Images at Librifly

東海道五十三次之内　江尻　三保遠望, Distant View of Miho Beach from Ejiri, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 in. (24.1 x 35.6 cm), Prints, Utagawa

京都名所之内 八瀬之里, Yase no Sato, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 10 7/32 x 15 1/8 in. (26.0 x 38.4 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Silver swivel ring with agate scarab in gold setting, Archaic, 7th–early 5th century B.C., Cypriot or Phoenician, Silver, agate, 7/16 × 13/16 × 5/8 in. (1.1 × 2.1 × 1.6 cm), Gems, Swivel ring with agate scarab; engraving decayed. The

Limestone statuette of a temple boy, Classical, late 5th or early 4th century B.C., Cypriot, Limestone, Overall: 5 1/2 x 4 x 2 1/8 in. (14 x 10.2 x 5.4 cm), Cesnola Inscriptions, Crouching temple boy with dedication to Apollo

Alabaster pointed alabastron, Late Bronze Age, ca. 1600–1050 B.C., Cypriot, Calcite (alabaster), H. 5 3/8 x 2 1/4 in. (13.7 x 5.7 cm), Miscellaneous-Stone Vases, The vase has no neck and could not have stood unsupported

Fragment, 4th–5th century, Attributed to Egypt, Linen, wool, 13 3/16 in. high 5 7/8 in. wide (33.5 cm high 15 cm wide), Textiles

Ryogoku Yanagibashi (Kawachiya), 江戸高名会亭尽　両国柳橋　河内屋, Tea-house at the Willow Bridge, Edo period (1615–1868), ca. 1835–42, Japan, Polychrome woodblock print; ink and color on paper, H. 9 5/16 in. (23.7 cm); W.

Allegory of the Battle at Selimbar (October 28, 1599), 1552–1616, Pen and brown ink, brown and and red wash, over a sketch in red chalk, sheet: 9 7/16 x 9 15/16 in. (24 x 25.3 cm), Drawings, Hans von Aachen (German, Cologne 1552–1616

Glass stirring rod, Early to Mid Imperial, ca. 1st–2nd century A.D., Roman, Glass; drawn and tooled, H. 5 13/16 in. (14.8 cm); diameter 1 3/16 in. (3.1 cm), Glass, Translucent pale blue green. Cylindrical rod, tightly twisted to produce

Pochette, 1670s, Augsburg, Germany, German, Wood, ivory, 17 3/8 × 1 9/16 × 1 11/16 in. (44.2 × 4 × 4.3 cm), Chordophone-Lute-bowed-unfretted, Georg Wörle

Stirrup Spout Bottle: Litter Scene, 1350–1470, Peru, Chimú, Ceramic, Overall: 6 3/4 x 8 1/4 in. (17.15 x 20.96 cm), Ceramics-Containers

[Bugler], 1880s–90s, Gelatin silver print, Photographs, Unknown (French

Ochanomizu, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 14 3/8 in. (36.5 cm); W. 9 1/2 in. (24.1 cm), Prints, Utagawa Hiroshige II (Japanese, 1829–1869

Sight (Visus), from the Fiver Senses, n.d., Engraving; first edition, Image: 7 9/16 x 10 in. (19.2 x 25.4 cm), Prints, after Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp), Adriaen Collaert (Netherlandish, Antwerp ca.

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Pan Box in the Shape of a Duck, ca. 1700, India (Deccan), Bidri (zinc alloy with inlay of brass and silver), H. 5 5/8 in. (14.3 cm); L. 7 1/4 in. (18.4 cm); D. 4 1/2 in. (11.4 cm), Metalwork, This charming box stored the spices used for making

The Actor Nakamura Tomijuro as a Stately Woman, Edo period (1615–1868), ca. 1785, Japan, Triptych of polychrome woodblock prints; ink and color on paper, H. 12 1/4 (31.1 cm); W. 17 3/16 in. (43.7 cm), Prints, Katsukawa Shunkō (Japanese,

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 11/16 × 2 3/16 × 3/16 in. (4.4 × 5.6 × 0.4 cm), Vases

The Glorification of the Giustiniani Family, 1783, Oil on canvas, 46 x 32 1/2 in. (116.8 x 82.6 cm), Paintings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice), This is a model for a ceiling of the ducal palace, Genoa

Frieda Schiff (1876–1958), Later Mrs. Felix M. Warburg, 1894, Oil on canvas, 39 3/4 x 30 in. (101 x 76.2 cm), Paintings, Anders Zorn (Swedish, Mora 1860–1920 Mora), Zorn made his reputation as a portrait painter. Fashionable people of

