Images at Librifly

Imaginary Landscape, Oil on canvas, 37 7/8 x 60 1/2 in. (96.2 x 153.7 cm), Paintings, Gaspard Dughet (French, Rome 1615–1675 Rome), Gaspard Dughet was Poussin’s brother-in-law. He learned to paint from him and was also later, confusingly,

Azuma Mori Yau, 江戸近郊八景之内　吾嬬杜夜雨, Evening Rain in Azuma Wood, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 9 5/8 x 14 3/4 in. (24.4 x 37.5 cm), Prints, Utagawa

明/清 惲向 仿古山水圖 冊 紙本, Landscapes after old masters, Ming (1368–1644) or Qing (1644–1911) dynasty, datable to 1638 or 1650, China, Album of ten leaves; ink and color on paper, 10 1/4 x 6 in. (26 x 15.2 cm), Paintings,

Limestone statuette of a boy, Hellenistic, late 4th century–late 1st century B.C., Cypriot, Limestone, Overall: 23 3/8 x 7 3/4 x 5 5/16 in. (59.4 x 19.7 x 13.5 cm), Stone Sculpture, Figure holding bird

Glass two-handled bottle (amphora), Early Imperial, 1st century A.D., Roman, Glass; blown and decorated with marvered blobs, H. 4 3/8 in. (11.1 cm), Glass, Translucent cobalt blue; handles in same color, but one streaked with opaque white;

Vase fragment, East Greek/Sardis, Lydian, Terracotta, Overall: 2 1/4 x 13/16in. (5.7 x 2cm), Vases

Fille de Shanghai, 1870s, Albumen silver print from glass negative, 23.7 x 19.3 cm (9 5/16 x 7 5/8 in.), Photographs, Raimund von Stillfried (Austrian, 1839–1911

Three Cartouches: Footman, Courtesan and Rising Sun, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 8 1/4 x 5 7/16 in. (21 x 13.8 cm), Prints, Kubo Shunman (Japanese,

Fragment from a battle scene depicting a foreigner throwing a spear and holding a distinctive shield, Middle Kingdom, Dynasty 12, ca. 1961–1917 B.C., From Egypt, Memphite Region, Lisht South, Pyramid Temple of Senwosret I, Causeway (by

Portail de Saint-Ouen, Rouen, 1852–54, Salted paper print from glass negative, 34.7 x 26.3 cm (13 11/16 x 10 3/8 in. ), Photographs, Edmond Bacot (French, 1814–1875

Over-lifesize bearded head wearing a conical helmet, Archaic, late 7th or early 6th century B.C., Cypriot, Limestone, Overall: 18 1/2 x 9 3/4 x 9 in. (47 x 24.8 x 22.9 cm), Stone Sculpture, The beard assumes a roughly rectangular shape. It is

Costume Plate: Wife of a Warrior from Germany, ca. 1558–70, Engraving, sheet: 5 7/8 x 4 7/16 in. (15 x 11.2 cm), Prints, Reverse copy after Enea Vico (Italian, Parma 1523–1567 Ferrara

Marble relief fragment, Imperial, 1st–2nd century A.D., Roman, Marble, H.: 21 x 21 5/8 in. (53.3 x 54.9 cm), Stone Sculpture, The relief shows part of a scene of a venatio (a series of games in the theater or circus comprising fights between

Glass mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 11/16 x 1 1/16 in. (1.8 x 2.8 cm); estimated diam. of base 2 3/8 in. (6 cm), Glass, Base ring fragment, probably from a deep,

東海道五十三次　日阪　夜啼石　無間山　小夜の中山, Nissaka, Edo period (1615–1868), ca. 1848–49, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa

Column Capital in the form of a Bes-image, Ptolemaic Period, 332–30 B.C., From Egypt; Said to be from Eastern Delta, Tell Basta (Bubastis), Limestone, h. 39.5 cm (15 9/16 in); w. 52 cm (20 1/2 in); d. 21.5 cm (8 7/16 in), This large head

Glass spindle whorl, Imperial, ca. 1st–2nd century A.D., Roman, Glass; rod-formed and wound, 1/4 x 13/16in. (0.7 x 2.1cm), Glass, Translucent pale blue green. Shallow domed body, with faint ridges; pushed-in bottom with shallow, spiral

Horn Flower-Vase, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 7/16 x 5 5/8 in. (13.8 x 14.3 cm), Prints, Totoya Hokkei (Japanese, 1780–1850

The Actor Sanjō Kantarō as an Itinerant Buddhist Nun, ca. 1715, Japan, Polychrome woodblock print (hand colored); ink and color on paper, 12 1/4 x 5 3/4 in. (31.1 x 14.6 cm), Prints, Attributed to Kondo Kiyoharu (Japanese, active ca.

