Images at Librifly

Tropical Scenery, Darien Harbor - Looking South, 1871, Albumen silver print from glass negative, Image: 20 x 27.6 cm (7 7/8 x 10 7/8 in.), Photographs, John Moran (American (born England), Bolton, Lancashire 1821–1903 Pennsylvania

近江八景　辛崎夜雨, Evening Rain at Karasaki Pine Tree, Edo period (1615–1868), ca. 1857, Japan, Polychrome woodblock print; ink and color on paper, H. 6 1/2 in. (16.5 cm); W. 9 1/16 in. (23 cm), Prints, Designed by Utagawa

Fragmentary terracotta relief with two horses from a vase, Early Hellenistic, late 4th–early 3rd century B.C., Greek, South Italian (Canosan), Terracotta, H. 4 7/8 in. (12.40 cm), Vases, Traces of black and red paint can be seen on this

Fragment of a terracotta kylix (drinking cup), Late Archaic, ca. 490 B.C., Greek, Attic, Terracotta; red-figure, H. 1 7/8 in. (4.8 cm); diameter 3 13/16 in. (9.7 cm), Vases, Interior, lovemaking. The Eucharides Painter was a particularly

The Actor Third Sawamura Sojuro as a Man of High Position, Edo period (1615–1868), ca. 1791, Japan, Polychrome woodblock print; ink and color on paper, 12 7/16 x 5 17/32 in. (31.6 x 14.1 cm), Prints, Katsukawa Shun'ei (Japanese,

清 八大山人（朱耷） 魚石圖 軸, Fish and rocks, Qing dynasty (1644–1911), dated 1699, China, Hanging scroll; ink on paper, Image: 53 1/4 x 24 in. (135.3 x 61 cm), Paintings, Bada Shanren (Zhu Da) (Chinese, 1626–1705), To

Women and a Small Boy Gathering Shells on a Beach by the Sea, Edo period (1615–1868), ca. 1758, Japan, Polychrome woodblock print; ink and color on paper, H. 11 1/2 in. (29.2 cm); W. 17 1/8 in. (43.5 cm), Prints, Ishikawa Toyonobu (Japanese,

[Portrait of a Woman], 1854–56, Salted paper print from glass negative, Image: 7 1/4 × 9 1/8 in. (18.4 × 23.2 cm), Photographs, Louis-Pierre-Théophile Dubois de Nehaut (French, active Belgium, 1799–1872

Glass ring stone, Hellenistic, ca. 3rd–2nd century B.C., Greek, Glass, brown, Length: 1 1/4 in. (3.2 cm), Gems, Aphrodite leaning on a column, holding a flower

商 青銅觚, Wine Beaker (Gu), Shang dynasty (ca. 1600–1046 B.C.), 13th century B.C., China, Bronze inlaid with black pigment, H. 10 3/8 in. (26.4 cm); Diam. of rim 6 in. (15.2 cm); Diam. of base 3 1/8 in. (7.9 cm), Metalwork, A single

Lampstand, Cypriot, Bronze, H.: 13 1/8 in. (33.3 cm), Bronzes

Bronze satyr, Classical, late 5th–4th century B.C., Greek, Bronze, H. 2 7/16 in. (6.2 cm), Bronzes, Satyrs and maenads, the male and female followers of the god of wine, Dionysos, occur so frequently in classical vase-painting that their

Unknown Actor Impersonating an Old Woman, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 12 1/16 in. (30.6 cm); W. 5 9/16 in. (14.1 cm), Prints, Ryūkōsai (active late 18th century

Chalcedony scaraboid seal, Classical, ca. 450–400 B.C., Greek, Chalcedony, Length: 15/16 in. (2.4 cm), Gems, Ketos-like sea monster

William Leighton Leitch, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Go Horen no zu, View of the Imperial Carriage, Meiji period (1868–1912), 1889 (Meiji 22), Japan, One sheet of a triptych of polychrome woodblock prints; ink and color on paper, Triptych 14 9/16 x 29 in. (37 x 73.6 cm), Prints, Utagawa

