Images at Librifly

清, 翁同龢, 軸, Tiger Calligraphy, Qing dynasty (1644–1911), dated 1890, China, Hanging scroll; ink on silver-flecked red paper, Image: 51 x 26 1/2 in. (129.5 x 67.3 cm), Calligraphy, Weng Tonghe (Chinese, 1830–1904

Glass perfume bottle, Early to Mid Imperial, 1st–2nd century A.D., Roman, Glass; blown, Overall: 3 3/4in. (9.6cm), Glass, Colorless with pale blue green tinge. Slanting rim, folded out, over, and in, and pressed unevenly to one side;

Glass cameo: Apollo, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Glass ? opaque white, Length: 5/8 in. (1.6 cm), Gems, Apollo with mantle hanging down his back, playing the lyre

Miniature Dress, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 9 1/4 x W. 9 3/8 in. (23.5 x 23.8 cm), Textiles-Featherwork

Fragment, 16th century, Attributed to probably Central Iran, Silk (warp), wool (weft and pile); asymmetrically knotted pile, H. 11 in. (27.9 cm), Textiles-Rugs

Page from a Dispersed Bhagavata Purana Manuscript, ca. 1620–30, India (Rajasthan, Mewar), Ink and opaque watercolor on paper, 7 1/16 x 14 3/4 in. (17.9 x 37.5 cm), Paintings, In the central palace, Krishna (blue skinned) meets Akrura. At

Graminacea, 1839, Photogenic drawing, 23 x 18.7 cm (9 1/16 x 7 3/8 in.), irregularly trimmed, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

The Actor Arashi Wakano as a Young Samurai in Woman's Clothes, Edo period (1615–1868), ca. 1754, Japan, Polychrome woodblock print; ink and color on paper, H. 12 in. (30.5 cm); W. 5 3/4 in. (14.6 cm), Prints, Torii Kiyohiro (Japanese,

Contemplations, 1864, Albumen silver print from glass negative, Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Louksor, Petit Bras du Nil - Barque de Voyageurs, 1851–52, Salted paper print from paper negative, Image: 24.2 x 30.7 cm (9 1/2 x 12 1/16 in.), Photographs, Félix Teynard (French, 1817–1892

Terracotta aryballos (oil flask), Late Corinthian, ca. 575–550 B.C., Greek, Corinthian, Terracotta; black-figure, H. 2 3/16 in. (5.6 cm), Vases, Frieze of hoplites

Terracotta head of an old woman, Hellenistic, 3rd–2nd century B.C., Greek, Terracotta, H. 2 1/8 in. (5.4 cm), Terracottas, Head of a grotesque older woman

Screen, 16th–17th century, Country of Origin Morocco, Wood; turned, carved, and painted, H. 131 7/8 in. (335 cm), Wood

Priest in a leopard skin cloak with an inscription and Osiris on his skirt, Third Intermediate Period or later, Dynasty 25, ca. 712–664 B.C., From Egypt, Leaded bronze, h. 8.6 cm (3 3/8 in) [9.3 cm (3 5/8 in) with tenon]; w. 3 cm (1 3/16 in);

Fragment, Qing dynasty (1644–1911), 19th century, China, Enamel, H. 1 3/4 in. (4.4 cm); W. 1 1/4 in. (3.2 cm), Enamels

Kerchief from Tutankhamun's Embalming Cache, New Kingdom, Dynasty 18, ca. 1336–1327 B.C., From Egypt, Upper Egypt, Thebes, Valley of the Kings, Embalming Cache of Tutankhamun (KV 54), Davis/Ayrton excavations, 1907–08, Linen, W. 66 cm

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Other: 1 x 1 3/16 in. (2.5 x 3.1 cm), Glass, Body fragment., Translucent honey brown, blue, purple, and

