Images at Librifly


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The Hotel from Mammoth Grove, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916
Tropical Scenery, View of Limon Bay, 1871, Albumen silver print, Image: 20 x 27.3 cm (7 7/8 x 10 3/4 in.), Photographs, John Moran (American (born England), Bolton, Lancashire 1821–1903 Pennsylvania
Sard ring stone, Hellenistic, probably ca. 3rd century B.C., Greek, Sard, Length: 13/16 in. (2.1 cm), Gems, Girl holding a jug
Watercolor of musician playing bo, late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper
Glass jar, Late Imperial, 4th century A.D., Roman, Glass; blown and trailed, H.: 2 3/4 in. (7 cm), Glass, Translucent blue green; trail and foot ring in dark cobalt blue. Horizontal, rounded rim; broad outsplayed mouth; concave cylindrical
Bal, 1860s, Albumen silver print from glass negative, 7.9 x 10.8 cm. (3 1/8 x 4 1/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913
Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 11/16 x 1 7/16 in. (1.7 x 3.6 cm), Glass, Thin-walled bottom (?) fragment., Translucent purple, turquoise blue, opaque yellow
Pendant: female head, Classical, 5th century B.C., Italic, Amber, H.: 1 15/16 in. (4.9 cm), Miscellaneous-Amber, Pendant in the form of a female head in profile, facing right
Glass alabastron (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H. 4 in. (10.2 cm), Glass, Opaque dark red brown, with handles in same color; trails in opaque yellow and
Diana Surprised by Actaeon, 1586–1629, Etching and engraving, Sheet: 8 3/8 x 11 1/16 in. (21.2 x 28.1 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Paolo Fiammingo (Netherlandish, Antwerp (?) ca.
Pilgrim Flask, early 17th century, Attributed to India, Deccan or Northern India, Brass; cast, H. 9 5/8 in. (24.4 cm), Metal, This flask relates to a group of similarly shaped vessels made of animal hide in India and earlier prototypes from
Covered Sugar Bowl, 1835–50, Probably made in United States, American, Pressed glass, H. 6 in. (15.2 cm), Glass
Goko Kokujinmotsu-Don Taku no zu, View of Eating and Drinking by People of Five Countries, Edo period (1615–1868), 1861, 12th month (?), Japan, Triptych of polychrome woodblock prints; ink and color on paper, 14 x 28 1/2 in. (35.6 x 72.4
Terracotta cup, late 1st century B.C., Roman, Terracotta; red slip ware, H. 9.98 cm. Diameter 14.75 cm., Vases, Deep red glazed cup with raised decoration of masks, shells and anthemion; shell feet
Limestone statue of a male votary, Cypro-Classical, first half of the 5th century B.C., Cypriot, Limestone, 41 1/4 x 17 x 10 in. (104.8 x 43.2 x 25.4 cm), Stone Sculpture, The figure carries an aryballos (a small oil bottle) in his left hand
商 青銅尊, Wine Vase (Zun), Shang dynasty (ca. 1600–1046 B.C.), 13th century B.C., China, Bronze inlaid with black pigment, H. 15 3/4 in. (40 cm); Diam. of rim 13 7/8 in. (35.2 cm); Diam. of base 8 7/8 in. (22.5 cm), Metalwork, A single
Ornamental Window, 1220–60, British, Glass and lead, 31 1/8 × 10 7/16 × 3/8 in. (79 × 26.5 × 1 cm), Glass-Stained
The Written Valley, Sinai, ca. 1857, Albumen silver print from glass negative, Photographs, Francis Frith (British, Chesterfield, Derbyshire 1822–1898 Cannes, France
Pitcher, 1848–80, Made in Waynesboro, Pennsylvania, United States, American, Stoneware, 13 1/4 in. (33.7 cm), Ceramics, John Bell Pottery (1848–80
View of the Square in Melting Snow, 1854–56, Salted paper print from glass negative, Image: 18 x 22.2 cm (7 1/16 x 8 3/4 in. ), Photographs, Louis-Pierre-Théophile Dubois de Nehaut (French, active Belgium, 1799–1872), This view was taken
