Images at Librifly

Lead figure of a warrior with a helmet and shield, Archaic, 6th–5th century B.C., Greek, Laconian, Lead, Height: 2 1/8 in. (5.3 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the

Viaduc de Bandol, 1859 or after, Albumen silver print from paper negative, Image: 26.5 x 43 cm (10 7/16 x 16 15/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Old Woman Cutting Her Nails, ca. 1655–60, Oil on canvas, 49 5/8 x 40 1/8 in. (126.1 x 101.9 cm), Paintings, Style of Rembrandt (Dutch, second or third quarter 17th century), Once well known as a Rembrandt, this large canvas has also been

Standing poodle, 1849–58, Made in Bennington, Vermont, United States, American, Earthenware, 8 1/2 x 9 1/2 in. (21.6 x 24.1 cm), Ceramics

Limestone statuette of Zeus Ammon, Classical, early 5th century B.C., Cypriot, Limestone, Overall: 5 1/4 x 3 1/2 x 2 3/4 in. (13.3 x 8.9 x 7 cm), Stone Sculpture, The god rests his hands on the rams flanking his throne, and rams' horns grow

One of a Pair of Boxes in the Shape of Ducks, Qing dynasty (1644–1911), Qianlong period (1736–95), 18th century, China, Wood with mother-of-pearl, ivory, and glass, H. 2 3/4 in. (7 cm); W. 2 in. (5.1 cm); D. 4 1/2 in. (11.4 cm), Shell,

Album of Thirty Actor Prints, Edo period (1615–1868), 19th century, Japan, Album of 30 polychrome woodblock prints; ink and color on paper, 14 1/4 × 9 5/8 × 1/2 in. (36.2 × 24.4 × 1.3 cm), Prints, Sixteen prints by Utagawa Kunisada

Portrait of a Gentleman, 1798, Watercolor on ivory, Oval: 2 7/8 in. H x 2 5/16 in. W (7.3 cm x 5.86 cm), Paintings, Philippe Abraham Peticolas (1760–1841

Rivaulx Abbey. Looking Across the Choir, 1850s, Albumen silver print, Image: 28.1 x 23.5 cm (11 1/16 x 9 1/4 in.), Photographs, Joseph Cundall (British, Norwich, Norfolk 1818–1895 Wallington, Surrey), Philip Henry Delamotte (British,

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 1/4 × 1 3/16 × 3/16 in. (3.1 × 2.9 × 0.4 cm), Vases

Jérusalem, Vallée de Josaphat, Face Ouest et Nord, 2, 1854, Salted paper print from paper negative, Image: 23.5 x 32.5 cm (9 1/4 x 12 13/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Pitcher, 1875, Made in Brooklyn, New York, United States, American, Porcelain, H. 9 1/4 in. (23.5 cm), Ceramics, Marked on the base with Müller’s cipher and incised on the side with the initials and date “U.P.W. / N.Y.– / 1875, ”

Interior Scene, Edo period (1615–1868), ca. 1788, Japan, Polychrome woodblock print; ink and color on paper, H. 14 15/16 in. (37.9 cm); W. 9 3/4 in. (24.8 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

A Girl with a Fan, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, 25 7/32 x 4 3/5 in. (64.1 x 11.7 cm), Prints, Chōbunsai Eishi (Japanese, 1756–1829

Jan (1438–1516), First Count of Egmond; Countess of Egmond (Magdalena van Werdenburg, 1464–1538), Oil on canvas, transferred from wood (, the Count); oil on wood (, the Countess), (, the Count): overall, with arched top, 16 3/4 x 10 1/4

Mosquée de Sultan Haçan, Place de Roumelich, au Kaire, December 13, 1849, Salted paper print from paper negative, Image: 8 1/2 × 6 7/16 in. (21.6 × 16.3 cm), Photographs, Maxime Du Camp (French, 1822–1894

Standard Type, Monoplan 1909., 1905–19, Gelatin silver prints from glass negatives, Image (u.l.): 2 9/16 × 3 3/8 in. (6.5 × 8.6 cm), Photographs, Jacob Christian Hansen Ellehammer (Danish, 1871–1946), Vilhelm Ellehammer (Danish),

Judith, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Picrolite figure, Chalcolithic, ca. 3900–2500 B.C., Cypriot, Picrolite, H. 2 in. (5.1 cm), Miscellaneous-Stone, The form and material are characteristic of figures from the Chalcolithic (literally 'copper-stone') period on Cyprus. These

