Images at Librifly

Seated Old Man Holding a Staff, Red and black chalk, stumped, heightened with white chalk, on beige paper, squared in black chalk, 18 11/16 x 14 3/4 in. (47.5 x 37.5 cm.), Drawings, Antoine Coypel (French, Paris 1661–1722 Paris

Bodhisattva, Ming dynasty (1368–1644), 15th–16th century, China, Gilt bronze, H. 16 1/8 in. (41 cm), Sculpture

Glass amphoriskos (perfume bottle), Classical, late 6th–5th century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group I, H.: 3 in. (7.5 cm), Glass, Translucent cobalt blue, with handles in same color; trails in opaque yellow

清 佚名 臨袁江瞻園圖 卷, View of a Garden Villa, Qing dynasty (1644–1911), 18th century (?), China, Handscroll; ink and color on silk, Image: 20 1/2 x 116 1/8 in. (52.1 x 295 cm), Paintings, After Yuan Jiang (active

Bronze kyathos (ladle), Classical, 450–400 B.C., Etruscan, Bronze, H. 3 7/16 in. (8.7 cm), Bronzes, At bottom, ornamental band; tongue pattern and beading on lip

Batu-el-Hadjar. Vue prise à la Seconde Cataracte, March 1850, Salted paper print from paper negative, Image: 6 in. × 8 7/16 in. (15.2 × 21.5 cm), Photographs, Maxime Du Camp (French, 1822–1894

Bust of a Bodhisattva Shakyamuni, 3rd–4th century, Pakistan (ancient region of Gandhara), Schist, H. 18 1/4 in. (46.4 cm); W. 13 in. (33 cm); D. 6 1/2 in. (16.5 cm), Sculpture, Representations of Shakyamuni prior to his enlightenment as a

Butterflies, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 1/2 x 5 1/4 in. (14 x 13.3 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Old Fisherman Carrying a Basket of Salmon, Edo period (1615–1868), 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 7 5/8 x 5 3/16 in. (19.4 x 13.2 cm), Prints, Kubo Shunman (Japanese,

Limestone hand holding a piece of fruit, Cypriot, Limestone, Overall: 2 1/16 x 1 5/8 x 3 1/2 in. (5.2 x 4.1 x 8.9 cm), Stone Sculpture

Wine Vessel, Shang dynasty (?) (ca. 1600–1046 B.C.), China, Bronze, H. 6 in. (15.2 cm); W. 3 1/8 in. (7.9 cm): Diam. 2 3/4 in. (7 cm), Metalwork

Design for dining room, late 19th–early 20th century, Made in New York, United States, American, Watercolor and graphite on board, Overall: 13 5/8 x 21 15/16 in. (34.6 x 55.7 cm), Drawings, Tiffany Studios (1902–32), Tiffany Studios

Persimmons on a Plate, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/8 x 7 1/16 in. (20.6 x 17.9 cm), Prints, Kubo Shunman (Japanese, 1757–1820

Gold and copper alloy bracelet with lion-head finials, Classical, 5th century B.C., Cypriot, Gold, copper alloy, Diam.: 3 1/8 in. (7.9 cm), Gold and Silver, With heads of lions on the ends

Pottery Rattle, 14th–16th century?, Mexico, Mexican, Clay, Idiophone

Hepy, 168 of orignally 72 loose beads, Middle Kingdom, Dynasty 12, early-mid, ca. 1950–1885 B.C., From Egypt, Memphite Region, Lisht South, mastaba west of Senwosretankh, Pit 3, Hepy, scattered in front of blocking wall, 1933–34,

Column Base, 12th century, Made in Dalmatia ?, Italy, Northeast Italian, Marble (Parian ?), Overall: 7 5/8 x 11 3/4 x 12 in. (19.4 x 29.8 x 30.5 cm), Sculpture-Stone

Coin, Han dynasty (206 B.C.–A.D. 220), China, Bronze, H. 1 1/4 in. (3.2 cm); W. 5/8 in. (1/6 cm), Metalwork

