Images at Librifly

The Pope's Advance Guard or the 'Incroyable' in Rome (Avant garde du pape, ou l'Incroyable à Rome), late 18th century, Etching, sheet: 8 9/16 x 13 1/8 in. (21.7 x 33.3 cm), Prints, Anonymous, French, 18th century

Design for Three Chairs with Green Upholstery, early 19th century, Ink, watercolor and wash, sheet: 8 11/16 x 12 1/4 in. (22 x 31.1 cm), Anonymous, British, 19th century

Medieval or Tudor Chimneypiece Design, 19th century, Brown ink and wash, Anonymous, British, 19th century

Plate 45 from 'The Disasters of War' (Los Desastres de la Guerra): 'And this too.' (Y esto tambien.), 1810 (published 1863), Etching, aquatint or lavis, drypoint and burin, Plate: 6 7/16 × 8 9/16 in. (16.3 × 21.8 cm), Prints, Goya (Francisco

Design for a Chalice, 1855, Pen and black ink, brush and blue wash, heightened with white, over graphite, sheet: 12 1/2 x 10 in. (31.7 x 25.4 cm), Drawings, Anonymous, French, 19th century

Design for a Vignette with a Nymph Surprised by a Satyr, second half 17th century, Pen and brown ink, brush and brown wash, graphite, 2 5/8 x 4 in. (6.7 x 10.2 cm) - oval shape, Drawings, Anonymous, French, 17th century

“The Fifth Knot”. Interlaced Roundel with Seven Six-pointed Stars, 1521 before, Woodcut, sheet: 10 3/4 x 8 3/16 in. (27.3 x 20.8 cm), Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), After Leonardo da Vinci (Italian, Vinci

Two Children Embrace, ca. 1662, Etching, Sheet (trimmed to plate): 2 5/16 × 3 9/16 in. (5.8 × 9 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

Procession of Monstrous Figures, 1615, Etching, frieze 1 of 8 plates, sheet: 3 11/16 x 12 1/2 in. (9.4 x 31.8 cm), Prints, Wendel Dietterlin, the Younger (German, active Strasbourg ca. 1614–69

The Beast with Seven Heads and the Beast with Lamb's Horns, n.d., Woodcut, sheet: 15 x 11 1/16 in. (38.2 x 28.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Two satyrs brining Silenus King Midas standing at the left, 1531–76, Engraving, sheet: 5 1/2 x 8 9/16 in. (13.9 x 21.8 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Design for Two Sèvres Porcelain Flower Pots, 19th century, Graphite, watercolor, gouache, and gold gilt, sheet: 11 1/4 x 16 5/8 in. (28.6 x 42.2 cm), Drawings, Anonymous, French, 19th century

The Rhinoceros, n.d., Woodcut, sheet: 9 3/16 x 11 1/2 in. (23.3 x 29.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Cocks and Hens, Hôtel Colbert, 1891, Transfer lithograph, drawn on fine-grained transfer paper; only state (Chicago), Image: 6 5/8 × 5 1/16 in. (16.9 × 12.8 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903

Alexander the Great and King Poros, n.d., Pen and brown ink, brown and brown-gray wash, sheet: 5 1/4 x 6 1/2 in. (13.3 x 16.5 cm), Drawings, Martin Altomonte (Italian, 1657–1745

Portrait of Duncan Macdonald, 1928–29, Etching, drypoint and roulette; second state of three, trial proof, sheet: 10 3/16 x 7 3/8 in. (25.9 x 18.7 cm (cut within plate line), Prints, Walter Richard Sickert (British, Munich 1860–1942

Design for wallpaper featuring rampant lions and crowns, 1830–97, gouache on wove paper, Overall: 12 3/8 x 9 5/16 in. (31.4 x 23.6 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris,

Moses, 1828–71, Graphite, sheet: 4 7/16 x 5 11/16 in. (11.3 x 14.4 cm), Drawings, Gustav Jäger (German, Leipzig 1808–1871 Leipzig

The Archangel Gabriel Kneeling to the Right; Small Study of Head at Lower Left., late 16th century, Black chalk, small traces of white chalk highlights, on ochre brown prepared paper; some unrelated scribbles and sketches in red chalk, sheet: 16