Cray Fish, Meiji period (1868–1912), ca. 1890–92, Japan, Album leaf; silk, 13 5/8 x 10 3/4 in. (34.6 x 27.3 cm), Paintings, Seki Shūkō (Japanese, 1858–1915

百人一首　うはかゑとき　源宗于朝臣, Poem by Minamoto no Muneyuki Ason, from the series One Hundred poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock

[Countess de Castiglione, from Série des Roses], 1895, Albumen silver print from glass negative, Approximately 14.3 x 9.9 cm (5 5/8 x 3 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 1/2 in. (34.6 × 24.1 cm), Prints, Utagawa Yoshikazu (Japanese, active ca. 1850–1870

Outfit for the New Year Ceremony, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 5/16 x 7 5/16 in. (13.5 x 18.6 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca.

Fragment of a limestone statuette of a male votary, Early Hellenistic, 4th–2nd century B.C., Cypriot, Hard limestone, Overall: 7 1/4 x 4 x 2 1/2 in. (18.4 x 10.2 x 6.4 cm), Stone Sculpture, Figure wearing tunic and cloak, standing with

Jérusalem, Tombeau des rois de Juda, Fragments d'un sarcophage, 1854, Salted paper print from paper negative, Image: 23.6 x 33.6 cm (9 5/16 x 13 1/4 in.), Photographs, Auguste Salzmann (French, 1824–1872

Adoring Angel, ca. 1395–96, Made in Florence, Tuscany, Italy, Central Italian, Lunense marble from Carrara, Italy, Overall: 46 3/4 x 11 1/4 x 12 3/4 in. (118.7 x 28.6 x 32.4 cm), Sculpture-Stone, Piero di Giovanni Tedesco, One of a

Terracotta figure of a kneeling horse, Late Hellenistic, 2nd–1st century B.C., Greek, Ptolemaic, Terracotta, H. 2 1/4 in. (5.71 cm), Terracottas, With large head and ornamental housings

Fishes, Meiji period (1868–1912), ca. 1890–92, Japan, Album leaf; silk, 13 1/2 x 10 3/4 in. (34.3 x 27.3 cm), Paintings, Seki Shūkō (Japanese, 1858–1915

In the Yosemite Valley, ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled album features

風流七小町　しみず, Shimizu Temple, Edo period (1615–1868), ca. 1765, Japan, Polychrome woodblock print; ink and color on paper; Benizuri-e; small print (hosoban), 12 7/32 x 5 1/2 in. (31.1 x 14.0 cm), Prints, Suzuki Harunobu

Alabaster bowl, Archaic or Classical?, 6th–4th century B.C. ?, Cypriot, Gypsum (alabaster), W: 2 in. (5.1 cm): Diam. 4 in. (10.2 cm), Miscellaneous-Stone Vases, The lip of the bowl curves in strongly

Nîmes, Fontaine, ca. 1861, Albumen silver print from glass negative, Image: 43.2 x 34 cm (17 x 13 3/8 in.), Photographs, Édouard Baldus (French, born Prussia, 1813–1889

Armor with Matching Shaffron and Saddle Plates, ca. 1600, Milan, Italian, Milan, Steel, copper alloy, silver, gold, leather, textile, H. 62 5/8 in. (159.1 cm); Wt. 42 lb. 6 oz. (19.25 kg);H. 22 in. (55.9 cm); W. 11 1/2 in. (29.2 cm);H. 8

Pottery Whistle, Pre-Columbian, 300–600, Central Plateau, Mexico, Mexican, Clay, L. 100 mm.; W. 36 mm.; D. 42 mm. Wt. 44 g., Aerophone-Whistle Flute-whistle

Pottery Whistle, ca. 800–1525, Diquis Region, Costa Rica, Costa Rican, Clay, L. 4.9 cm (1-15/16 in.); W. 3.5 cm (1-3/8 in.); H. 3.8 cm (1-1/2 in.); Wt. 26 g, Aerophone-Whistle Flute-whistle

Tropical Scenery, Landing, Chipigana, 1871, Albumen silver print from glass negative, Image: 20 x 27.6 cm (7 7/8 x 10 7/8 in.), Photographs, John Moran (American (born England), Bolton, Lancashire 1821–1903 Pennsylvania

Segawa Kikunojō II as a Woman Standing, Edo period (1615–1868), 1757, Japan, Polychrome woodblock print; ink and color on paper, 15 x 7 in. (38.1 x 17.8 cm), Prints, Torii Kiyohiro (Japanese, active ca. 1737–1766