Star Ushak' Carpet, 16th–17th century, Attributed to Turkey, Wool (warp, weft and pile); symmetrically knotted pile, Rug: L. 108 in. (274.3 cm), Textiles-Rugs, The starlike medallions that give this type of carpet its name were a favored

Decanter, 1815–35, Probably made in Pittsburgh, Pennsylvania, United States, American, Blown and engraved glass, H. 8 3/8 in. (21.3 cm), Glass

[Bungalow in Umballa], 1850s, Albumen silver print, Image: 18.9 x 24 cm (7 7/16 x 9 7/16 in.), Photographs, Unknown

[Jama Masjid Mosque, Delhi], 1850s, Albumen silver print, Image: 15.2 x 19.8 cm (6 x 7 13/16 in.), Photographs, Unknown

Leg Guard (Right), mid-15th century, Possibly Bursa, Turkish, possibly Bursa, Steel, iron, silver, gold, leather, L. 16 in. (40.8 cm); W. 4 1/2 In. (11.4 cm); Wt. 1 lb. 5 oz. (593 g), Armor Parts-Thigh and Leg Defense

Lute, late 16th century, Padua, Italy, Italian, Yew, spruce, ebony, maple, Height: 22 1/16 in. (56 cm), Chordophone-Lute-plucked-fretted, Attributed to Wendelin Tieffenbrucker (German, active 1570–1610), The arched back is formed of 37

Night View of the Yamato Tea-house in Nawate Dori Seen from Shijo Bridge, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 5 7/8 in. (14.9 cm); W. 8 3/4 in. (22.2 cm), Prints, Hasegawa Sadanobu (Japanese,

Dressing Table Cover Quilt, 1700–1750, Made in Bouches-du-Rhône, Marseille, France, Dutch, Cotton, linen binding, and linen fringe, 45 x 35 in. (114.3 x 88.9 cm), Textiles

Vase fragment, Helladic, Greek, Laconian, Terracotta, 1 7/8 x 1 13/16in. (4.8 x 4.6cm), Vases

Vase with cover (part of a garniture), ca. 1690, Dutch, Delft, Tin-glazed earthenware, Height: 21 1/16 in. (53.5 cm), Ceramics-Pottery, Garnitures consisting of three, five, or seven vases were made for decorative purposes to be placed on

Wall painting fragment, 1st century A.D., Roman, Fresco, Overall: 4 7/8 x 3 in. (12.4 x 7.6 cm), Miscellaneous-Paintings, Floral decoration

Levantine vessel with rampant goats and olive trees, ca. late 2nd–early 1st millennium B.C., Egypt, said to be from Helmaya, Ivory, H. 6 1/2 in. (16.4cm), Ivory/Bone-Vessels, Carved from a single piece of elephant ivory, this vessel takes

Saint Thomas, ca. 1317–19, Tempera on wood, gold ground, Overall, with arched top and engaged frame, 11 5/8 x 8 5/8 in. (29.5 x 21.9 cm); painted surface 10 3/8 x 7 3/4 in. (26.4 x 19.7 cm), Paintings, Workshop of Simone Martini (Italian,

San Francisco, from California and Powell Street, 1864, printed ca. 1876, Albumen silver print from glass negative, Photographs, Carleton E. Watkins (American, 1829–1916

'Feuille d'automne', 1916, French, a, b) silk; c) fur, silk, The day ensemble ‘Feuille d’Automne’ (Autumn Leaves), introduces the new, slightly raised hemline of the season. While Denise Poiret had worn boots à la Russe for years,

Ming-Ming Customhouse, Rieng-Gang City, ca. 1869, Albumen silver print from glass negative, Image: 7 7/8 × 11 1/8 in. (20 × 28.3 cm), Photographs, Attributed to John Thomson (British, Edinburgh, Scotland 1837–1921 London

東京名所之内吾妻橋新築之図, Illustration of the Opening of Azuma Bridge in Tokyo (Tokyo meisho no uchi azuma bashi shinchiku no zu), Meiji period (1868–1912), 1887, Japan, Triptych of polychrome woodblock prints; ink and color on