Miniature Tunic, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 9 1/2 x W. 8 7/8 in. (24.1 x 22.5 cm), Textiles-Featherwork

Statuette of a man, Bronze, H.: 2 7/8 in. (7.3 cm), Bronzes

Beaker with Cobalt Trailing, 1275–1325, Central European, Clear glass, cobalt trails, Overall: 5 1/4 x 4 1/2 in. (13.3 x 11.5 cm), Glass-Vessels, Though clear glass with and without colored trailing is generally associated with the renowned

Bronze candelabrum finial showing a man embracing a woman, Classical, 5th century B.C., Etruscan, Bronze, H.: 3 15/16 in. (10 cm), Bronzes, Statuette of a youth and a girl from candelabrum

Glass jar, Late Imperial, 3rd–4th century A.D., Roman, Glass; blown and trailed, H.: 3 3/4 in. (9.5 cm), Glass, Translucent streaky yellow green; trails in same color. Rim folded out, round, and in; broad neck, tapering downwards;

Punch Ladle, 1780–1800, Made in Philadelphia, Pennsylvania, United States, American, Silver, 14 3/8 x 3 11/16 in. (36.5 x 9.4 cm); 6 oz. 18 dwt. (214.2 g), Silver

Duck, Meiji period (1868–1912), ca. 1887, Japan, Album leaf; ink and color on silk, 14 1/8 x 10 3/4 in. (35.9 x 27.3 cm), Paintings, Watanabe Seitei (Japanese, 1851–1918

Faience amulet in the form of the dwarf god Pataikos, Third Intermediate Period, ca. 1090–900 B.C., Egyptian, Clay, glazed, H.: 1 1/2 in. (3.8 cm), Gold and Silver, Amulet, Ptah-seker

Monju Bosatsu with Eight Sacred Sanskrit Syllables, 八字文殊菩薩像, Nanbokuchō period (1336–92), mid- to late 14th century, Japan, Hanging scroll; ink and color on silk, Overall: 40 7/8 x 25 1/8 in. (103.8 x 63.8 cm), Paintings,

Terracotta rhyton (vase for libations or drinking), Hellenistic, late 4th–early 3rd century B.C., Greek, South Italian, Apulian, Terracotta, H. 6 5/8 in. (16.8 cm), Vases, The rhyton is in the form of a horse's head. The original

Headdress, Early Dynastic IIIa, ca. 2600–2500 B.C., Mesopotamia, Ur (modern Tell al-Muqayyar), Sumerian, Gold, lapis lazuli, carnelian, L. 15 1/8 in. (38.5 cm), Metalwork-Ornaments, Kings and nobles became increasingly powerful and

Creamer, ca. 1800, Made in Providence, Rhode Island, United States, American, Silver, Overall: 5 1/16 x 5 3/4 in. (12.9 x 14.6 cm); 6 oz. 8 dwt. (199.2 g), Silver, Saunders Pitman (1732–1804

Horoscope with Floral Drawings, 1850, India (Madhya Pradesh, Gwalior or Indore), Ink and opaque watercolor on paper, 7 1/8 x 10 3/8 in. (18.1 x 26.4 cm), Paintings

Carnelian engraved gem with a portrait of Sokrates, Late Republican or Early Imperial, ca. 1st century B.C.–1st century A.D., Roman, Sard-Carnelian ?, Overall: 9/16 x 7/16 in. (1.4 x 1.1 cm), Gems, The fifth century B.C. Greek philosopher

Cup with Running Ibexes, second half 12th century, Attributed to Iran, probably Rayy, Stonepaste; incised decoration through black slip ground under turquoise glaze ('silhouette ware'), H. 5 in. (12.7 cm), Ceramics, To create 'silhouette ware,

Virgin and Child, ca. 1300, North French, Boxwood, Overall: 14 5/16 x 5 1/4 x 3 1/4 in. (36.4 x 13.4 x 8.3 cm), Sculpture-Wood, Carved fully in the round, the statuette impresses by the delicacy of its execution and its monumental character.