Limestone funerary bust of a beardless man, Early Roman, Cypriot, Limestone, Overall: 9 1/4 x 4 7/8 x 5 1/2 in. (23.5 x 12.4 x 14 cm), Stone Sculpture, The youthful face has a smiling expression. The fine features are well executed except for

Statuette of Aphrodite, late 6th century BC–early 4th century AD, Roman, Bronze, H.: 4 7/8 x 2 in. (12.4 x 5.1 cm), Bronzes

Plate with Design of Fans, Edo period (1615–1868), ca. 1650, Japan, Porcelain with overglaze enamels (Hizen ware, Ko Kutani style), Diam. 8 5/8 in. (21.9 cm); H. 7/8 in. (2.2 cm); Diam. (foot) 5 1/16 in. (12.9 cm), Ceramics, This handsome

Glass monochrome inlay, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; cast, Other: 15/16 x 7/8 in. (2.5 x 2.2 cm), Glass, Opaque streaky pale greyish blue., Flat inlay, roughly triangular; rounded corners and

Pietà with Sorrowing Angels, 17th century, Flemish, Boxwood; base: wood, ebony, tortoiseshell and ivory or bone, With base, 18 x 12-1/2 x 6-1/2 in. (45.7 x 31.8 x 16.5 cm), Sculpture-Miniature, Workshop of Mattheus van Beveren (ca.

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 1 1/2 x 1in. (3.8 x 2.5cm), Vases

Print, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, Image: 14 in. × 10 1/16 in. (35.6 × 25.6 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Lamp, 1850–60, Possibly made in East Cambridge, Massachusetts, United States; Possibly made in Sandwich, Massachusetts, United States, American, Blown and cut glass, marble, brass, H. 20 in. (50.8 cm), Glass, Possibly Boston & Sandwich

Spoon or ligula, Roman, Bronze, Other: 2 1/2 in. (6.4 cm), Bronzes

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 4 9/16in. (11.5cm), Vases

Terracotta rim fragment with curvilinear motifs, Late Helladic IIIA, ca. 1400–1300 B.C., Mycenaean, Terracotta, Other: 2 1/4 x 2 1/8 in. (5.7 x 5.4 cm), Vases, Rim fragment with curvilinear design

The Jewel River of Plovers, a Famous Place in Mutsu Province, from the series Six Jewel Rivers (Mu Tamagawa: Chidori no Tamagawa, Mutsu meisho), 六玉川　「千鳥の玉川　陸奥名所」, Edo period (1615–1868), Japan, Polychrome

Theatrical Scene, Edo period (1615–1868), 1797–1861, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/2 x 7 1/2 in. (21.6 x 19.1 cm), Prints, Utagawa Kuniyoshi (Japanese, 1797–1861

Set of Sword Fittings, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 x 10 7/8 in. (20.3 x 27.6 cm), Prints, Shungensai (Japanese, 18th–19th century

Miniature Tunic, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 6 1/8 x W. 7 in. (15.6 x17.8 cm), Textiles-Featherwork

Panel, 4th century, Attributed to Egypt, Linen, H. 8 1/4 in. (21 cm), Textiles

Ile de Fîleh (Philæ), Édifice de l'Est - Face Latérale Vue du Point D, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.5 x 30.3 cm. (9 1/4 x 11 15/16 in.), Photographs, Félix Teynard (French, 1817–1892

Jain Siddha Bahubali, Entwined with Forest Vines, Chalukyan period, late 6th–7th century, India (Karnataka), Copper alloy, H. 4 3/8 in. (11.1 cm), Sculpture, The earliest known representation of the subject in Jain art, that of Bahubali,

Gold loop earring, Hellenistic-Imperial, 3rd century B.C.–3rd century A.D., Cypriot, Gold, Diam.: 11/16 in. (1.7 cm), Gold and Silver, This very simple type of earring existed for a long time on Cyprus