Charles Maurice de Talleyrand Périgord (1754–1838), Prince de Talleyrand, 1817, Oil on canvas, 85 x 55 7/8 in. (215.9 x 141.9 cm), Paintings, Pierre Paul Prud'hon (French, Cluny 1758–1823 Paris), Talleyrand, a brilliant political figure

Statuette of a girl, Archaic, ca. 550–500 B.C., Etruscan, Bronze, H.: 2 11/16 x 15/16 in. (6.8 x 2.4 cm), Bronzes

Studies of Magnolias, 1891, Made in New York, New York, United States, American, Graphite, watercolor, and ink on brown wove paper, Overall: 6 13/16 x 20 1/8 in. (17.3 x 51.1 cm), Drawings, Tiffany & Co. (1837–present

Coif, 1600–1630, British, Linen worked with silk and metal thread, spangles; satin, long -and-short, braid, buttonhole, and couching stitches, Coif: H. 9 x W. 8 1/2 inches (22.9 x 21.6 cm); Forehead cloth: H. 7 x W. 17 1/2 inches (17.8 x

Jacques-Joseph Ebelman on his Deathbed, March 31, 1852 , Waxed paper negative, 19 x 24.5 cm (7 1/2 x 9 5/8 in.), Negatives, Louis-Rémy Robert (French, 1810–1882), This paper negative, from the collection of Robert's descendants, shows

Interior of the Oude Kerk, Delft, 1660, Oil on canvas, 32 1/2 x 26 in. (82.6 x 66 cm), Paintings, Hendrick van Vliet (Dutch, Delft 1611/12–1675 Delft), Van Vliet was one of several artists in Delft who specialized in the depiction of church

Bowl, Cypriot, Bronze, 2 15/16in. (7.5cm), Bronzes

Glass fragment, Early Imperial, 1st century A.D., Roman, Glass; blown with applied marvered blobs, Other: 1 x 2 1/4 in. (2.6 x 5.7 cm), Glass, Translucent cobalt blue, with opaque white., Body fragment with convex curving side., Decoration

[Countess Canning with Guests, Government House, Allahabad], 1858, Albumen silver print, Image: 7 x 7.5 cm (2 3/4 x 2 15/16 in.), Photographs, John Constantine Stanley (British, 1837–1878

Case (Inrō) with Chrysanthemum Decoration, Edo period (1615–1868), 18th–19th century, Japan, Gold and silver maki-e with inlay of mother-of-pearl on lacquered ground, 2 15/16 x 2 1/8 x 1 in. (7.4 x 5.4 x 2.5 cm), Inr

Print, Meiji period (1868–1912), ca. 1906, Japan, Polychrome woodblock print; ink and color on paper, 8 1/16 x 11 5/8 in. (20.5 x 29.5 cm), Prints, Hamada Josen (Japanese, active turn of 20th century

Two Designs for Ornament, ca. 1770, Pen and black ink, brush and gray wash, over graphite underdrawing, 3 3/8 x 8 1/16 in. (8.6 x 20.4 cm), Drawings, Richard de Lalonde (French, active Paris, 1780–90

Composition Study for 'Castor and Pollux Freeing Helen', 1817, Black crayon and stumping on off-white laid paper, sheet: 7 x 9 1/8 in. (17.8 x 23.2 cm), Drawings, Joseph-Ferdinand Lancrenon (French, 1794–1874

東海道五十三次　原, Hara, Edo period (1615–1868), ca. 1848–49, Japan, Polychrome woodblock print; ink and color on paper, Overall: 8 3/4 x 13 3/4in. (22.2 x 34.9cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858

Terracotta lekythos (oil flask), Classical, ca. 420 B.C., Greek, Attic, Terracotta; white-ground, H.: 11 5/16 in. (28.7 cm), Vases, Woman and young warrior at a tomb. The warrior is equipped with a helmet and spear. Of particular note is

