Images at Librifly

Design for Red Curtains with Red Fringes and a Gold Pediment, early 19th century, Ink, watercolor and wash, sheet: 9 1/2 x 11 13/16 in. (24.2 x 30 cm), Anonymous, British, 19th century

The Toilette, 1861–62, etching with roulette, bitten tone; final state (II) on blue laid paper; from the Strölin edition of 1905, plate: 11 3/16 x 8 3/4in. (28.4 x 22.2cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris

Bergami Pears, or Choice Fruit, October 1820, Hand-colored etching, plate: 13 11/16 x 9 3/4 in. (34.7 x 24.7 cm), Prints, Anonymous, British, 19th century

Decoration for a Plate: Rain, 1870, Etching and watercolor, plate: 11 5/8 x 13 5/8 in. (29.5 x 34.6 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

Design for Ceiling, Hôtel Hope, 1867, Gouache, and watercolor, 5 3/16 x 6 1/4 in. (13.2 x 15.9 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

The Schoolmaster, n.d., Woodcut, sheet: 9 3/8 x 6 3/16 in. (23.8 x 15.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Dalmatie, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676

Female figure (Saint Catherine?) kneeling on the ground at center pleading to a male figure (Maximus?) who wears a crown and is seated on a throne at right; at left a figure with raised sword about to strike the woman; a group of figures looking on

The Vision of the Seven Candlesticks, from The Apocalypse, German Edition 1498, ca. 1498, Woodcut, sheet: 15 1/2 x 11 1/4 in. (39.4 x 28.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Adoration of the Magi, 1619, Etching in reverse; first state of two (Pacht Bassani), sheet: 9 7/16 x 6 9/16 in. (24 x 16.7 cm), Prints, Claude Vignon (French, Tours 1593–1670 Paris

The Rag Gatherers (Rag Pickers, Quartier Mouffetard, Paris), 1858, Etching and drypoint; fifth state of five (Glasgow); black ink on ivory laid paper removed from a book, Plate: 6 x 3 1/2 in. (15.2 x 8.9 cm), Prints, James McNeill Whistler

Sheet with Various Designs for Tables and a Funerary Monument, 1652–1725, Pen and brown ink, brush and gray wash, over traces of black chalk, sheet: 11 3/8 x 8 1/4 in. (28.9 x 21 cm), Giovanni Battista Foggini (Italian, Florence 1652–1725

Thenot Under a Fruit Tree, from Thornton's Pastorals of Virgil, 1821, Wood engraving; second state, block: 1 5/16 x 3 in. (3.3 x 7.6 cm), Prints, William Blake (British, London 1757–1827 London

Design for Ornamented Stair Railing, ca. 1770–90, Pen and gray ink, brush and gray wash, 10 1/2 x 8 3/8 in. (26.6 x 21.3 cm), Drawings, Anonymous, French, 18th century

Plate 56 from 'The Disasters of War' (Los Desastres de la Guerra): 'To the cemetery.'(Al cementerio.), 1811–12 (published 1863), Etching, lavis and drypoint, Plate: 6 1/8 × 8 1/16 in. (15.5 × 20.5 cm), Prints, Goya (Francisco de Goya y

St. Luke, 1518, Engraving, sheet: 4 3/8 x 2 15/16 in. (11.1 x 7.5 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Congress of Princes at Vienna, n.d., Woodcut, sheet: 6 7/8 x 5 7/8 in. (17.5 x 15 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Design for a ceiling (recto); meaurements with design code (verso), second half 19th century, Graphite, gouache, and watercolor, Overall: 8 1/2 x 10 11/16 in. (21.6 x 27.1 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

Design for a ceiling, second half 19th century, Graphite, gouache, and watercolor, Overall: 10 3/8 x 14 13/16 in. (26.3 x 37.7 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris,

Plate 2: eagle and eaglet, from 'Various animals' (Diversi animali), ca. 1641, Etching; second state of three (De Vesme), Plate: 3 3/8 × 4 7/16 in. (8.6 × 11.2 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Le Muletier, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching; first state of three (Cohen), Sheet: 12 7/8 × 9 15/16 in. (32.7 × 25.3

