Images at Librifly

Terracotta spindle whorl, Archaic–Classical, 6th–5th century B.C., Greek, Attic, Terracotta, H. 1 1/2 in. (3.8 cm), Terracottas, Like the two onoi (061.52, ) displayed nearby, this spindle whorl is a specialized piece of equipment used

Panel with Figures, 12th–14th century, Peru, Chancay, Cotton, paint, 120 x 27 1/4 in. (304.8 x 69.22 cm), Textiles-Woven

Figure Finial, 12th–15th century, Peru, Chimú, Copper (cast), H. 3 3/8 in. (8.5 cm), Metal-Ornaments

Daphne odora and Mojisuri-so, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/4 x 7 1/4 in. (21 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Pottery Whistle, Pre-Columbian, ca. 300–900, Mexico?, Mexican, Clay, L. 61 mm.; W. 57 mm.; D. 37 mm.; Wt. 49 g., Aerophone-Whistle Flute-whistle

Limestone statuette of a beardless male votary with a wreath of leaves, Classical, 2nd half of the 5th century B.C., Cypriot, Limestone, Overall: 19 x 5 3/4 x 3 1/4 in. (48.3 x 14.6 x 8.3 cm), Stone Sculpture, Male figure standing holding a

Takasago Harbor, Edo period (1615–1868), ca. 1760, Japan, Polychrome woodblock print; ink and color on paper, 13 3/4 x 5 3/4 in. (34.9 x 14.6 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770

東都名所 佃島海辺朧月, Tsukudajima Kaihin Rōgetsu, Edo period (1615–1868), ca. 1836, Japan, Polychrome woodblock print; ink and color on paper, 13 15/16 x 4 3/4 in. (35.4 x 12.1 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

Finial in the Form of a Bird, Eastern Zhou dynasty (770–256 B.C.), 5th–3rd century B.C., China, Bronze with gold and silver inlay, H. 1 in. (2.5 cm); L. 2 15/16 in. (7.5 cm), Metalwork

Nakahara in Sagami Province (Sōshū Nakahara), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　相州仲原, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color

Covered Dish, ca. 1883, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 6 3/8 x 11 7/8 x 7 1/8 in. (16.2 x 30.2 x 18.1 cm); 41 oz. 10 dwt. (1290.2 g), Silver, John T. Vansant Manufacturing Company (1881–92

Head of a youth from a marble stele (grave marker), Archaic, ca. 525 B.C., Greek, Attic, Marble, Parian, Overall: 10 1/4 x 15 1/2 in. (26 x 39.4 cm); thickness at top 15 1/4 in. (38.7 cm); thickness at bottom 15 7/16 in. (39.3 cm), Stone

Glass alabastron (perfume bottle), Hellenistic, 2nd–mid-1st century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group III, H.: 4 11/16 in. (11.9 cm), Glass, Translucent deep turquoise blue, with handles in same color; trail in

Bas-relief de la Grande Galerie de la Pagode, 1866, Albumen silver prints from glass negatives, 12.1 x 17.2 cm (4 3/4 x 6 3/4 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Bronze bust of Minerva, Imperial, 1st–2nd century A.D., Roman, Bronze, Overall: 3 1/16 x 1 13/16 x 1 5/8 in. (7.8 x 4.6 x 4.1 cm), Bronzes, Modeled on the Greek goddess Athena, the Roman Minerva had many of the same duties and attributes,

Fragmentary porphyry head of a bearded man, Imperial, 2nd or 3rd century A.D., Roman, Porphyry, H.: 8 1/4 in. (21 cm), Stone Sculpture, Porphyry is a very hard stone and difficult to cut, as can be seen in the shallow, highly simplified

Mammoth Grove Hotel, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Image: 25.9 x 32.4 cm (10 3/16 x 12 3/4 in.), Photographs, Carleton E. Watkins (American, 1829–1916

Versailles - Cour du Parc, 1902, Albumen silver print from glass negative, Image: 21.5 × 17.5 cm (8 7/16 × 6 7/8 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris), Although he studied drama in Paris in the mid-1870s and

Gold pendant in the form of a bull's head, Late Bronze Age, ca. 1400–1050 B.C., Cypriot, Gold, L. 1. 3/8 in. (3.5 cm), Gold and Silver, The two small rings in the nose of the bull may indicate that a domesticated animal is represented

North end of Lacock Abbey, 1840, Photogenic drawing from paper negative, Image: 17.6 x 18.8 cm (6 15/16 x 7 3/8 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