André François Alloys de Theys d'Herculais (1692–1779), 1727, Oil on canvas, 54 1/4 x 41 1/2 in. (137.8 x 105.4 cm), Paintings, Nicolas de Largillierre (French, Paris 1656–1746 Paris

Hurstmonceaux, Sussex, 1857, Albumen silver print from paper negative, Image: 21.2 x 27.2 cm (8 3/8 x 10 11/16 in.), Photographs, Alfred Capel Cure (British, 1826–1896

Terracotta bell-krater (mixing bowl), Classical, ca. 350–325 B.C., Greek, South Italian, Paestan, Terracotta; red-figure, H. 12 1/16 in. (30.7 cm), Vases, Obverse, seated Dionysos, Reverse, satyr with phiale. The two sides of the vase

Double Cup, 1325–50, Made in possibly Prague, German or Bohemian, Silver, silver gilt, and opaque enamel, Overall (together): 3 x 4 15/16 x 4 3/16 in. (7.6 x 12.5 x 10.7 cm), Metalwork-Silver, The only known example of its type and date,

Salt, 1755–65, Made in Charlestown, Massachusetts, United States, American, Silver, 1 1/2 x 3 3/16 in. (3.8 x 8.1 cm); 2 oz. 17 dwt. (88 g), Silver, Josiah Austin (1719/20–ca. 1780

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Other: 1 1/16 x 1 11/16 in. (2.7 x 4.3 cm), Glass, Rim fragment., Translucent honey brown, cobalt blue, and

Tsuba (Sword Guard) and Bags, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/2 x 7 3/8 in. (14 x 18.7 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Samme Aeroplan., 1905–19, Gelatin silver prints from glass negatives, Image: 3 1/8 × 4 1/8 in. (8 × 10.5 cm), Photographs, Jacob Christian Hansen Ellehammer (Danish, 1871–1946), Vilhelm Ellehammer (Danish), Unaware of the Wright

Glass mosaic ribbed bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and tooled, Overall: 2 1/4 x 1 3/4 in. (5.7 x 4.4 cm); est. rim diameter 3 9/16 ins. (9 cm), Glass, Rim fragment.,

Round Vessel with Lid (Gui), Zhou dynasty (1046–256 B.C.), ca. 9th century B.C., China, Bronze, H. (incl. lid) 9 7/8 in. (25.1 cm); W. (at handles) 14 in. (35.6 cm), Metalwork

Chisel or awl ?, Early Iron Age, Bronze, Other: 7 5/16in. (18.6cm), Bronzes

Portrait of a Young Woman, Called Miss Sparrow, 1770s, Oil on canvas, 30 1/8 x 24 7/8 in. (76.5 x 63.2 cm), Paintings, Thomas Gainsborough (British, Sudbury 1727–1788 London

Amulet in the form of a lion with legs extended, Late Uruk–Jemdet Nasr, ca. 3300–2900 B.C., Southern Mesopotamia, Shell, 5/8 x 3 1/4 in. (1.6 x 8.4 cm), Shell-Ornaments, This small object carved from a piece of shell depicts a lion in the

Torso of Christ from a Deposition, late 12th century, Made in Auvergne, France, French, Poplar, gesso, paint, and metal leaf, 43 x 13 3/4 x 9 1/2 in. (109.2 x 34.9 x 24.1 cm), Sculpture-Wood, This fragmentary but sensitively carved

Study of Heads for Study for 'Castor and Pollux Freeing Helen', 1817, Black crayon, stumping, and white chalk on buff laid paper, sheet: 8 7/8 x 11 7/8 in. (22.6 x 30.1 cm), Drawings, Joseph-Ferdinand Lancrenon (French, 1794–1874

Early Evening in Yoshiwara Inn, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 14 5/8 × 10 1/8 in. (37.1 × 25.7 cm), Prints, Unidentified Artist Japanese

At the Theater, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 12 x 7 in. (30.5 x 17.8 cm), Prints, Okumura Masanobu (Japanese, 1686–1764

Transverse Flute, ca. 1720–40, Paris, France, French, Rosewood, ivory, silver, L. 65.8 cm (25 7/8 in.); external diameter from head to foot 2.9 cm (1 1/8 in.) to 2.5 cm (1 in.); diameter of mount 3.6 cm (1 7/16 in.), Aerophone-Blow

名所江戸百景　目黒太鼓橋夕日の岡, The Taiko (Drum) Bridge and the Yuhi Mound at Meguro, Edo period (1615–1868), 1857, Japan, Polychrome woodblock print; ink and color on paper, Oban: 14 1/8 x 9 1/8 in. (35.9 x 23.2 cm),

