Images at Librifly

North Dome, 3, 725 feet, Yosemite, ca. 1872, printed ca. 1876, Albumen silver print from glass negative, Photographs, Attributed to Carleton E. Watkins (American, 1829–1916

Terracotta situla (bucket), Hellenistic, 2nd–1st century B.C., Greek, Asia Minor, Terracotta; white-ground, h. 3 in. (7.62 cm), Vases, The small size of this situla, which renders it impractical for daily use, implies its intended

Todakker, med denne Maskine forekoges Seu 28 Tuni, Flyvring ved SX 1'officielle Flyve-Stame i Verdeu Kiel 1908. 1'Pris: 5000 Rm., 1905–19, Gelatin silver prints from glass negatives, Image: 3 1/8 × 4 1/8 in. (7.9 × 10.4 cm), Photographs,

Harness Ornament with a Winged Horse, 1st century B.C.–1st century A.D., Northeast China, Silver, H. 5 in. (12.7 cm); W. 2 3/4 in. (7 cm), Metalwork

Ring, ca. 1905, Made in Chicago, Illinois, United States; Made in United States, Gold, emerald, sapphire, and enamel, 1 in. (2.5 cm), Jewelry, Florence Koehler (1861–1944

初世尾上菊五郎の戸無瀬, Onoe Kikugorō as Tonase, from Kanadehon Chūshingura (Kanadehon Chūshingura, Shosei Onoe Kikugorō no Tonase), Edo period (1615–1868), 1773, Japan, Polychrome woodblock print; ink and color on paper,

[Pyramid at Dahshûr], ca. 1857, Albumen silver print from glass negative, 15.4 x 20.8 cm. (6 1/16 x 8 3/16 in.), Photographs, Francis Frith (British, Chesterfield, Derbyshire 1822–1898 Cannes, France), Francis Frith and Company (British

Gold earring with ring and hook, Imperial, 2nd–3rd century A.D., Roman, Gold, Other: 7/8 in. (2.2 cm), Gold and Silver, Delta-shaped earrings have the free end of the hook-and-eye fastening prolonged beyond the eye into a long free hook

Songs of Shakespeare, Illustrated by the Etching Club, 1843, Illustrations: etching, 14 15/16 x 11 1/4 x 7/8 in. (37.9 x 28.6 x 2.2 cm), Books

The Hand of Man, 1902, printed 1920s–30s, Gelatin silver print, Image: 8.8 x 11.8 cm (3 7/16 x 4 5/8 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Stallion with Groom, Northern Song dynasty (960–1127), China, Handscroll; ink and color on silk, Image: 12 i× 20 1/4 in. (30.5 × 51.4 cm), Paintings, Unidentified Artist, Copy after Han Gan (Chinese, active ca. 742–756

Poem Composed on Tiger Hill on Mankind's Day, Ming dynasty (1368–1644), China, Album leaf; ink on paper, 7 3/8 x 12 in. (18.7 x 30.5 cm), Calligraphy, Zhou Tianqiu (Chinese, 1514–1595

Terracotta statuette of Eros flying, Hellenistic, ca. 200–150 B.C., Greek, Asia Minor, Myrina, Terracotta, H.: 10 1/8 in. (25.7 cm), Terracottas, Eros wears a thick wreath and a skimpy chlamys (cloak) and is portrayed as a winged

John Wilson, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Miniature Tunic, 12th–13th century, Peru, Ica Valley, Ica, Cotton, feathers, H. 6 3/4 x W. 7 1/2 in. ( 16.8 x ftjtfh, Textiles-Featherwork

Glass beaker, Late Imperial, 4th century A.D., Roman, Glass; blown, H.: 3 9/16 in. (9.1 cm), Glass, Translucent yellow green. Thickened, slightly flaring rim, with rounded lip; upper side to body curving slightly outwards, then tapering in

Terracotta squat lekythos (oil flask), Classical, late 5th–early 4th century B.C., Greek, Attic, Terracotta; red-figure, H. 3 3/4 in. (9.6 cm), Vases, Head of a woman. The woman wears a sakkos, a kind of snood often worn in representations

The Fourth Matsumoto Koshiro as an Otokodate Standing, Edo period (1615–1868), ca. 1779, Japan, Polychrome woodblock print; ink and color on paper, 12 1/2 x 5 5/8 in. (31.8 x 14.3 cm), Prints, Katsukawa Shunshō (Japanese, 1726–1792

Pocket bottle, 1815–45, Possibly made in Pennsylvania, United States; Possibly made in Ohio, United States, American, Blown, pattern-molded glass, H. 5 in. (12.7 cm), Glass

