Images at Librifly

Terracotta statuette of a woman, Hellenistic, 3rd century B.C., Greek, South Italian, Tarentine, Terracotta, H. 4 5/8 in. (11.7 cm), Terracottas, Draped, standing head enveloped in himation, right arm akimbo, left at side

Limestone statue of a seated lion, Late Classical or Early Hellenistic, ca. 4th century B.C., Cypriot, Limestone, H. 17 1/2 x 16 1/2 x 5 1/2 in. (44.5 x 41.9 x 14 cm), Stone Sculpture, This lion likely crowned a tombstone. The type appears on

Guitar, ca. 1800, probably Naples, Italy, Italian, Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, brass, Height: 36 in. (91.4 cm), Chordophone-Lute-plucked-fretted, This highly decorated guitar is also an early example of a

Siège du colosse monolithe d'Aménophis III, à Thèbes (Détails des sculptures), 1849–50, Salted paper print from paper negative, Image: 9 1/8 × 6 7/16 in. (23.1 × 16.4 cm), Photographs, Maxime Du Camp (French, 1822–1894

[Group portrait of the Antoine and Höusermann Families], 1850s–60s, Albumen silver print from glass negative, 31.2 x 36.4 cm. (12 1/4 x 14 5/16 in.), Photographs, Franz Antoine (Austrian, 1814–1882

Louksor (Thèbes), Construction Postérieure - Galeries - Parallèles, 1851–52, Salted paper print from paper negative, Image: 24 x 30.2 cm (9 7/16 x 11 7/8 in.), Photographs, Félix Teynard (French, 1817–1892

Platter, ca. 1828–ca. 1846, Made in Staffordshire, England, British (American market), Earthenware, transfer-printed, 11 5/8 x 14 7/8 in. (29.5 x 37.8 cm), Ceramics, Enoch Wood & Sons (British, active Burslem, 1818–46

The Atlantic Telegraph, [1866], Illustrations: color lithography, Overall: 11 5/8 x 8 9/16 x 15/16 in. (29.5 x 21.7 x 2.4 cm), Books, This book documents the great 19th century technological achievement of laying a telegraphic cable beneath the

Tunic Bands with Warriors, 7th–9th century, Attributed to probably Egypt or Syria, Silk, Textiles-Woven, The majority of early silks found in Egypt were excavated from the cemeteries of the Upper Egyptian cities of Antinoopolis (Antinoë) and

Boating Party with Children Swimming, Edo period (1615–1868), late 18th century, Japan, Diptych of polychrome woodblock prints; ink and color on paper, H. 13 7/16 in. (34.1 cm); W. 17 5/8 in. (44.8 cm), Prints, Kitagawa Utamaro (Japanese,

Margaretha van Clootwijk (born about 1580/81, died 1662), Wife of Jacob van Dalen, 1639, Oil on wood, 27 3/4 x 22 7/8 in. (70.5 x 58.1 cm), Paintings, Michiel Jansz. van Mierevelt (Netherlandish, Delft 1567–1641 Delft

Tutucanula, El Capitan, 1861, Albumen silver print from glass negative, Image: 51.3 x 41.4; Mount: 66.5 x 53.6, Photographs, Carleton E. Watkins (American, 1829–1916

Needle, Cypriot, Bronze, Other: 7 15/16in. (20.2cm), Bronzes

Segment of the Lotus Sutra (Hokekyō), 法華経断簡, Heian period (794–1185), 12th century, Japan, Hanging scroll; ink on colored paper decorated with cut gold (kirikane), sprinkled gold (sunago), and silver leaf, 10 x 3 9/16 in. (25.4 x

Villa Medici, 1848–52, Albumen print from glass negative, Image: 8 11/16 × 11 5/16 in. (22 × 28.7 cm), Photographs, Eugène Constant (French, active Italy, 1848–55

[Hatti Kana-The Elephant Camp], 1858–61, Albumen silver print, Image: 12.2 x 21.2 cm (4 13/16 x 8 3/8 in.), Photographs, Unknown

Xun, 206 B.C.–220 A.D., China, Chinese, Pottery, Overall: W. 7.1 x D. 4.8 x L. 10.5cm (2 13/16 x 1 7/8 x 4 1/8in.), Aerophone-Blow Hole-vessel flute, Simple globular clay whistles, or ocarinas, were among the earliest wind instruments that

Versailles, The Orangerie Staircase, 1901, Albumen silver print from glass negative, Image: 16.9 x 21.7cm (6 5/8 x 8 9/16in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris), Of the thousands of sites Atget photographed in

Fugu and Inada Fish, from the series Uozukushi (Every Variety of Fish), Edo period (1615–1868), 1840s, Japan, Polychrome woodblock print; ink and color on paper, 10 1/16 x 14 15/16 in. (25.5 x 38 cm), Prints, Utagawa Hiroshige (Japanese,

Fragmentary limestone Cypriot capital, Classical, 5th century B.C., Cypriot, Limestone, Overall: 26 1/2 x 36 in. (67.3 x 91.4 cm), Stone Sculpture, This capital, with carved decoration on only one side, is of a type known only on Cyprus.