Furniture element: kneeling male figure, Middle Bronze Age–Old Assyrian Trading Colony, ca. 18th century B.C., Anatolia, probably from Acemhöyük, Old Assyrian Trading Colony, Ivory, gold leaf, 2.36 x 1.04 x 1.14 in. (5.99 x 2.64 x 2.9

Horse bit with cheekpieces in form of a horse, Iron Age, ca. 8th–7th century B.C., Iran, probably from Luristan, Iran, Bronze, 5.12 in. (13 cm), Metalwork-Equestrian

Terracotta vase in the form of a lobster claw, Classical, ca. 460 B.C., Greek, Attic, Terracotta; red-figure, Overall: 2 3/4 x 2 7/8 in. (7 x 7.3 cm), Vases, Donkey; keras (drinking horn). Because so many aspects of Greek life depended on the

Glass mosaic carinated bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 x 1 1/16 in. (2.5 x 2.6 cm), Glass, Body fragment., Translucent deep purple, turquoise blue appearing green,

Versailles, 1922–27, Albumen silver print from glass negative, Image: 21.3 x 17.7 cm (8 3/8 x 6 15/16 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris

Mathias Höusermann, 1850s–60s, Albumen silver print from glass negative, 36.9 x 32.3 cm. (14 1/2 x 12 3/4 in.), Photographs, Franz Antoine (Austrian, 1814–1882

Pendant, 18th–19th century, United States, Hawai'i, Hawai'i, Whalebone, H. 2 3/8 x W. 1 1/2 x D. 1 3/4 in. (6 x 3.8 x 4.5 cm), Bone/Ivory-Ornaments, This rare whalebone pendant bears many of the hallmarks of distinction for which Hawaiian

Portrait, Turkish Summer Costume, 1857, Albumen silver print from glass negative, Photographs, Francis Frith (British, Chesterfield, Derbyshire 1822–1898 Cannes, France

Flower Arrangement, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 5/16 x 6 1/2 in. (18.6 x 16.5 cm), Prints, Utagawa Itchinsai (Japanese, 18th–19th century

Wall painting from Room F of the Villa of P. Fannius Synistor at Boscoreale, Late Republican, ca. 50–40 B.C., Roman, Fresco, H. 60-1/2' (153.7 cm.), Miscellaneous-Paintings, Section of wall and floor with double row of columns; from small

Chalice, 1462, Southeastern European, Gilded silver, filigree enamel, pearls, Overall: 8 7/16 x 5 1/2 in. (21.5 x 14 cm), Metalwork-Silver, High-ranking church officials would have used this flamboyant Gothic chalice on special occasions,

江戸十二景　仲洲之景, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 4 7/16 in. (11.3 cm); W. 6 5/8 in. (16.8 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

The Fourth Matsumoto Koshiro as an Outlaw Looking at a Wooden Ninsogaki, Edo period (1615–1868), ca. 1779–83, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 5 13/16 in. (31.8 x 14.8 cm), Prints, Katsukawa Shunshō

Bottle, 1815–45, Possibly made in Pennsylvania, United States; Possibly made in Ohio, United States, American, Blown, pattern-molded glass, H. 7 1/2 in. (19.1 cm), Glass

Scene Six from the Life of the Reverend Jean de la Barrière, 1690, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite, 21 x 17 3/8 in. (53.4 x 44.2 cm), Drawings, Matthieu Elias (French, Peene

Pole End, Han dynasty (206 B.C.–A.D. 220), China, Bronze, L. 1 3/4 in. (4.4 cm); W. 11/16 in. (1.7 cm); Diam. 1/2 in. (1.3 cm), Metalwork

Salt, 1830–40, Possibly made in Sandwich, Massachusetts, United States; Possibly made in East Cambridge, Massachusetts, United States, American, Pressed glass, 1 3/4 x 2 x 2 7/8 in. (4.4 x 5.1 x 7.3 cm), Glass

Fragment, early 19th century, Attributed to Turkey, Linen, silk, metal wrapped thread; plain weave, embroidered, H. 15 in. (38.1 cm), Textiles-Embroidered

