Images at Librifly

Wine cup (Zhi), Shang dynasty (ca. 1600–1046 B.C.), China, Bronze, H. 4 1/4 in. (10.8 cm), Metalwork

Book of Ehon Ginsekai (The World in Silver), Edo period (1615–1868), 1754–1806, Japan, Polychrome woodblock print; ink and color on paper, 9 7/8 x 14 7/8 in. (25.1 x 37.8 cm) (including margins), Prints, Kitagawa Utamaro (Japanese,

Porringer, ca. 1700, Made in Boston, Massachusetts, United States, American, Silver, Overall: 1 7/8 x 7 13/16 in. (4.8 x 19.8 cm); 6 oz. 6 dwt. (195.6 g), Silver, John Allen (1671/72–1760), John Edwards (ca. 1671–1746

Flint arrowhead, Neolithic or Late Minoan II, 4th millennium B.C. or ca. 1450–1400 B.C., Cretan, Flint, L. 2 in. (5.1cm), Miscellaneous-Stone, Stone implement in the shape of an arrowhead

Intérieur de l'enceinte du Temple de Baalbek (Héliopolis), September 15, 1850, Salted paper print from paper negative, Image: 6 1/4 × 8 1/8 in. (15.8 × 20.7 cm), Photographs, Maxime Du Camp (French, 1822–1894

Tai-Laity Montain, North River, Canton, ca. 1869, Albumen silver print from glass negative, Image: 6 5/8 × 9 7/16 in. (16.9 × 24 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

[Captain Stuart and the horse 'Tortoiseshell'], 1858–61, Albumen silver print, Image: 12.8 x 17.1 cm (5 1/16 x 6 3/4 in.), Photographs, Unknown

Zhang Guolao and His Magic Mule, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Album leaf; ink and color on silk, 8 1/8 x 12 1/2 in. (20.6 x 31.8 cm), Paintings, Attributed to Yin Qi

Black glass ring stone, Late Republican or Imperial, ca. 1st century B.C.–3rd century A.D., Roman, Glass, black, Length: 1/2 in. (1.2 cm), Gems, Aphrodite and Eros riding on a hippocamp

Scene from a Drama 'Hoshiai Nagoya' Performed at the Nakamura Theatre, Edo period (1615–1868), probably 1709, Japan, Polychrome woodblock print; ink and color on paper, 10 3/8 x 14 3/4 in. (26.4 x 37.5 cm), Prints, Okumura Masanobu

Terracotta stemmed bowl, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Asia Minor, Tarsus, Terracotta; lead-glazed ware, H. 5 1/4 in. (13.3 cm), Vases, While red-gloss terra sigillata wares dominated the Roman pottery

Figure of an Asian captive, perhaps from a piece of furniture, New Kingdom, Ramesside, Dynasty 19–20, ca. 1295–1070 B.C., From Egypt, Ivory, red and pink pigment, white ground, H. 11. 8 cm (4 5/8 in), w. 4.2 cm (1 5/8 in), Th. 0.4 cm

An Actor of the Segawa Line (Tomisaburo?) as a Courtesan, Edo period (1615–1868), ca. 1790, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 5 2/3 in. (31.1 x 14.4 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

Turkish couple at coffee, ca. 1775–80, German, Nymphenburg, Hard-paste porcelain, 9 × 8 1/4 in. (22.9 × 21 cm), Ceramics-Porcelain, After two separate models by Franz Anton Bustelli (Swiss, Locarno ca. 1720–1763 Munich), The popularity

Glass ligula (ear pick), Imperial, 1st century A.D. or later, Roman, Glass; drawn, twisted, and tooled, H.: 6 in. (15.2 cm), Glass, Translucent greenish yellow, with applied bowl in same color., Long rod as handle with square cross section

Jérusalem, Epée de Godefroy de Bouillon, 1854, Salted paper print from paper negative, Image: 32.6 x 23.1 cm (12 13/16 x 9 1/8 in.), Photographs, Auguste Salzmann (French, 1824–1872

