Images at Librifly

Égypte Moyenne. Pyramide de Chéphren, 1850, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, Maxime Du Camp (French, 1822–1894

San Luis Obispo, 1876, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

The Actor Ichikawa Yaozo II in the Role of Soga no Goro, Edo period (1615–1868), ca. 1772, Japan, Polychrome woodblock print; ink and color on paper, H. 12 7/8 in. (32.7 cm); W. 6 in. (15.2 cm), Prints, Katsukawa Shunkō (Japanese,

摺物帖　『春雨集』　鴨と葱, Spring Rain Collection (Harusame shū), vol. 1: Duck and Scallions, Edo period (1615–1868), 1810s, Japan, Privately published woodblock prints (surimono) mounted in an album; ink and color on paper, 5

Vase, ca. 1909, Made in New York, New York, United States, American, Favrile glass, 16 7/16in. h. (41.8cm), Glass, Tiffany Furnaces

Ensemble for chocolate, 1735–40, Austrian, Vienna, Hard-paste porcelain, gold, glass, Tray (confirmed): 8 1/2 x 5 3/8 x 3/4 in. (21.6 x 13.7 x 1.9 cm), Ceramics-Porcelain, This ensemble shows the close collaboration between Du Paquier and

東海道五十三次之内　蒲原　夜の雪, Evening Snow at Kanbara, from the series 'Fifty-three Stations of the Tōkaidō', Edo period (1615–1868), ca. 1833–34, Japan, Polychrome woodblock print; ink and color on paper, 8 7/8 x 13

'Preparation for a Feast', Folio from a Divan of Jami, late 15th century, Attributed to Iran, Opaque watercolor, ink, and gold on paper, Painting: H. 6 15/16 in. (17.6 cm), Codices, This painting depicts in a lively fashion the many tasks

The Sultan, n.d., Brush and brown wash over traces of graphite, 14 1/2 x 10 7/8 in. (36.9 x 27.6 cm), Drawings, After Jean Honoré Fragonard (French, Grasse 1732–1806 Paris

Studies of a Stag, n.d., Pen and brown ink, sheet: 4 1/2 x 5 7/8 in. (11.5 x 15 cm), Drawings, Attributed to Stefano da Verona (Stefano di Giovanni) (Italian, Verona (?) 1374/75–?ca. 1438 Castel Bragher

Decanter with stopper, 1890–1900, Made in New York, New York, United States, American, Glass, wheel cut, 8 7/8 × 3 3/8 × 3 3/8 in. (22.5 × 8.6 × 8.6 cm), Glass, Possibly Baccarat (French, founded 1764

The Judgment of Solomon, 1595–1633, Engraving, sheet: 17 5/16 x 20 3/16 in. (44 x 51.3 cm), Prints, After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp

A Woman Carrying a Bundle on Her Head, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 12 13/16 x 5 11/16 in. (32.5 x 14.4 cm), Prints, Ryūkōsai (active late 18th century

Honganji at Asakusa in Edo (Tōto Asakusa Honganji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　東都浅草本願寺, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print;

Print, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 7/16 x 7 3/8 in. (21.4 x 18.7 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

東都三十六景　隅田川三囲り堤, Sumidagawa, Mimeguri, Edo period (1615–1868), 3rd month dragon year 1868, Japan, Polychrome woodblock print; ink and color on paper, 14 15/32 x 9 4/5 in. (36.8 x 24.9 cm), Prints, Utagawa

Vase fragment, Early Minoan II, Minoan, Terracotta, 1 7/16 × 2 11/16 × 3/16 in. (3.7 × 6.8 × 0.4 cm), Vases

The Actor Ichikawa Danjuro II, 1688–1758, Edo period (1615–1868), ca. 1804, Japan, Polychrome woodblock print; ink and color on paper, 19 1/16 x 9 1/16in. (48.4 x 23cm), Prints, Torii Kiyomine (Japanese, 1787–1868

Vase fragment, Late Minoan I, ca. 1600–1450 B.C., Minoan, Terracotta, 2 3/8 × 4 7/16 × 1/4 in. (6.1 × 11.3 × 0.7 cm), Vases

Parrot on Branch of Blossoming Tree, Qing dynasty (1644–1911), China, Fan mounted as an album leaf; ink and color on silk, 10 1/2 x 9 3/8 in. (26.7 x 23.8 cm), Paintings, Unidentified Artist

