Images at Librifly

View from the Other Side of Fuji from the Minobu River (Minobugawa ura Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　身延川裏不二, Edo period (1615–1868), ca. 1830–32, Japan,

The Cloisters Apocalypse, ca. 1330, Made in Normandy, France, French, Tempera, gold, silver, and ink on parchment; later leather binding, Overall: 12 3/8 × 9 3/8 × 1 3/8 in. (31.5 × 23.8 × 3.5 cm), Manuscripts and Illuminations, The

Terracotta cup with appliqués, Hellenistic, ca. 150–100 B.C., Greek, Pergamene, Terracotta, H. 3 1/8 in. (8 cm); diameter 4 in. (10.2 cm), Vases, Applied decoration: the infant Herakles strangling the snakes, amphora with a lid, Eros

Man in a Red Cloak, Oil on wood, 15 1/8 x 12 1/4 in. (38.4 x 31.1 cm), Paintings, Style of Rembrandt (Dutch, 1650s or early 1660s

Tenjiku maru no zu, A View of Indian Elephants, Edo period (1615–1868), 6th month, 1863, Japan, Triptych of polychrome woodblock prints; ink and color on paper, Image (a): 14 1/4 x 9 5/8 in. (36.2 x 24.4 cm), Prints, Utagawa Yoshitora

A Beauty, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 13 3/16 in. (33.5 cm); W. 9 3/16 in. (23.3 cm), Prints, Ichirakutei Eisui (Japanese, active ca. 1793–1801

近江八景之内 唐崎夜雨, Night Rain at Karasaki, from the series Eight Views of Ō-mi, Edo period (1615–1868), ca. 1835, Japan, Polychrome woodblock print; ink and color on paper, Image: 8 3/4 × 13 5/8 in. (22.2 × 34.6 cm),

当世美人三遊　芸妓, “Geisha” from the series Three Amusements of Contemporary Beauties (Tōsei bijin san’yū: Geigi), Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print; ink and color on paper, 20 7/8 x 9 9/16

Limestone plinth with the feet of a male statuette, Archaic, middle or 2nd half of the 6th century B.C., Cypriot, Limestone, Overall: 3 1/2 x 7 1/2 x 8 3/4 in. (8.9 x 19.1 x 22.2 cm), Cesnola Inscriptions, On a plinth with Cypriot inscription,

Salver, ca. 1760, Made in New York, New York, United States, American, Silver, 1 9/16 x 13 1/4 in. (4 x 33.7 cm); 37 oz. 16 dwt. (1176.4 g), Silver, Thomas Hamersley (1727–1781

Sazai Hall at the Temple of the Five Hundred Arhats (Gohyaku Rakanji Sazaidō), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), 冨嶽三十六景　五百らかん寺さざゐどう, Edo period (1615–1868), ca. 1830–32,

Box with Draperies, 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 1/4 x 11 1/6 in. (21 x 28.4 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823

A Beauty Looking Down upon a Young Man Reading a Love Letter, Edo period (1615–1868), ca. 1771, Japan, Polychrome woodblock print (pillar print); ink and color on paper, 26 1/4 x 4 1/4 in. (66.7 x 10.8 cm), Prints, Utagawa Toyoharu

Fibula, Iron Age, ca. 8th–7th century B.C., Phrygia, Phrygian, Bronze, 2.32 x 0.67 x 2.76 in. (5.89 x 1.7 x 7.01 cm), Metalwork-Ornaments, Fibulae, ancient safety pins, had a long history in the ancient world, beginning in the late

A Geisha Seated upon a Shogi in Front of a Tea-house, Edo period (1615–1868), ca. 1763, Japan, Polychrome woodblock print; ink and color on paper, 28 23/32 x 5 7/32 in. (73.0 x 13.3 cm), Prints, Okumura Masanobu (Japanese, 1686–1764

