Images at Librifly

Woman Soaking a Cloth in a Bowl Held by a Girl (copy from Guercino's Saint Sebastian Tended by Irene), 1591–1666, Red chalk, sheet: 10 1/8 x 8 7/8 in. (25.7 x 22.5 cm), Drawings, After Guercino (Giovanni Francesco Barbieri) (Italian, Cento

Three cupids in front of a facade with pilasters, one holding a trident and another a large shell, ca. 1515–1600, Engraving, Sheet: 7 11/16 × 18 1/2 in. (19.5 × 47 cm), Prints, Anonymous, Italian, 16th to early 17th century, After Marco

Architectural Capriccio, ca. 1780–1800 , Pen and gray ink, brush and gray, brown, and colored wash, 12 1/8 x 10 1/8 in. (30.8 x 25.7 cm) oval, Jean Henri Alexandre Pernet (French, Paris 1763–after 1789

Au Jardin d'Acclimation, n.d., Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

Saint Simon, 1523, Engraving, Sheet: 4 3/4 × 3 1/8 in. (12.1 × 7.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Christ in Limbo, from The Small Passion, ca. 1509, Woodcut, sheet: 5 1/16 x 3 7/8 in. (12.8 x 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Ascension, n.d., Etching, image: 7 5/8 x 4 3/4 in. (19.4 x 12 cm), trimmed to image, Prints, Claude Gillot (French, Langres 1673–1722 Paris), Engraved by Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury

Elijah Visited by an Angel in the Wilderness (1 Kings 19:4-8), 1687–1749, Brush and brown wash, highlighted with white, over traces of black chalk, on light brown paper, 10 3/8 x 8 3/4 in. (26.3 x 22.3 cm), Drawings, Alessandro Magnasco

Ornamental Drawing, with St. John the Evangelist Seated in a Columned Niche, with Two Putti, 1550–1600, Pen and brown ink, brush and brown wash., sheet: 10 13/16 x 8 1/16 in. (27.5 x 20.4 cm), Drawings, Attributed to Anonymous, Italian,

The Betrothal of the Virgin, from The Life of the Virgin (copy), early 16th century, Engraving, Sheet: 11 7/16 × 8 1/8 in. (29 × 20.6 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Marcantonio Raimondi

Ornament Design for Wall Panel, 19th century, Watercolor on wove paper, sheet: 8 9/16 x 5 1/2 in. (21.8 x 14 cm), Drawings, Anonymous, French, 19th century

Rugged Moonlit Landscape with a Woman Seated by Gnarled Tree Roots, and an Owl, 1833 (?), Pen and brush and brown ink over black chalk with faint traces of white chalk, on blue paper, sheet: 14 x 19 13/16 in. (35.5 x 50.4 cm), Drawings, Ludwig

Mercury, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 7/8 × 2 3/16 in. (4.7 × 5.6 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean

Plate 75 from 'Los Caprichos': Is there no one to untie us? (¿No hay quien nos desate?), 1799, Etching and aquatint, Plate: 8 3/8 x 5 7/8 in. (21.3 x 14.9 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828

La Vierge au sepulcre, Etching, image: 11 5/16 x 14 1/8 in. (28.8 x 35.8 cm), trimmed above inscription, Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Annibale Carracci (Italian, Bologna 1560–1609 Rome

Design for a Chair with Turned Front Legs, early 19th century, Ink, watercolor and wash, sheet: 8 11/16 x 12 1/4 in. (22 x 31.1 cm), Anonymous, British, 19th century

Gone with the Wind (Autant en emporte le vent ), 1815, Etching and stipple, hand-colored, sheet: 8 1/4 x 12 3/16 in. (21 x 31 cm), Prints, Anonymous, French, 19th century

Crouching Nude Male Figure, 1864–74, Black chalk, heightened with white, on gray paper, Sheet: 12 1/2 x 18 3/4 in. (31.7 x 47.7cm), Drawings, Paul Baudry (French, 1828–1886

The Honors of the Sitting! A Cabinet Picture, January 30, 1805, Hand-colored etching, sheet: 9 1/2 x 13 3/4 in. (24.2 x 34.9 cm), Prints, Charles Williams (British, active 1797–1830