Ritual Wine Container (Pou), Shang dynasty (ca. 1600–1046 B.C.), China, Bronze, H. incl. base 11 1/2 in. (29.2 cm); Diam. 11 3/4 in. (29.8 cm); Diam. of rim 7 1/2 in. (19.1 cm); Diam. of foot 8 in. (20.3 cm), Metalwork

青銅觚, Ritual Wine Beaker (Gu), Western Zhou dynasty (1046–771 B.C.), late 11th century B.C., China, Bronze, H. 8 1/4 in. (21 cm); Diam. of rim: 5 in. (12.7 cm); Diam. of foot: 2 13/16 in. (7.1 cm); Wt. 1 lb. (0.5 kg), Metalwork, This

[untitled], ca. 1869, Albumen silver print from glass negative, Image: 8 1/16 × 11 5/16 in. (20.4 × 28.7 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Wall painting, Late Republican, ca. 40–30 B.C., Roman, Fresco, Overall: 69 x 17in. (175.3 x 43.2cm), Miscellaneous-Paintings, Column with lifting bosses from the painted colonnade that separated the large figural scenes

Glass perfume bottle, Late Imperial, 4th century A.D., Roman, Glass; blown and tooled, 1 9/16 x 3/4in. (4 x 1.9cm), Glass, Small perfume bottle Translucent cobalt blue. Rim folded out, over, and in, and flattened into mouth; cylindrical

Fountains Abbey. East Window and Tower, 1850s, Albumen silver print, Image: 28 x 23.5 cm (11 x 9 1/4 in.), Photographs, Joseph Cundall (British, Norwich, Norfolk 1818–1895 Wallington, Surrey), Philip Henry Delamotte (British, 1821–1889

Column from a Choir Screen, ca. 800–900, Made in Rome (Latium), Central Italian, Marble (Carrara marble), Overall: 59 3/4 x 12 3/4 x 7 3/4 in. (151.8 x 32.4 x 19.7 cm), Sculpture-Architectural

Pitcher, 1830–65, Made in United States, American, Blown glass with applied decoration, 9 x 7 in. (22.9 x 17.8 cm), Glass

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Storm below Mount Fuji (Sanka no haku u), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　山下白雨, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on

Fragment of a limestone funerary stele with a disk and a crescent, Archaic, 2nd half of the 6th century B.C., Cypriot, Limestone, 22 × 16 3/4 × 4 1/2 in., 74 lb. (55.9 × 42.5 × 11.4 cm, 33.6 kg), Stone Sculpture, Crescent and disk in

Ibuki Mountain in Snow, Taishō period (1912–26), 1920, Japan, Polychrome woodblock print; ink and color on paper, 9 x 15 1/2 in. (22.9 x 39.4 cm), Prints, Hashiguchi Goyō (Japanese, 1881–1921

Bishamonten, Heian period (794–1185), 1162, Japan, Woodblock print; ink on paper, 8 1/2 x 5 5/16 in. (21.6 x 13.5 cm), Prints, These printed images of Bishamonten (Sanskrit: Vaishravana), the divine guardian of the north, were found inside

School Scene, Ming dynasty (1368–1644), China, Fan mounted as an album leaf; ink and color on silk, 10 7/8 x 10 3/4 in. (27.6 x 27.3 cm), Paintings, Unidentified Artist

Yokohama Shukan Shin no zu, A True View of a Trading House of a Yokohama Merchant, Edo period (1615–1868), 1st month, 1861, Japan, Triptych of polychrome woodblock prints; ink and color on paper, 14 3/8 x 29 1/4 in. (36.5 x 74.3 cm),

Watercolor of musician playing jingu, late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

Glass bowl, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast and cut, Overall: 2 3/8 x 4 1/4in. (6 x 10.8cm), Glass, Colorless with pale greenish tinge, and one purple streak on one side. Rounded vertical

(6) [Naksh-i Rustam, Near Persepolis], 1840s–60s, Albumen silver print, Photographs, Luigi Pesce (Italian, 1818–1891

