Images at Librifly

Limestone plinth with the feet of a statue of Zeus, Roman, 2nd or 3rd century A.D., Cypriot, Limestone, Other: 9 1/2 x 23 3/8 x 17 1/2 in. (24.1 x 59.4 x 44.5 cm), Cesnola Inscriptions, With two feet; dedication to Zeus Labranios, by Oliasos

Terracotta relief of a horseman, Late Classical, 4th century B.C., Greek, South Italian, Tarentine, Terracotta, 11 x 7 1/4 in. (27.9 x 18.4 cm), Terracottas, Among the established types of Tarentine terracottas is that of the mounted

Agate scarab, Classical, 5th–4th century B.C., Etruscan, Agate, H.: 9/16 x 3/8 in. (1.4 x 1 cm), Gems, Kneeling nude warrior (a giant?) with shield

Portrait of a Gentleman, 1810, Watercolor on ivory, 3 x 2 3/8 in. (7.6 x 6 cm), Paintings, William M. S. Doyle (American, Boston, Massachusetts 1769–1828 Boston, Massachusetts), Henry Williams (American, Boston, Massachusetts 1787–1830

Bronze phallic amulet, Imperial, 1st century A.D., Roman, Bronze, W. 2 in. (5.1 cm.), Bronzes, This amulet is of unusual form. Commonly, the phallus, presented in symmetrical double form on amulets, is winged, but the three winged phalli

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 13/16 × 2 7/8 × 1/2 in. (4.6 × 7.4 × 1.3 cm), Vases

『雨過洗庭之図』, A Garden Refreshed by the Passing Rain, (Ukasentei no zu), Meiji period (1868–1912), July 1888, Japan, Polychrome woodblock print; ink and color on paper, Image: 14 3/4 x 28 1/4 in. (37.5 x 71.8 cm), Prints,

Harness or bridle fitting in the form of a claw, Achaemenid, ca. 6th–4th century B.C., Iran, Achaemenid, Bronze, 0.59 x 1.26 in. (1.5 x 3.2 cm), Metalwork-Equestrian

Vue de la Mosquée d'El-Melouyeh et d'un quartier de Jérusalem, August 1850, Salted paper print from paper negative, Image: 6 7/16 × 8 1/4 in. (16.4 × 21 cm), Photographs, Maxime Du Camp (French, 1822–1894

[Garden of Gethsemane and View of Jerusalem], 1860s, Albumen silver print from glass negative, Image: 16.8 x 21.4 cm (6 5/8 x 8 7/16 in.), Photographs, John Anthony (British, born France, 1823–1901

Strainer, ca. 1730–75, American, Silver, Overall: 1 1/2 x 8 3/16 in. (3.8 x 20.8 cm); 4 oz. 16 dwt. (149.2 g), Silver

The Fourth Month, Edo period (1615–1868), ca. 1801, Japan, Two sheets of a triptych of polychrome woodblock prints; ink and color on paper, 14 1/8 x 19 15/32 in. (35.9 x 49.5 cm), Prints, Utagawa Toyokuni I (Japanese, 1769–1825

Terracotta head and torso of a woman, Classical, late 5th–early 4th century B.C., Greek, Attic, Terracotta, H. 4 13/16 in. (12.2 cm), Terracottas, Terracotta figures such as this have traditionally been called dolls. Small-scale

Portrait of an Old Woman, Oil on wood, 28 x 24 in. (71.1 x 61 cm), Paintings, Style of Jacob Backer (Dutch, second quarter 17th century

Grand Hypètre ou Typhonium, à Philae - Vue prise de l'Est, 1849–50, Salted paper print from paper negative, Image: 6 5/8 × 8 3/4 in. (16.8 × 22.2 cm), Photographs, Maxime Du Camp (French, 1822–1894