Polonaise Carpet, 17th century, Made in Iran, probably Isfahan or Kashan, Cotton (warp and weft), silk (weft and pile), metal wrapped thread; asymmetrically knotted pile, brocaded, Rug: L. 164 in. (416.6 cm), Textiles-Rugs, This carpet,

Statuette of a diskos-thrower, Bronze, H.: 5 3/16 in. (13.2 cm), Bronzes

滝に燕図, Swallows by a Waterfall, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 5/16 x 10 1/2 in. (36.4 x 26.7 cm), Paintings, Kawanabe Kyōsai (Japanese, 1831–1889

Terracotta bowl, Early Cypriot, ca. 2500–1900 B.C., Cypriot, Terracotta; Red Polished Ware, H. 5 5/16 in. (13.5 cm), Vases, Incised bands and zigzags with miniature bowls on rim

Bronze shield boss, Archaic, 7th century B.C., Etruscan or Italic, Bronze, Diam.: 8 3/16 in. (20.8 cm), Bronzes, Slightly convex with patterns arranged in concentric bands

Chiyoda Castle (Album of Men), Meiji period (1868–1912), 1897, Japan, Triptych of polychrome woodblock prints; ink and color on paper, L. (page) 13 7/8 in. (35.2 cm); W. (page) 9 1/4 in. (23.4 cm); thickness of album 1 9/16 in. (4 cm),

Vase fragment, Early Minoan II, Minoan, Terracotta, 1 3/4 × 2 3/8 × 5/16 in. (4.4 × 6 × 0.8 cm), Vases

Bag with Shell Beads, 14th–15th century, Peru, Chimú or Chancay, Cotton, shell beads, H x W: 5 1/8 x 5 1/2in. (13 x 14cm), Beads-Ornaments

[Roman Theater at Nimes], 1867, Albumen silver print from glass negative, Photographs, Unknown (French

Gold and copper alloy spiral, Classical, 5th century B.C., Cypriot, Gold, bronze, Diam.: 3/4 in. (1.9 cm), Gold and Silver, With rosettes on the ends

Curettes ?, Roman, Bronze, Other: 5 7/8 in. (14.9 cm), Bronzes

Terracotta jug, Cypro-Archaic I, ca. 750–600 B.C., Cypriot, Terracotta, H. 7 3/4 in. (19.7 cm), Vases, Horizontal and vertical circles; strainer in mouth. Cypriot strainer vases probably were influenced by Phoenician examples. They may have

French Machinery, 1855, Salted paper print from glass negative, 22.0 x 28.7 cm (8 11/16 x 11 5/16 in.), Photographs, Charles Thurston Thompson (British, Peckham 1816–1868 Paris), This celebration of progress--iron and glass architecture and

Shabti of Siptah, New Kingdom, Ramesside, Dynasty 19, ca. 1194–1188 B.C., From Egypt, Upper Egypt, Thebes, Valley of the Kings, Tomb of Siptah (KV 47), Davis/Burton excavations, 1912–13, Travertine (Egyptian alabaster), H. 24 cm (9

Fragment, 6th–7th century, Attributed to Egypt, Linen, wool; tapestry weave, H. 3 1/2 in. .(8.9 cm), Textiles

Glass cameo cup (scyphus) fragment, Early Imperial, Augustan or Julio-Claudian, late 1st century B.C.–mid-1st century A.D., Roman, Glass; cast in two layers or blown and cased, then carved, Overall: 1 5/8 x 2 3/8 in. (4.1 x 6 cm), Glass,

Hinazuru of Naka Ogi-ya as an Onna Jittoku, Edo period (1615–1868), ca. 1825, Japan, Polychrome woodblock print; ink and color on paper, H. 14 3/4 in. (37.5 cm); W. 9 7/8 in. (25.1 cm), Prints, Yanagawa Shigenobu (Japanese, 1787–1832

'Prince Feasting on a Balcony', Folio from the Davis Album, late 17th–early 18th century, Attributed to India, Ink, opaque watercolor, and gold on paper, Page: H. 13 1/8 in. (33.3 cm), Codices, Paintings of the mid-seventeenth century

Calligraphy, Ming dynasty (1368–1644), China, Folding fan mounted as an album leaf; ink on paper, 6 x 20 1/4 in. (16.5 x 51.4 cm), Calligraphy, Li Qiao (Chinese, active Ming dynasty