Crabs Near the Water's Edge, Edo period (1615–1868), ca. 1830, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 x 7 5/16 in. (20.3 x 18.6 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868), As the poem at the left

Vase, ca. 1897, Made in New York, New York, United States, American, Favrile glass, H. 11 1/4 in. (28.6 cm), Glass, Tiffany Glass and Decorating Company (American, 1892–1902

The Wigwam, a Canadian Scene at Penllergare, ca. 1855, Albumen silver print from glass negative, Image: 18.5 x 22.1 cm (7 5/16 x 8 11/16 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales), Within a

[Mrs. James Brown Potter or Mrs. Potter Palmer], 1896, Platinum print, 14.2 x 11.9 cm. (5 9/16 x 4 11/16 in.), Photographs, F. Holland Day (American, Norwood, Massachusetts 1864–1933 Norwood, Massachusetts

Banyan, ca. 1760, Chinese, silk, linen

Small jadeitite axe, Neolithic, 5th–4th millennium B.C., Cretan, Stone, Length 1 1/4 in. (3.1 cm); W. 1 1/4 in. (3.1 cm), Miscellaneous-Stone, Celt

Fragment of a terracotta head, Archaic, 7th century B.C., Greek, Cretan, Terracotta, 4 1/4 in x 2 1/2 in. (10.8 cm x 6.3 in.), Terracottas, The high polos makes it likely that the figure is a woman

Scene Seven from the Life of the Reverend Jean de la Barrière, 1690, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite, Drawings, Matthieu Elias (French, Peene 1658–1741 Dunkerque

Tunic, ca. 1920, French, cotton

Bronze ornament in the form of a seated male sphinx, Augustan, ca. 27 B.C.–A.D. 14, Roman, bronze, Height 5 11/16 in. (14.5 cm), Bronzes, The ornament, originally clad in silver, served as a furniture attachment or, more likely, as part

Vita et Fabulae, February 13, 1485, Printed book with metalcut or woodcut illustrations, 11 1/4 x 8 1/4 x 7/8 in. (28.5 x 21 x 2.3 cm), Books, This popular book of moralized tales, most of which involve animals, was among the standard texts

Print, Edo period (1615–1868), ca. 1830, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 1/2 in. (21 x 19.1 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

A Conference of Lawyers, 1776, Etching, second state of two, sheet: 7 11/16 x 5 1/4 in. (19.6 x 13.3 cm), Prints, Gabriel de Saint-Aubin (French, Paris 1724–1780 Paris

近代 倪田 橋頭隱士 扇面, Scholar on the Bridge, Qing dynasty (1644–1911), dated 1901, China, Folding fan mounted as an album leaf; ink and color on alum paper, 6 3/8 x 19 5/8 in. (16.2 x 49.8 cm), Paintings, Ni Tian (Chinese,

Glass amphoriskos (perfume bottle), Hellenistic, 2nd to mid–1st century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group III, H.: 5 1/2 in. (14 cm), Glass, Translucent blue; handles in translucent greenish yellow; trail in

Aquamanile in the Form of a Unicorn, ca. 1425–50, Made in Nuremberg, Germany, German, Copper alloy, Overall (to tip of horn): 15 1/2 x 11 1/2 x 4 7/16 in. (39.4 x 29.2 x 11.3 cm), Metalwork-Copper alloy, The aquamanile takes its name from

漢 臥虎形石柱礎, Pole Base in the Form of a Tiger, Han dynasty (206 B.C.–A.D. 220), China, Steatite, Gr. H. 2 in. (5.1 cm); L. 5 1/8 in. (13 cm), Sculpture

Glass pendant in the form of a dolphin, ca. 4th century A.D., Roman, Glass; rod-formed, tooled, and applied, H.: 13/16 in. (2.1 cm), Glass, Translucent cobalt blue., Large hole through circular body, drawn out to form large upright tail