Carnelian ring stone with gold band set in a silver ring, Hellenistic, ca. 3rd century B.C., Greek, Carnelian, gold, silver, Length: 9/16 in. (1.5 cm), Gems, Carnelian ringstone in gold band setting, mounted in a silver ring; woman

諸国六玉河　陸奥　野田の玉川, Mutsu, Noda no Tamagawa, Edo period (1615–1868), ca. 1833, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 3/5 in. (24.8 x 37.1 cm), Prints, Utagawa Hiroshige (Japanese,

Keinen kachō gafu 景年花鳥畫譜, Two Birds and Crysanthemums, from Keinen kachō gafu (Keinen’s Flower-and-Bird Painting Manual), 1891, Japan, Polychrome woodblock print; ink and color on paper, 14 1/2 x 10 1/16 in. (36.8 x 25.6 cm),

Manuscript Illumination with Saint Stephen in an Initial S, from an Antiphonary, ca. 1410–20, Made in Bologna, Italy, Italian, Tempera, ink, and gold on parchment, Overall: 5 3/16 x 4 15/16 in. (13.1 x 12.6 cm), Manuscripts and

Karasaki no Yau, 近江八景の内　唐崎夜雨, Evening Rain at Karasaki, Pine Tree, Edo period (1615–1868), 1797–1858, Japan, Polychrome woodblock print; ink and color on paper, 9 3/4 x 14 7/8 in. (24.8 x 37.8 cm), Prints, Utagawa

Jacket, 1912, French, wool, cotton, rayon, Poiret's jacket merges his interest in Neoclassicism and orientalism by alluding to the early-nineteenth-century vogue for women of fashion to cover their sheer Grecian-style gowns with paisley shawls

A Stalk of Berbery, 1900s–1910s, Platinum print, Photographs, Frederick H. Evans (British, London 1853–1943 London

A Yoshiwara Analogue of the Story of Koko (Huang Xiang) one of the Twenty-four Paragons of Filial Piety, Edo period (1615–1868), ca. 1791, Japan, Polychrome woodblock print; ink and color on paper, H. 9 3/8 in. (23.8 cm); W. 7 1/4 in. (18.4

The Second Nakamura Sukegoro as a Man Entirely Nude Save for Loin Cloth, Edo period (1615–1868), 1768 or 1769, Japan, Polychrome woodblock print; ink and color on paper, 12 x 5 1/2 in. (30.5 x 14.0 cm), Prints, Katsukawa Shunshō (Japanese,

Bronze simpulum (ladle), Mid Imperial, 2nd century A.D., Roman, Bronze, Other (unfolded): 18 7/16 in. (46.8 cm), Bronzes, This ladle has an unusually long, hinged handle for drawing wine or oil from a deep storage container

Design for an Altar, late 19th–early 20th century, Made in New York, United States, American, Watercolor and graphite on white wove paper, Overall: 14 15/16 x 22 1/4 in. (37.9 x 56.5 cm), Drawings, Possibly Tiffany Glass Company

Vase, ca. 1903, Made in New York, New York, United States, American, Favrile glass, H. 8 7/16 in. (21.4 cm), Glass, Tiffany Furnaces

Carnelian scarab, Archaic, late 6th–early 5th century B.C., Greek, Carnelian, Length: 13/16 in. (2 cm), Gems, Beetle is carinated; wild sow

Terracotta jug, Late Bronze Age, ca. 1600–1050 B.C., Cypriot, Terracotta, H. 5 1/4 in. (13.3 cm), Vases, The shape of this jug is typically Cypriot, but the decoration was likely inspired by Tell el-Yahudieh Ware pottery imported to Cyprus

Skyphos, Late Classical, ca. 350–300 B.C., Greek, South Italian, Apulian, Terracotta, H. 8.20 cm., Vases

The Actor Ichimura Uzaemon VIII as a Samurai in Green and Yellow Robes, Edo period (1615–1868), ca. 1742, Japan, Polychrome woodblock print; ink and color on paper, H. 10 7/8 in. (27.6 cm); W. 5 3/4 in. (14.6 cm), Prints, Torii Kiyonobu