Fibula, boat-shaped type, Bronze, Other: 2 1/4 in. (5.7 cm), Bronzes

Ryogoku no yoizuki, 東都名所　両国之宵月, Twilight Moon at Ryōgoku Bridge, Edo period (1615–1868), Japan, Polychrome woodblock print; ink and color on paper, H. 9 5/8 in. (24.4 cm); W. 15 3/16 in. (38.6 cm), Prints, Utagawa

Belt Hook, late Zhou dynasty (1046–256 B.C.), China, Bronze, W. 1 3/16 in. (3 cm); L. 2 5/8 in. (6.7 cm), Metalwork

[Golestan Palace, Teheran, Iran] (Takht-i Marmor), 1840s–60s, Photographs, Luigi Pesce (Italian, 1818–1891

[Governor General's and Commander in Chief's Camp, Jullundur], 1858–61, Albumen silver print, Image: 14.5 x 21.1 cm (5 11/16 x 8 5/16 in.), Photographs, Unknown

Terracotta lekythos (oil flask), Classical, ca. 420–410 B.C., Greek, Attic, Terracotta; white-ground, H.: 16 1/4 in. (41.3 cm), Vases, Youth and woman, each holding basket with fillets, bringing offerings to a tomb

Fibula, Late Bronze Age, Italic, Bronze, H.: 7/8 x 1 1/2 in. (2.2 x 3.8 cm), Bronzes

Bowl with with Design of Pine, Bamboo, and Cherry Blossom, Edo period (1615–1868), 19th century, Japan, Sprinkled gold on lacquer (maki-e), H. 3 3/8 in. (8.6 cm); W. 6 1/4 in. (15.9 cm), Lacquer, This bowl, part of a wedding trousseau,

Print, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print; ink and color on paper, Image: 13 5/8 × 9 5/8 in. (34.6 × 24.4 cm), Prints, Utagawa Kunisada (Japanese, 1786–1865

Terracotta neck-amphora (jar), Archaic, ca. 500 B.C., Greek, Attic, Terracotta; black-figure, H. 5 3/4 in. (14.6 cm.), Vases, Obverse, Theseus and the Minotaur with Ariadne (?), Reverse, Herakles battles an Amazon. This small neck-amphora

Whistle, Pre-Columbian, 300–200 B.C., Ocucaje-South Coast, Paracas, Peru, Paracas, Ceramic, polychrome, H: 5.9cm (2 5/16in.), Aerophone-Whistle Flute-vessel flute

Terracotta aryballos (oil flask), Early Corinthian, ca. 620–590 B.C., Greek, Corinthian, Terracotta; black-figure, H. 2 9/16 in. (6.5 cm), Vases, Man and woman between two horsemen, male figure and bird

Chlorite pestle, Late Bronze Age, ca. 1600–1050 B.C., Cypriot, Chlorite, H. 2 3/8 x 1 1/2 in. (6 x 3.8 cm), Miscellaneous-Stone, Grinder

Pilgrim Flask with Saint Menas, 4th–7th century, Probably made in Egypt, Abu Mena, Earthenware; unglazed, 3 7/8 x 2 5/8 in. (9.8 x 6.7 cm), Ceramics, Ampullae like this one were used by pilgrims to bring home water or oil from the great

葛飾北斎画　燕子花, Grasshopper and Iris, Edo period (1615–1868), late 1820s, Japan, Polychrome woodblock print; ink and color on paper, Overall: 9 3/4 x 14 3/16in. (24.8 x 36 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo)

Caster, ca. 1773, Probably made in Rhode Island, United States, American, Silver, Overall: 5 5/8 x 2 in. (14.3 x 5.1 cm); 3 oz. 1 dwt. (95.2 g), Silver

Bronze ring with carnelian scarab, Archaic, 6th–5th century B.C., Greek, Bronze, sard, Diameter: 7/8 in. (2.2 cm), Gems, Ring with scarab

Thomas Chalmers, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews,

Vase fragment, Early Minoan III, Minoan, Terracotta, 2 1/16 × 2 × 1/8 in. (5.3 × 5 × 0.4 cm), Vases

