Images at Librifly

Helmet, 15th–17th century, Mongolian, Iron, H. 11 3/4 in. (29.8 cm); W. 7 15/16 in. (20.2 cm); D. 9 in. (22.9 cm); Wt. 2 lb. 7 oz. (1105.6 g), Helmets

Fibula, boat-shaped type, Bronze, Other: 3 3/4 in. (9.5 cm), Bronzes

Pottery Whistle, Pre-Columbian, 900–1521 (?), Mexico, Mexican, Clay, L. 95 mm.; W. 56 mm.; D. 53 mm.; Wt. 79 g., Aerophone-Whistle Flute-whistle

Terracotta statuette of an actor, Late Classical, late 5th–early 4th century B.C., Greek, Attic, Terracotta, H. 4 1/8 in. (10.5 cm), Terracottas, Fourteen of these figures are said to have been found together in a burial in Attica. They are

On a Balcony a Woman is Seated Playing a Tsuzumi, below a Man in Daimyo Costume is Seated upon a Black Lacquer Box, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 15 1/8 x 10 1/8 in. (38.4 x 25.7

Bowl, Roman, Terracotta, H. 8.46 cm. Diameter 11.76 cm., Vases

Box for Square Calligraphy Paper (shikishi-bako) with a Bugaku Helmet on Checkered Ground, 石畳地兜蒔絵色紙箱, Edo period (1615–1868), 18th century, Japan, Lacquered wood with gold takamaki-e, hiramaki-e, togidashimaki-e, gold foil

Kahlil Gibran with Book, 1896, Platinum print, 15.9 x 12.0 cm. (6 1/4 x 4 3/4 in.), Photographs, F. Holland Day (American, Norwood, Massachusetts 1864–1933 Norwood, Massachusetts

The Bathers, ca. 1914, Made in New York, United States, American, Autochrome, Image: 4 3/4 x 7 1/2 in. (12.1 x 19.1 cm), Photographs, Louis Comfort Tiffany (American, New York 1848–1933 New York

The Monkey Bridge, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 9 1/16 x 4 1/16 in. (23 x 10.3 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Edo Hakkei no Zu, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, 9 7/16 x 14 3/4 in. (24.0 x 37.5 cm), Prints, Utagawa Toyoharu (Japanese, 1735–1814

Salver, ca. 1820, Made in Philadelphia, Pennsylvania, United States, American, Silver, 1/2 x 5 11/16 in. (1.3 x 14.4 cm); 4 oz. 2 dwt. (127.4 g), Silver, John McMullin (1765–1843

Andrew Wagoner, 1865, Albumen silver print from glass negative, Photographs, Reed Brockway Bontecou (American, 1824–1907

Tumbler, 1825–30, Made in Pittsburgh, Pennsylvania, United States, American, Blown, cut, and engraved glass, H. 3 1/4 in. (8.3 cm); Diam. 2 5/16 in. (5.9 cm), Glass, Bakewell, Page & Bakewell (1808–1882), The greyhound was a popular

The Resurrection, ca. 1600, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, 16 5/8 x 12 3/4in. (42.2 x 32.4cm), Drawings, Cavaliere d'Arpino (Giuseppe Cesari) (Italian, Arpino 1568–1640 Rome

Woman in Profile, 1909, Watercolor and graphite on paper, 11 5/8 x 9 7/8 in. (29.5 x 25.1 cm), Drawings, Amedeo Modigliani (Italian, Livorno 1884–1920 Paris

[The Lion Court at the Alhambra, Viewed from Beneath the Portico Temple], 1862, Albumen silver print from glass negative, Image: 42 x 32.1 cm (16 9/16 x 12 5/8 in.), Photographs, Charles Clifford (Welsh, 1819–1863

Print, Edo period (1615–1868), 1780–1850, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 7/8 x 6 11/16 in. (20 x 17 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Limestone funerary cippus, Imperial, ca. 2nd–3rd century A.D., Roman, Cypriot, Limestone, H.: 18 in. (45.7 cm), Cesnola Inscriptions, The inscription on this ornate cylindrical cippus is badly preserved and is now difficult to read. Cesnola

松竹桜家紋蒔絵櫛台, Cosmetic Stand with Pine, Bamboo, and Cherry Blossom from a Wedding Set, Edo period (1615–1868), early 19th century, Japan, Lacquered wood with gold, silver takamaki-e, hiramaki-e, cut-out gold foil on nashiji