Terracotta beaker with painted inscription, Mid-Imperial, late 2nd–mid-3rd century A.D., Roman, Rhenish, Terracotta; Moselkeramik, H. 4 7/16 in. (11.2 cm); diameter 3 1/16 in. (7.9 cm), Vases, [Group label with 17 and 17], The white

Newhaven Family, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

In the Garden. Blenheim, 1853–56, Salted paper print, Image: 18.4 × 22.7 cm (7 1/4 × 8 15/16 in.), Photographs, James Knight (British

Jérusalem, Champ du sang, 1854, Salted paper print from paper negative, Image: 23.4 x 33 cm (9 3/16 x 13 in.), Photographs, Auguste Salzmann (French, 1824–1872

The Parting of Lancelot and Guinevere, 1874, Albumen silver print from glass negative, Image: 33.2 x 28.8 cm (13 1/16 x 11 5/16 in.), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon), In 1874

Cream of Tete a Tete Set No. 8473, 1887, (none assigned) New York, New York, United States, American, Ink, graphite, and wax pencil on brown glazed paper, Overall: 13 1/8 x 12 3/4 in. (33.3 x 32.4 cm), Drawings, Tiffany & Co.

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 x 1 1/8 in. (2.6 x 2.8 cm); estimated diam. of rim 7 1/2 in. (19 cm), Glass, Rim fragment of thin-walled bowl.,

東都名所　佃島初郭公, Tsukudajima Hatsu Hototogisu, Edo period (1615–1868), probably 1830, Japan, Polychrome woodblock print; ink and color on paper, 8 23/32 x 14 1/16 in. (22.2 x 35.7 cm), Prints, Utagawa Hiroshige (Japanese,

Terracotta rhyton (vase for libations or drinking), Late Classical, ca. 350–300 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H.: 7 1/4 in. (18.4 cm), Vases, The vase is in the form of a deer's head. On the cuff is a flying

Fête de S. A. Ismaïl Pacha à bord des bateaux de LL. A A. les princes, janvier 1867, 1867, Albumen print from paper negative, Image: 30.6 x 40.2 cm (12 1/16 x 15 13/16 in.), Photographs, Gustave Le Gray (French, 1820–1884

Making Ornaments for the Tanabata Festival, Edo period (1615–1868), ca. 1773, Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/4 in. (26 cm); W. 7 5/8 in. (19.4 cm), Prints, Isoda Koryūsai (Japanese, 1735–ca. 1790

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 4 3/8 x 4 3/4in. (11.1 x 12cm), Vases

Terracotta pyxis (cosmetic box), Hellenistic, 3rd–2nd century B.C., Greek, Macedonian, Terracotta; west slope, h. with lid 5 1/4 in. (13.4 cm); d. 5 15/16 in. (15.1 cm), Vases, on the lid, a relief of Dionysos with maeanads. This fine

Terracotta alabastron (jar), Late Bronze Age, ca. 1600–1050 B.C., Mycenaean, Terracotta, H. 3 13/16 in. (9.7 cm.), Vases, Three handles and horizontal bands

[Autumn Scene with People on Lawn near Cottage], ca. 1855, Albumen silver print from glass negative, 14.4 x 19.8 cm. (5 11/16 x 7 13/16 in.), Photographs, Unknown (British

Portrait of a Woman, Oil on canvas, 29 5/8 x 24 1/2 in. (75.2 x 62.2 cm), Paintings, Sir Joshua Reynolds (British, Plympton 1723–1792 London

Textile, 14th century, Made in Lucca, Italy, Italian, Silk, metal thread, Overall: 20 x 10 1/2 in. (50.8 x 26.7 cm), Textiles-Woven

Terracotta pithoid jar, Late Helladic IIIA1-2 early, ca. 1400–1350 B.C., Mycenaean, Terracotta, H. 6 5/16 in. (16 cm), Vases, Pear-shaped with three handles and diagonal intersecting lines on shoulder

市川左小治　土左衛門伝吉, Ichikawa Sadanji as Dozaemon Denkichi in a Kabuki Play, Meiji period (1868–1912), September, 1882, Japan, One sheet of a triptych of polychrome woodblock prints; ink and color on paper, 14 x 9 1/8 in.

A Lady Reading a Letter; AnotHer Making Her Toilet Before a Mirror, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 25 5/8 in. (65.1 cm); W. 4 5/8 in. (11.7 cm), Prints, Torii Kiyonaga (Japanese,

Harpsichord, 1742, Paris, France, French, Wood and various materials, L. 238.7 cm, W. 90.1 cm, D. 26.5 cm, 3-octave span 47.2 cm, Chordophone-Zither-plucked-harpsichord, Louis Bellot (Paris, active 1717–1759), This harpsichord has two

Head of Bearded Man (recto); Head of a Girl (verso), 1503–40, Red and black chalk (recto); red and black chalk, with pen and grey-brown ink (verso), 5 3/4 x 4 7/16 in. (14.6 x 11.3 cm), Drawings, Girolamo Mazzola Bedoli (Italian, Viadana ca.