Jérusalem, Enceinte du Temple, Vue générale de la face Est, Pl. 2, 1854, Salted paper print from paper negative, Image: 22.5 x 32.9 cm (8 7/8 x 12 15/16 in.), Photographs, Auguste Salzmann (French, 1824–1872), This is one portion of a
Side chair, 1805–15, Made in Washington DC, United States, American, Mahogany with ash, 36 5/8 x 17 3/4 x 18 1/4 in. (93 x 45.1 x 46.4 cm), Furniture, Possibly by William Worthington (American, 1775–1839
Cour, rue de Valence, 1922, printed 1956, Gelatin silver print, Photographs, Eugène Atget (French, Libourne 1857–1927 Paris
Treble Viol, 1743, Mirecourt, France, French, Wood, Body length 35.8 cm, Chordophone-Lute-bowed-fretted, Jean Villiaume
The Red Bow, 1861–67, Albumen silver print from glass negative, Image: 18.7 x 13.6 cm (7 3/8 x 5 3/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913), Painted and retouched by Unknown (French
Fille de Lanxchow, 1870s, Albumen silver print from glass negative, 23.7 x 19.3 cm (9 5/16 x 7 5/8 in.), Photographs, Raimund von Stillfried (Austrian, 1839–1911
The Bridal Rose, 1900, Photogravure, Rudolph Eickemeyer (American, 1862–1932
Fountains Abbey. Interior of the Choir, 1850s, Albumen silver print, Image: 28.2 x 22.8 cm (11 1/8 x 9 in.), Photographs, Joseph Cundall (British, Norwich, Norfolk 1818–1895 Wallington, Surrey), Philip Henry Delamotte (British,
[Soldier Aiming Rifle], 1880s–90s, Gelatin silver print, Photographs, Unknown (French
Wakamurasaki of the Kadotamaya, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print; ink and color on paper, 14 15/16 x 10 in. (37.9 x 25.4cm), Prints, Chōkōsai Eishō (Japanese, 1793–99
Terracotta rim fragment with handle and incised decoration, Late Neolithic, ca. 3600–3100 B.C., Cretan, Terracotta; Fine burnished ware, 2 1/2in. (6.4cm), Vases, From Knossos, Crete. Fragment of vase with handle, gray ware, decorated with
Glass alabastron (perfume bottle), Hellenistic, 2nd–mid 1st century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group III, H.: 4 13/16 in. (12.2 cm), Glass, Translucent cobalt blue, with handles in same color; trails in opaque
Wreaths, 6, Greek, Laconian, Lead, Diameter: 7/8 in. (2.2 cm), Miscellaneous-Lead
Fragment of a terracotta plaque, Archaic, 7th century B.C., Greek, Cretan, Terracotta, 2 1/2 in. x 4 1/2 in. (6.4 cm x 11.5 cm), Terracottas, Fragmentary, head in helmet with visor and long waving crest; part of spear at left
Shirt of Mail and Plate, dated A.H. 1042/A.D. 1632–33, Indian, Steel, iron, gold, leather, as mounted, H. 32 in. (81.3 cm)l; L. 31 in. (78.8 cm); W. 40 in. (101.5 cm); Wt. 23 lb. 10 oz. (10.7 kg), Mail, This shirt ranks as one of the most
Court Carriage, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/16 x 7 5/16 in. (21.1 x 18.6 cm), Prints, Kubo Shunman (Japanese, 1757–1820
Terracotta skyphos (deep drinking cup), Classical, 5th century B.C., Greek, Attic, Terracotta; black-glaze, H. x width 3 3/4 x 7 1/2 in. (9.5 x 19 cm); diameter 4 7/8 in. (12.4 cm), Vases, Handles flush with rim with ringbase and no
Manticore, ca. 1735, Austrian, Vienna, Hard-paste porcelain, H. 4-13/16 in. (12.2 cm.); Gr. L. 5-3/8 in. (13.7 cm.), Ceramics-Porcelain, In addition to the nucleus of Asian and European comparative ceramics, the Syz Collection includes
Paragons of Filial Piety (from a set of twenty-four), Edo period (1615–1868), mid-19th century, Japan, Polychrome woodblock print; ink and color on paper, H. 5 7/8 in. (14.9 cm); W. 4 1/8 in. (10.5 cm), Prints, Utagawa Kuniyoshi (Japanese,