Saint Francis of Assisi Resuscitating a Dead Youth, 1555–1629, Red chalk, 5 11/16 x 4 7/8in. (14.5 x 12.4cm), Drawings, Camillo Procaccini (Italian, Bologna 1555–1629 Milan), Nancy Ward Neilson has suggested that the present design may be

Design for a Certificate(?) sponsored by the French newspaper, La Dépêche, 19th century, graphite, heightened with white on blue paper, sheet: 9 3/16 x 11 1/8 in. (23.3 x 28.3 cm), Drawings

Jan Asselijn, Painter (Krabbetje), ca. 1646, Etching, drypoint, and burin; second state, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Pompeiian Design for Paneling, second half 19th century, Pen and black ink, watercolor, and graphite, 7 x 5 3/16 in. (17.8 x 13.2 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris,

Design for Canopy Bed, 19th century, Pen and brown ink, gouache, gold metallic paint, 8 1/4 x 7 7/8 in. (20.9 x 20 cm), Drawings, Anonymous, French, 19th century

Plate 44 from 'The Disasters of War' (Los Desastres de la Guerra): 'I saw it' (Yo lo vi.), 1810 (published 1863), Etching, drypoint and burin, Plate: 6 1/4 × 9 1/4 in. (15.8 × 23.5 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish,

Saint Sebastian Tied to a Tree, ca. 1501, Engraving, Sheet: 4 1/2 × 2 3/4 in. (11.5 × 7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Locomotive, 1873, Etching and drypoint, sheet: 11 13/16 x 16 3/4 in. (30 x 42.5 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres), After Joseph Mallord William Turner (British, London 1775–1851 London

Head of an old Man facing Right, Etching, sheet: 7 3/8 x 5 1/4 in. (18.7 x 13.4 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua

Design for an Ewer, 1853, Pen and gray ink, watercolor, framing lines in pen and gray ink. Design pasted onto green mounting paper., sheet: 10 7/8 x 7 5/16 in. (27.7 x 18.6 cm), Drawings, Anonymous, French, 19th century

Design for Ornamented Tile, 19th century, Pen and black ink with wash, and graphite underdrawing, Sheet: 17 1/4 x 17 7/16 in. (43.8 x 44.3 cm), Drawings

The Judgment of Solomon, after Raphael, 1511–51, Charcoal, brush and gray wash, highlighted with white, on blue paper, 9 3/8 x 12 9/16in. (23.8 x 31.9cm), Drawings, Attributed to Biagio Pupini (Italian, born Bologna, active 1511–51

Portrait of a Young Man, 1802, Black chalk, stumped, heightened with white. Framing line in pen and brown ink., 15 1/8 x 14 13/16 in. (38.4 x 37.7 cm), Drawings, Fulchran Jean Harriet (French, Paris 1778–1805 Rome

Summer (Aestas) from the series The Seasons, 1570, Engraving; first state of two, Sheet: 8 7/8 x 11 5/16 in. (22.5 x 28.7 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel the Elder (Netherlandish,

The Martyrdom of Saint Peter, 1537–1627, Red chalk; pen, brown ink and wash added for the principal figures, 14 3/16 x 9 1/8in. (36 x 23.2cm), Drawings, Giovanni Battista Ricci (Giovanni Battista da Novara) (Italian, Novara 1537–1627 Rome

Design for Four Seventeenth Century Style Chairs, early 19th century, Pen and ink, sheet: 13 x 8 3/16 in. (33 x 20.8 cm), Anonymous, British, 19th century

The Virgin and Child with the Infant Baptist, Saint Elizabeth, a Kneeling Prelate, and Three Attendant Angels, 1595–1632, Pen and black ink, brush and gray wash, highlighted with white on blue washed paper, 11 3/4 x 8 5/8in. (29.9 x

The Dismissal of Hagar, 1657–1736, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown paper, 6 7/8 x 9 9/16in. (17.4 x 24.3cm), Drawings, Giuseppe Nicola Nasini (Italian, Castel del Piano