In the Orchard, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin

[The Cathedral, Calcutta], 1858–61, Albumen silver print, Image: 21.6 x 27.5 cm (8 1/2 x 10 13/16 in.), Photographs, Unknown

Glass two-handled bottle, Late Imperial, 4th–5th century A.D., Roman, Glass; blown and trailed, Overall: 4 5/8in. (11.8cm), Glass, Translucent pale blue green; handles and trail in translucent turquoise blue., Tubular rim, folded out,

Head of a male or female figure, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, Egyptian Blue, H. 3 7/16 x W. 3 9/16 x D. 2 1/8 in. (8.7 x 9 x 5.4 cm), Ivory/Bone-Sculpture, This piece is

Helmet, late 15th–16th century, possibly Istanbul, Turkey, possibly Istanbul, in the style of Turkman armor, Steel, iron, silver, copper alloy, H. including nasal 14 in. (35.6 cm); H. excluding nasal 12 in. (30.5 cm); W. 9 1/2 in. (24.1

Shitaya Hirokōji (Oike), 江戸高名会亭尽　下谷広小路　河内楼, Teahouse at Hirokōji, Edo period (1615–1868), ca. 1835–42, Japan, Polychrome woodblock print; ink and color on paper, H. 9 7/8 in. (25.1 cm); W. 14 1/2 in.

Glass network mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/16 x 1 5/16 in. (2.7 x 3.4 cm), Glass, Body fragment., Colorless, with opaque white., Convex curving side,

Landscape with Cows, 1928, Oil on board, Oval: 5 5/8 x 7 11/16 in. (14.3 x 19.5 cm), Paintings, Aaron Draper Shattuck (1832–1928

Glass flask, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 9 in. (22.9 cm), Glass, Colorless. Thick rim, with vertical outer edge, angular upper lip, and pressed into sides of flaring mouth; funnel-shaped neck, then expanding

明 鑄鐵佛頭像, Head of Buddha, Ming dynasty (1368–1644), ca. 1500, China, Cast iron, W. ca. 29 1/2 in. (74.9 cm); H. ca. 45 in. (114.3 cm); D. ca. 27 1/2 in. (69.9 cm), Sculpture

Tartar Officer with Blond Lady, Qing dynasty (1644–1911), China, Album leaf; ink and color on silk, 10 5/8 x 10 3/4 in. (27 x 27.3 cm), Paintings, Unidentified Artist

Limestone lion probably from a statue of Herakles, Classical, early 5th century B.C., Cypriot, Limestone, Overall: 8 3/4 x 9 x 3 1/4 in. (22.2 x 22.9 x 8.3 cm), Stone Sculpture, The animal stands on its hindlegs with the forelegs elevated,

One of a Pair of Incense Boxes in the Shape of Dog Charms, Edo period (1615–1868), ca. 1840, Japan, Porcelain with overglaze enamels (Minpei kilns), H. 1 3/4 in. (4.4 cm); L. 2 1/2 in. (6.4 cm), Ceramics, Pairs of dog-shaped papier-mâché

Matsumoto Koshiro IV as the Fish Peddler Gorobei, Edo period (1615–1868), Probably late 1880s or early 1890s, Japan, Polychrome woodblock print; ink and color on paper with mica ground, 15 x 10 1/5 in. (38.1 x 25.9 cm), Prints, After

Near the Spring, Qing dynasty (1644–1911), China, Fan mounted as an album leaf; ink and color on silk, 9 x 8 3/4 in. (22.9 x 22.2 cm), Paintings, Unidentified Artist

The Three Graces Seen Through the Bryant and Seward Calaveras Grove, ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This

Nevada Fall, 700 Feet, 1861, Albumen silver print from glass negative, Image: 42.2 x 51; Mount: 53.6 x 67, Photographs, Carleton E. Watkins (American, 1829–1916