Candlestand and Book, Edo period (1615–1868), probably 1813, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 3/8 x 7 1/4 in. (13.7 x 18.4 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

The Second Ichikawa Monnosuke as a Man Dressed in a Kimono, Edo period (1615–1868), ca. 1793, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 5 3/4 in. (32.4 x 14.6 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819

Statue of two men and a boy that served as a domestic icon, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt; Probably from Southern Upper Egypt, Gebelein (Krokodilopolis); Probably originally from Middle Egypt, Amarna

百人一首　宇波かゑとき　安部仲麿, Poem by Abe no Nakamaro, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Edo period (1615–1868), 1760–1849, Japan, Polychrome woodblock print; ink and

Terracotta dish, Classical, 5th century B.C., Greek, Attic, Terracotta; black-glaze, H. 1 3/16 in. (3 cm); diameter 3 9/16 in. (9.1 cm), Vases, In Attic pottery, vases with figural decoration tend to represent established shapes that reflect

Sparrows and Plum Blossoms, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 3/8 x 7 1/4 in. (13.7 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Viererleÿ Vorstellungen angenehm-und zierlicher Grundrisse folgender Lustgärten ausser der Residenz-Stadt Wienn.., ca. 1730, Engraving, Overall: 13 9/16 x 19 5/16 x 13/16 in. (34.5 x 49 x 2 cm), Books

[Greenwich Street, New York City, with Office of Erie Railway], 1870s, Albumen silver print from glass negative, Photographs, Unknown (American

北魏 石雕燃燈佛像（砂岩）, Buddha Dipankara (Diguang), Northern Wei dynasty (386–534), dated 489–95, China, Sandstone with traces of pigment, H. 127 in. (322.6 cm); W. 75 in. (190.5 cm); D. 28 in. (71.1 cm); H. with base: 137

Bamboo and Rock in Snow, 雪竹図, Edo period (1615–1868), spring 1750, Japan, Hanging scroll; ink on paper, Image: 53 1/8 x 16in. (134.9 x 40.6cm), Paintings, Sakaki Hyakusen (1697–1752), Stems of bamboo, bending under the weight of

A Woman Gathering Faggots at Ville-d'Avray, ca. 1871–74, Oil on canvas, 28 3/8 x 22 1/2 in. (72.1 x 57.2 cm), Paintings, Camille Corot (French, Paris 1796–1875 Paris), Ville-d’Avray, a town on the outskirts of Paris where Corot’s

Black jasper intaglio portrait of a Roman lady, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Jasper, black, Overall: 1 1/16 x 1 1/16 x 1/8in. (2.7 x 2.7 x 0.3cm), Gems, The art of gem cutting was highly prized in

Animal flask, late 7th–8th century, Attributed to probably Syria, Glass, yellowish and pinkish; blown, applied decoration, Ht. 3 3/8 in. (8.6 cm), Glass, During Roman and early Islamic times, animal shaped vessels were made using an

Green jasper ring stone, Hellenistic, 3rd–2nd century B.C., Italic, Jasper, green, Length: 1/2 in. (1.2 cm), Gems, Running bull

東都名所　亀戸天満宮境内雪, Kameido Tenmangu Keidai no Yuki, Edo period (1615–1868), ca. 1833–34, Japan, Polychrome woodblock print; ink and color on paper, 9 3/8 x 13 11/16 in. (23.8 x 34.8 cm), Prints, Utagawa Hiroshige

[Allegorical Sculpture of Industry, Pont du Carrousel], 1852, Salted paper print from paper negative, Image: 21.1 x 15.2 cm (8 5/16 x 6 in.), Photographs, Charles Marville (French, Paris 1813–1879 Paris), Petitot’s allegory of industry

Two bronze chariot attachments with ducks' head finials, Late Imperial, 3rd–4th century A.D., Roman, Bronze, H. 15.9 cm; W. 14.85 cm, Bronzes, Chariot attachments with ducks' head finials

Portrait of Lievan van Coppenol, mid-17th century, Engraving, 11 1/2 x 9 1/4 in. (29.2 x 23.5 cm), Prints, Cornelis Visscher (Dutch, Haarlem (?) 1629–1658 Amsterdam

Kabuki actors play as Ōashibara Ueno no kami Masahira, Tokiwa Mikuriya Bettō Tsuneaki, Tairano Shinnō Masakado, Musashi Gorō Takeshiba, Edo period (1615–1868), mid-19th century, Japan, Polychrome woodblock print; ink and color on paper,