東海道五十三次之内　平塚　馬入川舟渡しの図, Hiratsuka; Banyugawa Funa Watashi no Zu, Edo period (1615–1868), ca. 1842, Japan, Polychrome woodblock print; ink and color on paper, 8 27/32 x 13 1/2 in. (22.5 x 34.3 cm),

Limestone head of a female votary, Late Hellenistic (?), late 1st century B.C.(?), Cypriot, Limestone, Overall: 10 1/2 × 7 × 8 1/2 in. (26.7 × 17.8 × 21.6 cm), Stone Sculpture, Like the omission of a wreath for male figures, the absence

Terracotta column-krater (bowl for mixing wine and water), Classical, ca. 460–450 B.C., Greek, Attic, Terracotta; red-figure, H. 32.51 cm., Vases, Obverse, satyrs treading grapes in the presence of Dionysos, Reverse, satyrs and maenad.

Willey, 1850s–60s, Albumen silver print from paper negative, 17.4 x 22.0 cm. (6 7/8 x 8 11/16 in.), Photographs, Alfred Capel Cure (British, 1826–1896

Lamp, Roman, Cypriot, Terracotta, Overall: 1 x 3 7/8 in. (2.5 x 9.8 cm), Terracottas

明永樂 黃銅鎏金敏捷文殊菩薩像, Bodhisattva Manjushri as Tikshna-Manjushri (Minjie Wenshu), Ming dynasty (1368–1644), Yongle period (1403–24), China, Gilt brass; lost-wax casting, H. 7 1/2 in. (19.1 cm); W. 4 3/4 in. (12.1 cm);

Terracotta pointed aryballos (oil flask), Archaic, late 7th–early 6th century B.C., Etruscan, Italo-Corinthian, Terracotta, H.: 3 15/16 in. (10 cm), Vases, During the late eighth and much of the seventh century B.C., Corinthian pottery was

Bag, 10th–15th century, Peru, Lima province, Peru; central coast (?), Camelid hair, cotton, Overall: 7 x 7 in. (17.78 x 17.78 cm), Textiles-Woven

Babbicombe, from the Beach, 1857, Albumen silver print, Photographs, Alfred Batson (British

Terracotta oinochoe (jug), Geometric, 7th century B.C., Greek, Attic, Terracotta, H. as preserved 4 3/4 in. (12 cm), Vases, From the Hymettos deposit

The Fifth Ichikawa Danjuro in the Role of Oboshi Yuranosuke, Edo period (1615–1868), 6th month, 1783, Japan, Polychrome woodblock print; ink and color on paper, 12 11/32 x 5 17/32 in. (31.4 x 14.1 cm), Prints, Katsukawa Shunshō (Japanese,

Le Kaire, Mosquée Nâcéryeh, published 1851, Salted paper print from paper negative, Image: 24 x 30.5 cm (9 7/16 x 12 in.), Photographs, Félix Teynard (French, 1817–1892

Magnesite bobbin, Cypriot, Magnesite, L. 4 1/16 in. (3.8 cm); Diam. 1 1/2 (10.3 cm), Miscellaneous-Stone, Spindle shaped object with concentric circles

Glass bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, H. 3 in. (7.6 cm), Glass, Translucent greenish blue. Broad rim, folded out, round, and in; flaring mouth; concave neck; sloping shoulder; cylindrical body

近江八景　比良暮雪, Evening Snow at Mt. Hira, Edo period (1615–1868), ca. 1857, Japan, Polychrome woodblock print; ink and color on paper, H. 6 5/8 in. (16.8 cm); W. 8 3/4 in. (22.2 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo

Rue de la Paix, n.d., Watercolor, Overall: 16 x 12 3/8 in. (40.6 x 31.4 cm), Drawings, Marie-Louis-Pierre Vidal (French, Tours, 1849–1929

Fragment of a terracotta lid, Archaic, ca. 540–515 B.C., East Greek, Clazomenian, Terracotta; black-figure, 3 3/8in. (8.5cm), Vases, Upper register: legs and head of a crane. Lower register: siren and head of swan

Nakamura Tomijuro as an Old Man with a Scanty Beard, Edo period (1615–1868), ca. 1780, Japan, Polychrome woodblock print; ink and color on paper, 11 7/8 x 5 7/8 in. (30.2 x 14.9 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