Design for a ceiling in rococo style with a trompe l'oeil oculus, 19th century, graphite, pen and ink, wash, watercolor, gouache, and gold paint, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French,

Two Saints in Adoration., n.d., Pen and brown ink, brush and brown wash over traces of leadpoint, 6 1/2 x 12 5/8 in. (16.5 x 32.1 cm), Drawings, Ventura Salimbeni (Italian, Siena 1568–1613 Siena), This relatively finished working drawing in

The Descent of Christ to Limbo (recto); Coats of Arms of Florentine and Sienese Families (verso), ca. 1536, Pen and brown ink, brush and brown wash, over traces of leadpoint or black chalk; squared in leadpoint (recto); pen and brown ink (verso),

La Chasse aux Canards, Etching, second state, image: 8 7/16 x 12 3/8 in. (21.5 x 31.5 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Jacques Fouquieres (Flemish, 1590/91–1659

Design for a Curve-backed Settee, early 19th century, Ink, watercolor and wash, sheet: 9 1/16 x 12 in. (23 x 30.5 cm), Anonymous, British, 19th century

Christ Taking Leave of His Mother, from The Life of the Virgin, Latin Edition, 1511, 1511, Woodcut, sheet: 17 x 14 5/8 in. (43.2 x 37.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Project for the Alexander Palace, Tsarskoe Selo (Section), 1744–1817, Pen and black ink, brush with pink, gray and ocher wash, over ruled construction lines in graphite, 5 7/16 x 9 7/8in. (13.8 x 25.1cm

Design for a Man's Tomb, 16th century, Black chalk, pen and brown ink, brush and brown wash, sheet: 17 3/8 x 11 5/8 in. (44.1 x 29.6 cm), Drawings, Anonymous, French, 16th century

The Little Fortune, 1495–96, Engraving, Sheet: 4 5/8 × 2 5/8 in. (11.8 × 6.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Nude Male Figure with Upraised Right Arm., 1550–60, Brush and brown wash, over slight traces of black chalk, 11-5/8 x 6-9/16 in. (29.5 x 16.7 cm), Drawings, Girolamo Romanino (Italian, Brescia 1484/87–1560 Brescia), The historical

Aged Dignitary Attended by Mercury and Prudence, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over black chalk, 11-5/8 x 9-3/4 in. (29.6 x 24.8 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770

Clement de Jonghe (?), 1651, Etching, drypoint, and engraving; first state of six, plate: 8 1/8 x 6 5/16 in. (20.7 x 16.1 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Rebecca and Eliezer, ca. 1638–41, Etching; fourth state of seven, sheet: 5 3/8 x 7 7/8 in. (13.7 x 20 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome

Saint Veronica between Saints Peter and Paul, from The Small Passion, 1510, Woodcut, sheet: 5 1/16 x 3 13/16 in. (12.8 x 9.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Indian Hyacinth, Tritelia grandiflora, May 23, 1913, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York

Design with a Cartouche, 19th century, Graphite, pen and brown ink, 5 1/2 x 7 5/8 in. (13.9 x 19.3 cm), Drawings, Anonymous, French, 19th century

Süleyman the Magnificent, 16th century, Engraving; second state, sheet: 15 7/8 x 11 1/4 in. (40.4 x 28.6 cm), Prints, Engraved by Melchior Lorck (Danish, Flensburg 1526–after 1588 Hamburg

Saint Margaret of Cortona, Saint James of the March, and Saint Didacus, 1734–1802, Pen and brown ink, brush and brown wash, over black chalk, 11 5/8 x 7 3/8in. (29.5 x 18.7cm), Drawings, Attributed to Gaetano Gandolfi (Italian, San Matteo

Molière's Tomb, Père-Lachaise Cemetery, Paris, 1854, Etching; first state of two, plate: 2 5/8 x 2 3/4 in. (6.7 x 7cm), Prints, Charles Meryon (French, 1821–1868

Saint Peter and Saint John at the Gate of the Temple, from The Passion, 1513, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Design for a Palace Facade, early 18th–mid 18th century, Pen and grey and black ink, brush and grey ink, chalk or graphite, 13 11/16 x 9 5/8 in. (34.7 x 24.4 cm), Drawings, Carl Hårleman (Swedish, Stockholm 1700–1753 Stockholm