A Wedding Scene, mid-18th century, India (Central), Ink and opaque watercolor on paper, 7 3/4 x 9 3/4 in. (19.7 x 24.8 cm), Paintings

Osen Waiting on a Young Samurai, Edo period (1615–1868), ca. 1770, Japan, Polychrome woodblock print; ink and color on paper, 10 3/4 x 7 7/8 in. (27.3 x 20 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), The family crest of paulownia

Terracotta vessel fragment with cross-hatched design, Early Minoan II, ca. 2900–2300 B.C., Minoan, Terracotta; Koumasa ware, Other: 2 7/16 x 2 1/16 in. (6.2 x 5.2 cm), Vases, From Vasiliki or Gournia, Crete. Cross-hatched design,

The Actor Onoe Matsusuke in the Role of the Famous Strong Woman Okane, Edo period (1615–1868), probably 1765, Japan, Polychrome woodblock print; ink and color on paper, H. 11 7/8 in. (30.2 cm); W. 5 1/2 in. (14 cm), Prints, Torii Kiyomitsu

Bronze statuette of Minerva, Imperial, 1st–3rd century A.D., Roman, Bronze, H. 3 in. (7.6 cm), Bronzes, Standing with her weight on her left leg, the right leg slightly drawn back. Her right hand is brought up to the shoulder and grasps a

[Countess de Castiglione, from Série des Roses], 1895, Albumen silver print from glass negative, Approximately 14.3 x 9.9 cm (5 5/8 x 3 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Portal of the Convent of Sancti Spiritu, Salamanca, 1853, Albumen silver print from paper negative, Image: 39.9 x 31.4 cm (15 11/16 x 12 3/8 in.), Photographs, Charles Clifford (Welsh, 1819–1863), In his search for subjects of historic

東海道五十三次之内　草津, Kusatsu Station, Edo period (1615–1868), ca. 1842, Japan, Polychrome woodblock print; ink and color on paper, 8 27/32 x 13 1/2 in. (22.5 x 34.3 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Gold pendant in the form of a bull's head, Late Bronze Age, ca. 1400–1050 B.C., Cypriot, Gold, L. 1 3/16 in. (3.1 cm), Gold and Silver, Most of the raw materials for Cypriot jewelry came from the East. Gold became plentiful in the Late

Glass perfume bottle, Early or Mid Imperial, ca. 1st–2nd century A.D., Roman, Glass; blown, Overall: 3 in. (7.6 cm), Glass, Translucent pale blue green. Thick everted, horizontal rim, with rounded outer lip and circular groove on top

Battle Scene (Waterloo), 1815–66, Pen and brown ink, brown and gray wash, watercolor and gouache, with touches of black chalk, 11 1/4 x 22 1/8 in. (28.5 x 56.2cm), Drawings, Hippolyte Bellangé (French, 1800–1866

Elephant Relief, Shang dynasty (ca. 1600–1046 B.C.), China, Bronze, H. 1 3/4 in. (4.4 cm); L. 2 1/2 in. (6.4 cm), Metalwork

Branch of Tree with Flowers and Bird of Waxwing Family, Qing dynasty (1644–1911), China, Fan mounted as an album leaf; ink and color on silk, 10 1/4 x 10 in. (26.0 x 25.4 cm), Paintings, Unidentified Artist

Window from the James A. Patton House, ca. 1901, American, Leaded glass, 50 1/4 x 21 3/8 in. (127.6 x 54.3 cm), Glass, James A. Patten, a prominent figure of the commodities markets, commissioned Maher, a leading Chicago architect, to

The Virgin of The Apocalypse with Saint Catherine and Saint Barbara, ca. 1525–50, Made in Sint-Truiden, South Netherlands, South Netherlandish, Wool warp; wool wefts, Overall: 40 x 65in. (101.6 x 165.1cm), Textiles-Tapestries