Picnic Set with Design of Chrysanthemum Sprays, Edo period (1615–1868), 18th century, Japan, Boxes and trays: gold maki-e on nashiji; lacquer ground; sake bottles: pewter, H. 12 in. (30.5 cm); W. 6 3/4 in. (17.1 cm); D. 12 1/8 in. (30.8 cm),

Georgiana Augusta Frederica Elliott (1782–1813), Later Lady Charles Bentinck, 1784, Oil on canvas, 35 x 30 in. (88.9 x 76.2 cm), Paintings, Sir Joshua Reynolds (British, Plympton 1723–1792 London) and Workshop

After Working Hours - The Ferry Boat, 1910, printed in or before 1913, Photogravure, 33.2 x 25.9 cm. (13 1/16 x 10 3/16 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/16 x 9/16 in. (2.6 x 1.4 cm), Glass, Rim fragment., Translucent cobalt blue, deep honey yellow, opaque white,

Nautilus shell box, 1619/1620, with later restorations, British, London, Shell, silver, H. 5 in. (12.7cm), Metalwork-Silver In Combination

Fragment du Palais de Justice, Rouen, 1852–54, Salted paper print from glass negative, 34.7 x 24.2 cm (13 11/16 x 9 1/2 in. ), Photographs, Edmond Bacot (French, 1814–1875

Agave du Mexique, 1920s, Albumen silver print from glass negative, Image: 17.7 x 22.2 cm (6 15/16 x 8 3/4 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Gold pendant in the form of a bull's head, Late Bronze Age, ca. 1400–1050 B.C., Cypriot, Gold, L. 1 5/16 in. (3.4 cm), Gold and Silver, Most of the raw materials for Cypriot jewelry came from the East. Gold became plentiful in the Late

Two Mounted Warriors, mid-16th century, Attributed to Iran, Ink, watercolor, opaque watercolor, and gold on paper, H. 3 3/4 in. (9.5 cm), Codices

Limestone warrior, Archaic, mid- to 3rd quarter of the 6th century B.C., Cypriot, Limestone, H.: 10 3/4 x 6 x 3 1/4 in. (27.3 x 15.2 x 8.3 cm), Stone Sculpture, Egyptian and Greek features are melded in this figure. He wears the Egyptian kilt

The Actors, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, H. 9 14/16 in. (25.1 cm); W. 13 9/16 in. (34.4 cm), Prints, Ippitsusai Bunchō (Japanese, active 1760–1794

Fragment of a terrracotta neck-amphora (jar), Archaic, ca. 520–510 B.C., Greek, Attic, Terracotta; red-figure, 3 15/16 × 3 1/16 × 3/16 in. (10 × 7.7 × 0.6 cm), Vases, Diskos thrower

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Mice in a Melon, 瓜に鼠図, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 1/4 x 10 7/8 in. (36.2 x 27.6 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889

Glass hexagonal bottle, Early Imperial, 1st century A.D., Roman, Glass; blown in a two-part mold, Other: 3 3/8 x 1 1/2 in. (8.6 x 3.8 cm), Glass, Translucent patchy blue, with deep blue handles., Everted rim, with rounded and partially

江戸名所　御茶の水, Meguro, Meiji (1868–1912) or Taishō (1912–26) period, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 10 x 14 1/2 in. (25.4 x 36.8 cm), Prints, Utagawa Hiroshige (Japanese,

[Model of a P.L.M. Locomotive], ca. 1855, Paper negative, Image: 12 5/16 × 18 7/8 in. (31.2 × 48 cm), Negatives, Dominique Roman (French, 1824–1911), Roman practiced several kinds of metallurgy, from goldsmithing to mirror making, which

Residence of Charles Bernard. 312 Oak Street, San Francisco, California, ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Strait of Carquennes, from South Vallejo, 1868–69, Albumen silver print from glass negative, Image: 40.3 x 52.5 cm (15 7/8 x 20 11/16 in.), Photographs, Carleton E. Watkins (American, 1829–1916), When Watkins exhibited his mammoth prints

Eight Kunstbillets, 19th century, Gouache on card, cut and embossed paper with printed or inscribed mottoes, silk gauze, gilded paper borders, all mounted on red silk, framed, Overall: 14 1/16 x 16 7/16 x 1 3/8 in. (35.7 x 41.8 x 3.5 cm),

Portrait of Jan Toorop, 1901, Pastel on paperboard, 25 x 29 5/8 in. (63.5 x 75.2 cm), Drawings, Georges Lemmen (Belgian, 1865–1916