Gathering Wood, Oil on canvas, 16 1/2 x 13 in. (41.9 x 33 cm), Paintings, Anton Mauve (Dutch, Zaandam 1838–1888 Arnhem
Sideboard Table, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 13/16 x 13 3/8 in. (22.4 x 34.1 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London
Fragment, 3rd–4th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, 8 1/16 in. high 7 1/4 in. wide (20.5 cm high 18.4 cm wide), Textiles
Terracotta statuette of a girl, Hellenistic, 3rd century B.C., Greek, South Italian, Tarentine, Terracotta, H. 4 1/4 in. (10.8 cm), Terracottas, Lower part of figure draped, arms raised playing ball perhaps
東都名所 佃島海辺朧月, Tsukudajima no Oborozuki, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 14 3/8 in. (36.5 cm); W. 4 15/16 in. (12.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo
Glass eye bead, 6th–4th century B.C., Phoenician, Cypriot, Glass; rod-formed and trailed, L.: 3/8 in. (1 cm), Glass, Stratified double eye bead; two sets of four eyes. Opaque turquoise blue; eyes in opaque white with circle and central dot
Sword, Eastern Zhou dynasty, Warring States period (475–221 B.C.), ca. 4th–3rd century B.C., China, Bronze with inlay of turquoise, L. 22 1/8 in. (56.2 cm), Metalwork
Statuette of an orator ?, Bronze, H.: 3 3/16 in. (8.1 cm), Bronzes
The Dancing Girl, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 14 1/2 x 91/2 in. (36.8 x 24.1 cm), Prints, Katsukawa Shun'ei (Japanese, 1762–1819
Statuette of Herakles with the lion, Greek, Bronze, H.: 2 1/16 in. (5.2 cm), Bronzes
Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 4 x 1 5/8in. (10.2 x 4.1cm), Vases
Maison de thé, 1870s, Albumen silver print from glass negative, 23.7 x 19.2 cm (9 5/16 x 7 9/16 in.), Photographs, Unknown
百人一首 乳母かゑとき 柿の本人麿, Poem by Kakinomoto Hitomaro, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Edo period (1615–1868), 1760–1849, Japan, Polychrome woodblock print;
Statuette of a woman with phiale, Bronze, H.: 5 1/4 in. (13.3 cm), Bronzes
Panel Fragment, 5th–6th century, Attributed to Egypt, Linen, wool, 2 in. high 2.00 in. wide (5.1 cm high 5.1 cm wide), Textiles
Ruins of a Castle, ca. 1827, Tone lithograph printed in black and grayish green, sheet: 10 1/16 x 14 3/16 in. (25.5 x 36 cm), Prints, Karl Blechen (German, Cottbus 1798–1840 Berlin
Ornaments, 14, Greek, Laconian, Lead, Height: 1 1/8 in. (2.9 cm), Miscellaneous-Lead
Terracotta vase in the form of a pygmy carrying a dead crane, Hellenistic, 3rd century B.C., Greek, South Italian, Terracotta, H. 3 1/4 in. (8.3 cm), Vases, Mythic battles between pygmies and cranes are amusing subjects in Greek art with a
Mercury, 1611, Flemish, Alabaster, partly polychromed and gilded, Overall on base (confirmed): H. 13 x W. 4 11/16 x D. 3 9/16 in. (33 x 11.9 x 9 cm), Sculpture
The Actor Segawa Kikunojo III in the Role of a Woman, Edo period (1615–1868), ca. 1792, Japan, Probably the middle sheet of a triptych or the right-hand sheet of a diptych of polychrome woodblock prints; ink and color on paper, 12 3/4 x 5 5/8
Terracotta squat alabastron (jar), Late Helladic IIIB, ca. 13th century B.C., Mycenaean, Terracotta, 2 3/4in. (7cm), Vases, Squat jar with flattened body and three handles
Sailboat, 1890s, printed 1897, Platinum print, Photographs, Charles E. Bolles (American, 1845–1919
Vase fragment, Early Minoan II, Minoan, Terracotta, 1 15/16 × 2 3/8 × 3/8 in. (4.9 × 6.1 × 0.9 cm), Vases