Four upholstery panels for a settee, 1754–56, French, Beauvais, Wool and silk, .a) H. 28 x W. 82 in. (approx.) (71.1 x 208.3 cm), Textiles-Tapestries

Fibula, 7th century B.C., Etruscan, Bronze, H.: 1 5/16 x 2 5/16 x 3/4 in. (3.3 x 5.9 x 1.9 cm), Bronzes

Glass pendant in the form of a demonic mask, Archaic or Classical, 6th–5th century B.C., Phoenician, Glass; rod-formed, trailed, and tooled, H.: 7/8 in. (2.2 cm), Glass, Semi-opaque white, with additions in opaque yellow and translucent

Chiyoda Castle (Album of Women), Meiji period (1868–1912), 1895, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm), Prints, Yōshū (Hashimoto) Chikanobu

Cushion with Solomon and Sheba, mid-17th century, British, Canvas worked with silk and metal thread, seed pearls; tent, Gobelin, and couching stitches, H. 5 x W. 8 inches (14.0 x 17.7 cm), Textiles-Embroidered, The scene of Solomon and the

First Steps, after Millet, 1890, Oil on canvas, 28 1/2 x 35 7/8 in. (72.4 x 91.1 cm), Paintings, Vincent van Gogh (Dutch, Zundert 1853–1890 Auvers-sur-Oise), In fall and winter 1889–90, while a voluntary patient at the asylum in

Dr. Cook, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Glass monochrome inlay fragment, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Glass; cast, Other: 1 x 1 1/8 in. (2.5 x 2.9 cm), Glass, Translucent cobalt blue, opaque light blue, and translucent blue., Flat section,

Robe de Style, 1920–25, French, silk, metallic thread, glass, plastic

Haute-Égypte. Girgeh. Mosquèe d'Aly-Bey, 1850, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, Maxime Du Camp (French, 1822–1894

K. Church, 1896, Platinum print, Albums, Frederick H. Evans (British, London 1853–1943 London), Bookplate designed by Aubrey Vincent Beardsley (British, Brighton, Sussex 1872–1898 Menton), Bookplate designed by Frederick Colin Tilney

Vue prise au Sud-Est de Philae - Village d'El-Bâb, 1849–50, Salted paper print from paper negative, Image: 5 5/8 × 8 1/8 in. (14.3 × 20.7 cm), Photographs, Maxime Du Camp (French, 1822–1894

Mirror, Bronze, Diam.: 4 7/8 in. (12.4 cm), Bronzes

五十三次名所図会　藤川　山中の里別名宮路山, Fujikawa, a Village in the Mountains Formerly Called Miyajiyama, Edo period (1615–1868), 1855, Japan, Polychrome woodblock print; ink and color on paper, 13 1/2 x 8 7/8 in.

Portrait of Kitty, ca. 1911, Autochrome, 17.8 x 12.7 cm (7x 5 in.), Transparencies, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Blessing Bishop (Saint Nicholas of Bari), ca. 1350–75, Made in probably Umbria, Italy, Central Italian, Poplar, paint, gilt, Overall: 73 1/2 x 17 1/2 x 13 1/2 in., 39lb. (186.7 x 44.5 x 34.3 cm, 17690.3g), Sculpture-Wood, The bishop's

Terracotta lekythos (oil flask), Archaic, ca. 500 B.C., Greek, Attic, Terracotta; black-figure, white-ground, H. 6 13/16 in. (17.3 cm); diameter 2 13/16 in. (7.2 cm), Vases, Helios (the Sun) rises in his quadriga (4-horse chariot); above,

Tunic Fragment, 7th–9th century, Peru, Wari, Cotton, camelid hair, Overall: 8 1/2 x 18 3/4 in. (21.59 x 47.63 cm), Textiles-Woven