Three ornamental motifs in rococco style, 1889, graphite, pen and ink and watercolor on wove paper, Overall: 19 x 13 1/4 in. (48.2 x 33.7 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born

John Hinchcliffe, Bishop of Peterborough, 1779–1802, Black and red chalk, varnished, on thin laid paper. Oval., 7-5/16 x 5-1/2 in. (18.6 x 14.0 cm), Drawings, Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Le Roy et la Reine des Nabots arrivés nouvellement à Londre. Grands amateurs de la coeffure nouvelle, 18th century, Etching, sheet: 13 9/16 x 9 7/8 in. (34.5 x 25.1 cm), Prints, Anonymous, French, 18th century

Joseph's Coat Brought to Jacob, ca. 1633, Etching; second state of two, Sheet: 4 1/2 × 3 7/16 in. (11.5 × 8.8 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Henri IV, roi de France, Etching, image: 10 1/4 x 8 3/16 in. (26.1 x 20.8 cm), trimmed and inscription cut off, Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Ferdinand Elle (French

Design for a Monument to a Military Leader, ca. 1690–1740 , Pen and dark brown ink, brush and gray wash. Framing lines in pen and gray and brown ink., 13 3/4 x 8 13/16 in. (34.9 x 22.4 cm), Gilles-Marie Oppenord (French, Paris 1672–1742

Design for Three Chairs with Red Upholstery, early 19th century, Ink, watercolor and wash, sheet: 9 15/16 x 14 13/16 in. (25.2 x 37.7 cm), Anonymous, British, 19th century

Design for Cove, Hôtel Cahen d'Anvers, second half 19th century, Pen and black and brown ink, watercolor, 6 7/16 x 12 5/16 in. (16.3 x 31.3 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French,

Plate 46 from ' Los Caprichos': Correction (Correccion.), 1799, Etching and burnished aquatint, Plate: 8 3/8 x 5 13/16 in. (21.3 x 14.7 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

Design for a ceiling, 1860–1900, Graphite and watercolor, Overall: 7 3/4 x 10 11/16 in. (19.7 x 27.1 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Manhood, n.d., Etching, image: 9 7/16 x 6 3/16 in. (23.9 x 15.7 cm), trimmed to image, Prints, Claude Gillot (French, Langres 1673–1722 Paris), Engraved by François Joullain (French, Paris 1697–1778 Paris

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 11 7/16 x 15 in. (29 x 38.1 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Winged Putto Crowning a Seated Woman Who Looks Upward, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over black chalk, 9-5/16 x 7-13/16 in. (23.7 x 19.8 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice

Pillars of the Constitution, February 1, 1809, Hand-colored etching, sheet: 13 11/16 x 9 13/16 in. (34.8 x 24.9 cm), Prints, James Gillray (British, Chelsea 1756–1815 London

Design for a Stage Set, 1828–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Design for Ceiling, Hôtel Hope, 1867, Pen and black ink, gouache, and watercolor, 8 3/8 x 11 3/16 in. (21.2 x 28.4 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

The Last Supper, 1578–1615, Brush and red, blue, yellow-brown, brown, green, and mauve oil paint on paper, pasted onto canvas, 9 5/16 x 14 1/2in. (23.7 x 36.8cm), Drawings, Bartolomeo Schedoni (Italian, Formigine 1578–1615 Parma

Design for a Wall Decoration with a River God and Putti carrying the Symbols of King François I, ca. 1530–47, Pen and brown ink, brush and brown wash over red chalk underdrawing, 12 5/8 x 11 1/8 in. (32 x 28.2 cm), Anonymous, French, School

Lamp, Hellenistic or Early Imperial, 1st century B.C.–1st century A.D., Greek or Roman, Terracotta, Overall: 1 1/8 x 3 11/16 in. (2.9 x 9.4 cm), Terracottas

Caricature of Charles-Henri Plantade (?), 19th century, Pen and brown ink, brush and wash and black chalk, sheet: 9 5/16 x 7 5/16 in. (23.6 x 18.5 cm), Drawings, Horace Vernet (French, Paris 1789–1863 Paris