Artist's Painting of a Hippopotamus, New Kingdom, Dynasty 18, ca. 1479–1425 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Hatshepsut Hole, 1922–23, Limestone, paint, h. 10.8 cm (4 1/4 in); w. 12 cm (4 3/4 in); th. 1.7 cm

Dr. MacCulloch of Kelso and Greenock, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848

The Third Segawa Kikunojo as a Courtesan Standing in the Snow, Edo period (1615–1868), probably 1775, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 5 13/16 in. (31.1 x 14.8 cm), Prints, Katsukawa Shunshō (Japanese,

Young Man Playing a Noh Drum, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 17 7/16 in. (44.3 cm); W. 8 1/8 in. (20.6 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), A young man beats a Noh drum

Costume Plate: Hispana Rustica (with label on rock), ca. 1557–58, Engraving, sheet: 5 15/16 x 3 3/4 in. (15.1 x 9.5 cm), Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara

At the Ise-ya Tea-house, Edo period (1615–1868), ca. 1773, Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/8 in. (26.7 cm); W. 7 1/2 in. (19.1 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790

Terracotta lekythos (oil flask), Archaic, late 7th–6th century B.C., Lydian, Terracotta, 8 1/8in. (20.6cm), Vases, The decoration is a kind of marblizing that was favored for various, particularly local, shapes at Sardis

Faience amulet in the form of a lion-headed deity, Late Dynastic–Hellenistic, 664–30 B.C., Egyptian, Clay, glazed, H.: 2 7/8 in. (7.3 cm), Gold and Silver, Amulets representing animals were attributed to a deity: a hawk for Ra, the Sun

Louis XV, ca. 1760, Belgian, Tournai, Soft-paste porcelain, Overall (confirmed): 12 5/8 x 10 1/2 x 5 5/8 in. (32.1 x 26.7 x 14.3 cm), Ceramics-Porcelain

Thebes. Palais de Karnak. Sculptures extérieures du Sanctuaire de granit, 1850, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, Maxime Du Camp (French, 1822–1894

Terracotta oinochoe (jug), Classical, ca. 450–425 B.C., Greek, Attic, Terracotta; red-figure, H. with handle 12 13/16 in. (32.5 cm), Vases, Poseidon and woman. Poseidon is probably to be understood here as the recipient of the woman's

Armet with Mask Visor, ca. 1520–25, Nuremberg; Innsbruck, German, Nuremberg or Austrian, Innsbruck, Steel, H. 10 in. (25.4 cm); W. 9 7/8 n. (25.1 cm); D. 13 7/8 in. (35.2 cm); Wt. 7 lb. 2 oz. (3234 g), Helmets

Hippopotamus Amulet, New Kingdom, Dynasty 18, ca. 1479–1425 B.C., From Egypt, Upper Egypt, Thebes, Gold, L. 1.7 cm ( 11/16 in0; w. 0.8 cm (5/16 in

Letter, Ming dynasty (1368–1644), China, Album leaf; ink on paper, 8 13/16 x 9 5/8 in. (22.4 x 24.4 cm), Calligraphy, Song Jue (1576–1632

Eye idol, Middle Uruk, ca. 3700–3500 B.C., Syria, Tell Brak, Gypsum alabaster, 1 3/8 x 1 in. (3.6 x 2.5 cm), Stone-Sculpture, This type of figurine known as an eye idol, made of stone and having incised eyes, has been excavated at Tell

Buckle, Bronze, Other: 1 13/16 in. (4.6 cm), Bronzes

Glass alabastron (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H. 3 7/16 in. (8.7 cm), Glass, Opaque white, with handles in same color; trails in translucent purple.