La Pucelle d'Orléans, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 7/16 x 8 7/16 in. (34.2 x 21.4 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours

Landscape with an Old Woman Holding a Spindle, 1500–1564, Pen and brown ink, 10-1/16 x 14-9/16 in. (25.5 x 37.0 cm), Drawings, Domenico Campagnola (Italian, Venice (?) 1500–1564 Padua

Draped Man Running; Cartouche Supported by Two Winged Victories, 18th century, Pen and brown ink, brush and brown wash, over traces of black chalk, 6 7/8 x 4 11/16 in. (17.5 x 11.9 cm), Drawings, Étienne de Lavallée-Poussin (French, Rouen

Two Women and Three Men Playing Cards, 18th–early 19th century, Pen and black ink, grey wash, watercolor, over a sketch in black chalk or graphite, sheet: 15 1/16 x 11 3/4 in. (38.3 x 29.9 cm), Drawings, Johann Eleazar Zeissig, called

Dance Under the Trees (Landscape with Rural Dance), 1742, Etching and engraving, sheet: 14 3/16 x 17 15/16 in. (36 x 45.5 cm), Prints, After Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), Etched by Jean-Baptiste-Claude

Four Goats (Left Section of The Goats), ca. 1630–33, Etching; second state of four (Mannocci), sheet: 8 x 5 5/16 in. (20.3 x 13.5 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome

Six Music-Making Figures, 1610–62, Pen and brown ink, brush and blue wash, 2-1/16 x 4-9/16 in. (5.3 x 11.6 cm), Drawings, Giovanni Francesco Romanelli (Italian, Viterbo ca. 1610–1662 Viterbo

Porta Pia, elevation (recto) Porta Pia, window, elevation; section (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 21 15/16 x 16 7/16 in. (55.8 x 41.8 cm), Drawings

Design for the painted decoration of a ceiling, 1830–97, pen and ink and watercolor on wove paper; mounted on blue wove paper, Overall: 14 3/4 x 10 7/16 in. (37.5 x 26.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

St Peter's apse, exterior niche section and details (recto) St Peter's apse, exterior niche elevation and profiles of details (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 17 5/16 x 11 9/16 in. (44

The Palace of Neptune (Water Palace), 19th century, Pen and black and gray ink, 5 3/8 x 7 in. (13.7 x 17.8 cm), Drawings, Joseph Lemercier (French, 1803–1887

Two Pilaster with White Putti on Tan Ground, 1575–1640, Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk, on beige paper, Sheet: 15 1/2 x 2 3/4 in. (39.4 x 7 cm), Drawings, Giovanni Mauro della

Design for double doors in a house at 18 rue Matignon, second half 19th century, Graphite and pen and ink on laid paper, sheet: 14 1/2 x 9 7/8 in. (36.8 x 25.1 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre

Medallion with putti holding a cello, second half 19th century, Graphite and watercolor, Overall: 10 13/16 x 8 9/16 in. (27.4 x 21.8 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris,

Design for a ceiling with trompe l'oeil balustrade, second half 19th century, Graphite, pen and black ink, gouache, and water color, Overall: 14 13/16 x 10 9/16 in. (37.6 x 26.8 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died

Embroidery Pattern with an Amazon Shield in its Center, 1521 before, Woodcut, sheet: 10 13/16 x 8 3/8 in. (27.5 x 21.3 cm), Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise)

Le Bois de Boulogne, 1850–1914, Etching; third and final state, Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

Hunting Trophy with Stag Heads at Bottom, ca. 1653, Etching, Prints

Oddities, January 1792, Hand-colored etching, Sheet: 7 3/8 × 10 1/4 in. (18.8 × 26.1 cm), Prints, After Henry Wigstead (British, 1745?–1800 Margate

Penstemon Parryi, 1909–14, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York 1867–1944 New York

The Nativity, ca. 1470, Woodcut, hand-colored, 14-7/8 x 10-1/8 in.; 16 x 10-5/8 in., Prints, Wolfgang (German, Nuremberg, late 15th century