The Painter's Daughter Mary (1750–1826), mid-19th century, Oil on canvas, 17 1/4 x 13 7/8 in. (43.8 x 35.2 cm), Paintings, Copy after Thomas Gainsborough (British, mid-19th century

Port de Dinan, Brittany, 1856, Albumen silver print, Photographs, W.A. Mansell (British

Vase fragment, Early Minoan II, Minoan, Terracotta, 1 13/16 × 2 3/16 × 1/4 in. (4.6 × 5.6 × 0.6 cm), Vases

'Rustam Shoots His Half-brother Shaghad through a Plane Tree', Folio from a Shahnama (Book of Kings) of Firdausi, dated A.H. 887/A.D. 1482, Made in Iran, Shiraz, Ink, opaque watercolor, and gold on paper, H. 8 7/8 in. (22.5 cm), Codices,

Jérusalem, Tombeau des rois de Juda, Encadrement de feuillages et de fruits, 1854, Salted paper print from paper negative, Image: 23.4 x 32.3 cm (9 3/16 x 12 11/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

The Salt Maidens Murusame and Matsukaze, Edo period (1615–1868), ca. 1786, Japan, Polychrome woodblock print; ink and color on paper, 15 1/8 x 10 1/8 in. (38.4 x 25.7 cm), Prints, Torii Kiyonaga (Japanese, 1752–1815

Sir John Jaffray and Dhanjiobai Nauroji, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland

Terracotta jug fragment, 1st half of 2nd century A.D., Roman, Gaul, Terracotta; Rhone Valley ware, Overall: 2 3/8 x 2 3/4 in. (6 x 7 cm), Vases, Lower part of nude male

Head of a female wearing a necklace originally filled with stone inlay and gold, Neo-Assyrian, ca. 9th–8th century B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Ivory, 5.39 x 3.27 in. (13.69 x 8.31 cm), Ivory/Bone-Sculpture, This

Palma with Figure, 7th–10th century, Mexico, Mesoamerica, Veracruz, Nautla region (?), Veracruz, Stone, pigment, H. 18 7/8 x W. 7 x D. 4 3/4 in. (47.9 x 17.8 x 12.1 cm), Stone-Sculpture, Palmas, named for their palm frond shape, were

Glass mosaic inlay fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 15/16 x 1 9/16 in. (2.3 x 4 cm), Glass, Translucent honey brown, purple, and opaque white., Thick-walled panel, flat on

Sumo Wrestling, Edo period (1615–1868), 19th century, Japan, Matted painting; ink on paper, 14 3/8 x 29 5/16 in. (36.5 x 74.5 cm), Paintings, Utagawa Kuniteru (Japanese, 1830–1874), The referee, holding a fan, is identified as Kimura

'Manuchihr Kills Salm', Folio from a Shahnama (Book of Kings), late 19th–early 20th century, Attributed to India, Kashmir, Ink, opaque watercolor, silver, and gold on paper, 12 1/2 x 8 3/8in. (31.8 x 21.3cm), Codices

Vase fragment, Early Minoan II, Minoan, Terracotta, 2 3/16 × 3 7/16 × 2 1/2 in. (5.5 × 8.8 × 6.3 cm), Vases

Photographic Views in Madura, Part I, 1858, Albumen silver prints from paper negatives, Various: approx. 34.6 x 28.3, Albums, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902 Devonport

Musical Stone with Theme of the 'Hundred Antiques', Qing dynasty (1644–1911), Qianlong period (1736–95), China, Jade, H. 13 7/16 in. (34.2 cm); W. 9 7/16 in. (24 cm); D. 1 15/16 in. (5 cm), Jade, The association of bells and stone chimes

Glass jar, Early to Mid Imperial, 2nd half of 1st–mid-2nd century A.D., Roman, Glass; blown and tooled, Base: 15/16 in. (2.4 cm), Glass, Colorless with pale blue green tinge. Rounded, flaring, tubular rim, folded out and down, forming