Fibula, Greek, Cypriot, Bronze, Other: 4 3/4in. (12.1cm), Bronzes

Turban Helmet, 15th century, Turkish or Iranian, in the style of Turkman armor, Steel, silver, copper alloy, H. 12 1/4 in. (31.1 cm); Diam. 9 1/2 in. (24.1 cm); Wt. 2 lb. 9 oz. (1161 g), Helmets, Helmets of this type are usually called

Kajikazawa in Kai Province (Kōshū Kajikazawa), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　甲州石班沢, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and

Under the Mannen Bridge at Fukagawa (Fukagawa Mannenbashi shita), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　深川万年橋下, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome

The Annunciation of the Death of the Virgin, ca. 1670, Oil on canvas, 26 x 20 3/4 in. (66 x 52.7 cm), Paintings, Samuel van Hoogstraten (Dutch, Dordrecht 1627–1678 Dordrecht), The subject is unusual and must have been commissioned by a

Unidentified Scene from a Shahnama (Book of Kings), late 19th–early 20th century, Attributed to India, Kashmir, Ink, opaque watercolor, silver, and gold on paper, overalL. 14 x 9 9/16in. (35.6 x 24.3cm) , Codices

Krishna Kisses Radha: Page from the Boston Rasikapriya (Lover's Breviary), ca.1610, India (Rajasthan, Amber?), Ink, gold and opaque watercolor on paper, Image: 3 5/8 × 5 1/4 in. (9.2 × 13.3 cm), Paintings

Glass cylindrical bottle with painted decoration, Mid Imperial, 2nd century A.D., Roman, Egyptian, Glass; blown and cold-painted, 7 3/8in. (18.8cm), Glass, Colorless with yellow green tinge. Colored enamels, painted on exterior. Fragmentary

Campedoglio, 1848–52, Albumen print from glass negative, Image: 8 11/16 × 11 5/16 in. (22 × 28.7 cm), Photographs, Eugène Constant (French, active Italy, 1848–55

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 11/16 x 1 5/8 in. (1.7 x 4.2 cm); estimated diam. of rim 4 7/8 in. (15 cm), Glass, Rim fragment., Translucent deep purple

Marble plaque with epigram of Sopatros, Imperial, ca. 2nd–3rd century A.D., Roman, Cypriot, Marble, Overall: 5 9/16 x 15 1/8 x 11/16 in. (14.1 x 38.4 x 1.7 cm), Cesnola Inscriptions, The metrical inscription takes the form of an elegaic

Bronze statuette of Athena, Imperial, ca. 2nd–3rd century A.D., Roman, Bronze, 4 5/16in. (11cm), Bronzes, Weight on right leg; right arm raised holding a spear; wearing an Ionic chiton with aegis and helmet

Figure of a Woman, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/8 x 6 13/16 in. (20.6 x 17.3 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Happy Return from the West, Ming (1368–1644) or Qing dynasty (1644–1911), China, Handscroll; ink and color on silk, 9 x 35 1/4 in. (22.9 x 89.5 cm), Paintings, Unidentified Artist, Copy after Zhao Mengfu (Chinese, 1254–1322

Buckle, Western Han dynasty (206 B.C.–A.D. 9), China, Bronze with silverplate, L. 3 in. (7.6 cm), Metalwork

Lead ornament, possibly imitating jewelry, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 15/16 in. (2.5 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient

Candlestick inscribed with Wishes for Good Fortune, Peace and Happiness to its Owner, ca. 1500, Attributed to Iran, Brass; cast, pierced, engraved, and inlaid with black organic compound, H. 9 7/8 in. (25.1cm), Metal, This brass candlestick

Bear Cub Grooming, 1887, Made in United States, Bronze, 9 1/2 x 9 5/8 x 10 5/8 in. (24.1 x 24.4 x 27 cm), Sculpture, Paul Wayland Bartlett (American, New Haven, Connecticut 1865–1925 Paris), In 1889 Bartlett earned a grand prix for his

Desk (bonheur du jour), Attributed to Martin Carlin (French, near Freiburg im Breisgau ca. 1730–1785 Paris), ca. 1769, French, Sèvres, Oak, mahogany, tulipwood, sycamore, ebony, box and harewood, gilt-bronze mounts, soft-paste