Maria Luisa of Parma (1751–1819), Later Queen of Spain, 1765, Oil on canvas, 90 7/8 x 64 3/4 in. (230.8 x 164.5 cm), Paintings, Laurent Pécheux (French, Lyons 1729–1821 Turin), Although born in France, Pécheux was called to Parma,

'Kharrad Recognizes the 'Princess' as being an Automaton', Folio from a Shahnama (Book of Kings), A.H. 741/A.D. 1341, Made in Iran, Shiraz, Ink, watercolor, and gold on paper, Image 9 1/2 in x 11 3/8 in., Codices

Abou Sembil, Grand Spéos - Statues Colossales, Vues de Trois-Quarts, 1851–52, printed 1853–54, Salted paper print from paper negative, 30.0 x 24.4 cm. (11 13/16 x 9 5/8 in.), Photographs, Félix Teynard (French, 1817–1892

Carp and Pine, Edo period (1615–1868), Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 7/8 x 6 7/8 in. (20 x 17.5 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868), Commissioned by the Friends Club of Kamige,

La Nonne blanche, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

St. Andrews, 1843–47, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland

Cabinet, from Chippendale Drawings, Vol. II, ca. 1753–54, Black ink, gray wash, sheet: 8 7/16 x 12 in. (21.4 x 30.4 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

Statuette of a warrior-10, Greek, Laconian, Lead, Height: 1 5/16 in. (3.3 cm), Miscellaneous-Lead

Glass globular bottle, Late Imperial, 4th century A.D., Roman, Glass; blown, H.: 11 3/16 in. (28.4 cm), Glass, Translucent blue green., Rounded, slightly outsplayed, vertical rim, with hollow horizontal flange below, made by folding;

Terracotta miniature hydria: kalpis (water jar), Late Classical, ca. 350–300 B.C., Greek, South Italian, Apulian, Gnathian, Terracotta; applied color, H. 5 1/2 in. (14 cm), Vases, Such small-scale vases were made for funerary purposes

Terracotta oinochoe (jug), Classical, ca. 470–460 B.C., Greek, Attic, Terracotta; red-figure, Other: 5 in. (12.7 cm), Vases, Iris crouching with kerykeion (herald's staff) and wax tablets

The Actor Nakamura Nakazo as a Daimyo, Edo period (1615–1868), ca. 1791, Japan, Polychrome woodblock print; ink and color on paper, 12 7/32 x 5 3/4 in. (31.1 x 14.6 cm), Prints, Katsukawa Shunkō (Japanese, 1743–1812

Dish, 1720–30, Made in Nuremberg, Bavaria, Germany, German, Earthenware, Diam. 12 1/8 in. (30.8 cm), Ceramics

Glass mosaic inlay fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 15/16 x 1 1/8 in. (2.4 x 2.8 cm), Glass, Translucent deep turquoise green and opaque white., Flat, but uneven underside

Bone implement, Imperial, 2nd–3rd century A.D., Roman, Bone, H.: 6 11/16 in. (17 cm), The object, although it has the same basic shape as stirring rods in bronze and glass, is unlikely to have been used for stirring, mixing, or applying

Limestone altar, Cypro-Classical, first half of the 5th century B.C., Cypriot, Limestone, Overall: 9 3/8 x 6 3/8 x 6 in. (23.8 x 16.2 x 15.2 cm), Cesnola Inscriptions, The altar is decorated on two sides; on one, together with a

Serpentine tankard, Middle Minoan III-Late Minoan I, ca. 1750–1450 B.C., Minoan, Serpentine, H. 2 13/16 in. (7.2 cm); Diameter 3 7/8 in. (9.9 cm), Miscellaneous-Stone Vases, Handleless cup

Glass bracelet, Imperial, ca. 2nd–4th century A.D., Roman, Glass; drawn and tooled, W.: 1/8 in. (0.3 cm), Glass, Translucent dark cobalt blue, appearing black. Irregular oval band; semicircular in section but misshapen where tooled; no