Terracotta stemmed dish, Archaic, 6th century B.C., Lydian, Terracotta, H. 10 5/8 in. (27 cm), Vases, Familiarly known as fruit stands, this type of stemmed dish is well attested at Sardis, particularly in the Archaic period

Glass cup, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, Height: 2 3/4in. (7cm), Glass, Translucent pale blue green. Knocked-off, slightly uneven rim; slightly bulging collar below rim; sides expanding downward, then angled in

Statuette of a sphinx, 5, Greek, Laconian, Lead, Height: 13/16 in. (2.1 cm), Miscellaneous-Lead

Gold ring with plain carnelian scaraboid, Classical, 5th century B.C., Greek, Gold, carnelian, Diam.: 7/8 in. (2.2 cm), Gold and Silver, Gold filigree ring with a plain carnelian

Teapot, ca. 1800, Possibly made in Newburyport, Massachusetts, United States; Possibly made in Boston, Massachusetts, United States, American, Silver, 6 11/16 x 10 7/8 x 4 1/4 in. (17 x 27.6 x 10.8 cm); 17 oz. 1 dwt. (530.7 g), Silver,

Recumbant cow, 1849–52, Made in Bennington, Vermont, United States, American, Earthenware, 10 x 7 in. (25.4 x 17.8 cm), Ceramics

Nicolo ring stone set in a gold ring, Imperial, ca. 1st–2nd century A.D., Roman, Nicolo, gold, L. of stone 1.2 cm; W. of bezel 2.9 cm, Gems, Leda and the swan

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/2 x 1 1/2 in. (3.8 x 3.9 cm), Glass, Translucent pale honey brown and opaque white., Narrow, outsplayed rim with

Glass striped mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 1 1/2 x 1 1/2 in. (3.8 x 3.8 cm), Glass

Le bouquet matinal, les larmes, from the album Amour, 1899, sheet: 21 1/4 x 16 1/8 in. (54 x 41 cm), Prints, Maurice Denis (French, Granville 1870–1943 Saint-Germain-en-Laye

Woven Fragment, 12th–15th century, Peru, Peru; south coast (?), Camelid hair, L. 9 3/4 in. (24.8 cm), Textiles-Woven

The Great Torr and Crawley Rocks, 1853–56, Salted paper print, Image: 20.6 × 26 cm (8 1/8 × 10 1/4 in.), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

Last page of the Book of Shells, Edo period (1615–1868), 1790, Japan, Polychrome woodblock print; ink and color on paper, 9 1/8 x 14 3/5 in. (23.2 x 37.1 cm), Prints, Kitagawa Utamaro (Japanese, 1753?–1806

Glass flask, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown and cut, 6 7/8 in. (17.5 cm), Glass, Colorless. Uneven, rounded rim with beveled outer lip; flaring mouth; short, cylindrical neck, slightly tooled in around base;

唐子書画図, Chinese Boys Learning to Write and Paint, Edo period (1615–1868), ca. 1785, Japan, Polychrome woodblock print; ink and color on paper, 15 3/8 x 10 1/8 in. (39.1 x 25.7 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo)

Glass jar, Late Imperial, ca. 4th century A.D., Roman, Glass; blown, H.: 1 11/16 x 2 1/4 x 1 5/8 in. (4.3 x 5.7 x 4.1 cm), Glass, Small jar. Colorless with blue green tinge. Rounded, slightly thickened rim; broad outsplayed mouth; short,

Left Road up to Yuen foo Monastery, ca. 1869, Albumen silver print from glass negative, Image: 8 7/8 × 11 5/16 in. (22.6 × 28.7 cm), Photographs, Lai Fong (Chinese, 1839–1890

Nubie. Rive Orientale du Nil (Village de Bab). Vue prise au sud de Philoe, 1850, Salted paper print (Blanquart-Évrard process) from paper negative, Photographs, Maxime Du Camp (French, 1822–1894

A Gazelle in Profile, Moving Toward the Right, early 15th century, Tip of the brush and brown, gray (both in various shades), and black ink; contours with metalpoint (?or black chalk?); touches of white chalk; brown and light brownish gray wash;

Jérusalem, Porte de Damas, Intérieur, 1854, Salted paper print from paper negative, Image: 23.1 x 32.6 cm (9 1/8 x 12 13/16 in.), Photographs, Auguste Salzmann (French, 1824–1872), This photograph of the Gate of Damascus speaks to