Pedrolino, ca. 1767, Italian, Venice, Hard-paste porcelain, H. 6 7/16 in. (16.4 cm.), Ceramics-Porcelain, After a print by Johann Esaias Nilson (German, Augsburg 1721–1788 Augsburg), The figure is based on a print by Johann Esaias Nilson

Mosque Lamp of Amir Ahmad al-Mihmandar, ca. 1325, Attributed to Egypt or Syria, Glass, colorless with brown tinge; blown, folded foot, applied wick holder and handles, enameled and gilded, H. 10 1/2in. (26.7cm), Glass, According to its

Scenes from the Story of the Seven Sacraments, God the Father Uniting Adam and Eve, and David Being Annoited King at Hebron, ca. 1435–50, South Netherlandish, Wool warp, wool and silk wefts, Overall: 80 x 122in. (203.2 x 309.9cm),

Window Stool, 1810–20, Made in New York, New York, United States, American, Mahogany, gilt brass, 30 1/2 x 37 1/4 x 15 in. (77.5 x 94.6 x 38.1 cm), Furniture

Twenty-four Paragons of Filial Piety, Qing dynasty (1644–1911), 19th century, China, Album of fifty-one leaves of paintings and calligraphy; ink, wash and color on paper, 13 3/4 x 9 5/9 in. (34.9 x 24.3 cm), Paintings, Unidentified Artist

Rev. Miller and His Son Rev. Samuel Miller, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland

Shelling Beans, Argentelle, 1851, Salted paper print from paper negative, Image: 22.3 x 17.7 cm (8 3/4 x 6 15/16 in.), Photographs, Louis-Adolphe Humbert de Molard (French, Paris 1800–1874), Humbert de Molard, freed from financial concerns

Teakettle, 1710–20, Made in New York, New York, United States, American, Silver, Overall: 10 1/8 x 10 5/8 in. (25.7 x 27 cm); 47 oz. 13 dwt. (1481.7 g), Silver, Cornelius Kierstede (1674–ca. 1757), As in England and the Netherlands,

Glass alabastron (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 3 5/8 in. (9.2 cm), Glass, Translucent cobalt blue, with handles in same color; trails in opaque

Glass monochrome inlay fragment, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; cast, Overall: 7/8 x 1 1/2 in. (2.2 x 3.8 cm), Glass, Opaque jade green., Flat inlay with one straight side and a rounded end with

[Three East Indian Women], 1870s, Albumen silver print from glass negative, Photographs, Francis Frith (British, Chesterfield, Derbyshire 1822–1898 Cannes, France

Parochialstrasse in Berlin, 1831, Oil on canvas, 16 x 11 in. (40.6 x 27.9 cm), Paintings, Eduard Gaertner (German, Berlin 1801–1877 Zechlin), Gaertner is best known for chronicling the rapidly modernizing Berlin cityscape. This relatively

A Tea Pavilion, Canton, ca. 1869, Albumen silver print from glass negative, Image: 8 1/2 × 10 5/8 in. (21.6 × 27 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Openwork furniture plaque with a striding, ram-headed sphinx, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, H. 3 1/16 x W. 3 1/8 x D. 5/16 in. (7.8 x 8 x 0.8 cm), Ivory/Bone-Reliefs, A

The Actor Otani Hiroemon III as a Fish Peddler, Edo period (1615–1868), 1726–1792, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 5 3/4 in. (31.8 x 14.6 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 2 x 1 7/8in. (5.1 x 4.7cm), Vases

明, 趙左, 谿山無盡圖, 卷, Streams and Mountains without End, Ming dynasty (1368–1644), Dated 1611–12, China, Handscroll; ink and color on paper, Image: 9 5/8 x 248 5/8 in. (24.4 x 631.5 cm), Paintings, Zhao Zuo (Chinese, ca.

Ichikawa Komazo II in the Role of Ouchinosuke Ujiyasu from the Play 'San ga no Sho mutsumi no hanayome', Edo period (1615–1868), 1787, Japan, Polychrome woodblock print; ink and color on paper, 15 x 10 in. (38.1 x 25.4 cm), Prints, Katsukawa

Esneh (Latopolis), Construction Ensablée - Paroi Extérieure - Corniche et Sculptures, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.8 x 30.5 cm. (9 3/8 x 12 in.), Photographs, Félix Teynard (French, 1817–1892

Portrait of a Woman, ca. 1770, Oil on canvas, 49 7/8 x 40 in. (126.7 x 101.6 cm), Paintings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby), Joseph Wright of Derby was the first major British painter to work almost entirely