Pair of gold, garnet, and glass paste disk and pendant earrings, Hellenistic, 2nd century B.C., Greek, Gold, Other (.a): 1 5/16 in. (3.3 cm), Gold and Silver, The pendants, of gold and glass paste, are in the form of vases

Bronze situla (pail) attachment in the form of a Silenos head, Late Classical, 4th century B.C., Greek, Bronze, H.: 3 in. (7.6 cm), Bronzes, One of a pair of situla handle attachments depicting the form of a Silenos mask

Glass footed bowl, Late Roman, 3rd–4th century A.D., Roman, Glass; blown, 3 1/8 in. (8 cm), Glass, Translucent pale blue green. Outsplayed, rounded rim; convex sides tapering downward, then turned in to flat bottom with pontil scar; added

Copper alloy spearhead, Early Bronze Age, ca. 2500–2000 B.C., Cypriot, Bronze, 19 1/4in. (48.9cm), Bronzes, Leaf-shaped blade with a hooked tang

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown and cut, 3 1/8 in. (7.9 cm), Glass, Translucent blue. Lopsided rim folded out, over, and in, with vertical inner lip; cylindrical neck, with tooling marks around

Statuette of a man and woman, Classical, 5th century B.C., Etruscan, Bronze, H.: 4 1/8 x 3 x 1 7/8 in. (10.5 x 7.6 x 4.8 cm), Bronzes

Kylix, eye-cup fragment, Late Archaic, ca. 500–475 B.C., Greek, Attic, Terracotta; black-figure, Overall: 1 15/16 x 1 9/16in. (5 x 3.9cm), Vases, Two women seated beside baskets

Narcissus, Southern Song dynasty (1127–1279), 13th century, China, Fan mounted as an album leaf; ink and color on silk, 9 3/8 x 9 3/5 in. (23.8 x 24.4 cm), Paintings

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Old Woman Praying, ca. 1900, Photogravure, Rudolph Eickemeyer (American, 1862–1932

Dish Inscribed with the Throne Name of Thutmose II, New Kingdom, Dynasty 18, early, ca. 1492–1473 B.C., From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb of Hatnefer and Ramose (below TT 71), coffin III, 1935–36, Faience,

Lady Holding a Sparkler, ca. 1800, India (Punjab Hills, Kangra), Ink, opaque watercolor, silver and gold on paper, 6 3/5 x 2 1/4 in. (16.8 x 5.8 cm), Paintings, This page is distinguished by its unusual lighting effects, the incandescence

Glass cinerary urn (olla), Imperial, mid-1st–2nd century A.D., Roman, Glass; blown, H.: 9 11/16 in. (24.6 cm), Glass, Translucent blue green. Broad, everted, tubular rim, made by folding out, down, round, and in, with beveled upper

The Actor Nakamura Kichibei, Meiji period (1868–1912), Japan, Monochrome woodblock print; ink on paper, 10 1/4 x 14 11/16 in. (26 x 37.3 cm), Prints, After Okumura Masanobu (Japanese, 1686–1764

Sea-Gulls Playing on the Water, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 5/16 x 7 3/8 in. (21.1 x 18.7 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Gold leaf frontlet (band for forehead), Possibly Late Cypriot II, ca. 1450–1200 B.C., Cypriot, Gold, Other: 3 1/8 in. (7.9 cm), Gold and Silver, Three rows of ornament. In the central one, leaping fish

Vase fragment, Early Minoan II, Minoan, Terracotta, 1 5/16 × 1 7/16 × 1/4 in. (3.4 × 3.7 × 0.6 cm), Vases

Pillow, Tang dynasty (618–907), ca. 8th century, China, Marbled earthenware with a straw-yellow glaze, H. 3 3/4 in. (9.5 cm); W. 5 1/8 in. (13 cm); L. 7 5/8 in. (19.4 cm), Ceramics

Glass unguentarium (perfume bottle), Hellenistic, 3rd century B.C., Greek, Eastern Mediterranean, possibly Alexandrian, Glass; core-formed, Group II, H.: 4 in. (10.1 cm), Glass, Translucent light blue, with opaque turquoise green handles,

Terracotta vase in the form of a siren, Archaic, ca. 550–500 B.C., East Greek, Rhodian, Terracotta, H. 3 3/4 in. (9.5 cm), Vases, Aryballos in the form of a siren

The Second Nakajima Mihoemon in the Role of Sadaijin Jihei, Edo period (1615–1868), 1776, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 5 5/8 in. (31.1 x 14.3 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

La Mà, August 21, 1895, Albumen silver print from glass negative, Image: 14.1 x 10.1 cm (5 9/16 x 4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Terracotta stand, Archaic, 6th century B.C., Etruscan, Terracotta; bucchero pesante, 3 9/16in. (9.1cm), Vases

Sir Charles Lyell - Geologist, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St.