Onoe Kikugorō VI as Kanpei in the Kabuki play Treasury of the Royal Retainers (Kanadehon Chūshingura), Meiji period (1868–1912), 1929, Japan, Polychrome woodblock print; ink and color on paper, 14 3/4 x 9 7/8 (37.5 x 25.1 cm), Prints,

Pitcher, ca. 1846–52, Made in East Liverpool, Ohio, United States, American, Earthenware, H. 11 1/4 in. (28.6 cm), Ceramics

Glass double cosmetic flask (kohl tube), Late Imperial, 4th century A.D., Roman, Syrian, Glass; blown and trailed, Overall: 4 5/8in. (11.8cm), Glass, Translucent light blue; handles and trail in same color, streaked with opaque brown red.,

Lady in a Chariot, Edo period (1615–1868), Japan, Monochrome woodblock print; ink on paper, H. 15 in. (38.1 cm); W. 10 3/8 in. (26.4 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo

Robert Shurlock (1772–1847), 1801, Pastel on paper, laid down on canvas, 23 3/4 x 17 3/8 in. (60.3 x 44.1 cm), Pastels & Oil Sketches on Paper, John Russell (British, Guildford 1745–1806 Hull), In 1800 Robert Shurlock (1772–1847)

Kylix fragment, Archaic, ca. 520–510 B.C., Greek, Attic, Terracotta; red-figure, 6 3/4 × 9 3/8 × 5/16 in. (17.1 × 23.8 × 0.8 cm), Vases

[Garden at Umballa], 1850s, Albumen silver print, Image: 10.3 x 13.2 cm (4 1/16 x 5 3/16 in.), Photographs, Unknown

Limestone statuette of a female votary, Hellenistic or Roman, Cypriot, Limestone, Overall: 18 1/4 x 5 7/8 x 3 3/4 in. (46.4 x 14.9 x 9.5 cm), Stone Sculpture, Figure with cloak drawn over head

Glass mosaic inlay fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/8 x 1 3/16 in. (2.8 x 3 cm), Glass, Translucent deep turquoise green and opaque white., Flat plaque; slightly uneven

Bronze finial of a kerykeion (herald's staff), Archaic, late 6th–early 5th century B.C., Greek, Bronze, H. 7 3/8 in. (18.7 cm), Bronzes, A pair of intertwined snakes typically surmounts the staff carried by Hermes, the messenger of the

The Sot (The English Dance of Death, plate 12), July 1814, Etching and aquatint with watercolor, image: 4 7/16 x 7 13/16 in. (11.3 x 19.8 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Terracotta rim from a vase with bands and dots in circles, Late Minoan II, ca. 1450–1400 B.C., Minoan, Terracotta; Dark-on-light ware, Overall: 2 3/8 x 1 11/16in. (6 x 4.3cm), Vases, From Phylakopi, Melos. Fragment of rim, with bands and

Koto (Japanese Harp) and Sho (Reed Organ), Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 15/16 x 7 3/16 in. (20.2 x 18.3 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Folding stool (pliant) (one of a pair), 1786, French, Carved and painted beechwood, covered in pink silk, 18 1/4 in. × 27 in. × 20 1/4 in. (46.4 × 68.6 × 51.4 cm), Woodwork-Furniture, Jean-Baptiste-Claude Sené (1748–1803), Gilded by

Terracotta pyxis (box), Late Corinthian, mid-6th century B.C., Greek, Corinthian, Terracotta; black-figure, H. 4 1/4 in. (10.8 cm); diameter of mouth 3 3/16 in. (8.1 cm), Vases, On the body, frieze of animals, On the shoulder, frieze of

'Buzurjmihr Explains the Game of Backgammon (Nard) to the Raja of Hind', Folio from a Shahnama (Book of Kings), ca. 1300–30, Made in Iran or Iraq, Ink, opaque watercolor, and gold on paper, Text block: 6 1/8 x 4 15/16 in. (15.6 x 12.5 cm),

Vase fragment, Neolithic, first period, ca. 4000 B.C., Neolithic, Nemea, Terracotta, length 1 9/16in. (3.9cm), Vases

東海道五十三次　吉田, Yoshida, from the series The Fifty-three Stations of the Tōkaidō Road, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige

Limestone cornice with a lion’s head, Cypro-Classical, early 4th century B.C., Cypriot, Limestone, Overall: 13 1/2 x 27 1/2 x 9 1/2 in. (34.3 x 69.9 x 24.1 cm), Stone Sculpture, Cornice fragment with a decorative lion's head