Glass perfume bottle, Early Imperial, 1st century A.D., Roman, Glass; blown, Overall: 3 3/16in. (8.1cm), Glass, Colorless with pale blue green tinge. Rim folded out, over, and in, flattened on top; short, cylindrical neck, with tooling

[Plaza of Canons, Teheran, Iran] (Maydan-i Top-khaneh), 1840s–60s, Photographs, Possibly by Luigi Pesce (Italian, 1818–1891

Glass bottle, Mid Imperial, ca. 2nd–3rd century A.D., Roman, Glass; blown, H.: 2 1/2 in. (6.4 cm), Glass, Translucent pale blue green. Everted rim, folded round and into mouth; cylindrical neck, expanding downwards and joining

Faience amulet in the form of a cat, Late Dynastic–Hellenistic, 664–30 B.C., Egyptian, Clay, glazed, H.: 1 5/16 in. (3.3 cm), Gold and Silver, Amulets representing animals were attributed to a deity: a hawk for Ra, the Sun God, a lion

The Crucifixion, ca. 1510, Tempera and gold on wood, Central panel 19 x 11 1/2 in. (48.3 x 29.2 cm); each wing 19 x 6 in. (48.3 x 15.2 cm), Paintings, Francesco Granacci (Francesco di Andrea di Marco) (Italian, Villamagna 1469–1543 Florence),

Seated Four-Armed Ganesha, ca. 1775, India (Rajasthan, Bundi), Ink and opaque watercolor on paper, 5 15/16 x 4 1/2 in. (15.1 x 11.4 cm), Paintings, Ganesha, the Hindu god of good fortune is shown sitting on a multitiered lotus—holding in

Otafuku Holding a Branch of Double White Cherry Blossoms, ca. 1840, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 3/4 x 7 1/8 in. (19.7 x 18.1 cm), Prints, Watanabe Kazan (Japanese, 1793–1841

[Construction Site], 1880s, Albumen silver print from glass negative, Image: 36.8 x 47.8 cm (14 1/2 x 18 13/16 in.), Photographs, Louis Lafon (French, active 1870s–90s), The urbanization projects of nineteenth-century France called on

Vase fragment, Neolithic, first period, ca. 4000 B.C., Neolithic, Nemea, Terracotta, length 2 1/8in. (5.4cm), Vases

露草に鶏と雛, Rooster, Hen and Chicken with Spiderwort, Edo period (1615–1868), ca. 1830–33, Japan, Polychrome woodblock print; ink and color on paper, Image: 9 x 11 1/2 in. (22.9 x 29.2 cm), Prints, Katsushika Hokusai (Japanese,

Terracotta lekythos in the form of a flying Eros, Late Classical, 2nd half of the 4th century B.C., Greek, Attic, Terracotta, 8 3/4in. (22.2cm), Vases, The figure holds an incense burner. Although vases in figural form were known in Greek art

Room from the Hart House, Ipswich, Massachusetts, 1680, Made in Ipswich, Massachusetts, United States, American, Wood, oak, pine, Architecture

青楼美人　六花撰　扇屋内花扇, A Courtesan with Wisteria on the Background, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 14 1/8 in. (35.9 cm); W. 9 1/4 in. (23.5 cm), Prints, Utamaro II

L'Oeuvre D'Antoine Watteau Pientre du Roy en son Academie Roïale de Peinture et Sculpture Gravé d'après ses Tableaux & Desseins originaux...par les Soins de M. de Jullienne, Volume I, ca. 1740, Engraving, Book: 25 3/16 × 19 1/2 × 1 15/16 in.