Brocade, 18th century, Attributed to Iran, Silk, H. 25 in. (63.5 cm), Textiles-Woven

Straw Basket for Fish (?) and Mokuge Flower, Meiji period (1868–1912), ca. 1875, Japan, Polychrome woodblock print; ink and color on paper, 6 7/8 x 10 1/8 in. (17.5 x 25.7 cm), Prints, Shibata Zeshin (Japanese, 1807–1891

Ichikawa Ebizō IV as Takemura Sadanojō in the Play Koinyōbō Somewake Tazuna, Edo period (1615–1868), 1794, Japan, Polychrome woodblock print; ink, color, white mica on paper, 14 7/16 x 9 1/3 in. (36.7 x 23.7 cm), Prints, Tōshūsai

The Actor Ishikawa Danjuro V Performing a Shibaroku Act with a Drawn Sword in His Hand, Edo period (1615–1868), ca. 1781, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/4 in. (31.1 cm); W. 5 7/8 in. (14.9 cm), Prints,

東海道五十三次　石部, Ishibe, from the series The Fifty-three Stations of the Tōkaidō Road, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige

Craftsman by the Twelve Sign of Zodiac, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861

Scenes from the Story of the Argonauts, ca. 1465, Tempera on wood, gilt ornaments, Overall 24 1/8 x 60 1/8 in. (61.3 x 152.7 cm); painted surface 19 5/8 x 56 in. (49.8 x 142.2 cm), Paintings, Biagio d'Antonio (Italian, Florentine, active by

Gold ring, Hellenistic, late 4th–3rd century B.C., Greek, Gold, H.: 1 x 3/4 in. (2.5 x 1.9 cm), Gold and Silver, Intaglio gold ring: head of Alexander the Great in the guise of Herakles, wearing the lion's skin, with paws fastened round

Close-Helmet for the Field, ca. 1520, Nuremberg, German, Nuremberg, Steel, leather, H. 14 in. (35.6 cm); W. 9 1/2 in. (24.1 cm); D. 12 1/2 in. (31.8 cm); Wt. 6 lb. (2709 g), Helmets

Flowers in Jardenierres, Edo period (1615–1868), Japan, Album leaf; lacquer on paper, 4 1/2 x 3 1/2 in. (11.4 x 8.9 cm), Paintings, Shibata Zeshin (Japanese, 1807–1891

Bronze fulcrum attachment with a bust of Eros, Imperial, 1st century A.D., Roman, Bronze, Overall: 2 11/16 x 2 3/16 in. (6.8 x 5.5 cm), Bronzes, Furniture attachment from a couch, Eros

Portrait of Ardeshir Mirza, uncle of the king, 1840s–60s, Salted paper print, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Terracotta amphora, Hellenistic, 3rd century B.C., Greek, Terracotta, H. 15 1/4 in. (38.8 cm), Vases, Amphora with long neck and pointed bottom, of unpainted clay

Pitcher, 1844–57, Made in Brooklyn, New York, United States, American, Porcelain, 10 7/8 in. (27.6 cm), Ceramics, Probably William Boch and Brothers (before 1844–ca. 1861

Vessel with Cover (Ding), mid-Western Zhou dynasty (1046–771 B.C.), China, Bronze, H. (at handles) 11 3/8 in. (28.9 cm); Diam. 10 1/4 in. (26 cm), Metalwork

Glass amphoriskos (perfume bottle), Classical, 5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H. 2 7/8 in. (7.3 cm); diameter of mouth 1 9/16 in. (4 cm), Glass, Translucent purple but streaked with light blue

Band sampler, 1739, Made in Gloucester, Massachusetts, United States, American, Silk embroidery on linen, Framed: 18 11/16 x 10 9/16 x 1 in. (47.5 x 26.8 x 2.5 cm), Textiles, Ann Sayres (born 1727), American samplers made before 1750 are

Limestone funerary relief, Hellenistic, ca. 325–300 B.C., Greek, South Italian, Tarentine, Limestone, H. 23 1/16 in. (58.5 cm); width as preserved 21 1/8 in. (53.6 cm), Stone Sculpture, Tarentum (modern Taranto) was a wealthy Greek colony