Funerale, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Glass beaker with snake-thread decoration, Late Imperial, ca. 3rd century A.D., Roman, Glass; blown, trailed, and tooled, H.: 5 13/16 x 3 1/8 x 2 7/8 in. (14.8 x 7.9 x 7.3 cm), Glass, Colorless with pale green tinge; trails in same color.,

Standing Bodisattva Maitreya (Buddha of the Future), ca. 3rd century, Pakistan (ancient region of Gandhara), Schist, H. 31 3/4 in. (80.7 cm); W. 11 1/2 in. (29.2 cm); D. 6 in. (15.2 cm), Sculpture, Maitreya is the Buddha of the next age, much

Terracotta bail-amphora (jar), Hellenistic, ca. 330–310 B.C., Greek, South Italian, Campanian, Terracotta; red-figure, H. 24 3/4 in. (62.9 cm), Vases, Obverse, Bellerophon and the chimaera, Reverse, two youths. The Ixion Painter was the

東海道五十三次之内　桑名　七里渡口, Station Forty-Three: Kuwana, Seven-Ri Ferry at the Port, from the Fifty-Three Stations of the Tokaido, Edo period (1615–1868), ca. 1833–34, Japan, Polychrome woodblock print; ink and

Goblet with Incised Designs, 8th–9th century, Attributed to probably Iraq or Syria, Glass, bluish green; blown, applied solid stem and blown foot; scratch-engraved, H. 4 5/8 in. (11.7 cm), Glass, This goblet belongs to a distinctive group

Dish, 10th–11th century, Excavated in Iran, Nishapur, Glass; free blown, H. ca. 1 in. (ca. 2.5 cm), Glass

[Tree in Yard], 1850s, Salted paper print from paper negative, Photographs, Attributed to Samuel Buckle (British, 1809?–1860

Kylix Fragment, Classical, ca. 470 B.C., Greek, Attic, Terracotta; red-figure, Length (greatest dimension): 2 1/4 in. (5.7 cm), Vases

The Churning of the Ocean of Milk, ca. 1780–90, India (Punjab Hill, Mandi), Ink and opaque watercolor on paper, 6 7/8 x 7 11/16 in. (17.5 x 19.5 cm), Paintings, At the time of the great deluge aeons ago, many treasures— including amrita,

Fragment of a terracotta relief, Archaic, 7th century B.C., Greek, Cretan, Terracotta, 2 1/2 in x 2 in. (6.3 cm x 5 cm), Terracottas, Head of a frontal woman with a high polos (headgear

Bronze statuette of a young woman, Archaic, late 6th century B.C., Etruscan, Bronze, H. 11 9/16 in. (29.4 cm), Bronzes

Girl Building a House of Cards, mid-18th century, Oil on canvas, 30 1/8 x 25 1/4 in. (76.5 x 64.1 cm), Paintings, Attributed to Thomas Frye (Irish, Dublin, born ca. 1711–12, died 1762 London

Inkwell with Floral and Animal Imagery, 16th century, Attributed to Iran, Brass; lid cast, body worked, engraved, and chased, inlaid with silver, H. 3 5/8 in. (9.2 cm), Metal, This cylindrical dawat (inkwell) with a domed lid once fit into

The Actor, Matsumoto Koshiro I 1674–1730 Reading a Letter, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 11 7/8 in. (30.2 cm); W. 5 7/16 in. (13.8 cm), Prints, Katsukawa Shunkō (Japanese,

Vase fragment, Early Minoan III, Minoan, Terracotta, 1 3/16 × 1 5/16 × 3/16 in. (3 × 3.4 × 0.4 cm), Vases

Limestone plaque with two eyes, Classical, 480–310 B.C., Cypriot, Limestone, Overall: 2 15/16 x 4 13/16 x 3/4 in. (7.49 x 12.19 x 1.9 cm), Miscellaneous-Stone, Two eyes are hollowed into the thickness of the plaque; the eyebrows and the