玉屋内　志津賀, A Courtesan, Edo period (1615–1868), 1807, Japan, Polychrome woodblock print; ink and color on paper, 14 3/16 x 9 7/8 in. (36 x 25.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Glass ribbed bowl, Early Imperial, Augustan or Julio-Claudian, late 1st century B.C.–mid-1st century A.D., Roman, Glass; cast, tooled, and cut, H.: 2 5/16 in. (5.8 cm), Glass, Translucent streaky pale purple with coloress patches.,

Funerary Tablet of Horpaa, priest at Hermopolis and son of Djehutyhor, Ptolemaic Period, 332–30 B.C., From Egypt; Probably from Middle Egypt, Tuna el-Gebel, Egyptian alabaster (travertine), paint, H. 14 cm (5 1/2 in.); W. 24 cm (9 7/16

Bedroom Scene, Edo period (1615–1868), ca. 1739, Japan, Polychrome woodblock print; ink and color on paper (hand colored), 10 3/4 x 15 1/4 in. (27.3 x 38.7 cm), Prints, Okumura Masanobu (Japanese, 1686–1764

Jérusalem, Tombeau de Salomon, Vue générale, 1854, Salted paper print from paper negative, Image: 22.9 x 32.7 cm (9 x 12 7/8 in.), Photographs, Auguste Salzmann (French, 1824–1872

Terracotta oinochoe (jug) with lid, Middle Corinthian, ca. 590–570 B.C., Greek, Corinthian, Terracotta, H.: 8 5/8 in. (21.9 cm), Vases, Two friezes of animals. The broad-bottomed oinochoe, represented by this example, is a characteristic

Bottle with Rock, Flowers, and Birds, Edo period (1615–1868), 17th century, Japan, Porcelain painted with colored enamels over transparent glaze (Hizen ware; Kakiemon type), H. 11 3/4 in. (29.9 cm); Diam. 6 5/8 in. (16.8 cm), Ceramics

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

View of the Villa Medici, after 1677, Etching, Plate: 9 1/8 × 16 7/8 in. (23.2 × 42.8 cm), Prints, Giovanni Battista Falda (Italian, Valduggia 1643–1678 Rome), Seventeenth-century printmakers responded to the interest in ancient art and

[Vegetable Garden and Ivy Covered Tower], 1850s, Salted paper print from paper negative, Photographs, Unknown (British

Burnside Bridge, Across the Antietam, near Sharpsburg, No. 1, September 1862, 1862, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Jérusalem, Tombeau Juif, Détails, 1854, Salted paper print from paper negative, Image: 23.7 x 33.6 cm (9 5/16 x 13 1/4 in.), Photographs, Auguste Salzmann (French, 1824–1872

Terracotta bail-amphora (jar), Hellenistic, ca. 330–320 B.C., Greek, South Italian, Campanian, Terracotta; red-figure, H. 29 in. (73.7 cm), Vases, Obverse, youth seated between two women, Reverse, two youths. A: Two women ofeering gifts

[Variations on the 'Elvira' Dress], 1861–67, Albumen silver print from glass negative, Image: 12.5 x 8.9 cm (4 15/16 x 3 1/2 in.) A, Photographs, Pierre-Louis Pierson (French, 1822–1913), Painted and retouched by Unknown (French

西周青銅瓿（銘文后刻）, Wine Container (Pou), Shang dynasty (ca. 1500–1046 B.C.), 13th century B.C., China, Bronze, H. 21 1/4 in. (54 cm); Diam. 19 1/2 in. (49.5 cm), Metalwork, This large wine container was one of the first

Limestone statue of a male votary holding a dove and an apple, Hellenistic, 3rd–1st century B.C., Cypriot, Limestone, Overall: 27 1/2 x 10 1/8 x 6 in. (69.9 x 25.7 x 15.2 cm), Stone Sculpture, The figure wears a long, pleated tunic with

Bottle, 1738–ca. 1777, Made in Alloway, New Jersey, United States, American, Free-blown glass, H. 6 1/2 in. (16.5 cm), Glass, Probably Wistarburgh Glassworks, This glass dog, or schnapshund, is an interesting example of a traditional

Limestone statuette of Herakles brandishing a club, Archaic, early 5th century B.C., Cypriot, Limestone, Overall: 12 1/2 x 7 5/8 x 4 7/8 in. (31.8 x 19.4 x 12.4 cm), Stone Sculpture, Right arm raised, brandishing club

Bird-Shaped Pendant with Marvered Body, 13th century, Attributed to Syria, Glass, reddish-purple; blown, applied marvered opaque white decoration, applied reddish-purple, opaque turquise, and opaque red decoration, H. 1 1/4 in. (3.2 cm),