Glass bottle, Early Byzantine, 5th century A.D. or later, Roman, Glass; blown and trailed, H.: 9 9/16 in. (24.3 cm), Glass, Translucent pale blue green; trails in same color. Everted rim, folded over and in; cylindrical neck, tapering

Ieyl. stjerneformet Motor Standard Type. 50HK., 1905–19, Gelatin silver prints from glass negatives, Image: 5 5/8 in. × 4 in. (14.3 × 10.1 cm), Photographs, Jacob Christian Hansen Ellehammer (Danish, 1871–1946), Vilhelm Ellehammer

Two Geisha, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 24 1/16 in. (61.1 cm); W. 4 1/4 in. (10.8 cm), Prints, Kikugawa Eizan (Japanese, 1787–1867

Terracotta conical cup, Middle Minoan I, ca. 2200–1900 B.C., Minoan, Terracotta; Dark monochrome fine ware, Overall: 1 11/16 x 3 5/8in. (4.3 x 9.2cm), Vases, From Knossos, Crete

Bowl, 1803–67, Probably made in Goshen, Connecticut, United States, American, Earthenware; Redware with slip decoration, H. 3 5/8 in. (9.2 cm); Diam. 12 7/8 in. (32.7 cm), Ceramics, Attributed to Hervey Brooks (1779–1873

Two Ladies, Each with a Portion of a Lacquered Mirror, Edo period (1615–1868), 1790s, Japan, Polychrome woodblock print; ink and color on paper, H. 18 5/8 in. (47.3 cm); W. 7 5/8 in. (19.4 cm), Prints, Kitagawa Utamaro (Japanese,

Terracotta skyphos (deep drinking cup), Classical, ca. 460–450 B.C., Greek, Attic, Terracotta; black-glaze, Overall: 3 7/16 x 7 7/8in. (8.8 x 20cm); diameter 5 1/8in. (13cm), Vases, Skyphoi with disparate handles are rarer than those with

Glass ribbed bowl, Early Imperial, mid-1st century A.D., Roman, Glass; blown, trailed, and tooled, H.: 2 3/8 in. (6 cm), Glass, Translucent deep purple; trail in opaque white. Outsplayed rim, with cracked off and ground lip; short concave

Capital with Four Heads, ca. 1225–50, Made in Apulia, probably Troia, Italy, Italian, Limestone from Apulia, Overall: 14 1/8 x 13 x 13 in. (35.9 x 33 x 33 cm), Sculpture-Architectural, In 863 a monk named Theodosius wrote of the grandeur

Henry Frederick (1594–1612), Prince of Wales, with Sir John Harington (1592–1614), in the Hunting Field, 1603, Oil on canvas, 79 1/2 x 58 in. (201.9 x 147.3 cm), Paintings, Robert Peake the Elder (British, ca. 1551–1619 London), This

Jérusalem, Enceinte de l'Hopital des Chevaliers-de-Saint-Jean, Côté Sud, 1854, Salted paper print from paper negative, Image: 23.4 x 33.1 cm (9 3/16 x 13 1/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Mathias und Elise Höusermann, 1850s–60s, Albumen silver print from glass negative, 28.5 x 24.3 cm. (11 1/4 x 9 9/16 in.), Photographs, Franz Antoine (Austrian, 1814–1882

鈴木春信画　若水を汲む男女, Drawing the First Water of the New Year, Edo period (1615–1868), ca. 1769–70, Japan, Polychrome woodblock print; ink and color on paper, 11 1/4 x 8 1/2 in. (28.6 x 21.6 cm), Prints, Suzuki Harunobu

[Unknown Sitters], before 1865, Albumen silver prints from glass negatives, Image: 3 3/8 in. × 2 in. (8.6 × 5.1 cm) (each), Photographs, Pierre-Louis Pierson (French, 1822–1913), et al, Painted and retouched by Marck