Glass revetment plaque fragment, Early Imperial, 1st century B.C.–1st century A.D., Roman, Glass; cast, 1 3/8 × 2 1/16 × 1/4 in. (3.4 × 5.3 × 0.7 cm), Glass, Translucent turquoise blue with opaque yellow, making glass look dark

Distant View of the Cedars of Lebanon, ca. 1857, Albumen silver print from glass negative, Photographs, Francis Frith (British, Chesterfield, Derbyshire 1822–1898 Cannes, France

Mrs. Greenhow and Daughter, Imprisoned in the Old Capitol, Washington, 1862, Albumen silver print, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Arashi Otohachi I as a Famous Comedian, Edo period (1615–1868), ca. 1766, Japan, Polychrome woodblock print; ink and color on paper, 12 1/4 x 5 1/2 in. (31.1 x 14 cm), Prints, Kitao Shigemasa (Japanese, 1739–1820

Painted glass fragment, Neo-Assyrian, ca. 8th–7th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Glass, paint, H. 3/4 x W. 3/4 x D. 1/8 in. (1.8 x 1.9 x 0.3 cm), Glass-Ornaments

Manuscript Leaf with the Celebration of a Mass in an Initial S, from an Antiphonary, second half 15th century, Made in Florence, Italy, Italian, Tempera, ink, and gold on parchment, Overall: 21 9/16 x 16 1/8 in. (54.7 x 40.9 cm),

The Open Door, before May 1844, Salted paper print from paper negative, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Fragment, 5th–6th century, Attributed to Egypt, Wool, linen; plain weave, weft loop weave, 5 5/8 in. high 4 3/16 in. wide (14.3 cm high 10.6 cm wide), Textiles

冨嶽三十六景　遠江山中, In the Mountains of Tōtomi Province (Tōtomi sanchū), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and

Vase fragment, Neolithic, second period, ca. 4000–3000 B.C., Neolithic, Thessaly, Terracotta, length 3 1/2in. (8.9cm), Vases

Reliquary in the Shape of a Sarcophagus, 400–600, Byzantine, Marble, Overall: 5 5/8 x 7 7/16 x 3 7/8 in. (14.3 x 18.9 x 9.8 cm), Sculpture-Stone, Holes in the lids of sarcophagus-shaped reliquaries, as seen here, allowed the faithful to

Terracotta fragment of a bowl, Middle Helladic I, ca. 2100–1900 B.C., Helladic, Terracotta; Minyan ware, Overall: 3 7/8 x 1 15/16in. (9.9 x 5cm), Vases, From Korakou, Greece

Owl and Two Swallows, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 14 5/8 in. (37.1 cm); W. 9 11/16 in. (24.6 cm), Prints, Utagawa Toyohiro (Japanese, 1763–1828

Travelling in a Snowstorm, Edo period (1615–1868), ca. 1830, Japan, Polychrome woodblock print; ink and color on paper, 8 7/10 x 13 5/8 in. (22.1 x 34.6 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861

Street Paver, 1899–1900, printed 1956, Gelatin silver print, Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Gettysburg Wheat Field, 1863, Albumen silver print from glass negative, Photographs, This atypical Civil War panorama shows the artist looking over a split-rail fence at the Gettysburg battlefield where one of America's greatest armed conflicts

Ornaments, 14, Greek, Laconian, Lead, Height: 1 in. (2.5 cm), Miscellaneous-Lead

[Rustic Pavilion at Eaux-Bonnes], 1854, Salted paper print from paper negative, Image: 24.9 x 34.9 cm (9 13/16 x 13 3/4 in.), Photographs, Attributed to W. H. Guebhard (active 19th century), Having taken lessons from Gustave Le Gray in Paris,

The Dead Christ Supported by an Angel, 1582, Woodcut, Sheet: 17 11/16 × 12 1/8 in. (45 × 30.8 cm), Prints, Giuseppe Scolari (Italian, active Venice, 1562–1607

Fräulein Maffei, 1860s, Albumen silver print from glass negative, Photographs, Unknown (Italian

Statuette of a ram, Late Period, Dynasty 26–4th century, 570–300 B.C., From Egypt, Brown stone (meta-arenite, that is, quartz-rich indurated sandstone), l. 23 cm (9in); h. 16.3 cm (6 3/8 in); d. 6.4 cm (2 1/2 in), This small sculpture