Scene from a Drama, Edo period (1615–1868), ca. 1778, Japan, Polychrome woodblock print; ink and color on paper, 12 3/4 x 8 27/32 in. (32.4 x 22.5 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Edinburgh. The Scott Monument, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

Side chair, 1841, Made in New York, New York, United States, American, Rosewood, rosewood veneer; secondary wood: ash, 32 1/2 x 17 1/8 x 18 1/2 in. (82.6 x 43.5 x 47 cm), Furniture, D. Phyfe & Son (1840–1847

Buddha, Tang dynasty (618–907), dated 680, China, Marble, H. 21 3/4 in. (55.2 cm); W. 7 1/2 in. (19.1 cm); D. 6 5/8 in. (16.8 cm), Sculpture

Tiles, ca. 1905, American, Favrile glass, 4 x 4 in. (10.2 x 10.2 cm), Glass, Louis Comfort Tiffany (American, New York 1848–1933 New York

Minakuchi, Ishibe, Kusatsu, Otsu, Kyoto, Edo period (1615–1868), 1840, Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/8 in. (25.7 cm); W. 15 1/16 in. (38.3 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861

Bronze arrowhead, 6th–4th century B.C. or later, Greek or Achaemenid, Bronze, Other: 2 7/8 in. (7.3 cm), Bronzes, Leaf shaped, with midrib and tang

The Reception of Louis XIV at the Hôtel de Ville on the Occasion of his Recovery, January 30, 1687, 1687, Etching, sheet: 14 9/16 x 9 1/16 in. (37 x 23 cm), Prints, Sébastien Leclerc I (French, Metz 1637–1714 Paris

Terracotta oinochoe (jug), Archaic, ca. 550–500 B.C., Etruscan, Terracotta; bucchero pesante, H. 13 9/16 in. (34.5 cm), Vases, Trefoil mouth, frieze of lions in relief

Fragment, 16th century, Italian, Silk, Overall: 14 x 10 1/2 in. (35.6 x 26.7 cm), Textiles-Velvets

The Preaching of John the Baptist, 1634, Oil on wood, 21 1/2 x 29 5/8 in. (54.6 x 75.2 cm), Paintings, Bartholomeus Breenbergh (Dutch, Deventer 1598–1657 Amsterdam), This well-preserved picture by Breenbergh, a pioneer of Italianate

Fibula, serpentine type, Bronze, Other: 3 1/8 in. (7.9 cm), Bronzes

Flask, 10th–11th century, Attributed to Egypt, Rock crystal; carved, H. 2 3/4 in. (7 cm), Stone, Rock crystal was one of the most treasured materials at the Fatimid court. Imported from afar, the material was endowed with magical properties.

Drum and Keiro, A Kind of Musical Instrument Used for the Bugaku Dance, 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 13/16 x 3 15/16 in. (22.4 x 10 cm), Prints, Takashima Chiharu (Japanese,

Costigliole, 1862–67, Albumen silver print from glass negative, Image: 12.5 x 8.9 cm (4 15/16 x 3 1/2 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913), Painted and retouched by Unknown (French

[Unknown Sitters and Duchesse de Morny], before 1865, Albumen silver prints from glass negatives, Image: 3 3/8 in. × 2 in. (8.6 × 5.1 cm) (each), Photographs, Pierre-Louis Pierson (French, 1822–1913), et al, Painted and retouched by

明 文徵明 叢桂齋圖 卷, The Cassia Grove Studio, Ming dynasty (1368–1644), ca. 1532, China, Handscroll; ink and color on paper, Image: 12 7/16 x 22 1/8 in. (31.6 x 56.2 cm), Paintings, Wen Zhengming (Chinese, 1470–1559), Wen

Lead figure of a woman, Archaic, late 7th–early 6th century B.C., Greek, Laconian, Lead, Height: 1 5/16 in. (3.3 cm), Miscellaneous-Lead, Small flat votive figurines of cast lead have been found in great quantities at the ancient

Vase and Kitchen Knife, Edo period (1615–1868), 1816, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 3/8 x 7 5/16 in. (13.7 x 18.6 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

Design for Interior Corner of a Frieze or a Stairwell, ca. 1650–1750, Pen and black ink, brown wash (recto) graphite (verso), 7 1/2 x 5 11/16 in. (19.1 x 14.4 cm), Drawings, Anonymous, Italian, 17th or 18th century

