15.4 cm), Prints, Okumura Toshinobu

Bridal Veil Fall, 940 feet, Yosemite, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Photographs, Attributed to Carleton E. Watkins (American, 1829–1916

Miniature Tunic, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 11 1/8 x W. 11 3/8 in. (28.3 x 28.9 cm), Textiles-Featherwork

Calyx-krater, fragments, Late Classical, ca. 360–340 B.C., Greek, South Italian, Apulian, Terracotta; added color, c: greatest H.3 3/4 in. (9.5 cm); greatest width: 2 in. (5.1 cm), Vases, Portion of a garland.. Gnathian is a conventional

The Crucifixion, ca. 1400, Oil, egg(?), and gold on plywood, transferred from wood, 23 1/2 x 17 in. (59.7 x 43.2 cm), Paintings, Master of the Berswordt Altar (German, Westphalian, active ca. 1400–35), These panels were among thirty

Carnelian ring stone, Imperial, ca. A.D. 64–68, Roman, Carnelian, Length: 9/16 in. (1.4 cm), Gems, Head of the emperor Nero wearing a laurel wreath

Grand Cañon of the Colorado River, Mouth of Kanab Wash, looking West, 1872, Albumen silver print from glass negative, Photographs, William Bell (American (born England) Liverpool 1831–1910 Philadelphia, Pennsylvania

Band Fragment, 13th–14th century, Attributed to Egypt, Silk, metal wrapped thread; tapestry weave, Textile: H. 6 3/4 in. (17.1 cm), Textiles-Woven, This fragment of a Mamluk textile is woven in an exceptionally fine tapestry weave. The tall

Woman and Hussar, ca. 1755, Austrian, Vienna, Hard-paste porcelain, Height: 5 3/4 in. (14.6 cm), Ceramics-Porcelain

[Man Holding Umbrella], 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Chiyoda Castle (Album of Men), Meiji period (1868–1912), 1897, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm); thickness of album 1 9/16 in. (4 cm),

Figure Study for 'The Death of Socrates', ca. 1786-87, Black chalk, stumped, heightened with white chalk on beige paper; squared in black chalk, 21 1/8 x 16 5/16 in. (53.6 x 41.4 cm.), Drawings, Jacques Louis David (French, Paris 1748–1825

冨嶽三十六景　東都駿台, Surugadai in Edo (Tōto Sundai), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper, H. 9

九段坂上靖国神社庭内真図, True View of the Courtyard of Yasukuni Shrine at Kudan Sakaue, (Kudan Sakaue Yasukuni jinsha teinai shin zu), Meiji period (1868–1912), 1888, Japan, Triptych of polychrome woodblock prints; ink and color

Nubie. Ibsamboul. Partie septentrionale du Spéos d'Hathor, 1850, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, Maxime Du Camp (French, 1822–1894

Spring Rain Collection (Harusame shū), vol. 3: Mountain Dove and Peach Flowers, 摺物帖　『春雨集』　『花鳥六番之内　下野宇都宮』　桃に山鳩, Edo period (1615–1868), ca. 1820, Japan, Privately published woodblock

Sir Galahad and the Pale Nun, 1874, Albumen silver print from glass negative, 33.2 x 27.5 cm (13 1/16 x 10 13/16 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon), In 1874 Tennyson asked

Terracotta jug, Hellenistic, 310–30 B.C., Cypriot, Terracotta, 6 9/16in. (16.7cm), Vases, Oinochoe of yellowish clay and bands of polychrome ornament. The painted floral decoration continues the tradition of Cypriot pottery of the Classical

Terracotta duck-askos (flask with spout and handle), Late Classical, ca. 350–325 B.C., Etruscan, Terracotta; red-figure, H. 5 5/8 in. (14.3 cm), Vases, This Etruscan pottery style is associated with workshops active in Chiusi and Volterra

Abraham's Parting from the Family of Lot, ca. 1655–65, Oil on canvas, 58 x 65 1/8 in. (147.3 x 165.4 cm), Paintings, Jan Victors (Dutch, Amsterdam 1619–1676/77 East Indies

Limestone Walls, Kanab Wash, Colorado River, 1872, Albumen silver print from glass negative, Photographs, William Bell (American (born England) Liverpool 1831–1910 Philadelphia, Pennsylvania

Bronze lamp, Imperial, 1st century A.D., Roman, Bronze, H. 8 cm; L. 12.6 cm; Diameter 5.5 cm, Bronzes, This lamp has a round body and a projecting volute nozzle. The leaf shaped thumb plate is vertically bifurcated

Interior with a Young Couple, probably ca. 1662–65, Oil on canvas, 21 5/8 x 24 3/4 in. (54.9 x 62.9 cm), Paintings, Pieter de Hooch (Dutch, Rotterdam 1629–1684 Amsterdam), In this 'morning after' scene, the subtle shifts in light through