Terracotta one-handled cup, Geometric, late 8th century B.C., Greek, Attic, Terracotta, H. 1 3/4 in. (4.4 cm), Vases, From the Hymettos deposit

Courtesan, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 8 3/16 x 7 3/8 in. (20.8 x 18.7 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868

Wall painting fragment, 1st century A.D., Roman, Fresco, Overall: 4 7/16 x 3 3/8 x 9/16 in. (11.3 x 8.6 x 1.4 cm), Miscellaneous-Paintings, On yellow ground; frontal winged figure in red with left hand grasping vine

Letter, Ming dynasty (1368–1644), China, Album leaf; ink on paper, 11 1/2 x 18 in. (29.2 x 45.7 cm), Calligraphy, Song Jue (1576–1632

Bowl, ca. 1740, German, Meissen, Hard-paste porcelain, Overall, irregular diameter (confirmed): 5 1/8 x 11 1/4 x 11 1/4 in. (13 x 28.6 x 28.6 cm), Ceramics-Porcelain, Battle scenes—based on, if not copied from, engravings—were popular

The Bible, The Book of Psalms, ca. 1649, British, Satin worked with silk and metal thread, spangles; knot, tent, and couching stitches; silver metal thread edging, L. 8 7/8 x W. 7 1/4 inches (22.5 x 18.4 cm), Textiles-Embroidered, The

Jug, Late Classical, 4th century B.C., East Greek, Terracotta, H. 3 7/8 in. (9.9 cm), Vases

東海道五十三次之内　平塚　縄手道, Hiratsuka; Nawate Do, Edo period (1615–1868), ca. 1834, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 14 1/8 in. (24.1 x 35.9 cm), Prints, Utagawa Hiroshige (Japanese,

Glass jar, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; Blown and tooled, H.: 3 x 3 1/2 x 2 3/8 x 1 3/8 in. (7.6 x 8.9 x 6 x 3.5 cm), Glass, Translucent blue green. Outsplayed, rounded rim; short, concave neck; squat, bulbous body;

Girdle of disc and ball beads, New Kingdom, Dynasty 18, ca. 1550–1425 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb CC 37, Burial 78, Carnarvon/Carter excavations, 1911, Travertine (Egyptian alabaster), carnelian, L. 98 cm (38

Bronze stamp, Imperial, 1st–2nd century A.D., Roman, Bronze, Overall: 1 1/8 x 2 3/4 in. (2.9 x 7 cm), Bronzes, The stamp reads Veneris obsequentis, suggesting that it was used to mark products or property belonging to a temple dedicated to

Villa Borghese, ca. 1780, Etching, with watercolor and gouache, Mat: 23 1/4 × 32 1/4 in. (59.1 × 81.9 cm), Prints, Giovanni Volpato (Italian, Bassano 1732–1803 Rome), Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748–1810 Lausanne

Calligraphy, late Ming (1368–1644)–early Qing (1644–1911) dynasty, China, Folding fan mounted as an album leaf; ink on paper, 6 3/8 x 19 7/8 in. (16.2 x 50.5 cm), Calligraphy, Unidentified Artist, After Chen Hongshou (Chinese,

Tray with Sun Symbol, 14th century, Attributed to Egypt or Syria, Brass; cast, chased, engraved, inlaid with silver and gold, H. 1 in. (2.5 cm), Metal, A sun symbol occupies the center of this plate, but instead of the planets orbiting it,

Arch of Titus, ca. 1780, Etching, with watercolor and gouache, Mat: 31 7/8 × 23 1/16 in. (80.9 × 58.5 cm), Prints, Giovanni Volpato (Italian, Bassano 1732–1803 Rome), Abraham Louis Rodolphe Ducros (Swiss, Yverdon 1748–1810 Lausanne

Gold ring, Late Classical, 4th century B.C., Greek, Gold, Length: 1/2 in. (1.3 cm), Gems, Fern design surrounded by a border of dots