Glass mosaic bowl fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 3/16 x 1 3/8 in. (3 x 3.6 cm), Glass, Rim fragment, thin-walled., Translucent purple and opaque white., Vertical rim;

Moon over an Autumn Moor, Muromachi period (1392–1573), 16th century, Japan, Originally a fan mounted as a hanging scroll; ink, color, and silver on gilded paper, 9 3/4 x 19 1/2 in. (24.8 x 49.5 cm), Paintings, Attributed to Kano Yukinobu

The Raya Gopuram from E., January–March 1858, Albumen silver print from waxed paper negative, Image: 27 x 36.5 cm (10 5/8 x 14 3/8 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902 Devonport

Terracotta amphora (jar), Cypro-Geometric I, 1050–950 B.C., Cypriot, Terracotta, H. 9 15/16 in. (25.3 cm), Vases, The dark slip and the vertical grooves may reflect the influence of metal vases

Chisel, Bronze Age, Bronze, Other: 4 5/8in. (11.8cm), Bronzes

Design for a Freestanding Altar dedicated to the Assumption of the Virgin., ca. 1670–1740, Pen and brown ink, brush and gray wash, over traces of graphite or black chalk; two centering marks in graphite or black chalk (a ruled centered vertical

Statuette of a warrior-11, Greek, Laconian, Lead, Height: 13/16 in. (2 cm), Miscellaneous-Lead

River View with a Village Church, Oil on canvas, 25 1/2 x 38 1/2 in. (64.8 x 97.8 cm), Paintings, Style of Jan van Goyen (Dutch, mid-17th century

View in the Jungle, Bengal, 1850s, Albumen silver print, Image: 19.4 x 24.5 cm (7 5/8 x 9 5/8 in.), Photographs, Captain R. B. Hill

Fragmentary bronze statuette of Herakles with lion's skin, Imperial, 1st–3rd century A.D., Roman, Bronze, H. 5 3/4 in. (14.6 cm.), Bronzes, The finely incised lion's skin drapped over the arm of this figure identifies him as Herakles. In his

『春雨集』　摺物帖, Edo period (1615–1868), 1810s, Japan, Privately published woodblock prints (surimono) mounted in an album; ink and color on paper, 5 1/2 x 7 1/4 in. (14 x 18.4 cm), Prints, Ryūryūkyo Shinsai (Japanese, active

Double beaker, 1593/94–1602, German, Nuremberg, Silver-gilt, mother-of-pearl, Overall (confirmed): H. 6 15/16 x W. 3 3/4 in. (17.6 x 9.5 cm), Metalwork-Silver, Georg Rühl was one of the most celebrated European goldsmiths of his time. He

Bronze bust of an Amazon, Early Imperial, 1st century A.D., Roman, Bronze, H. 14.5 cm, Bronzes, In high relief: Amazon or goddess wearing an oriental cap and carrying a sheathed sword

Neck of a terracotta oinochoe (jug), Late Archaic, ca. 490 B.C., Greek, Attic, Terracotta; red-figure, 3 1/4in. (8.2cm), Vases, Satyr in the palaistra (exercise ground). The satyr stands with his left arm akimbo and his right hand holding a

Leather Helmet with Auspicious Symbols, 15th–17th century, Tibetan, Leather, gold, shellac, pigments, H. 6 1/4 in. (15.9 cm); Diam. 8 7/8 in. (22.5 cm); Wt. 1 lb. 13.7 oz. (842 g), Helmets

Terracotta fragment of a jug with polychrome decoration, Middle Minoan II, ca. 1800–1700 B.C., Minoan, Terracotta; Barbotine ware, Overall: 1 1/2 x 2 3/16in. (3.8 x 5.6cm), Vases, From Knossos, Crete. Polychrome fragment with roughened

Cream pitcher, 1820–45, Probably made in Ohio, United States, American, Blown, pattern-molded glass, H. 5 5/8 in. (14.3 cm), Glass

Gold earring with head of a lion, Classical or Hellenistic, 4th?3rd century B.C., Greek, Gold, Diam.: 5/8 in. (1.6 cm), Gold and Silver, Circlet of twisted gold wire, which tapers from the animal's head at the front end to a hooked point

Fibula, boat-shaped type, Bronze, Other: 2 5/8 in. (6.7 cm), Bronzes

青楼仁和嘉女芸者之部　扇売　団扇売　麦つき, The Niwaka Performers, Edo period (1615–1868), ca. 1795, Japan, Polychrome woodblock print; ink and color on paper, H. 15 3/16 in. (38.6 cm); W. 10 1/8 in. (25.7 cm), Prints,