Porringer, 1725–35, Made in Newport, Rhode Island, United States, American, Silver, Overall: 2 1/8 x 7 7/8 in. (5.4 x 20 cm); 9 oz. 10 dwt. (295.2 g), Silver, Samuel Vernon (1683–1737

Way to the Theater Pon-Jing-Quais Garden, Canton, ca. 1869, Albumen silver print from glass negative, Image: 8 7/16 × 10 5/8 in. (21.4 × 27 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Limestone statuette of a male votary with Cypriot shorts and a diadem, Archaic, first half of the 6th century B.C., Cypriot, Limestone, Overall: 27 x 9 1/8 x 4 3/4 in. (68.6 x 23.2 x 12.1 cm), Stone Sculpture, The front part of the triangular

Head of a King, ca. 1180, Made in possibly Amiens, Picardy, France, French, Limestone, Overall: 13 x 8 1/2 x 10 1/4 in. (33 x 21.6 x 26 cm), Sculpture-Plaster, Analysis of the limestone of this head points to Amiens as a possible origin.

Potted Plum Tree in Blossom and Books, 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 1/2 x 7 3/8 in. (14 x 18.7 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Wall painting from Room H of the Villa of P. Fannius Synistor at Boscoreale, Late Republican, ca. 50–40 B.C., Roman, Fresco, Overall: 69 x 76in. (175.3 x 193cm), Miscellaneous-Paintings, Man and woman seated side by side: from the grand

Pitcher, 1835–65, Possibly made in New Jersey, United States; Probably made in New York, United States, American, Blown glass with applied decoration, H. 7 5/8 in. (19.4 cm), Glass

Limestone statuette of a flute-player, Archaic, end of the 6th–early 5th century B.C., Cypriot, Limestone, 9 2/4 x 3 2/4 x 2 2/4 in. (24.1 x 8.9 x 6.3 cm), Stone Sculpture, The head may not belong to the body, because his hair does not

Meubles et Objets de Goût, [1802–18], Engraving, hand-colored, Overall: 16 9/16 x 11 5/8 x 11/16 in. (42.1 x 29.5 x 1.8 cm), Books

Banded agate cylinder seal, Classical, ca. 450–400 B.C., Greek, Ionian, Agate, banded, L. 2.5 cm, Gems, Man and dog attacking boar

Abraham Dismissing Hagar and Ishmael, 1653, Oil on canvas, 34 1/2 x 27 1/2 in. (87.6 x 69.9 cm), Paintings, Nicolaes Maes (Dutch, Dordrecht 1634–1693 Amsterdam), This painting is the earliest known dated work by Maes, who was Rembrandt's

Onyx cameo fragment, Late Republican or Early Imperial, late 1st century B.C.–1st century A.D., Roman, Onyx, H.: 7.8 cm (3 1/16 in.), Gems, The scene may represent an episode from the story of Proserpine (Gr. Persephone) and Pluto (Gr.

Watercolor of musician playing gaohu(?), late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

Arrowhead, Bronze, Other: 1 1/2 in. (3.8 cm), Bronzes

Vue générale d'Esné (No. 3, pointe Nord), 1849–50, Salted paper print from paper negative, Image: 5 7/16 × 7 7/8 in. (13.8 × 20 cm), Photographs, Maxime Du Camp (French, 1822–1894

Vue de la Ville Chinoise (Cholen) Feuille No. 5, Saïgon, Cochinchine, 1866, Albumen silver print from glass negative, 24.4 x 30.4 cm (9 5/8 x 11 15/16 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Fragment from Women's Trousers, 18th century, Attributed to Iran, Cotton, silk; plain weave, embroidered, H. 7.5 in. (19.1 cm), Textiles-Embroidered

Kōromō Uchi Tamagawa, Fulling Cloth at the Jewel River (Kinuta no Tamagawa), Edo period (1615–1868), ca. 1768, Japan, Polychrome woodblock print; ink and color on paper, 10 3/4 x 7 7/8 in. (27.3 x 20 cm), Prints, Suzuki Harunobu

Ladle, 1755–75, Made in Philadelphia, Pennsylvania, United States, American, Silver, 14 3/4 x 3 7/8 in. (37.5 x 9.8 cm); 6 oz. 7 dwt. (197.6 g), Silver, Probably William Hollingshead (ca. 1723–1808