Girl In the Form of a Divinity Beating a Drum, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/16 x 7 3/16 in. (20.5 x 18.3 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Shoes, late 18th century, British, (a, b) leather

The Iris Garden, Edo period (1615–1868), ca. 1784, Japan, Polychrome woodblock print; ink and color on paper, H. 14 1/2 in. (36.8 cm); W. 9 1/2 in. (24.1 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Vase, ca. 1881, Made in Cincinnati, Ohio, United States, American, Probably earthenware, H. 7 in. (17.8 cm); Diam. 5 in. (12.7 cm), Ceramics

Carnelian scaraboid seal, Classical, ca. 450–400 B.C., Greek, Ionian, Carnelian, burnt, Length: 1 in. (2.5 cm), Gems, Wolf with tail between legs

[Duchesse d'Albe, Unknown Sitter, Duchesse de Morny, and Duc de Morny], before 1865, Albumen silver prints from glass negatives, Image: 3 3/8 in. × 2 in. (8.6 × 5.1 cm) (each), Photographs, Pierre-Louis Pierson (French, 1822–1913), et

Terracotta stemmed calyx, Late Archaic, early 5th century B.C., Greek, Attic, Terracotta; black-glaze, H. 2 3/8 in. (6.1 cm), Vases, This useful shape was popular from the last quarter of the sixth century B.C. into the third quarter of the

近代 陳衡恪 梅花 冊頁, Plum, early 20th century, China, Album leaf; ink and color on paper, 11 x 17 1/4 in. (27.9 x 43.8 cm), Paintings, Chen Hengke (Chinese, 1876–1923), The strong interplay of color and ink, decorative appeal

Incense Burner in the Shape of a Melon with Autumn Flowers and Grasses, Edo period (1615–1868), early 17th century, Japan, Lacquer with sprinkled gold decoration in Kōdaiji style; gilt-bronze cover, 3 1/4 x 3 7/8 in. (8.3 x 9.8 cm), Lacquer,

Plusieurs Trophées, 18th century, Engraving, Overall: 11 x 8 1/16 x 3/16 in. (28 x 20.4 x 0.5 cm), Books

[My Arab 'Antelope'], 1858–61, Albumen silver print, Image: 13.9 x 19 cm (5 1/2 x 7 1/2 in.), Photographs, Unknown

Mrs. William Tennant (Mary Wylde, died 1798), 1780s, Oil on canvas, 49 1/2 x 40 in. (125.7 x 101.6 cm), Paintings, Thomas Gainsborough (British, Sudbury 1727–1788 London

Netsuke of Ox with Bokudo, Edo (1615–1868) or Meiji period (1868–1912), 19th century, Japan, Wood and ivory, H. 13/16 in. (2 cm); W. 1 3/4 in. (4.5 cm); D. 1 1/8 in. (2.9 cm), Netsuke, Carvers often select rare and expensive woods for

The Actor Onoye Matsusuke as a Ronin, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 14 7/8 in. (37.8 cm); W. 9 3/4 in. (24.8 cm), Prints, Tōshūsai Sharaku (Japanese, active 1794–95

Adoration of the Magi, ca. 1470–90, German, Middle Rhine(?), Oil and gold on beech panel, Overall: 7 1/2 x 6 7/8 in. (19 x 17.5 cm); Painted Surface: 7 3/16 x 6 3/4 in. (18.3 x 17.2 cm), Paintings, German , Middle Rhine(?), active ca.

Bearded Nude Male Figure Running Toward the Right, mid-15th century, Pen and brown ink., 12 1/16 x 8 in. (30.6 x 20.3 cm), Drawings, Veronese School, possibly a follower of Stefano da Verona (Stefano di Giovanni) (Italian, Verona (?)