Battle scene in a landscape with soldiers on horseback and several fallen men, another group of riders in the background, ca. 1520, Engraving, Sheet (Trimmed): 8 7/8 × 14 1/4 in. (22.5 × 36.2 cm), Prints, Marco Dente (Italian, Ravenna,

Lydia Reading, Turned Toward Right, ca. 1881, Soft-ground and aquatint; second state of two, plate: 7 1/8 x 4 3/8 in. (18.1 x 11.1 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise

Little Dordrecht, 1885–86, Etching; only state (Glasgow); printed in black ink on ivory laid paper, Plate: 3 13/16 × 5 3/16 in. (9.7 × 13.2 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

Plate1 from 'The Disasters of War' (Los Desastres de la Guerra): Sad foreboding of what is going to happen (Tristes presentimientos de lo que ha de acontecer.), ca. 1815 (published 1863), Etching, burin, drypoint and burnisher, Plate: 6 7/8 × 8

Pyramus and Thisbe, 1514, Engraving, sheet: 4 11/16 x 6 5/16 in. (11.9 x 16 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Maecenas, in pursuit of the Fine Arts.–Scene, Pall Mall; a Frosty Morning, May 9, 1808, Hand-colored etching, plate: 10 1/4 x 7 7/8 in. (26 x 20 cm), Prints, James Gillray (British, Chelsea 1756–1815 London

Christ Nailed to the Cross, from The Small Passion, ca. 1509, Woodcut, sheet: 5 1/16 x 3 7/8 in. (12.8 x 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

St. Peter Nolscus, n.d., Engraving with etching, sheet: 16 1/2 x 10 11/16 in. (41.9 x 27.2 cm), Prints, Nicolas Pitau (French, Paris before 1670–1724), After Laurent de La Hyre (French, Paris 1606–1656 Paris

The Hen That Hatched This Egg (Henry L. Stephens): Title Page, The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 11 1/4 x 7 1/4 in. (28.6 x 18.4 cm), Prints, Henry Louis Stephens (American,

The Holy Family with Angels Bearing Symbols of the Passion, 1612–48, Red chalk, 6 5/16 x 8 1/2in. (16.1 x 21.6cm), Drawings, Simone Cantarini (Italian, Pesaro 1612–1648 Verona

Frontispiece for an edition of 'Les Ballades' by Théodore de Banville, 1874, Etching and aquatint on blue laid paper, from 1905 Strölin edition, plate: 9 3/8 x 6 1/4in. (23.8 x 15.9cm), Prints, Édouard Manet (French, Paris 1832–1883

Design for a Bedroom, 1785–1838, Pen and ink, brush and wash and watercolor and laid paper, sheet: 11 7/8 x 21 1/4 in. (30.1 x 54 cm), Drawings, School of Charles Percier (French, Paris 1764–1838 Paris

Two Separate Designs for the Top and Bottom of a Rectangular Gold Enameled Box with Canted Corners, Pen and black ink with brush and rose, crimson, green and gold wash, Above: 2 9/16 x 3 9/16 in. (6.5 x 9.1 cm); Below: 2 5/8 x 3 9/16 in. (6.7 x

Saint Paul, 1591–1666, Pen and brown ink, brush and brown ink, over lead point or graphite., sheet: 8 1/8 x 11 1/2 in. (20.6 x 29.2 cm), Drawings, Imitator of Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna

La Mère Gérard, 1858, Etching; fourth state of four (Glasgow); printed in black ink on antique cream laid paper, plate: 5 x 3 1/2 in. (12.7 x 8.9 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

Songs of Innocence and of Experience: Holy Thursday, ca. 1815, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm), Prints, William Blake (British, London 1757–1827

Dante and Virgil, 1857, Etching and drypoint on laid paper; second state of three (only known impression), plate: 4 5/8 x 3 3/8 in. (11.8 x 8.6 cm), Prints, Edgar Degas (French, Paris 1834–1917 Paris