Warbler on a Plum Branch, 歌川広重画　梅に鶯, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, 14 1/2 x 5 1/8 in. (36.8 x 13 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Box with figures in a landscape and peony, Edo period (1615–1868), 18th century, Japan, Red carved lacquer, H. 1 9/16 in. (3.9 cm); W. 1 3/4 in. (4.4 cm); D. 1 1/4 in. (3.2 cm), Netsuke, Unlike most netsuke, this red carved lacquer box

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 1 3/16 x 2 1/2 in. (3 x 6.4 cm), Glass, Translucent honey brown, deep purple appearing black, and opaque white., Tall,

Statuette of a woman, Bronze, H.: 3 11/16 in. (9.4 cm), Bronzes

Panteon, 1848–52, Albumen print from glass negative, Image: 8 11/16 × 11 5/16 in. (22 × 28.7 cm), Photographs, Eugène Constant (French, active Italy, 1848–55

The Grisly Giant, Mariposa Grove, Yosemite, 1861, Albumen silver print from glass negative, Image: 52.3 x 40.7; Mount: 61.4 x 54.1, Photographs, Carleton E. Watkins (American, 1829–1916), When he was twenty-one Carleton Watkins left

Night Scene, Edo period (1615–1868), ca. 1830, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/16 x 7 1/4 in. (20.8 x 18.4 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Fille de Shanghai, 1870s, Albumen silver print from glass negative, 23.7 x 19.2 cm (9 5/16 x 7 9/16 in.), Photographs, Raimund von Stillfried (Austrian, 1839–1911

The Third Sawamura Sojuro as a pilgrim to Kannon Shrine, Edo period (1615–1868), ca. 1784–88, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 5 3/8 in. (31.1 x 13.7 cm), Prints, Katsukawa Shunkō (Japanese,

Christ Is Born as Man's Redeemer (Episode from the Story of the Redemption of Man), 1500–1520, South Netherlandish, Wool warp; wool and silk wefts, Overall: 166 1/4 x 315 1/8 in. (422.3 x 800.4 cm), Textiles-Tapestries, This tapestry with its

Fibula, fragment, Bronze, H.: 1 x 4 3/8 x 1/2 in. (2.5 x 11.1 x 1.3 cm), Bronzes

Glass jar, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown and tooled, H.: 2 7/8 x 3 1/4 x 2 1/8 x 1 1/2 in. (7.3 x 8.3 x 5.4 x 3.8 cm), Glass, Translucent blue green. Outsplayed, rounded, and thickened rim; short, concave neck;

Pilgrim at the Gate (Einsiedler an der Pforte), 1827, Lithograph, Image: 11 3/16 x 7 7/8 in. (28.4 x 20 cm), Prints, Karl Blechen (German, Cottbus 1798–1840 Berlin), A pilgrim looks up from his book to gaze into the distance as brilliant

Terracotta bowl with vertical handle, Archaic, mid-6th–early 5th century B.C., Native Italic, Daunian, Terracotta, Overall: 4 9/16 x 6 7/8in. (11.5 x 17.4cm), Vases, This type of bowl is one of the most characteristic Daunian shapes.

Aman-Jean (Portrait of Edmond François Aman-Jean), 1882–83, Conté crayon on Michallet paper, 24 1/2 × 18 11/16 in. (62.2 × 47.5 cm), Drawings, Georges Seurat (French, Paris 1859–1891 Paris), Seurat's study of his friend the artist

Gold pendant capsule in the form of a male figure, Archaic-Classical, 6th–4th century B.C., Cypriot, Gold, Other: 1 1/2 in. (3.8 cm), Gold and Silver, This type of object is originally Phoenician and occurs, in various forms, in

Saint Francis Reading, 1747, Red chalk, 10 1/4 x 7 5/8 in. (26 x 19.4 cm), Drawings, Christian Wilhelm Ernst Dietrich (German, Weimar 1712–1774 Dresden

Terracotta jar with barbotine decoration, 2nd century A.D., Roman, Terracotta, H. 5 3/4 in. (14.6 cm); diameter 6 1/16 in. (15.5 cm), Vases, Brown glazed bowl with brown barbotine scale decoration on shoulder

Shinabazu Benten Kaicho: Ceremony of Worshipping Benten at Shinabazu Temple, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, H. 9 3/4 in. (24.8 cm); W. 13 1/2 in. (34.3 cm), Prints, Katsukawa Shunshō (Japanese,

Glass striped mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 7/8 x 1 1/16 in. (2.3 x 2.7 cm), Glass, Body fragment., Translucent blue, purple appearing opaque brick red,

Bracelet, Geometric, 9th–8th century B.C., Italic, Villanovan, Bronze, Diam.: 3 5/16 in. (8.4 cm), Bronzes