The Holy Trinity in Glory, 1612–48, Pen and brown ink, 5 1/4 x 7 15/16in. (13.3 x 20.2cm), Drawings, Simone Cantarini (Italian, Pesaro 1612–1648 Verona

Study for a Three-Quarter-Length Portrait of a Gentleman (recto), Study of a Clothed Figure and a Foot (verso), 1605–67, Red chalk, highlighted with white gouache, on red-washed paper (recto); black chalk studies of drapery which is washed in

Design for a Sofa, ca. 1820, Ink and gouache, sheet: 5 5/16 x 7 in. (13.5 x 17.8 cm), Attributed to Gillows (British, 19th century

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, sheet: 12 9/16 x 4 15/16 in. (31.9 x 12.6 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Design for a Stage Set at the Opéra, Paris, 1830–90, Pen and red, black, and brown ink, graphite, sheet: 18 1/8 x 10 13/16 in. (46 x 27.5 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

The Ghost of the King Appearing to Hamlet, Horatio and Guards (Hamlet, Act 1, Scene 4), 19th century, Brush and brown ink, gouache, and wash on blue paper. Pen and black ink framing lines added when mounted., sheet: 12 3/4 x 13 1/8 in. (32.4

Young Man Writing and Reading from Large Volume at His Left, n.d., Etching, sheet: 11 x 7 1/2 in. (27.9 x 19.1 cm), Prints, baron Dominique Vivant Denon (French, Givry 1747–1825 Paris

Bar Chinso [Perspective of a 2-Door Cabinet on Metal Legs], 1940, Colored pencil, over graphite, Drawings, Guglielmo Ulrich (Italian, 1904–1977

Design for a Casket with the Gonzaga Eagle, ca. 1527–46, Pen and brown ink, brush and brown wash, highlighted with traces of white gouache, over black chalk, Overall: 4 9/16 x 6 15/16in. (11.6 x 17.7cm), Giulio Romano (Italian, Rome

Conrad Celtis Presenting His Book 'Quatuor Libri Amorum' to Maximilian I ( from the book), 1502, Woodcut, sheet: 9 3/16 x 6 1/4 in. (23.3 x 15.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), This woodcut illustration

Fall of Man, ca. 1530, Engraving; second state, Sheet: 7 5/8 x 9 15/16 in. (19.3 x 25.2 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Resurrection, from The Passion, 1511, Engraving, Sheet: 4 11/16 × 3 1/16 in. (11.9 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Designs for Bed Alcoves (Recto). Studies for a figure of St. John the Baptist and a Bed Alcove (Verso)., 1652–1725, Pen and brown ink, brush and gray wash over traces of black chalk (recto and verso), Sheet: 8 1/16 x 5 13/16 in. (20.5 x 14.8

Pluto, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 7/8 × 2 5/16 in. (4.8 × 5.8 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets

Porcie, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 3/8 x 8 7/16 in. (33.9 x 21.4 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676 Paris),

Flight Into Egypt, 1759, Etching, sheet: 15 1/2 x 14 3/16 in. (39.3 x 36.1 cm), Prints, Jean-Baptiste Marie Pierre (French, Paris 1714–1789 Paris

Promenade vénitienne (Venetian Promenade), 1863, Etching on laid paper, sheet: 14 9/16 x 11 in. (37 x 28 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres), After Richard Parkes Bonington (British, Arnold, Nottinghamshire

One of the Sons of Noah who Goes to Populate a Part of the Earth, 18th century, Etching, image: 12 5/8 x 19 5/16 in. (32 x 49 cm), Prints, Pietro Monaco (Italian, 1707–1772), After Giovanni Benedetto Castiglione (Il Grechetto) (Italian,

Design for a Stage Set of a Crypt (for the Opera 'La Morosina' ?), 1833–1907, Brush and black wash over traces of graphite, Sheet: 8 x 12 3/16 in. (20.3 x 31 cm), Drawings, Carlo Ferrario (Italian, Milan, 1833–1907