Carrousel, 1923, printed 1956, Gelatin silver print, Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

高根山与一右ェ門　千田川吉五郎, The Sumo Wrestlers Takaneyama Yoichiemon and Sendagawa Kichigorō, Edo period (1615–1868), ca. 1790–93, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/3 ( 30.6 cm; W. 5 3/32

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/16 x 1 5/16 in. (2.7 x 3.3 cm), Glass, Translucent purple, blue, honey brown, and opaque white., Convex curving side.,

Fourth Month from Fujiwara no Teika’s Birds and Flowers of the Twelve Months, 定家詠十二ヶ月和歌花鳥図『拾遺愚草』より四月, Edo period (1615–1868), 1743, Japan, Hanging scroll; ink and color on paper, Image: 6 5/16 x 8

Teahouse at Peking, ca. 1869, Albumen silver print from glass negative, Image: 9 7/16 × 11 5/16 in. (23.9 × 28.7 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Vase fragment, Archaic, East Greek/Sardis, Lydian, Terracotta, Overall: 3 1/4 x 2 1/4in. (8.3 x 5.7cm), Vases

Hydria, Late Classical, ca. 400–375 B.C., Greek, South Italian, Lucanian, Terracotta; red-figure, 9 1/16in. (23cm), Vases

Bowl with Courtly and Astrological Motifs, late 12th–early 13th century, Attributed to Central or Northern Iran, Stonepaste; polychrome inglaze and overglaze painted and gilded on opaque monochrome glaze (mina'i), H. 3 3/4 in. (9.5 cm),

Bronze helmet attachment in the shape of a triton, Archaic, 6th century B.C., Etruscan, Bronze, Other: 1 5/8 x 1/16 in. (4.1 x 0.1 cm), Bronzes, From a rounded object; bearded, fish tail

尾形光琳筆　松竹に鶴図屏風, Cranes, Pines, and Bamboo, Edo period (1615–1868), late 17th century, Japan, Pair of folding screens; ink and light color on paper, Right screen (4-panel): 65 3/4 x 101 1/4 in. (167 x 257.2 cm),

Standing Avalokiteshvara, the Bodhisattva of Infinite Compassion, ca. 7th century, Vietnam or Cambodia, Gilt bronze, H. 14 3/8 in. (36.5 cm), Sculpture, This very rare and extraordinary bronze sculpture, found in Vietnam, is strongly

Terracotta relief of a sphinx, Archaic or Early Classical, 1st half of 5th century B.C., Greek, Corinthian, Terracotta, H. 3 15/16 in. (10 cm.), Terracottas, The style and technique of this piece very closely correspond to those of the

Jérusalem, Vallée de Josaphat, Tombeau de Zacharie, 1854, Salted paper print from paper negative, Image: 23.4 x 31.1 cm (9 3/16 x 12 1/4 in.), Photographs, Auguste Salzmann (French, 1824–1872), Salzmann’s photographs were widely

Natural Trumpet, late 17th century, Nürnberg, Germany, German, Brass, L. w/o crook and mouthpiece: 65.3 cm (25-3/4 in.); Diam. of bell: 11.3 cm (4-1/2 in.); L. of tube, ca.: 144-153 cm (56-3/5 - 60-1/4 in.*), Aerophone-Lip Vibrated, Johann

Camellia and Finch, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink and color on paper, 12 31/32 x 4 1/4 in. (33.0 x 10.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Frieze with Two Seated Buddhas, 2nd–3rd century, Pakistan (ancient region of Gandhara), Schist, H. 9 in. (22.9 cm); W. 15 3/4 in. (40 cm), Sculpture

Fragment of a limestone group of wrestlers, Archaic, 6th century B.C., Cypriot, Limestone, Overall: 7 x 3 7/8 x 3 1/4 in. (17.8 x 9.8 x 8.3 cm), Stone Sculpture, The figure, whose short torso is painted red, leans forward, with his weight

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown and tooled, Overall: 3 13/16 in. (9.7 cm), Glass, Translucent pale blue green. Rim folded out, over, and in, with beveled outer edge; slightly flaring mouth;

木曾路之山川, Mountains and Rivers Along the Kisokaidō, ca. 1930s, Japan, Triptych of polychrome woodblock prints; ink and color on paper, 14 3/4 x 10 in. (37.5 x 25.4 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Vue du pronaos du Temple de Dandour (Tropique du Cancer), April 7, 1850, Salted paper print from paper negative, Image: 6 9/16 × 8 1/2 in. (16.6 × 21.6 cm), Photographs, Maxime Du Camp (French, 1822–1894

Knife Coin, Han dynasty (206 B.C.–A.D. 220), China, Bronze, L. 7 1/4 in. (18.4 cm), Metalwork