Hare and Dandelion?, Edo period (1615–1868), probably 1820, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 7/8 x 7 in. (20 x 17.8 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Edinburgh. Greyfriars' Churchyard, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848

Snow Scene with Figures Outside a Temple, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 7 1/16 in. (17.9 cm); W. 9 1/2 in. (24.1 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Openwork furniture plaque with a striding sphinx, Neo-Assyrian, ca. 9th–8th century B.C., Syria, probably from Arslan Tash (ancient Hadatu), Assyrian, Ivory, 4.75 x 1.75 in. (12.07 x 4.45 cm), Ivory/Bone-Reliefs, During the early first

Kenneth Macleay, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Kisojo no San Sen, 木曽路之山川, The Kiso Mountains in Snow, Edo period (1615–1868), dated 8th month of the Snake year, 1857, Japan, Triptych of woodblock prints; ink and color on paper, Each H. 14 1/4 in. (36.2 cm); W. 9 3/4 in.

Flowers in a Vase, 17th century, Etching and engraving, Plate: 19 3/16 × 14 7/8 in. (48.7 × 37.8 cm), Jean-Baptiste Monnoyer (French, Lille 1636–1699 London

Glass jug, Late Imperial, 3rd–4th century A.D., Roman, Rhenish, Glass; blown and trailed, H.: 4 1/8 in. (10.5 cm), Glass, Translucent cobalt blue; handle, trail, and base ring in same color. Everted rim folded over and in, and smoothed

Lamp, Roman, Cypriot, Terracotta, Overall: 3/4 x 3 1/2 in. (1.9 x 8.9 cm), Terracottas

12 cyl. stjerneformet Motor 160HK. Forsog ikke aflluttede April 1919., 1905–19, Gelatin silver prints from glass negatives, Image: 4 3/16 × 3 1/8 in. (10.7 × 8 cm), Photographs, Jacob Christian Hansen Ellehammer (Danish, 1871–1946),

Marble relief fragment with scenes from the Trojan War, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Marble, Palombino, 7 1/8 x 6 15/16 in., 1.1kg (18.1 x 17.6 cm), Stone Sculpture, The tabulae iliacae are a series

Vase, Yuan (1271–1368)–Qing (1644–1911)dynasty, Kangxi pd. (1662–1722), lower part: Yuan dynasty; mounts and upper part: Kangxi period (1662–1722, China, Cloisonné enamel, H. 13 1/2 in. (34.3 cm), Cloisonn

Actor Sanogawa Ichimatsu (1722–1763) as a Courtesan during the Tanabata Festival, Edo period (1615–1868), ca. 1730, Japan, Polychrome woodblock print (urushi-e); ink and color on paper, H. 12 7/16 in. (31.6 cm); W. 6 in. (15.2 cm), Prints,

Lord Hardinge's Monument, Calcutta, 1850s, Albumen silver print, Image: 18.4 x 24.2 cm (7 1/4 x 9 1/2 in.), Photographs, Captain R. B. Hill

Terracotta vase in the form of a three-legged horse, Archaic, 6th century B.C., East Greek, Terracotta, H. 5 3/4 in. (14.6 cm); length 9 15/16 in. (25.2 cm), Vases, The askos is a bag-shaped vase that normally has a vertical spout as well as a

Bronze strigil, Imperial, 1st–2nd century A.D., Roman, Bronze, L. 9 in. (22.8 cm), Bronzes, The blade is bent to an acute angle. The handle, which is in one piece with the blade, is in the form of a rectangular loop with a cross-piece in

Polestar Deity Kui Xing, Ming dynasty (1368–1644), 16th–17th century, China, Leaded tin brass; lost-wax cast, H. 9 1/2 in. (24 cm), Sculpture, The Pole Star, a popular religious figure associated with the Lord of Literature (Wen Chang

Vase fragment, Helladic, Greek, Laconian, Terracotta, 2 5/8 x 1 13/16in. (6.7 x 4.6cm), Vases

Madame de Maison-Rouge as Diana, 1756, Oil on canvas, 53 3/4 x 41 3/8 in. (136.5 x 105.1 cm), Paintings, Jean Marc Nattier (French, Paris 1685–1766 Paris), This is a disguised portrait, in which the sitter is shown as Diana, goddess of the

Terracotta aryballos in the form of a sandaled foot, Archaic, 6th century B.C., East Greek, Terracotta, length 3 9/16in. (9.1cm), Vases, Sandled left foot with ankle

Terracotta skyphos (deep drinking cup), Late Classical, ca. 350–325 B.C., Greek, South Italian, Campanian, Terracotta; red-figure, H. 9 3/4 in. (24.8 cm), Vases, Obverse, woman and Oscan warrior Reverse, woman and youth The CA Painter