(18) [Inscription, Old Persian in Cuneiform], 1840s–60s, Albumen silver print, Photographs, Luigi Pesce (Italian, 1818–1891

Fragment from Women's Trousers, 18th century, Attributed to Iran, Cotton, silk; plain weave, embroidered, H. 11 13/16 in. (30 cm), Textiles-Embroidered

Khambavati Ragini: Page from a Dispersed Ragamala Series (Garland of Musical Modes), 1700–1725, India (Rajasthan, Marwar), Ink and opaque watercolor on paper, 11 13/16 x 8 15/16 in. (30 x 22.7 cm), Paintings, One early text thus explains the

[Anna Murat and Unknown Sitters], before 1865, Albumen silver prints from glass negatives, Image: 3 3/8 in. × 2 in. (8.6 × 5.1 cm) (each), Photographs, Pierre-Louis Pierson (French, 1822–1913), et al, Painted and retouched by Marck

Buddha, 7th–8th century, India (Kashmir region), Brass inlaid with copper and silver, H. 3 7/8 x W. 2 1/2 x D. 1 3/8 in. (9.8 x 6.4 x 3.5 cm), Sculpture

Glass lentoid bottle, Imperial, 1st–4th century A.D., Roman, Glass; blown, 2 3/8 in. (6 cm), Glass, Translucent pale greenish blue. Tubular rim, folded out, rounded, and in; short cylindrical neck, expanding downward and joining

明 佚名 風雨艤舟圖 團扇, Misty Landscape, Ming dynasty (1368–1644), 15th–16th century, China, Fan mounted as an album leaf; ink and color on silk, Image: 8 7/8 x 8 1/16 in. (22.5 x 20.5 cm), Paintings, Unidentified Artist

Flyvring 1907., 1905–19, Gelatin silver prints from glass negatives, Image: 3 1/16 × 4 1/16 in. (7.7 × 10.3 cm), Photographs, Jacob Christian Hansen Ellehammer (Danish, 1871–1946), Vilhelm Ellehammer (Danish), Unaware of the Wright

Sugar Bowl, ca. 1760, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 2 7/8 x 4 5/16 in. (7.3 x 11 cm); 6 oz. 3 dwt. (191.5 g), Silver, Philip Syng Jr. (1703–1789

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Overall: 4 3/4 in. (12.1 cm), Glass, Colorless with blue green tinge. Rim folded out, over, and in, flattened on top and into sides of mouth; cylindrical neck,

A Young Man Standing before a Garden Fence, Edo period (1615–1868), ca. 1763, Japan, Polychrome woodblock print; ink and color on paper, 27 11/32 x 4 in. (69.5 x 10.2 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770

初詣, Young Women Visiting a Shinto Shrine, Edo period (1615–1868), 1814, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/8 x 5 7/16 in. (21.3 x 13.8 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo)

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 5/8 x 1 1/16 in. (1.6 x 2.7 cm); estimated diam. of rim 9 7/16 in. (24 cm), Glass, Rim fragment of large bowl or dish.,

Lamp, Roman, Cypriot, Terracotta, Overall: 7/8 x 3 3/8 in. (2.2 x 8.6 cm), Terracottas

横浜商館天主堂ノ図, Illustration of Foreign Residences and the Catholic Church in Yokohama (Yokohama shōkan tenshudō no zu), Meiji period (1868–1912), 10th month, 1870, Japan, Triptych of polychrome woodblock prints; ink and color

Wall painting from Room F of the Villa of P. Fannius Synistor at Boscoreale, Late Republican, ca. 50–40 B.C., Roman, Fresco, H. 76' (193.04 cm.), Miscellaneous-Paintings, Section of wall and floor with column: from small room near the summer

Figured flask, 1830–40, Made in Keene, New Hampshire, United States, American, Blown-molded glass, H. 6 1/2 in. (16.5 cm), Glass, Keene Glass Works (1815–41

Cabinetmakers' London Book of Prices and Designs for Cabinet Work...The Second Edition, 1793, Illustrations: etching and engraving, 10 5/8 x 8 7/16 x 1 3/16 in. (27 x 21.5 x 3 cm

Mirror, Tang dynasty (618–907), China, Bronze, Diam. 8 1/8 in. (20.6 cm), Mirrors

Nakahara in Sagami Province (Sōshū Nakahara), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　相州仲原, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color

[Emma Charlotte Dillwyn Llewelyn's Album], 1853–56, 128 salted paper prints and albumen silver prints from paper and glass negatives, 28.8 × 22.3 cm (11 5/16 × 8 3/4 in.), Albums, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882