Pottery Whistle, before 1889, Oaxaca?, Mexico, Mexican, Clay, L. 10.6 cm.; W.: 6.9 cm.; H.: 10.8 cm.; Wt.: 164 gr., Aerophone-Whistle Flute-whistle

Terracotta oinochoe (jug), Geometric, early 7th century B.C., Greek, Attic, Terracotta, H. 2 7/16 in. (6.2 cm), Vases, From the Hymettos deposit

[Deodars at Annandale, Simla], 1858–61, Albumen silver print, Image: 29.1 x 22.1 cm (11 7/16 x 8 11/16 in.), Photographs, Unknown

Pitcher, 1847–53, Made in Bennington, Vermont, United States, American, Parian porcelain, H. 10 1/4 in. (26 cm), Ceramics, Fenton's Works (1847–1848) or, United States Pottery Company (1852–58

Two marble pilasters, Mid Imperial, Hadrianic, ca. A.D. 117–138, Roman, Marble, Overall: 108 x 12 x 13 in. (274.3 x 30.5 x 33 cm), Stone Sculpture, Decorated on three sides with ivy vines in low relief, these twin pillars exemplify the

Glass cup, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown and cut, Height: 2 5/8 (6.7 cm), Glass, Colorless with blue green tinge. Knocked-off, uneven rim; slightly bulging collar below rim; sides expanding downward, then angled

[Lady Canning], 1858–61, Albumen silver print, Image: 16 x 19.7 cm (6 5/16 x 7 3/4 in.), Photographs, Jean Baptiste Oscar Mallitte (French, 1829–1905

Dagger, 18th–19th century, Circassian, Steel, brass, ivory, L. 23 3/4 in. (60.3 cm); W. 1 15/16 in. (4.9 cm); Wt. 1 lb. 3.9 oz. (564.2 g), Daggers

Landscape with White-Breasted Crows, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Handscroll; ink and color on paper, Image: 11 3/8 in. × 10 ft. 10 1/4 in. (28.9 × 330.8 cm), Paintings, Attributed to Zha Shibiao (Chinese,

Glass bracelet with impressed decoration, Late Imperial, late 4th–5th century A.D., Roman, Glass; drawn, tooled, and stamped, Overall: 1/4 x 2 3/4in. (0.6 x 7cm), Glass, Translucent turquoise blue. Circular band with rounded edges and

Coffret, early 1400s, Made in possibly Siena, Italy, Italian, Walnut, leather, gesso, painting, and gilding, Overall: 8 1/8 x 24 13/16 x 7 15/16 in. (20.6 x 63 x 20.2 cm), Woodwork-Furniture, The inscription along the top, 'onessta fa

Bonzerie de la Grande Pagode, 1866, Albumen silver print from glass negative, 26 x 32 cm (10 1/4 x 12 5/8 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Terracotta oinochoe (jug), Geometric, late 8th century B.C.–early 7th century B.C., Greek, Cumaean, Terracotta, H. 13 in. (33 cm), Vases, The shape is best paralleled on vases from Cumae. The decoration seems to represent a local adaptation

Plaque, ca. 1890, American, Porcelain, 9 5/8 x 9 5/8 x 1 3/8 in. (24.4 x 24.4 x 3.5 cm), Ceramics, Ott and Brewer (1871–1893

東海道五十三次　坂下, Saka-no-shita, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Mirror View of the Three Brothers, Yosemite, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Photographs, Attributed to Carleton E. Watkins (American, 1829–1916

Poet strolling by a marshy bank, 南宋 梁楷 澤畔行吟圖 團扇, Southern Song dynasty (1127–1279), early 13th century, China, Fan mounted as an album leaf; ink on silk, Image: 9 x 9 9/16 in. (22.9 x 24.3 cm), Paintings, Liang Kai