Polemical Duel between Lady Quotidienne and Sir Journal de Paris, 1821, Lithograph, second state of two, Sheet: 9 x 12 3/8 in. (22.8 x 31.5 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), This print mocks

La Matrone d'Ephese, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, 1793, Etching; first state of three (Cohen), Sheet: 13 9/16 × 9 11/16 in. (34.4 × 24.6

Man in Roman Toga, 18th century, Black chalk, heightened with white chalk, on brown paper, sheet: 14 3/4 x 8 1/2 in. (37.5 x 21.6 cm), Drawings, Anonymous, French, 18th century

Caricature of a Man declaring: 'I'm against Hanover that's flat', ca. 1757, Etching, sheet: 3 11/16 x 2 3/8 in. (9.3 x 6 cm), Prints, Attributed to George Townshend, 4th Viscount and 1st Marquess Townshend (British, 1724–1807

Design for an Incense Bottle, 18th century, Black chalk, sheet: 11 9/16 x 7 11/16 in. (29.3 x 19.5 cm), Drawings, Anonymous, French, 18th century

L'Anglais a la Promenade Tout Déconcerté, 1720–75, Etching, sheet: 11 9/16 x 8 1/16 in. (29.4 x 20.4 cm), Prints, Anonymous, French, 18th century

Drawing of an Interior: Atelier, 1857, Graphite, pen and blue ink, watercolor, sheet: 8 3/8 x 12 11/16 in. (21.3 x 32.3 cm), Drawings, Anonymous, French, 19th century

Plate 19 from ' Los Caprichos': All will fall (Todos Caerán), 1799, Etching and burnished aquatint, Plate: 8 7/16 x 5 11/16 in. (21.4 x 14.4 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

Seated Bearded Man, Nude to the Waist (Jupiter Seated), 19th century, Black and white chalk on gray paper, 16 x 11 7/8 in. (40.6 x 30.2 cm), Drawings, Isidore Pils (French, Paris 1813/15–1875 Douarnenez

Design for a ceiling, second half 19th century, Graphite, Overall: 13 1/2 x 19 9/16 in. (34.3 x 49.7 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Design for Six Brackets with Rocaille Ornament and Strapwork, early 19th century, Ink and wash, sheet: 9 1/2 x 11 7/8 in. (24.2 x 30.1 cm), Anonymous, British, 19th century

The Unsafe Tenement (The Old Farm), 1858, Etching; fourth state of four (Glasgow); Printed in black ink on on modern medium weight dark cream laid paper, Plate: 6 3/16 × 8 3/4 in. (15.7 × 22.3 cm), Prints, James McNeill Whistler (American,

St. Jerome Reading in an Italian Landscape, ca. 1653, Etching, drypoint, and engraving on oatmeal paper; second state of two, plate: 10 3/16 x 8 1/4 in. (25.9 x 21 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669

Marie Stuart, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 3/8 x 8 3/8 in. (34 x 21.3 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676 Paris),

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 11 3/4 x 2 3/4 in. (29.8 x 7 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

The Raising of Lazarus, 18th century, Pen and ink, brush and wash, sheet: 7 9/16 x 9 7/16 in. (19.2 x 23.9 cm), Drawings, Matthias Deigle

The Infant St. John the Baptist with his Lamb, ca. 1649, Etching; second state of two, Sheet (trimmed to plate): 3 3/8 × 2 11/16 in. (8.5 × 6.9 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

The Bend in the River, 1767, Black chalk with touches of white gouache on figures, touches of pen and brown ink, on light brown paper, 9 7/8 x 15 in. (25.1 x 38.1 cm), Drawings, Simon Mathurin Lantara (French, Oncy 1729–1778 Paris

The Annunciation, from The Life of the Virgin, Latin Edition, 1511, n.d., Woodcut, sheet: 16 1/2 x 11 3/4 in. (41.9 x 29.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Galileo and personifications of Astronomy, Perspective and Mathematics, frontispiece for 'Opere di Galileo Galilei', 1656, Etching, Sheet (trimmed to plate): 8 5/16 in. × 6 in. (21.1 × 15.3 cm), Prints, Stefano della Bella (Italian,