Curiosity, ca. 1660–62, Oil on canvas, 30 x 24 1/2 in. (76.2 x 62.2 cm), Paintings, Gerard ter Borch the Younger (Dutch, Zwolle 1617–1681 Deventer), Eloquent letter writing—in Dutch and French—flourished in the Netherlands during the

Lake Palaces, Ming (1368–1644) or Qing dynasty (1644–1911), China, Album leaf; ink and color on silk, 14 1/8 x 10 5/8 in. (35.9 x 27.0 cm), Paintings, Unidentified Artist, In the Style of Li Zhaodao (act 670–730), Formerly Attributed to

[Group Portrait of the Antoine and Höusermann Families], 1850s–60s, Albumen silver print from glass negative, 28.0 x 32.3 cm. (11 x 12 3/4 in.), Photographs, Franz Antoine (Austrian, 1814–1882

Note Pad Holder, ca. 1910–20, Made in New York, New York, United States, American, Favrile glass, bronze, wood, 7 3/4 x 4 15/16 in. (19.7 x 12.5 cm), Metal, Tiffany Studios (1902–32

東海道五十三次　平塚, Hiratsuka, Edo period (1615–1868), ca. 1838, Japan, Polychrome woodblock print; ink and color on paper, 8 1/2 x 6 1/2 in. (21.6 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo

Portrait of a Lady, ca. 1805, Oil on tin, 3 5/8 x 2 7/8 in. (9.2 x 7.3 cm), Paintings, Adolph Ulrich Wertmuller (Stockholm 1751–1811 Naamans Creek, Delaware

The First Nakamura Tomijuro as an Outlaw, Edo period (1615–1868), ca. 1775, Japan, One sheet of a diptych or triptych of polychrome woodblock prints; ink and color on paper, 12 x 5 7/8 in. (30.5 x 14.9 cm), Prints, Katsukawa Shunshō

[Lane Through A Village], 1850s, Salted paper print from paper negative, Photographs, Unknown (British

Designs of Imported Leathers, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 7/16 x 7 1/8 in. (13.8 x 18.1 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Refined Lavers (A Kind of Sea Weed) and a Handy Writing Outfit with Pouch, Edo period (1615–1868), probably 1819, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 15/16 x 7 1/16 in. (20.2 x 17.9 cm), Prints,

Habitation de l'équipage de l'allège de Luxor, bâtie sur la terrasse du Palais, 1849–50, Salted paper print from paper negative, Image: 5 13/16 × 8 9/16 in. (14.7 × 21.7 cm), Photographs, Maxime Du Camp (French, 1822–1894

South Dome, Yosemite, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Photographs, Attributed to Carleton E. Watkins (American, 1829–1916

Tray Made for the Rasulid Sultan al-Mu'ayyad Da'ud ibn Yusuf, early 14th century, Attributed to Egypt, Cairo, Brass; engraved and inlaid with silver and black compound, H. 1 1/8 in. (2.9 cm) , Metal, A sultan from Yemen commissioned this tray,

Watercolor of musician playing qin, late 18th century, China, Chinese, Watercolor on paper, Overall: 43.2 x 35.6 x 1.3cm (17 x 14 x 1/2in.), Works on Paper

S. Pietro in Vaticano, 1848–52, Albumen print from glass negative, Image: 8 11/16 × 11 5/16 in. (22 × 28.7 cm), Photographs, Eugène Constant (French, active Italy, 1848–55

Chest-on-Chest, ca. 1772, Made in Newport, Rhode Island, United States, American, Mahogany, chestnut, tulip poplar, 86 3/4 x 44 x 21 3/8 in. (220.3 x 111.8 x 54.3 cm), Furniture, Thomas Townsend (1742–1827), Thomas Townsend was a member

[Hindoo Pillars and Mahomedan Arch at the Qutub Minar, Delhi], 1858–61, Albumen silver print, Image: 23.3 x 28.8 cm (9 3/16 x 11 5/16 in.), Photographs, Unknown

View of the Boulevards at Paris, May 1843, Salted paper print from paper negative, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