Chariot fragments, loops, Archaic, ca. 500–480 B.C., Etruscan, Bronze, Other (length G1): 3 7/16in. (8.8cm), Bronzes, Large collection of bronze and iron attachments once belonging to a chariot

Terracotta antefix (roof tile), Archaic, 6th century B.C., Greek, South Italian, Tarentine, Terracotta, H.: 8 x 10 1/2 x 1 1/4 in. (20.3 cm), Terracottas, This terracotta antefix with the head of Medusa originally decorated the edge of a

Upper part of a limestone statuette of a male aulos player, Archaic, 2nd or 3rd quarter of the 6th century, Cypriot, Limestone, Overall:H.: 8 1/8 x W.:6 1/4 x D.:3 7/8 in. (20.6 x 15.9 x 9.8 cm), Stone Sculpture, The head and the upper part of

Glass hexagonal bottle, Early Imperial, Julio-Claudian, ca. A.D. 25–50, Roman, Glass; blown in a three-part mold, H.: 3 in. (7.6 cm), Glass, Translucent cobalt blue, Rim folded out, round, and in, then pressed into flaring mouth;

[The Hötel de Ville after the Commune], 1871, Albumen silver print from glass negative, Photographs, Hippolyte-Auguste Collard (French, 1811–1887), Locals and tourists alike gawked at the remains of the Paris city hall, built beginning in

東海道五十三次　掛川, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Console table, Franz Adam Weber (German, active until 1759?), 1758, German, Fulda, Gilded lindenwood, pine; green marble (not original), Overall: 31 x 33 x 22 in. (78.7 x 83.8 x 55.9 cm), Woodwork-Furniture, Franz Adam Weber (German,

Fisherman Returning Home, Ming (1368–1644) or Qing dynasty (1644–1911), China, Album leaf; ink and color on silk, 9 1/4 x 9 1/3 in. (23.5 x 23.7 cm), Paintings, Unidentified Artist, Copy after (?) Liang Kai (Chinese, active early 13th

『東風俗福づくし　洋 ふく』, Western Clothing from the series An Array of Auspicious Customs of Eastern Japan (Azuma fūzoku, fukuzukushi-Yōfuku), Meiji period (1868–1912), 1889, Japan, Triptych of polychrome woodblock prints;

Kylix, eye-cup fragment, Archaic, ca. 525–500 B.C., Greek, Attic, Terracotta, 6 3/4 × 9 3/8 × 1/4 in. (17.1 × 23.8 × 0.7 cm), Vases

[Gardens of the Château de Saint-Cloud], ca. 1853, Paper negative, Sheet: 32.6 x 23.8 cm (12 13/16 x 9 3/8 in.), Negatives, Louis-Rémy Robert (French, 1810–1882

Miniature Dress, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 9 x W. 9 in. (22.9 x 22.9 cm), Textiles-Featherwork

Ram head for attachment, Third Intermediate Period, Dynasty 21–25, ca. 1070–664 B.C., From Egypt, Leaded bronze, precious metal leaf, copper alloy inlay in eye rims, h.15.8 cm (6 7/32 in); w. 10.2 cm (4 in); d. 13.5 cm (5 5/16 in),

L'Interrogation, 1860s, Albumen silver print from glass negative, 5.1 x 8.6 cm. (2 x 3 3/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Kedar Ragini: Folio from a ragamala series (Garland of Musical Modes), ca. 1690–95, India (Bikaner, Rajasthan), Opaque watercolor and ink on paper, Image: 6 in. × 4 11/16 in. (15.2 × 11.9 cm), Paintings, Ruknuddin (active late 17th

初代中村仲蔵, The First Nakamura Nakazō in the Role of Shimada no Hachizō, Edo period (1615–1868), 1783, Japan, Polychrome woodblock print; ink and color on paper, 12 7/8 x 5 13/16 in. (32.7 x 14.8 cm), Prints, Katsukawa Shunshō

Terracotta lydion (perfume jar), Archaic, 6th century B.C., Lydian, Terracotta, H. 3 7/16 in. (8.7 cm), Vases, Concentric circles of dull red glaze

Glass mosaic inlay, Hellenistic, late 1st century B.C.–early 1st century A.D., Egyptian, Roman, Glass; cast, Other: 1 7/16 in. (3.6 cm), Glass, Translucent cobalt blue ground; decoration in opaque white, yellow, red, and grayish green.,

Bowl with Arabic Inscription, 10th century, From Iran, Nishapur, Earthenware; white slip with black-slip decoration under transparent glaze, H. 7 in. (17.8 cm), Ceramics, The calligraphic decoration on this bowl reads 'Planning before work

山姥と金太郎, Yamauba Combing Her Hair and Kintoki, Edo period (1615–1868), ca. 1801, Japan, Polychrome woodblock print; ink and color on paper, H. 14 5/8 in. (37.1 cm); W. 10 in. (25.4 cm), Prints, Kitagawa Utamaro (Japanese,