Openwork furniture plaque showing a cow suckling a calf, Neo-Assyrian, ca. 9th–8th century B.C., Syria, probably from Arslan Tash (ancient Hadatu), Assyrian, Ivory, 2.37 x 4.25 in. (6.02 x 10.8 cm), Ivory/Bone-Reliefs, During the early

Kalabcheh (Talmis), Ruines du temple - Façade et Mur d'Enceinte, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.6 x 30.3 cm. (9 5/16 x 11 15/16 in.), Photographs, Félix Teynard (French, 1817–1892

Bronze statuette of Aphrodite with silver eyes, Hellenistic, 3rd–1st century B.C., Greek, Bronze, H.: 8 1/4 in. (20.9 cm), Bronzes, Aphrodite holds up in contemplation the apple given to her by the Trojan prince Paris as a prize for being

Cock on Drum, Edo period (1615–1868), 1882, Japan, Album leaf; lacquer on silver paper, 4 3/4 x 3 1/2 in. (12.1 x 8.9 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891

東海道五十三次之内　蒲原　岩淵よりふじ川を見る圖, Kambura Station, Edo period (1615–1868), ca. 1842, Japan, Polychrome woodblock print; ink and color on paper, 8 27/32 x 13 1/2 in. (22.5 x 34.3 cm), Prints, Utagawa

Terracotta rim fragment with linear motifs, Early Minoan III, ca. 2300–2100 B.C., Minoan, Terracotta; White-on-dark ware, Other: 3 1/2 in. (8.9 cm), Vases, From Gournia, Crete. Rim fragment with horizontal motifs

Terracotta deep skyphos (drinking cup), Iron Age, 11th–9th century B.C., Greek, Cretan, Terracotta; Fine dark slipped ware, H. 3 in. (7.6 cm.), Vases, The deep skyphos (drinking cup), which is essentially in the shape of a miniature

東海道五十三次 品川, Shinagawa Station, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Terracotta necklace with palmette and lotus pendants, Hellenistic, 3rd century B.C., Etruscan, Terracotta, 18 1/2 in. (47 cm), Terracottas, Terracotta jewelry represents an inexpensive substitute for pieces in precious metals. The pendants

東海道五十三次之内　大津　走井茶屋, Otsu, Soii Chaya, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 in. (24.1 x 35.6 cm), Prints, Utagawa Hiroshige (Japanese,

Terracotta calyx-krater (bowl for mixing wine and water), Classical, ca. 460–450 B.C., Greek, Attic, Terracotta; red-figure, H. 21 15/16 in. (55.8 cm), Vases, Obverse and reverse, Amazonomachy (battle between Greeks and Amazons). The

Cushion cover, second quarter 17th century, British, Silk and metal thread on canvas, H. 10 x W. 13 1/4 inches (25.4 x 33.7 cm); Framed: H. 14 x W. 16 3/4 x D. 1 1/4 inches (35.6 x 42.5 x 3.2 cm), Textiles-Embroidered

Prince Genji Visits the Gankirō Tea House, Edo period (1615–1868), 5th month, 1860, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Image (a): 10 1/4 x 14 3/4 in. (26 x 37.5 cm), Prints, Utagawa Kunisada (Japanese,

Marsh Scene with Birds, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Handscroll; ink on paper, Image: 11 1/2 in. × 14 ft. 10 3/8 in. (29.2 × 453.1 cm), Paintings, Attributed to Shen Zhou (Chinese, 1427–1509

'Faridun in the Palace of Zahhak', Folio from a Shahnama (Book of Kings), late 19th–early 20th century, Attributed to India, Kashmir, Ink, opaque watercolor, silver, and gold on paper, 13.87 in. high 9.56 in. wide (35.2 cm high 24.3 cm

Buckle, Bronze, Other: 1 3/4 in. (4.4 cm), Bronzes

Glass double cosmetic flask (kohl tube), Late Imperial, 4th–5th century A.D. or later, Roman, Syrian, Glass; blown, trailed, and tooled, H. 7 7/8 in. (20 cm), Glass, Translucent blue green; handles in same color., Everted rim, folded in

Gold earring with nail-head pendant, 6th century B.C., Cypriot, Gold, Other: 1 3/16 in. (3 cm), Gold and Silver, Earring with Nail-head pendant cast solid onto the body of the earring

The Organ Rehearsal, 1885, Oil on canvas, 93 1/4 x 142 3/4 in. (236.9 x 362.6 cm), Paintings, Henry Lerolle (French, Paris 1848–1929 Paris), This is the most important painting by Lerolle, a friend and collector of such artists as Degas,