Red jasper amulet of the sun on the horizon, Late Dynastic–Hellenistic, 664–30 B.C., Egyptian, Jasper, red, H.: 7/8 in. (2.2 cm), Gold and Silver, Amulet of the rising sun

Fragment, 4th–5th century, Country of Origin Egypt, Wool, linen; plain weave, weft loop weave, 5 3/8 in. high 4 15/16 in. wide (13.6 cm high 12.6 cm wide), Textiles

Vase fragment, Geometric, East Greek/Sardis, Lydian, Terracotta, Overall: 2 15/16 x 2 5/8in. (7.5 x 6.7cm), Vases

The Mystic Capture of the Unicorn (from the Unicorn Tapestries), 1495–1505, South Netherlandish, Wool warp with wool, silk, silver, and gilt wefts, Overall: 66 1/2 x 25 1/2 in. (168.9 x 64.8 cm), Textiles-Tapestries, In these two fragments

Votive figure, Early Dynastic III, ca. 2600–2350 B.C., Mesopotamia, Sumerian, Stone, white, H. 41.3 x W. 14.5 x D. 13.5 cm (16 1/4 x 5 3/4 x 5 3/8 in.), Stone-Sculpture

Terracotta bell-krater (bowl for mixing wine and water), Classical, ca. 440–430 B.C., Greek, Attic, Terracotta; red-figure, H. as restored 11 1/4 in. (28.7 cm), Vases, Obverse, Athena, Athanasia, the wounded Tydeus with the head of

Design for a chandelier, late 19th–early 20th century, Made in New York, United States, American, Colored pencil, gouache, and graphite on off-white tracing paper on light-weight paper board, Overall: 22 3/16 x 15 1/16 in. (56.3 x 38.2 cm),

Amerika jin Yuko Sakamori, An American Carousing, Edo period (1615–1868), 1861 (Bunkyu 1, first month), Japan, Polychrome woodblock print; ink and color on paper, 14 1/4 x 9 3/4 in. (36.2 x 24.8 cm), Prints, Utagawa Yoshitora (Japanese,

A Lady, said to be Elizabeth Coombe, third quarter 17th century, British, Satin worked with silk and metal thread; long-and-short, outline, split, and couching stitches, Overall: 13 1/8 x 17 5/8 in. (33.3 x 44.8 cm), Textiles-Embroidered

The Czartoryski Carpet, 17th century, Made in Iran, probably Isfahan, Cotton (warp), silk (weft and pile), metal wrapped thread; asymmetrically knotted pile, brocaded, Rug: H. 191 1/2 in. (486.4 cm), Textiles-Rugs, The coat of arms on this

Figure of an Owl, 3rd–6th century, Peru, Moche, Bone, cinnebar, Height 1-5/8 in., Bone/Ivory-Sculpture

Compote, 1855–60, Made in Brooklyn, New York, New York, United States, American, Cut and engraved glass, H. 9 11/16 in. (24.6 cm); Diam. 10 1/4 in. (26 cm), Glass, Attributed to Christian Dorflinger (1828–1915

Terracotta conical cup, Middle Minoan I, ca. 2200–1900 B.C., Minoan, Terracotta; Plain coarse ware, Overall: 1 5/8 x 3 1/8in. (4.1 x 8cm), Vases, From Knossos, Crete

Glass flask, Late Roman, ca. 3rd century A.D., Roman, Glass; blown, Height: 3 3/4 in. (9.5 cm), Glass, Translucent blue green. Rounded rim, folded out, over, and in; cylindrical neck, tapering downwards; pushed-in shoulder; globular body;

Landscape at Sunset, 1650s, Oil on canvas, 20 x 28 1/8 in. (50.8 x 71.4 cm), Paintings, Aert van der Neer (Dutch, Gorinchem 1603/4–1677 Amsterdam), A keen eye for effects of light distinguishes the landscape paintings of Aert van der Neer.