近代, 金城, 山水, 扇面, Landscape, early 20th century, China, Folding fan mounted as an album leaf; ink and color on alum paper, 8 3/8 x 26 7/8 in. (21.3 x 68.3 cm), Paintings, Jin Cheng (Chinese, 1878–1926), Jin Cheng's

The Three Heroes of Shoku (Shu): Emperor Ryubi (Liu Fei) and His Friends Kwan-u (Kwan Yu) and Chohi (Chang Fei), Edo period (1615–1868), first half of the 19th century, Japan, Triptych of polychrome woodblock prints(surimono); gold, copper and

Chariot fragments, hook, nails, double strip, Archaic, ca. 500–480 B.C., Etruscan, Bronze, Other (length H1): 1 5/8 in. (4.1 cm), Bronzes, Large collection of bronze and iron attachments once belonging to a chariot

Temple de Kalabcheh - Entre colonnement médial du Pronaos, April 8, 1850, Salted paper print from paper negative, Image: 8 7/8 × 6 9/16 in. (22.5 × 16.7 cm), Photographs, Maxime Du Camp (French, 1822–1894

[Wilton House from the Grounds], 1850s, Albumen silver print from paper negative, Photographs, Unknown (British

Bronze shepherd, Archaic, late 6th–early 5th century B.C., Greek, Bronze, H. 4 3/16 in. (10.7 cm), Bronzes, The shepherd wears a pilos (conical felt cap), a cloak draped around his shoulders, and boots. In his left arm, he holds a small

Terracotta kantharos (drinking cup) in the form of the heads of Herakles and of a woman, Classical, ca. 470 B.C., Greek, Attic, Terracotta; red-figure, H. 8 1/2 in. (21.6 cm), Vases, Obverse, Athena seated between two women Reverse,

The Oiran Hanagiku Reading a Love Letter While Standing, Edo period (1615–1868), ca. 1769, Japan, Polychrome woodblock print; ink and color on paper, 11 3/5 x 5 1/2 in. (29.5 x 14 cm), Prints, Ippitsusai Bunchō (Japanese, active

Onoe Kikugorō in the role of Yaoya Oshichi and Nakamura Kiyosaburō as her lover the koshō (page) Kichisaburō, Edo period (1615–1868), 1750, Japan, Polychrome woodblock print; ink and color on paper, 16 x 11 1/4 in. (40.6 x 28.6 cm),

Fragment, 4th century, Made in Egypt, Wool, linen; tapestry weave, 4 15/16 in. high 4 15/16 in. wide (12.5 cm high 12.5 cm wide), Textiles

Dish of Fruit and Peach Blossoms, Qing dynasty (1644–1911), 18th–19th century, China, Jade (jadeite) and various stones, amber, glass, bone, and feathers, H. 3 1/8 in. (7.9 cm); Diam. 7 in. (17.8 cm), Jade

Stele Commissioned by Helian Ziyue (赫蓮子悅) and a Devotional Society of Five Hundred Individuals, Eastern Wei dynasty (534–550), dated 533–43, China, Limestone, H. 121 1/4 in. (308 cm); W. 44 1/4 in. (112.4 cm); D. 12 in. (30.5 cm),

清, 惲壽平, 倣宋元山水圖, 冊, Landscapes in the Manner of Song and Yuan Masters, Qing dynasty (1644–1911), dated 1667, China, Album of ten paintings; ink and color on paper, 10 5/8 x 15 5/8 in. (27 x 39.7 cm), Paintings, Yun

Terracotta alabastron (perfume vase), Archaic, ca. 510–500 B.C., Greek, Attic, Terracotta; black-figure, white-ground, H.: 6 in. (15.2 cm), Vases, Palmettes. This is one of a group of white-ground alabastra associated with a red-figure

Stylized Figure Pendant, 5th–10th century, Panama, International Style, Gold, H. 2 1/8 x W. 1 3/8 in. (5.4 x 3.5 cm), Metal-Ornaments

Glass alabastron (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 3 13/16 in. (9.7 cm), Glass, Opaque red brown, with handles in same color; trails in opaque white.,

Bronze hydria (water jar), Classical, 5th century B.C., Greek, Bronze, H. 15 in. (38.1 cm), Bronzes, This hydria is said to come from Galaxidi, a site in central Greece that has yielded many bronzes of the Classical period

Terracotta vase on a high foot with two goats' heads in relief, Cypro-Geometric I, ca. 1050–950 B.C., Cypriot, Terracotta, H.: 8 3/16 in. (20.8 cm), Vases, High foot with goats' heads in the round and lattice panels

Covered jar, ca. 1830–40, Made in Montgomery County, Pennsylvania, United States, American, Earthenware; Redware with sgraffito decoration, H. 8 1/2 in. (21.6 cm), Ceramics, Attributed to Jacob Scholl (1781–1851), This jar is coated

Statuette of a woman, Bronze, H.: 3 7/16 in. (8.7 cm), Bronzes

Glass monochrome inlay fragment, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; cast, Other: 1 11/16 x 1 3/4 in. (4.2 x 4.4 cm), Glass, Fragment of revetment plaque., Opaque red., Flat inlay, square or