[Great Sikh Gun taken at Ferozshah on the Night of December 21, 1845, Government House, Calcutta], 1858–61, Albumen silver print, Image: 15.4 x 20.8 cm (6 1/16 x 8 3/16 in.), Photographs, John Constantine Stanley (British, 1837–1878

In the Circus, 1905, Platinum print, Image: 21.2 x 15.7 cm (8 3/8 x 6 3/16 in.), irregular, Photographs, Harry Cogswell Rubincam (American, 1871–1940

The Twelfth Scene from Scenes of the Pleasure Quarter at Yoshiwara in Edo, Edo period (1615–1868), late 17th century, Japan, Polychrome woodblock print; ink and color on paper, 10 x 15 in. (25.4 x 38.1 cm), Prints, Hishikawa Moronobu

Teh Hop-Ho (Canton) and his Son, ca. 1869, Albumen silver print from glass negative, Image: 10 3/8 × 8 3/8 in. (26.4 × 21.2 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

Weeping Cherry, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, 8 7/8 x 6 1/2 in. (22.5 x 16.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo

Bronze circular mirror, Late Classical, 2nd half of the 4th century B.C., Greek, Bronze, H. 7 9/16 in. (19.2 cm), Bronzes, The mirror was reportedly found with the bronze perirrhanterion (sprinkler) that is displayed in the main Greek

Nativity, ca. 1450, Made in Near Burgundy, France, French, Limestone with later paint and gilding, Overall: 17 3/4 x 25 7/8 x 7 1/4 in. (45.1 x 65.7 x 18.4 cm), Sculpture-Stone, Circle of Antoine Le Moiturier (French, ca. 1425–ca. 1497),

Carnelian scarab, Classical, ca. 450 B.C., Etruscan, Carnelian, H.: 1 1/16 in. (2.7 cm), Gems, Wounded centaur

Wrestler's Weight with Hercules and the Nemean Lion; Wrestling Scene (reverse), ca. 1st century, Pakistan (ancient region of Gandhara), Schist, 10 1/4 x 13 3/4 in. (26 x 34.9 cm), Sculpture, As the first of his twelve labors, the Greek mythic

Top of a marble funerary relief with portrait busts of a young man and an elderly woman, Mid-Imperial, Antonine, ca. A.D. 138–141, Roman, Marble, Overall: 9 3/8 x 15 x 3 in. (23.8 x 38.1 x 7.6 cm), Stone Sculpture, Although it is broken

Gold roundel, ca. 1600–1050 B.C., Cypriot, Gold, Diam.: 1 7/16 in. (3.7 cm), Gold and Silver, Made of hammered sheet metal, these gold roundels would have adorned a cloth or garment, probably a funerary shroud. Similar examples have been

The Virgin from an Annunciation, ca. 1390, Made in Styria, Austria, Austrian, Limestone with traces of paint, Overall: 40 3/8 x 14 1/2 x 10 1/8 in. (102.6 x 36.8 x 25.7 cm), Sculpture-Stone, These sculptures of the angel Gabriel and the

Troops on the March, ca. 1725, Oil on canvas, 21 1/4 x 25 3/4 in. (54 x 65.4 cm), Paintings, Jean-Baptiste Joseph Pater (French, Valenciennes 1695–1736 Paris), A pupil of Watteau, Pater was born to the north at Valenciennes, an area which,

Basket, 1887–93, Made in Trenton, New Jersey, United States, American, Porcelain, Diam. 9 in. (22.9 cm), Ceramics, Executed in the manner of Irish prototypes, this Willets Belleek basket, constructed of handwoven strands of clay adorned

Flute, Pre-Columbian, 1300–1500, Sierra Nevada de Santa Marta, Colombia, Tairona People; Bellavista style, Ceramic, L. 9 cm (3-9/16 in.), Aerophone-Whistle Flute-recorder

Fragment, 3rd–4th century, Made in Egypt, Wool, linen; tapestry weave, 3 9/16 in. high 3 9/16 in. wide (9 cm high 9 cm wide), Textiles