Glass jug, Late Imperial, 3rd–4th century A.D., Roman, Glass; blown and trailed, Overall: 5 1/8 in. (13 cm), Glass, Translucent deep turquoise blue; handle, trail, and base ring in semi-opaque yellowish white; opaque brick red streaks in

The Wedding Feast of Bacchus and Ariadne, ca. 1709, Pen and brown ink, brush and gray wash, heightened with white, over red chalk, on beige paper, 7 5/8 x 22 5/8 in. (19.3 x 57.5 cm), Drawings, Guy Louis Vernansal the Elder (French,

Fragment of a terracotta volute-krater, Late Classical, ca. 330–310 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, 7 5/8in. (19.4cm), Vases, Hippolyte, queen of the Amazons, with Herakles between Amazons

[The Tower of 'Chihil Dukhtaran', Mausoleum of 40 daughters, 1056.], 1840s–60s, Albumen silver print, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Bell, 4th century B.C., Cypriot, Bronze, 7/16in. (1.1cm), Bronzes

[Summer Scene], 1866, Albumen silver print from glass negative, Image: 5.7 x 9.2 cm (2 1/4 x 3 5/8 in.), Photographs, G. Gable, Harry Stephens was a former house servant of Alexander Hamilton Stephens, vice-president of the Confederacy and,

Vase fragment, Archaic, East Greek/Sardis, Lydian, Terracotta, Overall: 2 5/8 x 2 3/4in. (6.7 x 7cm), Vases

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Vue de l'Etablissement des Messageries Impériales, 1866, Albumen silver print from glass negative, 13.2 x 25 cm (5 3/16 x 9 13/16 in.), Photographs, Emile Gsell (French, Sainte-Marie-aux-Mines 1838–1879 Vietnam

Boatman in Rocky Cove, Ming (1368–1644) or Qing dynasty (1644–1911), China, Fan mounted as an album leaf; ink on silk, 8 7/16 x 9 7/8 in. (21.4 x 25.1 cm), Paintings, Unidentified Artist, Copy after (?) Xia Gui (Chinese, active ca.

The Hundred Sons, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Handscroll; ink and color on silk, 9 3/4 x 101 1/2 in. (24.8 x 257.8 cm), Paintings, Unidentified Artist

Nihonbashi in Edo (Edo Nihonbashi), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　江戸日本橋, Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper,

元 周東卿 魚樂圖 卷, The Pleasures of Fishes, Yuan dynasty (1271–1368), dated 1291, China, Handscroll; ink and color on paper, Image: 12 1/8 x 19 ft 4 in. (30.8 cm x 593.7 cm), Paintings, Zhou Dongqing (Chinese, active late 13th

The Swing, Oil on canvas, 68 1/4 x 34 5/8 in. (173.4 x 87.9 cm), Paintings, Hubert Robert (French, Paris 1733–1808 Paris), From a set of six paintings made for the salle des bains of the comte d'Artois, Louis XVI's youngest brother, at the

Glass bowl, Late Hellenistic, mid-2nd–early 1st century B.C., Greek, Glass; cast and cut, H.: 1 3/4 in. (4.4 cm), Glass, Translucent golden brown. Thick, slightly inverted horizontal rim with beveled outer edge; convex sides curving in to

Flowers and Bees, Qing dynasty (1644–1911), 18th century, China, Fan mounted as an album leaf; ink and color on silk, 9 1/2 x 10 in. (24.1 x 25.4 cm), Paintings, Unidentified Artist Chinese

Wine Pot and Cup, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 5 13/16 x 7 3/4 in. (14.8 x 19.7 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

Passage of the Dalles, Oregon, 1867, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

Jar with offering scene, Third Intermediate Period, Dynasty 21–22, ca. 1070–712 B.C., From Egypt, Eastern Delta, Tell Basta (Bubastis), Temple of Bastet, ancient cache, Silver, h. 17 cm (6 11/16 in

Wine cup, ca. 1660, Made in Boston, Massachusetts, United States, American, Silver, 6 7/8 in., 10oz., 4 dwt. (17.5 cm, 318.4 Grams), Silver, John Hull (1624–1683), Robert Sanderson Sr. (ca. 1608–1693), Richard and Alice Brackett

Teahouse in Shinagawa, Edo period (1615–1868), ca. 1783, Japan, Diptych of polychrome woodblock prints; ink with color reprinted and revamped on paper, Oban diptych 15 1/2 x 20 in. (39.4 x 50.8 cm), Prints, Torii Kiyonaga (Japanese,