Bureau Table, 1750–90, Made in Massachusetts, United States, American, Mahogany, white pine, white oak, 30 x 38 7/8 x 22 5/8 in. (76.2 x 98.7 x 57.5 cm), Furniture, The block-front form was widely popular in Massachusetts, and many

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

Glass footed beaker, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Height: 3 1/4 in. (8.2 cm), Glass, Translucent blue green. Rounded and thickened vertical rim; straight sides tapering downward; integral tubular base ring; kick

Astrolabe of ‘Umar ibn Yusuf ibn ‘Umar ibn ‘Ali ibn Rasul al-Muzaffari, dated A.H. 690/ A.D. 1291, Made in Yemen, Brass; cast and hammered, pierced, chased, inlaid with silver, Case (a): Max. W. 7 5/8 in. (19.4 cm), Metal, ‘Umar ibn

Silver beaker, Latter part of the Early Bronze Age, ca. 2300–2000 B.C., Anatolian, Silver, H. 4 1/16 in. (10.4 cm), Gold and Silver, This vase, along with .46-.48 are said to have been found together, are best paralleled by pieces found by

Limestone statuette of a beardless male votary in Greek dress, Archaic, middle or 3rd quarter of the 6th century B.C., Cypriot, Limestone, Overall: 23 x 6 x 4 1/8 in. (58.4 x 15.2 x 10.5 cm), Stone Sculpture, The figure wears a chiton that

Glass striped mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 15/16 x 2 in. (2.4 x 5 cm), Glass, Rim fragment., Translucent blue, turquoise blue largely layered with white

Visit to a Shrine at the Hour of the Ox (Ushi no toki mairi), Edo period (1615–1868), 1765, Japan, Polychrome woodblock print; ink and color on paper, 11 1/8 x 8 1/8 in. (28.3 x 20.6 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), In

Speculum Romanae Magnificentiae: Sacrificial Instruments Based on Ancient Relief Sculpture, ca. 1550–75, Engraving., sheet: 14 3/16 x 17 11/16 in. (36.1 x 45 cm). Wide margins around platemark., Prints, Attributed to Nicolas Beatrizet (French,

[The Earl Canning, K.G., K.S.I., G.C.B., Calcutta], 1858–61, Albumen silver print from glass negative, Image: 26.5 x 21.7 cm (10 7/16 x 8 9/16 in.), Photographs, Bourne and Shephard, Samuel Bourne (British, 1834–1912), Charles

Fuji Seen in the Distance from Senju Pleasure Quarter (Senju kagai yori chōbō no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　従千住花街眺望の不二, Edo period (1615–1868), ca.

Bronze trowel or cutter, Middle or Late Bronze Age, 2nd millennium B.C., Minoan, Bronze, L. 1 3/4 in. (4.3 cm), Bronzes, The form resembles what Sir Arthur Evans calls the trowel sign on Middle Minoan seals, an example of which can be seen in

Potted Pine Tree Drum and Seven Herbs Planted in a Box, 18th–19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/8 x 7 5/16 in. (21.3 x 18.6 cm), Prints, Sunayama Gosei (Japanese, 18th–19th century

Jug, 1775, Made in New York, New York, United States, American, Stoneware, H. 10 in. (25.4 cm), Ceramics, John Crolius (1733–1812), This jug was probably made by John Crolius, whose family worked in New York City in an area known as Pot

'Umbrella' Magnolia, 1891, Made in New York, New York, United States, American, Watercolor, pencil, and ink on brownish white wove paper, Overall: 13 7/8 x 8 5/8 in. (35.2 x 21.9 cm), Drawings, Tiffany & Co. (1837–present

Crape, 1839–40, Photogenic drawing, 9.6 x 11.5 cm (3 3/4 x 4 1/2 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Terracotta vase fragment with white inlay, Middle Minoan II, ca. 1800–1700 B.C., Minoan, Terracotta, Overall: 1 13/16 x 2 3/4in. (4.6 x 7cm), Vases, From Knossos, Crete. Fragment with white inlay

Lamp, Greek or Roman, Terracotta, Overall: 1 in., 3.3 cm (2.5 x 3.3 cm), Terracottas

Newhaven Group, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Wine Bottle with Flowers and Grasses, 染付花草文徳利, Edo period (1615–1868), first half of the 17th century, Japan, Porcelain with underglaze blue decoration (Hizen ware, early Imari type), H. 6 3/8 in. (16.1 cm); Diam. 3 1/2 in.