東海道五十三次　二川, Futakawa, from the series The Fifty-three Stations of the Tōkaidō Road, early 20th century, Japan, Polychrome woodblock print; ink and color on paper, 7 x 9 in. (17.8 x 22.9 cm), Prints, Utagawa Hiroshige

Terracotta pelike (jar), Classical, late 5th century B.C., Greek, Corinthian, Terracotta; red-figure, H. 9 15/16 in. (25.2 cm), Vases, Obverse, satyr dancing in front of a maenad, Reverse, two youths. Although the red-figure technique is

Couple in an Evening Shower, From the series Three Evening Pleasures of the Floating World, Edo period (1615–1868), ca. 1800, Japan, Polychrome woodblock print; ink and color on paper, 20 x 8 1/2 in. (50.8 x 21.6 cm), Prints, Kitagawa

Glass striped mosaic fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 5/8 x 13/16 in. (1.6 x 2.1 cm), Glass, Body fragment., Translucent turquoise blue and opaque yellow appearing green,

Jérusalem, Porte de Jaffa, Vue extérieure, 1854, Salted paper print from paper negative, Image: 31.8 x 23 cm (12 1/2 x 9 1/16 in.), Photographs, Auguste Salzmann (French, 1824–1872

Panel with Horse Heads, 11th century, Made in Egypt, Wood (teak); carved, H. 13 3/4 in. (34.9 cm), Wood, This panel, probably from a wooden door, is deeply carved with two symmetrical horse heads in relief. Attention to detail is evident in

Gosceau Rock and the Croft, 1870s, Albumen silver print, Photographs, Francis Bedford (British, London 1816–1894 London

Bronze statuette (of a woman?), Geometric, 9th–8th century B.C., Etruscan, Bronze, H.: 1 7/8 in. (4.8 cm), Bronzes, With arms lowered and oversized hands

Pillar with Capital, 9th century, Made in southern Italy, South Italian, Marble (Carrara marble), Overall: 47 1/2 x 9 1/4 x 8 7/8 in. (120.7 x 23.5 x 22.5 cm), Sculpture-Stone, Each of the four faces of this pillar shows a different scrolled

Glass cylindrical bottle, Late Imperial, 4th century A.D., Roman, Glass; mold-blown, trailed, and cut, H.: 8 13/16 in. (22.4 cm), Glass, Translucent pale green; handle and trail in same color., Rounded rim to broad, shallow, flaring

Au Bureau, September 1, 1893, Albumen silver print from glass negative, Image: 13.7 x 9.9 cm (5 3/8 x 3 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Château de David (Daoud Kalessy) et murailles de Jérusalem, August 1850, Salted paper print from paper negative, Image: 6 1/8 × 8 9/16 in. (15.5 × 21.8 cm), Photographs, Maxime Du Camp (French, 1822–1894

Mrs. Grace Dalrymple Elliott (1754?–1823), 1778, Oil on canvas, 92 1/4 x 60 1/2in. (234.3 x 153.7cm), Paintings, Thomas Gainsborough (British, Sudbury 1727–1788 London), In 1774 Gainsborough moved from Bath to London, and by 1777 he was

Young Woman on the Back of a Horse Attended by a Female Driver, Edo period (1615–1868), 1813, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 7/8 x 10 13/16 in. (20 x 27.5 cm), Prints, Kubo Shunman (Japanese,

Self-portrait, ca. 1825, Watercolor on ivory, 3 x 2 in. (7.6 x 5.1 cm), Paintings, William Dunlap (Perth Amboy, New Jersey 1766–1839 New York

Rooster, Umbrella, and Morning Glories, 歌川広重画　朝顔に鶏と傘, Edo period (1615–1868), ca. 1830, Japan, Polychrome woodblock print; ink and color on paper, 14 3/4 x 6 1/2 in. (37.5 x 16.5 cm), Prints, Utagawa Hiroshige

Fragment, 5th–6th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, 18 in. high 13.50 in. wide (45.72 cm high 34.29 cm wide), Textiles