Glass striped mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Overall: 1 1/16 x 1 3/4 in. (2.7 x 4.4 cm), Glass

Bronze statuette of a youth, Archaic, 6th century B.C., Etruscan, Bronze, H.: 5 1/16 x 1 1/8 x 15/16 in. (12.9 x 2.9 x 2.4 cm), Bronzes

Two Girls Looking at a Monkey on a Leash, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 10 1/4 in. (26 cm); W. 7 13/16 in. (19.8 cm), Prints, Suzuki Harunobu (Japanese, 1725–1770

Scimitar with Scabbard, late 16th–17th century, Hilt and scabbard, Turkish; Blade, Iranian, Steel, copper alloy (brass), silver, wood, gold, jade, turquoise, copper, H. with scabbard 42 1/16 in. (106.8 cm); H. without scabbard 40 1/8

Two terracotta fragments of a large jar with reticulated pattern enclosing conventional flowers, Late Minoan II, ca. 1450–1400 B.C., Minoan, Terracotta; Dark-on-light ware, Overall: 1 7/8 x 5 5/16in. (4.8 x 13.5cm), Vases, From Knossos,

東海道五十三次之内　阪之下　筆捨嶺, Saka-no-shita, Fude-sute Mine, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, Image: 9 1/2 × 14 1/8 in. (24.1 × 35.9 cm), Prints, Utagawa

Glass mosaic bowl fragment, Late Hellenistic, 2nd–mid-1st century B.C., Greek, Eastern Mediterranean, Glass; cast, Other: 3/4 x 1 3/16 in. (1.9 x 3 cm), Glass, Body fragment., Translucent cobalt blue, opaque white and yellow, and

Glass cameo: Dionysos and a nymph, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Glass ? opaque on blue, 59/64 x 1 11/64 x 11/64 in. (2.3 x 3.0 x 0.4 cm), Gems, Dionysos and a nymph

Limestone head of a veiled female votary, Late Hellenistic or Republican, 1st half of 2nd century B.C., Cypriot, Limestone, Overall: 10 3/4 x 10 1/2 x 11 in. (27.3 x 26.7 x 27.9 cm), Stone Sculpture, Female head with veil, frontlet and

Ladle, 1790–1800, Possibly made in Portsmouth, Virginia, United States; Possibly made in Norfolk, Virginia, United States, American, Silver, 14 11/16 x 3 13/16 in. (37.3 x 9.7 cm); 7 oz. 16 dwt. (242.1 g), Silver, James Gaskins (ca.

Gold earring with head of a bull, Classical or Hellenistic, 4th–3rd century B.C., Cypriot, Gold, Diam.: 1 3/16 in. (3 cm), Gold and Silver, Circlet of twisted gold wire, which tapers from the bull's head at the front end to a hooked point

Water Lilies; The Photographer, 1853–56, Salted paper print, Image: 4.7 × 6.7 cm (1 7/8 × 2 5/8 in.) (a), Photographs, John Dillwyn Llewelyn (British, Swansea, Wales 1810–1882 Swansea, Wales

Terracotta stemmed dish, Classical, late 5th century B.C., Greek, Attic, Terracotta; black-glaze, H. 3 1/4 in. (8.3 cm), Vases, This is one of a variety of shapes that probably contained food--olives, small fruits, nuts--rather than

[Eastern Man with White Beard, Standing], 1860s, Albumen silver print from glass negative, Photographs, Unknown (British

Terracotta kylix: Siana cup (drinking cup), Archaic, mid-6th century B.C., Greek, Attic, Terracotta; black-figure, H. 3 9/16 in. (9.1 cm.), Vases, Exterior, obverse, inscription: fairest of the maidens, On interior, a sphinx seated facing

Mounting in Form of a Horse and Rider, late Eastern Zhou dynasty (770–256 B.C.), China, Bronze, H. 3 1/2 in. (8.9 cm); L. 3 1/2 in. (8.9 cm), Metalwork

[Yosemite National Park, California], ca. 1878, Albumen silver print from glass negative, Image: 12.5 x 12.5 cm (4 15/16 x 4 15/16 in.), circular, Photographs, Carleton E. Watkins (American, 1829–1916), This exceptionally rare untitled

Bone counter or gaming piece, Late Antique or Byzantine, ca. 4th century A.D., Roman or later, Ivory or bone, Diam.: 13/16 in. (2.1 cm), Concentric circles

Heaven Ascending Peak near Sing-Chang, ca. 1869, Albumen silver print from glass negative, Image: 8 5/16 × 11 3/16 in. (21.1 × 28.4 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London