Uvedale Tomkyns Price (1685–1764) and Members of His Family, possibly early 1730s, Oil on canvas, 40 1/4 x 62 1/2 in. (102.2 x 158.8 cm), Paintings, Bartholomew Dandridge (British, London 1691–in or after 1754 London

Men's Fashions, 1925, printed 1956, Gelatin silver print, Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Cock, Hen, and Chickens, Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, 15 1/8 x 5 1/8 in. (38.4 x 13.0 cm), Prints, Utagawa Toyoharu (Japanese, 1735–1814

Gold eye-shaped pendant with three tassels, Archaic-Classical, 6th–5th century B.C., Cypriot, Gold, Other: 2 in. (5.1 cm), Gold and Silver, Alhough this object may have been made in Cyprus, the type probably originated in Egypt and the

Plaque depicting a horse and rider, Neo-Assyrian, ca. 883–859 B.C., Mesopotamia, Assyrian, Bronze, traces of gold overlay, 0.51 x 4.59 in. (1.3 x 11.66 cm), Metalwork-Reliefs

Shalibhadra Performing Austerities: Folio from a Shalibhadra Manuscript, ca. 1725, India (Gujarat), Ink and opaque watercolor on paper, Image: 7 1/8 × 4 5/8 in. (18.1 × 11.7 cm), Paintings, In the upper register, the Jain Shalibhadra, born

Terracotta rattle (?) in the form of an owl, Late Cypriot IB, ca. 1600–1450 B.C., Cypriot, Terracotta; White Painted Ware, H. 3 7/8 in. (9.9 cm), Terracottas, Rattle with vertical bands of black paint

Conventionalized Design of Fans Floating on the River, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 1/16 x 6 5/8 in. (17.9 x 16.8 cm), Prints, Totoya Hokkei (Japanese,

Terracotta guttus (flask with handle and vertical spout), Late Classical, 4th century B.C., Greek, South Italian, Campanian, Terracotta, H. 9.60 cm., Vases, Head of a maenad

Cloisonne furniture plaques with the child Horus and vultures, Neo-Assyrian, ca. 8th–7th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 1.54 x 4.69 x 0.63 in. (3.91 x 11.91 x 1.6 cm), Ivory/Bone-Reliefs

Limestone statuette of a dove, Cypro-Classical, 4th century B.C., Cypriot, Limestone, Overall: 3 3/16 x 3 1/4 x 3 1/4 in. (8.1 x 8.3 x 8.3 cm), Stone Sculpture, The small dove is of a piece with the plinth, on which the claws of the feet are

Bowl, molded, Roman, Terracotta, H. 18.47 cm. Diameter 16.3 cm., Vases, Lines painted around center and engraved chevrons

A Pair of Puppies, 狗児図, Meiji period (1868–1912), 1868, Japan, Album leaf; ink on silk, 13 1/2 x 10 7/8 in. (34.3 x 27.6 cm), Paintings, Kawabata Gyokushō (Japanese, 1842–1913

Mio Giardino, 1840, Photogenic drawing from paper negative, Image: 17.1 x 21.3 cm (6 3/4 x 8 3/8 in.), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Gradual, ca. 1310–15, Made in Florence, Italy, Italian, Tempera and ink on parchment, with oak and tooled leather binding, 13 7/16 x 9 13/16 x 2 11/16 in. (34.1 x 25 x 6.8 cm), Manuscripts and Illuminations

[Rocky Hillside], 1850s, Salted paper print from paper negative, Image: 12 5/16 × 9 13/16 in. (31.2 × 24.9 cm), Photographs, Victor Prevost (French, 1820–1881), Born in France, Victor Prevost emigrated to America in 1848 and remains one

Straw Hat for Tavel and Toys of Windmills, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 7/16 x 7 1/2 in. (13.8 x 19.1 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Bone lion's head protome with glass eyes, Early Imperial, 1st century A.D., Roman, bone and glass, 3 3/4 × 4 3/4 × 2 1/4 in. (9.5 × 12.1 × 5.7 cm), This protome is very similar to the four that decorate the couch displayed in the adjacent

Snow on the Sumida River, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 14 29/32 x 4 7/8 in. (37.9 x 12.4 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Handle of a bowl, Cypriot, Bronze, Other: 2 3/4in. (7cm), Bronzes

Standing Virgin and Child, ca. 1425, Made in Verona, Veneto, Italy, North Italian, Marble (Pantelic marble), traces of polychromy and gilding, Overall: 51 1/4 x 16 3/4 x 10 7/8 in. (130.2 x 42.5 x 27.6 cm), Sculpture-Stone