The Rat Catcher, second half 18th century, Etching, Sheet: 5 9/16 × 4 15/16 in. (14.2 × 12.5 cm), Prints, James Bretherton (British, active 1750–99), After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Plate 13 from the 'Disparates':Clear Folly, ca. 1816–23 (published 1864), Etching, burnished aquatint and lavis, Plate: 9 3/4 × 13 7/8 in. (24.8 × 35.2 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828

Poet Virgil Suspended in a Basket, detail (copy), n.d., sheet: 4 1/8 x 3 in. (10.5 x 7.6 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Fragment of a Capital, 18th century, Pen and black ink, brush and gray wash, 6 11/16 x 6 5/16 in. (17 x 16.1 cm), Anonymous, French, 18th century, Fragment of a capital in the Composite order. The sides have been damaged. The center is

Design for the Decoration of a Cupola with a Prophet, King David and Two Putti, Red chalk, pen and brown ink and red wash, sheet: 10 1/16 x 7 11/16 in. (25.5 x 19.5 cm), Drawings, Mattia Preti (Il Cavalier Calabrese) (Italian, Taverna

Head of a Bearded Man in Profile to Left, early 18th century, Pastel on brown paper, 16 15/16 x 12 13/16 in. (43 x 32.5 cm), Drawings, François Le Moyne (French, Paris 1688–1737 Paris

Outline of a Desin for a Vase with Two Handles, 1652–1725, Pen and brown ink, over traces of black chalk; glued onto secondary paper support, framed in black chalk or graphite., sheet: 2 5/8 x 1 1/2 in. (6.7 x 3.8 cm), Giovanni Battista

Design for a Gothic Settee, early 19th century, Ink, watercolor and wash, sheet: 9 1/16 x 11 7/8 in. (23 x 30.2 cm), Anonymous, British, 19th century

Design for Suspended Censer, 1652–1725, Pen and brown ink, brush and brown wash, over traces of black chalk or graphite, sheet: 4 1/2 x 3 3/8 in. (11.4 x 8.5 cm), Attributed to Giovanni Battista Foggini (Italian, Florence 1652–1725

Design for a panel painted with a pastoral scene and rococco motifs, 1830–97, graphite on tracing paper; mounted on wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Plate 50 from 'Los Caprichos': The Chinchillas (Los Chinchillas.), 1799, Etching, burnished aquatint and burin, Plate: 8 x 5 13/16 in. (20.3 x 14.8 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

The Annunciation, ca. 1731, Pen and brown ink, brush and brown wash, over traces of black chalk, 10-1/4 x 7-3/4 in. (26 x 19.7 cm), Drawings, Antonio Gionima (Italian, Venice 1697–1732 Bologna

The Annunciation, from The Life of the Virgin, ca. 1503, Woodcut, sheet: 11 11/16 x 8 1/4 in. (29.7 x 21 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Cumean Sibyl, from the series of Sibyls, ca. 1530, Woodcut, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Remember Me! New Year's Gift or Christmas Present, 1826, Engraving, sheet: 4 9/16 x 2 5/8 in. (11.6 x 6.7 cm), Prints, Fenner (British, early 19th century

Pottery Peddler, 1738, Etching with some engraving, image: 8 11/16 x 7 3/16 in. (22.1 x 18.2 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

Design for a Cabinet with Renaissance Ornament and Lamps, early 19th century, Ink and wash, sheet: 10 13/16 x 14 15/16 in. (27.5 x 38 cm), Drawings, Anonymous, British, 19th century

St. Jerome in his Study, 1521, Engraving; first state, sheet: 3 7/8 x 5 3/4 in. (9.8 x 14.6 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Dead Man, 1830–91, Black chalk, Drawings, Ernest Meissonier (French, Lyons 1815–1891 Paris

Embroidery, ca. 1855 (?), Etching and engraving, Plate: 13 1/2 × 9 13/16 in. (34.3 × 24.9 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

Design for a Vase with Handles, Decorated with a Festoon, 1652–1725, Pen and brown ink, brush and brown wash, over traces of graphite, sheet: 13 1/16 x 8 5/16 in. (33.2 x 21.1 cm), Giovanni Battista Foggini (Italian, Florence 1652–1725