Glass alabastron (perfume bottle), Hellenistic, 2nd–mid 1st century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group III, H.: 5 3/8 in. (13.7 cm), Glass, Translucent blue, with handles in same color; trails in opaque white

Man and Young Woman with a Ball, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 23 1/2 in. (59.7 cm); W. 4 3/8 in. (11.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Sutro Tunnel's Road to Virginia City, 1875, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Ukulele, ca. 1880, Hawaii, United States, Polynesian (Hawaii), Mahogany, hardwood, metal, Height: 20 1/2 in. (52.1 cm), Chordophone-Lute-plucked-fretted, The most familiar Hawaiian instrument is the 'ukulele, a small type of guitar. The

Newhaven Fisherman, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Vue de la façade du Spéos de Phré, à Abousembil, March 1850, Salted paper print from paper negative, Image: 6 5/8 × 8 11/16 in. (16.9 × 22.1 cm), Photographs, Maxime Du Camp (French, 1822–1894

Buddhist Scroll: The Eighteen Luohans, Ming (1368–1644) or Qing dynasty (1644–1911), China, Handscroll; gold on black paper, 10 1/2 x 151 1/4 in. (26.7 x 384.2 cm), Paintings, Unidentified Artist, In the style of Li Gonglin (Chinese, ca.

Textile Fragment with brocade with Bird, Dragon, and Palmette Motifs, 13th century, Italian, Silk and metallic threads, Overall: 15 1/4 x 9 3/8 in. (38.7 x 23.8 cm), Textiles-Woven, The exceptional condition and quality of this silk,

Glass jar, Late Imperial, 3rd–4th century A.D., Roman, Glass; blown and trailed, H.: 3 3/8 in. (8.6 cm), Glass, Colorless with yellow green tinge; trail in same glass. Thickened, rounded rim, with beveled outer edge; flaring mouth; short,

Reliquary, ca. 2nd–3rd century, Pakistan (ancient region of Gandhara), Schist, (a): Reliquary: H. 1 1/4 in. (3.2 cm); Diam. 1 5/16 in. (4.9 cm), Sculpture

Fibula, fragment, Greek, Cypriot, Bronze, Other: 4 1/16in. (10.3cm), Bronzes

[Countess de Castiglione, from Série des Roses], 1895, Albumen silver print from glass negative, Approximately 14.3 x 9.9 cm (5 5/8 x 3 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Fusen zu, 写真鏡・風船図, Picture of a Balloon, Edo period (1615–1868), 1860, Japan, Polychrome woodblock print; ink and color on paper, 14 x 9 3/8 in. (35.6 x 23.8 cm), Prints, Miyagi Gengyo (Japanese, 1817–1880

Kanjo: A Court Lady, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 15 x 10 in. (38.1 x 25.4 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815), Kiyonaga's placement of women in outdoor

Limestone hand holding a phiale (libation bowl), Classical, 5th–4th century B.C., Cypriot, Limestone, Overall: 4 3/4 x 7 7/8 x 5 1/8 in. (12.1 x 20 x 13 cm), Stone Sculpture, Votaries or worshippers appear frequently in Cypriot sculpture.

Bas-reliefs de la façade du Temple de Dendérah (Tentyris), 1849–50, Salted paper print from paper negative, Image: 6 1/8 × 8 9/16 in. (15.5 × 21.8 cm), Photographs, Maxime Du Camp (French, 1822–1894

[Loie Fuller Dancing], ca. 1900, Gelatin silver print, 7.7 x 10.2 cm (3 1/16 x 4 in.), Photographs, Samuel Joshua Beckett (British, Shadwell, Stepney [London] 1870–1940 Bournemouth), The American dancer Loie Fuller (1862-1928) conquered

Gate Leading into Our House, 1850s, Albumen silver print, Image: 19 x 24 cm (7 1/2 x 9 7/16 in.), Photographs, Captain R. B. Hill

Glass jug, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, H.: 2 3/4 in. (7 cm), Glass, Translucent light blue green, with same color handle. Rim folded out, over, and in, with beveled upper surface; cylindrical neck;

Bodhisattva Avalokiteshvara as the Bestower of Sons (Songzi Guanyin), late Ming (1368–1644) or Qing (1644–1911) dynasty, 17th–18th century, China, Wood (sandalwood) with traces of pigment and gilding, single-woodblock construction, H. 5

Various moths and butterflies, 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 7/8 x 7 1/8 in. (20 x 18.1 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Fragment of a terracotta architectural tile, Archaic, 6th century B.C., Lydian, Terracotta, Overall: 8 1/8 x 6 in. (20.6 x 15.2 cm), Terracottas, Fragment, egg and dart pattern