南宋 佚名 雪景待渡圖 團扇, Waiting for the Ferry, Song dynasty (960–1279), early 13th century, China, Fan mounted as an album leaf; ink on silk, 9 7/8 x 10 1/8 in. (25.1 x 25.7 cm), Paintings, Unidentified Artist Chinese, In

Model Water Lily, Middle Kingdom, Late dynasty 11, ca. 2051–1981 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Temple of Mentuhotep II, North Triangular Court, Pit 5, 1922–23, Painted and plastered wood, H. 3 1/8 in. (8 cm),

Terracotta juglet, Late Cypriot I-IIIA, ca. 1600–1150 B.C., Cypriot, Terracotta; White slip ware, H. 4 3/4 in. (12.1 cm), Vases, White slip ware with handle and pinched lip, lattice and lozenge ornament

Embroidered Sampler, 1742, Possibly made in United States; Probably made in England, American or British, Embroidered silk on linen, 12 x 8 3/4 in. (30.5 x 22.2 cm), Textiles, Isabel Newby (born ca. 1729

Bronze bowl, Hellenistic, 2nd–1st century B.C., Greek, Bronze, h. 2 1/2 in (5.8cm); d. 4 15/16 in (12.6cm), Bronzes, Simply decorated or unadorned metallic vessels of similar shape to this Hellenistic bowl have a long tradition throughout

Joseph-Antoine Moltedo (born 1775), ca. 1810, Oil on canvas, 29 5/8 x 22 7/8 in. (75.2 x 58.1 cm), Paintings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris), Corsican by birth, Moltedo was an enterprising businessman and

Terracotta aryballos (oil flask), Middle Corinthian, ca. 595–570 B.C., Greek, Corinthian, Terracotta; black-figure, H. 4 5/8 in. (11.7 cm), Vases, Herakles attacking a centaur, probably Nessos. The Otterloo Painter favored a type of

Arcadian Landscape with Three Figures at a Lake, 1792, Black chalk, and white gouache on brown paper, sheet: 23 x 33 7/8 in. (58.4 x 86 cm), Drawings, Johann Christian Reinhart (German, Hof 1761–1847 Rome), Reinhart made this imposing

Terracotta vase fragment, Middle Neolithic, ca. 5300–4400 B.C., Sesklo culture, Terracotta; Red slipped and burnished ware, length 2 5/8in. (6.7cm), Vases, From Thessaly

Yukihira and Two Brinemaidens at Suma, Edo period (1615–1868), 18th century, Japan, Hanging scroll; ink and color on silk, Image: 33 1/8 x 12 7/8 in. (84.1 x 32.7 cm), Paintings, Okumura Masanobu (Japanese, 1686–1764), Masanobu, a great

Vase fragment, Helladic, Terracotta, 2 x 1 3/4in. (5.1 x 4.4cm), Vases

[Countess de Castiglione], 1895, Albumen silver print from glass negative, Approximately 14.3 x 9.9 cm (5 5/8 x 3 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Fibula, Cypriot, Bronze, Other: 2 3/8in. (6cm), Bronzes

Italianate Landscape with the Ruins of Brederode Castle, mid-17th–late 17th century, Pen and brown ink, brown wash, sheet: 16 3/8 x 22 5/16 in. (41.6 x 56.7 cm), Drawings, Nicolaes Berchem (Dutch, Haarlem 1621/22–1683 Amsterdam

Terracotta vessel fragment with linear decoration, Middle Helladic, ca. 2000–1550 B.C., Helladic, Terracotta; Matt-painted ware, Other: 1 9/16in. (3.9cm), Vases, Matt-painted ware

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 5/8 x 1 1/8 in. (1.5 x 2.8 cm), Glass, Body fragment., Translucent deep honey yellow, purple, deep turquoise green, opaque

すだれ貝, The Curtain Clam, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 11 1/4 in. (28.6 cm); W. 8 9/16 in. (21.7 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770), The young ladies are at

Bunch of Purple Lychees, Song dynasty (960–1279), China, Fan mounted as an album leaf; ink and color on silk, 9 x 9 1/4 in. (22.9 x 23.5 cm), Paintings, Unidentified Artist, After Emperor Huizong (Chinese, 1082–1135; r. 1100–25