Twelve-light chandelier (lustre), Attributed to Pierre Rémond (French, Paris 1747–1812 Paris), ca. 1785, French, Paris, Varnished copper alloy, gilt bronze, H. 55 in. (139.7 cm); Diam. 28 1/2 in. (72.4 cm), Metalwork-Gilt Bronze,

Pair of vases, 1789, French, Sèvres, Hard-paste porcelain; gilt bronze, marble, Height (each): 9 1/16 in. (23 cm), Ceramics-Porcelain, Made in 1789, on the eve of the French Revolution, this pair of vases reflects the superb quality and

[Young Girl in the Garden], 1850s, Albumen silver print, Image: 6.3 x 6 cm (2 1/2 x 2 3/8 in.), Photographs, Unknown

Terracotta amphora handle with stamp, ca. 220–180 B.C., Greek, Rhodian, Terracotta, Other: 4 7/8 in. (12.4 cm), Cesnola Inscriptions, The circular stamp bears the name of the potter Damokrates, with at the center a large rose, symbolizing

諸國瀧廻リ　木曽路ノ奥 阿彌陀ヶ瀧, The Amida Falls in the Far Reaches of the Kisokaidō Road (Kisoji no oku Amida-ga-taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri), Edo period (1615–1868),

Terracotta dish, Classical, 5th century B.C., Greek, Attic, Terracotta; black-glaze, H. 15/16 in. (2.3 cm); diameter 3 1/16 in. (7.7 cm), Vases, Vases with painted decoration represent the most complex products of Athenian potters and

Garden in Indigo Districts, 1850s, Albumen silver print, Image: 19.1 x 24.7 cm (7 1/2 x 9 3/4 in.), Photographs, Captain R. B. Hill

[Lady Canning and J.C.S.], 1858–61, Albumen silver print, Image: 22.4 x 26.9 cm (8 13/16 x 10 9/16 in.), Photographs, Unknown

Glass needle, Early Imperial, 1st century A.D., Roman, Glass; drawn and tooled, H. 6 1/8 in. (15.5 cm); diameter 3/16 in. (0.5 cm), Glass, Translucent light blue, with opaque white trail. Solid rod, circular in cross section, tapering at

Dragon Carpet, late 18th–early 19th century, Attributed to Caucasus, Wool, cotton; plain weave with supplementary-weft embroidery (Soumak), Rug: H. 90 in. (228.6 cm), Textiles-Rugs, This embroidered rug features a design with repeating

元 唐棣 摩詰詩意圖 軸, Landscape after a poem by Wang Wei, Yuan dynasty (1271–1368), dated 1323, China, Hanging scroll; ink and color on silk, Image: 50 3/4 x 27 1/16 in. (128.9 x 68.7 cm), Paintings, Tang Di (Chinese, ca.

Glass amphoriskos with band of scrolls, Early Imperial, 1st century A.D., Roman, Glass; blown in a two-part mold, H. 2 3/4 in. (7 cm); diameter 1 3/4 in. (4.4 cm), Glass, Translucent pale streaky purple, with handles in translucent pale blue

La Technographie. La Rizographie. La Caligraphie., 1599, plates: engraving, woodcut, Overall: 7 7/8 x 10 5/8 x 1 3/16 in. (20 x 27 x 3 cm), Books

Mrs. James Bleecker (Elizabeth Garland Bache), ca. 1788, Watercolor on ivory, 1 7/8 x 1 5/8 in. (4.8 x 4.1 cm), Paintings, John Ramage (Ireland ca. 1748–1802 Montreal), Elizabeth Garland Bache (1762-1794), daughter of Theophylact Bache and

江都名所　飛鳥山はな見, Asakayama Hanami, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 1/4 x 14 3/4 in. (23.5 x 37.5 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo)

Punch bowl (jatte à punch) (part of a service), 1771–72, French, Sèvres, Soft-paste porcelain, Height: 6 9/16 in. (16.7 cm); Diameter: 13 in. (33 cm), Ceramics-Porcelain, The table services produced at Sèvres in the eighteenth century