Asakusa Kinryuzan shita Azumabashi uchu nozomi, 東都名所 浅草金龍山下東橋雨中望, View of the Asakusa Kinryuzan Temple from the Azuma Bridge in the Rain, Edo period (1615–1868), ca. 1840, Japan, Polychrome woodblock print; ink

Grainfields, mid- or late 1660s, Oil on canvas, 18 1/2 x 22 1/2 in. (47 x 57.2 cm), Paintings, Jacob van Ruisdael (Dutch, Haarlem 1628/29–1682 Amsterdam), This canvas of the mid- to late 1660s depicts a road through grainfields and, in the

Glass hemispherical bowl, Late Hellenistic, mid-2nd–early 1st century B.C., Greek, Eastern Mediterranean, Glass; cast and cut, 3in. (7.6cm), Glass, Translucent yellow green. Rounded, slightly inverted rim; hemispherical body with convex

Portrait of the Actor Nakamura Yasio as an Oiran Standing, Facing to the Left, Edo period (1615–1868), ca. 1799, Japan, Polychrome woodblock print; ink and color on paper, 14 1/8 x 9 7/8 in. (35.9 x 25.1 cm), Prints, Katsukawa Shun'ei

The Actor Nakamura Tomijuro as Bijomaru in the Drama 'Kikujido' Shuen no Iwaya', Edo period (1615–1868), ca. 1773, Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/2 in. (31.8 cm); W. 5 7/8 in. (14.9 cm), Prints, Katsukawa

Limestone statuette of a bird, Cypro-Archaic II, ca. 600–480 B.C., Cypriot, Limestone, H. 6 3/8 x 14 1/2 x 5 1/4 in. (16.2 x 36.8 x 13.3 cm), Stone Sculpture, On Cyprus, birds were frequently associated with the cult of Aphrodite

Portrait d'un graveur, 1860s–70s, Albumen silver print from glass negative, Photographs, Unknown (French

Glass mosaic inlay, Hellenistic, late 1st century B.C.–early 1st century A.D., Egyptian, Roman, Glass; cast, Other: 5/8 in. (1.6 cm), Glass, Semi-opaque turquoise blue ground; decoration in opaque yellow and red, and deep purple appearing

Decorated Fan for the New Year, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 1/2 x 7 3/8 in. (14 x 18.7 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Vase fragment, Early Minoan III, Minoan, Terracotta, 3 1/8 × 3 11/16 × 5/16 in. (8 × 9.4 × 0.8 cm), Vases

'Nushirvan Eating Food Brought by the Sons of Mahbud', Folio from a Shahnama (Book of Kings), 1330s, Attributed to Iran, Tabriz, Ink, opaque watercolor, and gold on paper, Page: H. 20 3/4 in. (52.7 cm), Codices, This page once formed part

Woman's Mantle, late 18th century (?), Bolivia, Aymara, Camelid hair, silk, H. 31 x W. 41 in. (78.7 x 104.1 cm), Textiles-Woven, This beautifully colored woman's mantle was used only for special occasions and perhaps served as a wedding

Bishen Singh as a Young Man, ca. 1780, India (Rajasthan, Uniara), Ink and opaque watercolor on paper, 10 1/2 x 6 5/16 in. (26.7 x 16.0 cm), Paintings, This prince is formally presented in profile holding a flower and a sword. He stands

Vase fragment, Early Minoan III, Minoan, Terracotta, 2 1/16 × 1 13/16 × 1/8 in. (5.3 × 4.7 × 0.4 cm), Vases

Conversation Piece (The Sense of Smell), probably 1791, Oil on canvas, 25 7/8 x 23 1/2 in. (65.7 x 59.7 cm), Paintings, Jan Ekels the Younger (Dutch, Amsterdam 1759–1793 Amsterdam

Belt hook, Eastern Zhou dynasty, Warring States period (475–221 B.C.), China, Bronze, H. 2 7/8 in. (7.3 cm); W. 1 7/8 in. (4.8 cm); D. 1 in. (2.5 cm), Metalwork