Reliquary with Contents, ca. 2nd–3rd century, Pakistan (ancient region of Gandhara), Schist with objects of copper, gold, pearl, shell, glass, stone and coral, 3 1/8 x 3 5/8 in. (8 x 9.2 cm), Sculpture

岩に鴉図, Crow on a Rock, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 1/4 x 10 7/8 in. (36.2 x 27.6 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889

Plate, Late Classical, 4th century B.C., Greek, South Italian, Apulian, Terracotta, Overall: 1 3/8 × 2 7/8 in. (3.5 × 7.3 cm), Vases

[Thomas Eakins in Swim Suit], 1880s, Albumen silver print , Photographs, Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania

Decanter, ca. 1813–30, Made in Boston, Massachusetts, United States, American, Blown glass with applied decoration, H. 10 in. (25.4 cm); Diam. 5 1/4 in. (13.3 cm), Glass, South Boston Flint Glass Works

Bone cylinder with pointed ivory top, Archaic, 7th–6th century B.C.?, Greek, Laconian, Ivory, 1 1/4 × 1 1/16 in. (3.2 × 2.7 cm), This may have been a gaming piece

Glass pin, Imperial, 1st–4th century A.D., Roman, Glass; drawn and tooled, Overall: 3 7/8in. (9.8cm), Glass, Colorless with slight greenish tinge. Solid globular head, tooled in on two sides at base; slender neck; broader, triangular shaft

Terracotta askos (flask with a spout and handle over the top), Late Classical, 4th century B.C., Native Italic, Daunian, Terracotta, H. 6 in. (15.3 cm), Vases, Geometric patterns

Seven String Bass Viol, 1720, Paris, France, French, Maple, spruce, Height: 51 15/16 in. (132 cm), Chordophone-Lute-bowed-fretted, Nicolas Bertrand (1686–1735), This instrument retains its original neck, which was reshaped when the viol

名所江戸百景　深川萬年橋, Mannen Bridge, Fukagawa, Edo period (1615–1868), 1858, Japan, Polychrome woodblock print; ink and color on paper, H. 14 1/16 in. (35.7 cm); W. 9 7/16 in. (24 cm), Prints, Utagawa Hiroshige (Japanese,

Rattle Bowl, Trophy-Head Deity, 3rd–1st century B.C., Peru, Paracas, Ceramic, post-fired paint, H. 2 x W. 6 3/4 in. (5.1 x 17.1 cm), Ceramics-Containers

Eye idol, Middle Uruk, ca. 3700–3500 B.C., Syria, Tell Brak, Gypsum alabaster, 2.37 in. (6.02 cm), Stone-Sculpture

The Second Nakamura Juzo as a Samurai, Edo period (1615–1868), 1773 or 1774, Japan, Polychrome woodblock print; ink and color on paper, 11 7/8 x 5 3/4 in. (30.2 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Marseille, ca. 1861, Albumen silver print from glass negative, Image: 27.2 x 41.8 cm (10 11/16 x 16 7/16 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Vase fragment, Helladic, Greek, Laconian, Terracotta, 3 3/8 x 1 5/8in. (8.6 x 4.2cm), Vases

The Nine Songs: Illustrations to the poems of Qu Yuan (343–277 B.C.), Yuan dynasty (1271–1368) (?), China, Handscroll; ink and color on silk, 12 5/8 x 184 in. (32.1 x 467.4 cm), Paintings, Unidentified Artist Chinese, Copy after Li Gonglin

Sage Floating on Lotus Leaf, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Album leaf; ink on silk, 11 x 8 5/8 in. (27.9 x 21.9 cm), Paintings, Unidentified Artist, Formerly attributed to Zhao Fei (Chinese

Rembrandt (1606–1669) as a Young Man, Oil on wood, 8 5/8 x 6 1/2 in. (21.9 x 16.5 cm), Paintings, Style of Rembrandt (Dutch, ca. 1630–35

商 青銅角, Covered Wine Vessel (Jiao), Shang dynasty (ca. 1600–1046 B.C.), Anyang period, 13th–11th century BC, China, Bronze, H. incl. knob 9 1/8 in. (23.2 cm); W. at handle 3 3/4 in. (9.5 cm); L. 6 5/8 in. (16.8 cm), Metalwork

Nubie. Temple et Village de Débôd. Parembole de l'itinéraire d'Antonin, 1850, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, Maxime Du Camp (French, 1822–1894

John Henning as Edie Ochiltree from Sir Walter Scott's 'The Antiquary', 1843–47, Salted paper print from paper negative, Image: 20.6 x 15.8 cm (8 1/8 x 6 1/4 in.), Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870