Mirror, 12th–13th century, Attributed to Northwestern Iran or Turkey, Bronze; cast, chased, Diam. 8 11/16 in. (22 cm), Metal, Cast bronze mirrors were often used for divination or magical medicine. The polished metallic front provided a
諸國瀧廻リ 相州大山ろうべんの瀧, Rōben Waterfall at Ōyama in Sagami Province (Sōshū Ōyama Rōben no taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri), Edo period (1615–1868),
Fragment, 3rd–4th century, Attributed to Egypt, Wool, linen; plain weave, weft loop weave, 4 3/4 in. high 4 3/8 in. wide (12 cm high 11.1 cm wide), Textiles
Jérusalem, Fenêtre arabe, 1854, Salted paper print from paper negative, Image: 33.5 x 23.3 cm (13 3/16 x 9 3/16 in.), Photographs, Auguste Salzmann (French, 1824–1872
The Actor Sanogawa Ichimatsu as a Young Man Holding a Folded Letter, Edo period (1615–1868), ca. 1765, Japan, Polychrome woodblock print; ink and color on paper, 27 7/32 x 6 15/32 in. (69.2 x 16.4 cm), Prints, Shigenaga (1697–1756
Terracotta oinochoe (jug), Late Classical, 4th century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, H. 6 15/16 in. (17.6 cm), Vases, High spout and handle; ribbed
Manuscript Inventory of the Armory of a Castle of a Nobleman, 16th century, German, Vellum, Books & Manuscripts
Narihira's Journey to the East, Edo period (1615–1868), ca. 1797, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Overall: 15 1/8 x 30 in. (38.4 x 76.2 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806), The
Vase fragment, Early Minoan II, Minoan, Terracotta, 1 13/16 × 1 3/4 × 5/16 in. (4.6 × 4.5 × 0.8 cm), Vases
Dakkeh, Village et Rives du Nil, 1851–52, Salted paper print from paper negative, Image: 23.7 x 30.9 cm (9 5/16 x 12 3/16 in.), Photographs, Félix Teynard (French, 1817–1892
Terracotta neck-amphora (storage jar), Archaic, ca. 570–560 B.C., Greek, Attic, Terracotta; black-figure, H. 12 1/8 in. (30.8 cm), Vases, Obverse, warrior between two roosters, Reverse, two rams charging. Vases of the Tyrrhenian Group,
The Actor Ichikawa Danjūrō V as a Samurai, Edo period (1615–1868), 1771–72, Japan, Polychrome woodblock print; ink and color on paper, H. 12 3/4 in. (32.4 cm); W. 5 15/16 in. (15.1 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792
Vase fragment, Archaic, 7th century B.C., East Greek/Sardis, Lydian, Terracotta, Overall: 4 3/4 x 3 7/16in. (12 x 8.8cm), Vases
Samme Aeroplan svarende., 1905–19, Gelatin silver prints from glass negatives, Image: 3 1/4 × 4 1/16 in. (8.2 × 10.3 cm), Photographs, Jacob Christian Hansen Ellehammer (Danish, 1871–1946), Vilhelm Ellehammer (Danish), Unaware of the
Shawl, mid-19th century, Attributed to India, Kashmir, Wool; plain weave, appliquéd with embroidered panels, Textile: L. 72 in. (182.9 cm), Textiles-Costumes
Moses Striking the Rock, 1596, Oil on canvas, 31 3/8 x 42 1/2 in. (79.7 x 108 cm), Paintings, Abraham Bloemaert (Netherlandish, Gorinchem 1566–1651 Utrecht), Bloemaert worked in Utrecht and taught many of the leading artists of that city
China Case, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 5/8 x 9 11/16 in. (21.8 x 24.6 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London
Iron sword with bronze hilt, Late Republican or Imperial, ca. 2nd century B.C.–1st century A.D., Roman, Gaul, Bronze, Iron, L. 17 1/4 in. (43.8 cm), Bronzes, Long swords like this one were a typical weapon of the Gauls who populated
Storage Bag (Chuval) Face, early 19th century, Attributed to Central Asia, Wool, (warp, weft and pile), cotton (weft); asymmetrically knotted pile, Rug: H. 31 in. (78.7 cm), Textiles-Rugs