[Golestan, Le Salon et Fete de l'equinode, Teheran, Iran (le Pavillion du Trone)], 1840s–60s, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Arm and hand of Athena, fragment, Roman, Bronze, Other: 6 7/16 in. (16.4 cm), Bronzes

Terracotta pyxis with lid (box), Late Corinthian, late 6th century B.C., Greek, Corinthian, Terracotta, H.: 6 1/4 in. (15.9 cm), Vases, Three handles in the form of female busts

Roses and Sparrow, Edo period (1615–1868), ca. 1833, Japan, Polychrome woodblock print; ink and color on paper, 10 x 4 7/8 in. (25.4 x 12.4 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Terracotta stemmed dish, Classical, 5th century B.C., Greek, Attic, Terracotta; black-glaze, H. 3 1/8 in. (7.9 cm); diameter of mouth 6 5/8 in. (16.8 cm); diameter of foot 2 13/16 in. (7.2 cm), Vases, Stemmed dish with no decoration

Kings Place, or a View of M [Fox's] Best Friends, April 22, 1784, Etching, Sheet: 9 5/16 x 13 7/16 in. (23.7 x 34.2 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Bird, late Eastern Zhou dynasty (770–256 B.C.), China, Bronze, H. 6 1/16 in. (15.4 cm), Metalwork

Terracotta loom weight, Archaic or later, 6th century or later, Lydian, Terracotta, Length: 3 in (7.6 cm), Terracottas, Loom weight with hole

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 2 3/8 x 1 1/2in. (6 x 3.8cm), Vases

Panel Fragment, 5th–6th century, Attributed to Egypt, Linen, wool, 7 7/8 in. high 5 5/16 in. wide (20 cm high 13.5 cm wide), Textiles

Bronze dipping or stirring rod, Early to Mid Imperial, 1st–2nd century A.D., Roman, Cypriot, Bronze, Other: 6 7/8in. (17.5cm), Bronzes

Pottery Whistle, 1880, Mexico, Mexican, Clay, H: 52mm; W: 31mm; D: 30mm; Wt: 18 g., Aerophone-Whistle Flute-whistle

Fragment, 9th century, Attributed to Egypt, Fustat, Linen, H. 10 3/8 in. (26.4 cm), Textiles-Woven

Dagger-Ax (Ge), late Zhou dynasty (1046–256 B.C.), China, Bronze, H. 2 15/16 in. (7.5 cm); L. 5 3/4 in. (14.6 cm), Metalwork

Looking Up Yosemite Valley, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Photographs, Attributed to Carleton E. Watkins (American, 1829–1916

Pitcher, 1848–56, Made in Brooklyn, New York, United States, American, Porcelain, 11 3/4 x 12 3/4 x 9 1/4 in. (29.8 x 32.4 x 23.5 cm), Ceramics, Charles Cartlidge and Company (1848–1856), The mid-nineteenth century porcelain manufactory

Box for Sugoroku Game (A Kind of Backgammon), Bow and Drum, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 1/4 in. (21 x 18.4 cm), Prints, Kubo Shunman (Japanese,

Chlorite pendant in the form of the head of an Assyrian, Archaic, 6th century B.C., Cypriot, Steatite, Overall: 1 × 1/2 × 1/2 in. (2.5 × 1.3 × 1.3 cm), Miscellaneous-Stone, Bearded head, Assyrian type

Chisel, Roman, Bronze, bone, Other: 1 1/4 in. (3.2 cm), Bronzes

Stella (autre), 1860s, Albumen silver print from glass negative, 7.3 x 10.2 cm. (2 7/8 x 4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Easby Abbey. The Refectory, 1850s, Albumen silver print, Image: 28 x 23.5 cm (11 x 9 1/4 in.), Photographs, Joseph Cundall (British, Norwich, Norfolk 1818–1895 Wallington, Surrey), Philip Henry Delamotte (British, 1821–1889

Sako no Suzumi, Cooling Off at Nakazu, Edo period (1615–1868), 1782, Japan, Left-hand sheet of a diptych of polychrome woodblock prints; ink and color on paper, 14 1/2 x 9 3/4 in. (36.8 x 24.8 cm), Prints, Torii Kiyonaga (Japanese,

[Waterfall], 1870s, Albumen silver print from glass negative, 25.1 x 19.9 cm (9 7/8 x 7 13/16 in.), Photographs, Unknown