Armchair, ca7–13, American, Willow (upholstered cushions not original), 40 x 33 x 26 1/4 in. (101.6 x 83.8 x 66.7 cm), Furniture, Gustav Stickley (American, Osceola, Wisconsin 1858–1942 Syracuse, New York

Glass bottle, Late Imperial, 4th–5th century A.D. or later, Roman, Glass; blown in a dip mold, 6in. (15.2cm), Glass, Translucent light green, with yellow green streak in bottom. Uneven rim folded out, round, up, and in; flaring mouth;

Unidentified Actor (possibly Yoshizawa Ayame) as a Woman with a Sword, Edo period (1615–1868), ca. 1793, Japan, Polychrome woodblock print; ink and color on paper, H. 12 7/8 in. (32.7 cm); W. 6 in. (15.2 cm), Prints, Katsukawa Shun'ei

Candlestick with Horsemen and Arabic Inscriptions Conveying Good Wishes and Blessings Upon the Sultan, 13th–14th century, Attributed to Iran, Brass; cast, engraved, and originally inlaid with silver, Gr. H. 12 3/16 in. (30.9 cm), Metal

Furniture plaque carved in relief showing two winged, male figures flanking an infant on a lotus flower, Neo-Assyrian, ca. 9th–8th century B.C., Syria, probably from Arslan Tash (ancient Hadatu), Assyrian, Ivory, 3.25 x 3.12 in. (8.26 x

A Holiday Visit, 1895–1908, Gelatin silver print, Image: 34 x 22.8 cm (13 3/8 x 9 in.), Photographs, Arnold Genthe (American (born Germany), Berlin 1869–1942 New Milford, Connecticut), Shortly after arriving in California from Germany in

Flute, Pre-Columbian, 1300–1500, Sierra Nevada de Santa Marta, Colombia, Tairona People; La Aguja Style, Ceramic, L. 5.6 cm 2-3/16 in.); W. 2.7 cm (1-1/16 in.), Aerophone-Whistle Flute-recorder

Salt, ca. 1835, Made in Baltimore, Maryland, United States, American, Silver and silver gilt, 1 5/8 x 2 1/2 in. (4.1 x 6.4 cm); 2 oz. 8 dwt. (73.9 g), Silver, Andrew Ellicott Warner (1786–1870

The Herdsman's Cottage, or Sunset, 1850, Etching; second state or two, sheet: 13 1/16 x 10 1/4 in. (33.2 x 26.1 cm), Prints, Samuel Palmer (British, London 1805–1881 Redhill, Surrey

Man and Girl, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 23 1/8 in. (58.7 cm); W. 4 1/4 in. (10.8 cm), Prints, Kitagawa Kikumaro (Japanese, died 1830

Embroidered Border Fragment, 1st–7th century, Peru, Peruvian, Cotton, camelid hair, Length 16-1/4 in., Textiles-Woven

Terracotta lekythos (oil flask) with an owl, Late Classical, 4th century B.C., Greek, South Italian, Apulian, Terracotta; red-figure, H. 4 7/8 in. (12.4 cm), Vases, With an owl

Border (five points), ca. 1600, Netherlandish, Needle lace, L. 13 1/4 x W. 5 1/2 inches (33.7 x 14.0 cm), Textiles-Laces

Terracotta plate, Early Imperial, Augustan, early 1st century A.D., Roman, Terracotta; Arretine ware, H. 4 cm. Diameter 16.7 cm., Vases, Shallow plate on foot

Benedictine Antiphonary, ca. 1467–70, Made in Lombardy, Italy, Italian, Tempera, gold, and ink on parchment; binding: leather over wood boards with copper alloy corner mounts and bosses, Overall (closed): 23 1/8 x 16 3/4 x 3 5/8 in. (58.7 x

Glass miniature one-handled jug, Imperial or later, 1st–5th century A.D., Roman or later, Glass, H.: 1 1/8 in. (2.9 cm), Glass, Translucent deep purple, appearing black; handle in same color. Outsplayed rounded rim, tooled into downward