A Young Woman Standing in a Boat Pulling it along and a Young Man Seated in it at Her Feet, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 28 in. (71.1 cm); W. 4 3/4 in. (12.1 cm), Prints, Uchimasa

東海道五十三次　石薬師, Ishiyakushi, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

The Second Nakamura Sukegoro in the Role of Gokumon no Shobei, Edo period (1615–1868), 2nd month, 1771, Japan, Polychrome woodblock print; ink and color on paper, 12 7/8 x 5 15/16 in. (32.7 x 15.1 cm), Prints, Katsukawa Shunshō (Japanese,

Samme Maskine Sammenfolder., 1905–19, Gelatin silver prints from glass negatives, Image: 3 1/16 × 4 1/16 in. (7.7 × 10.3 cm), Photographs, Jacob Christian Hansen Ellehammer (Danish, 1871–1946), Vilhelm Ellehammer (Danish), Unaware of

Nubie. Grand Temple d'Isis, A Philoe, 1850, Salted paper print (Blanquart-Évrard process) from paper negative, 16.0 x 22.4 cm. (6 5/16 x 8 13/16 in.), Photographs, Maxime Du Camp (French, 1822–1894

東海道五十三次之内　由井　薩埵嶺, Satta Peak at Yui, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 1/8 in. (24.1 x 35.9 cm), Prints, Utagawa Hiroshige (Japanese,

Page from the 'Gaceta Callejera' relating to the continuation of anti-re-election riots, 1892, Photo-relief and letterpress on buff paper, Sheet: 16 1/4 × 11 3/4 in. (41.3 × 29.8 cm), Prints, José Guadalupe Posada (Mexican, 1851–1913

Vase fragment, East Greek, Terracotta, h 3 x 3 5/16in. (7.6 x 8.4cm), Vases

Female figure, Middle Kingdom–Early New Kingdom, Dynasty 12–18, ca. 1981–1550 B.C., From Egypt, Limestone, paint, H. 15.8 cm (6 1/4 in

Cap, 18th century, Attributed to Turkey, Silk, H. 10 1/4 in. (26 cm), Textiles-Costumes

Stool, ca. 1725–35, British, Gilded gesso on walnut; wool and silk, 20 × 22 1/2 × 16 in. (50.8 × 57.2 × 40.6 cm), Woodwork-Furniture

Mask of Vaikuntha Vishnu, late 5th century, India (Jammu and Kashmir, ancient kingdom of Kashmir), Bronze, H. 13 1/4 in. (33.7 cm); W. 12 1/2 in. (31.8 cm); D. 5 in. (12.7 cm), Sculpture, This early representation of Vishnu expresses the

Town Hall, Cirencester, 1858, Albumen silver print from paper negative, 21.8 x 27.1 cm. (8 9/16 x 10 11/16 in.), Photographs, Alfred Capel Cure (British, 1826–1896

Kabuki Actors Ichimura Uzaemon IX as Ko-kakeyama and Ōtani Hiroji III as Kōga Saburō, 九代目市村羽左衛門・三代目大谷廣次, Edo period (1615–1868), ca. 1771, Japan, Polychrome woodblock print; ink and color on paper, 12 x 5

百人一首　小式の内持, Koshikibu no Naishi (999–1025), from 'Hyakunin Isshu' (One Hundred Poems by One Hundred Poets), Edo period (1615–1868), ca. 1768, Japan, Polychrome woodblock print; ink and color on paper, H. 11 in. (27.9

Tweezers, Roman, Bronze, Other: 4 in. (10.2 cm), Bronzes

The Loyal League (Chushingura), Edo period (1615–1868), Japan, Pentaptych of polychrome woodblock prints; ink and color on paper, a: 15 1/2 x 10 1/4 in. (39.4 x 26 cm); b: 15 1/4 x 10 in. (38.7 x 25.4 cm); c: 15 3/8 x 10 1/2 in. (39.1 x 26.7

Auguste Rodin, 1907, Platinum print, Photographs, Gertrude Käsebier (American, 1852–1934