Notre Dame, Bourges, 1888, Etching; only state (Glasgow); printed in black ink on fine ivory laid paper, Plate: 8 9/16 × 5 1/16 in. (21.7 × 12.8 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

888 from Modes de Paris, Journal des Tailleurs, 1848, Hand-colored lithograph, sheet: 10 1/16 x 7 in. (25.5 x 17.8 cm), Prints, Anonymous, French, 19th century

Rest on the Flight into Egypt, ca. 1649, Etching; second state of three, Plate: 6 1/8 × 7 1/16 in. (15.6 × 18 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Design for a Stage Set, 1828–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Sheet of Sketches, 1753, Etching, image: 5 11/16 x 8 1/8 in. (14.4 x 20.7 cm), Prints, François Boucher (French, Paris 1703–1770 Paris), After Abraham Bloemaert (Netherlandish, Gorinchem 1566–1651 Utrecht

The Glorification of the Virgin, from The Life of the Virgin, Latin Edition, 1511, 1511, Woodcut, sheet: 17 3/8 x 12 in. (44.1 x 30.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Sight, 1635–38, Etching, Sheet: 10 3/16 × 12 13/16 in. (25.9 × 32.5 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

The Entombment, Etching and engraving. Second state, sheet: 1 3/8 x 12 3/16 in. (3.5 x 31 cm) trimmed just within platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Saint Paul, 1514, Engraving, Sheet: 4 5/8 × 2 7/8 in. (11.7 × 7.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Title to the French Set, 1858, Etching; only state (Glasgow); black ink on tan chine on off-white wove paper (chine collé), plate: 4 3/8 x 5 3/4 in. (11.1 x 14.6 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts

Victor Hugo, July 20, 1849, Lithograph, sheet: 14 5/16 x 9 15/16 in. (36.4 x 25.2 cm), Prints, Honoré Daumier (French, Marseilles 1808–1879 Valmondois

Palazzo Giroud Torlioni, elevation, cornice details (recto) Calculation table (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 17 5/8 x 12 15/16 in. (44.8 x 32.8 cm), Drawings

Roadworkers at Lunch, ca. 1850–52, Conté crayon with stumping, heightened with white gouache, on laid paper., 10 7/8 x 8 7/8 in. (27.6 x 22.5 cm), Drawings, Jean-François Millet (French, Gruchy 1814–1875 Barbizon

Old Age, n.d., Etching, image: 9 3/8 x 6 1/4 in. (23.8 x 15.9 cm), trimmed to image, Prints, Claude Gillot (French, Langres 1673–1722 Paris), Engraved by François Joullain (French, Paris 1697–1778 Paris

Horse Armoury, Tower of London (Microcosm of London, plate 101), November 1, 1809, Hand-colored etching and aquatint, Sheet: 9 5/8 x 11 9/16 in. (24.4 x 29.3 cm), Prints, Designed and etched by Thomas Rowlandson (British, London 1757–1827

A Standing Angel and two Cherubs, ca. 1566, Pen and brown ink, brush with brown ink, highlighted with white gouache, 9 1/2 x 4 3/4in. (24.1 x 12.1cm), Drawings, Ascribed to Federico Zuccaro (Zuccari) (Italian, Sant'Angelo in Vado

Designs for Ceilings with Central Sunburst, 19th century, Watercolor and graphite, 13 1/2 x 12 3/8in. (34.3 x 31.4cm), Drawings, Charles Monblond (French, 19th century

Gudgeon and Shark, from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 7 x 10 7/8 in. (17.8 x 27.7 cm), Prints, Henry Louis Stephens (American, Philadelphia, Pennsylvania 1824–1882

Jan Lutma, goldsmith, 1656, Etching, drypoint, and burin; second state of three, sheet: 7 7/8 x 5 7/8 in. (20 x 15 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), The silversmith Johannes Lutma was a

The Punta di San Giobbe, with the Island of San Secondo in the Distance, 1764–1835, Pen and brown ink, brush and gray wash, 4 15/16 x 7 13/16in. (12.6 x 19.9cm), Drawings, Giacomo Guardi (Italian, Venice (?) 1764–1835 Venice