Jérusalem, Église Sainte-Anne, Vue générale, 1854, Salted paper print from paper negative, Image: 33.2 x 23.7 cm (13 1/16 x 9 5/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Terracotta lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 x 3 3/8 in. (2.5 x 8.6 cm), Terracottas

Tosa no umi, Inland Sea near Tosa, Edo period (1615–1868), ca. 1820, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/16 x 7 1/4 in. (20.5 x 18.4 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Matsumoto Sumezō as a Man in Winter Attire Standing in the Snow, Edo period (1615–1868), ca. 1785–90, Japan, Polychrome woodblock print; ink and color on paper, Overall: 12 1/4 x 5 9/16in. (31.1 x 14.1cm), Prints, Katsukawa Shunkō

Wine Jar (Yü), Han dynasty (206 B.C.–A.D. 220), China, Bronze, H. 15 1/2 in. (39.4 cm), Metalwork

Lead grille, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 1 1/2 in. (3.8 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient sanctuaries of Laconia; over one

Vase fragment, Early Helladic, ca. 3000–2200 B.C., Terracotta, 7/8 x 7/8in. (2.2 x 2.2cm), Vases

Widow and Widower from kuchie (frontispiece) of a novel, Meiji period (1868–1912), ca. 1906, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 11 1/4 in. (21.6 x 28.6 cm), Prints, Takeuchi Keishū (Japanese, 1861–1943

Women on a Veranda, Edo period (1615–1868), ca. 1797, Japan, Triptych of polychrome woodblock prints; ink and color on paper, H. 14 1/2 in. (36.8 cm); W. 9 7/8 in. (25.1 cm), Prints, Utagawa Toyokuni I (Japanese, 1769–1825

Clematis Cerulea; Hollyhocks, 1853–56, Albumen silver print, Image: 145 × 11.4 cm (57 1/16 × 4 1/2 in.) (a), Photographs, Jane Martha St. John (British, 1803–1882

南宋 佚名 百牛圖 卷, One Hundred Buffaloes, Song dynasty (960–1279), 13th century, China, Handscroll; ink on paper, 12 1/2 x 87 5/16 in. (31.8 x 221.8 cm), Paintings, Unidentified Artist Chinese, 13th century, Formerly Attributed

Lead figure of a winged goddess, possibly Artemis Orthia, Archaic, late 7th–6th century B.C., Greek, Laconian, Lead, Height: 1 1/2 in. (3.8 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great

Figure, 7th–10th century, Mexico, Mesoamerica, Veracruz, Veracruz, Ceramic, H. 8 1/2 x W. 2 5/8 x D. 2 1/8 in. (21.6 x 6.7 x 5.4 cm), Ceramics-Sculpture, The modern state of Veracruz lies along the Mexican Gulf Coast, north of the Maya

Tropical Scenery, Tropical Forest, 1871, Albumen silver print from glass negative, Image: 27.6 x 20 cm (10 7/8 x 7 7/8 in.), Photographs, John Moran (American (born England), Bolton, Lancashire 1821–1903 Pennsylvania

Dr. Latham - Editor of Dictionary, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848

Vase fragment, Early Minoan II, Minoan, Terracotta, 3 3/16 × 2 15/16 × 3/16 in. (8.1 × 7.5 × 0.5 cm), Vases

'Three Men Before a Castle', Folio from a Khavarannama (The Book of the East) of ibn Husam al-Din, ca. 1476–86, Attributed to Iran, Shiraz, Ink, opaque watercolor, and gold on paper, 15 11/16 x 11 3/8in. (39.8 x 28.9cm), Codices, The

Lady at her Toilette with a Servant, 18th century, Attributed to India, Rajasthan, Pencil on paper, H. 3 7/8 in. (9.8 cm), Codices, Haydar Ahmad

Limestone cippus base, late Archaic-Classical, ca. 500–450 B.C., Etruscan, probably Chiusine, Limestone, H.: 14 1/8 in. (35.9 cm), Stone Sculpture

Aegis of Sakhmet or Bastet, Late Period–Ptolemaic Period, Dynasty 21–30, 664–30 B.C., From Egypt, Faience, H. 3.7 cm (1 7/16 in); w. 3 cm (1 3/16 in), An aegis is a collarlike necklace (often called a broad-collar) bearing a divine head

The Idle Broom, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, H. 27 7/16 in. (69.7 cm); W. 4 7/8 in. (12.4 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815