Bottle, 17th–18th century, Attributed to Turkey, Glass, marbled; blown, tooled on the pontil, H. 9 in. (22.9 cm), Glass, This bottle is typical of the objects that were displayed in open niches in reception rooms of Ottoman-period
The Upper Fall, 1853–56, Albumen silver print, Image: 24.7 × 17.8 cm (9 3/4 in. × 7 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales
Flintlock Gun, ca. 1750, Paris, French, Paris, Steel, gold, wood (walnut), silver, L. 58 in. (147.3 cm), Firearms, This slender and elegant gun represents the great refinement of form, design, and function achieved by French gunmakers in
Furuichi Dance (No. 1 of a Set of Four), Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 7 3/8 in. (21 x 18.7 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868
The Actor Nakamuro Tomijuro as a Mounted Warrior, Edo period (1615–1868), 1740, Japan, Polychrome lacquer print (urushi-e), 12 7/8 x 6 1/4 in. (32.7 x 15.9 cm), Prints, Okumura Masanobu (Japanese, 1686–1764
Costume Plate: Woman from Germany, ca. 1558–70, Engraving, Sheet (trimmed to plate): 5 7/8 × 4 7/16 in. (14.9 × 11.2 cm), Prints, Reverse copy after Enea Vico (Italian, Parma 1523–1567 Ferrara
Terracotta bowl, 2nd half of 1st century AD, Roman, Terracotta; red slip ware, diameter 3 9/16in. (9.1cm), Vases, Red barbotine
Glass aryballos (oil bottle), Imperial, 1st–3rd century A.D., Roman, Eastern Mediterranean, Glass; blown, H.: 3 1/16 in. (7.8 cm), Glass, Translucent pale green; handles in same color. Collared rim folded out, down, round, and up, and
Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 5 1/4in. (13.3cm), Glass, Translucent pale blue green. Rim folded out, over, and in, with broad mouth; cylindrical neck, expanding downward and deeply tooled
Sisymbrium Cumingianum, 1839, Photogenic drawing, 22.1 x 18.1 cm (8 11/16 x 7 1/8 in.), irregularly trimmed, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock
Head of a Buddha, Northern Qi dynasty (550–577), mid-6th century, China, Limestone with traces of pigment and gilding, H. 9 1/2 in. (24.1 cm); W. 6 1/4 in. (15.9 cm); D. 6 1/2 in. (16.5 cm), Sculpture, The subtle fleshiness of the cheeks,
Villeneuve les Avignon, ca. 1862, Albumen silver print from glass negative, Image: 21.6 x 28.6 cm (8 1/2 x 11 1/4 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889
[Two Japanese Men in Traditional Dress], 1870s, Albumen silver print from glass negative, 20.1 x 25.2 cm (7 15/16 x 9 15/16 in.), Photographs, Suzuki Shin'ichi (Japanese, 1835–1919
Costume Plate: Woman with Hooded Garment, ca. 1557–58, Engraving, sheet: 5 7/8 x 4 in. (15 x 10.2 cm), Prints, Engraved by Enea Vico (Italian, Parma 1523–1567 Ferrara
Miniature Dress, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 9 x W. 8 7/8 in. (22.9 x 22.5 cm), Textiles-Featherwork
Gold and enamel a baule earring, Archaic, 6th century B.C., Etruscan, Gold, enamel, diameter 13/16in. (2cm), Gold and Silver, This earring represents one of the most common types in Etruscan jewelry but with exceptionally elaborate
清, 傳高鳳翰, 書畫合璧, 冊, Landscapes and Calligraphy, Qing dynasty (1644–1911), dated 1736, China, Album of six paintings; ink and color on paper, Each leaf: 12 1/2 x 9 3/4 in. (31.8 x 24.8 cm), Paintings, Gao Fenghan
Double beaker, 1603–9, German, Nuremberg, Silver-gilt, Overall (confirmed): 4 7/16 × 2 9/16 × 2 9/16 in., 6oz. (11.3 × 6.5 × 6.5 cm, 177g), Metalwork-Silver, The barrel-shaped beaker was in use since sixteenth century, at a time when
Vase fragment, Early Minoan III, Minoan, Terracotta, 2 5/16 × 1 11/16 × 1/8 in. (5.8 × 4.3 × 0.3 cm), Vases

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