Standard Bearer (?), 200 B.C.–A.D. 300, Mexico, Mesoamerica, Colima, Colima, Ceramic, H.15 3/8 x W. 8 3/8 in. (39.1 x 21.3 cm), Ceramics-Sculpture

The Annunciation, ca. 1435, Tempera on wood, gold ground, Overall, with engaged (modern) frame, 30 x 17 1/8 in. (76.2 x 43.5 cm); painted surface 28 3/4 x 16 1/8 in. (73 x 41 cm), Paintings, Sassetta (Stefano di Giovanni) (Italian, Siena or

Vue du grand Sphinx et de la grande pyramide de Menkazeh (Mycerinus), December 1849, Salted paper print from paper negative, Image: 6 3/8 × 8 7/16 in. (16.2 × 21.4 cm), Photographs, Maxime Du Camp (French, 1822–1894

[The Sublime Porte, Teheran, Iran], 1840s–60s, Photographs, Luigi Pesce (Italian, 1818–1891

Limestone plinth with the left foot of a statue of Zeus, Roman, 2nd or 3rd century A.D., Cypriot, Limestone, Overall: 7 1/2 x 24 x 14 1/2 in. (19.1 x 61 x 36.8 cm), Cesnola Inscriptions, With two feet; dedication to Zeus Labranios, by

Ci-devant Occupations; or, Madame Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797. - A Fact!, February 20, 1805, Hand-colored etching, sheet: 12 7/16 x 18 in. (31.6 x 45.7 cm) (clipped impression, plate line

Glass alabastron (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 4 5/16 in. (11 cm), Glass, Translucent cobalt blue, with handles in same color; trails in opaque

A Kitchen, ca. 1643, Oil on wood, 20 1/2 x 17 3/8 in. (52.1 x 44.1 cm), Paintings, Hendrick Sorgh (Dutch, Rotterdam 1609/11–1670 Rotterdam), Sorgh was a prominent painter in his native Rotterdam, known for domestic interiors that combine

Terracotta neck-amphora (jar), Archaic, last quarter of 6th century B.C., Greek, Attic, Terracotta; black-figure, H. 16 1/8 in. (41 cm), Vases, Obverse, Aeneas and Anchises, Reverse, departure of a hoplite and archer. Aeneas is fleeing

Lamp, Roman, Cypriot, Terracotta, Overall: 3/4 x 3 1/4 in. (1.9 x 8.3 cm), Terracottas

Plaque fragment, Middle Bronze Age–Old Assyrian Trading Colony, ca. 18th century B.C., Anatolia, probably from Acemhöyük, Old Assyrian Trading Colony, Ivory, 1.23 x 1.38 in. (3.12 x 3.51 cm), Ivory/Bone-Reliefs

Plum-blossom viewing in the third month at Sumida River from the series, Annual Events at Famous Places in the Eastern Capital, (Tōto meisho nenjū gyōji sangatsu sumitagawa waka mōde), Edo period (1615–1868), 1854, Japan, Polychrome

Katsuyama Matagoro as a Yane-chi Seated on a Straw Mat on the Tiled Roof of a House, Edo period (1615–1868), probably 1709, Japan, Polychrome woodblock print; ink and color on paper, 10 3/8 x 14 3/4 in. (26.4 x 37.5 cm), Prints, Okumura

Fragment of a terracotta plaque, Archaic, 7th century B.C., Greek, Cretan, Terracotta, 5 1/8 in. x 4 1/8 in. (13 cm x 10.5 cm), Terracottas, Warrior with helmet, shield, and a shaft, possibly a sword

Salt, 1730–40, Made in Boston, Massachusetts, United States, American, Silver, 1 1/4 x 2 3/4 x 2 7/16 in. (3.2 x 7 x 6.2 cm); 2 oz. 4 dwt. (68.9 g), Silver, Jacob Hurd (American, Boston, Massachusetts 1702/3–1758 Boston,