Lamp, Hellenistic or Early Imperial, 1st century B.C.–1st century A.D., Greek or Roman, Terracotta, Overall: 1 1/4 x 3 7/8 in. (3.2 x 9.8 cm), Terracottas

Architectural Capriccio: Courtyard of a Palace, 1712–93, Pen and brown ink, brush and brown wash, over graphite or lead or black chalk. Framing lines in pen and brown ink. A few red chalk marks, 10 7/8 x 7 1/8in. (27.7 x 18.1cm), Drawings,

Plate 19: wild boar, from 'Various animals' (Diversi animali), ca. 1641, Etching; third state of three (De Vesme), Sheet (trimmed): 3 1/8 × 4 1/4 in. (8 × 10.8 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

(R.)Figure Studies: Standing Nude Figure, Putti, and a Man's Head (V.) Figure Studies: A Flying and a Standing Man, 1613–78, Red chalk (recto and verso), 10 7/8 x 7 11/16in. (27.7 x 19.5cm), Drawings, Giulio Carpioni (Italian, Venice

Cow and Ass, after de Loutherbourg, 1849, Etching on wove paper; second and final state, plate: 2 15/16 x 5 1/4 in. (7.5 x 13.4 cm), Prints, Charles Meryon (French, 1821–1868), After Philippe Jacques de Loutherbourg (French, Strasbourg

Ixion embracing a cloud, thinking it is Juno, Cupid at the right, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 5/16 x 4 1/8 in. (13.5 x 10.5 cm), Prints, Giulio Bonasone

Design for a Lion's Head flanked by Satyrs, 1652–1725, Pen and brown ink, over a preliminary drawing in black chalk, sheet: 1 15/16 x 4 5/16 in. (5 x 10.9 cm), Attributed to Giovanni Battista Foggini (Italian, Florence 1652–1725 Florence

The Little Horse, 1505, Engraving, Sheet: 6 9/16 in. (16.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Expulsion from Paradise, from The Small Passion, edition Venice, 1612, 1612, Woodcut, sheet: 8 1/16 x 5 13/16 in. (20.5 x 14.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Design for the painted decoration of a ceiling with a trompe l'oeil canopy and roses, 1830–97, gouache on wove paper; inlaid in laid paper, Overall: 10 5/8 x 14 15/16 in. (27 x 38 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died

Design for Elevation of Window, Saint Clotilde, second half 19th century, Graphite, pen and black ink, watercolor, gouache, and gilt, 18 15/16 x 12 11/16 in. (48.1 x 32.2 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

Design for Ceiling, Château de Cangé, second half 19th century, Pen and black ink, watercolor, gouache, 7 1/16 x 8 1/16 in. (18 x 20.4 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born

Sacrifice Offered before a Statue of Jupiter, 17th century, Pen and black ink, heightened with white gouache over a preliminary design in black chalk; a separate piece of paper has been cut out and affixed over the seated figure at the left

Design for a Stage Set at the Opéra, Paris, 1840–90, Graphite; framing lines in pen and red ink, Irregular sheet: 9 3/4 x 8 1/16 in. (24.8 x 20.4 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

View of Rome and Surrounding Country, 1810, Mezzotint with etching, sheet: 5 13/16 x 9 3/16 in. (14.8 x 23.4 cm), Prints, Richard Earlom (British, London 1743–1822 London), After Claude Lorrain (Claude Gellée) (French, Chamagne

Studies for an Angel in Glory, 1575–1633, Red chalk on off-white laid paper washed pale ochre; main study squared for transfer, 14 x 9 15/16in. (35.6 x 25.2cm), Drawings, Antonio d'Enrico Tanzio (Tanzio da Varallo) (Italian, Riale d'Alagna

A Procession, 1610–64, Pen and brown ink and brush and brown wash on paper, 2 1/8 x 4 1/4in. (5.4 x 10.8cm), Drawings, Stefano della Bella (Italian, Florence 1610–1664 Florence

Standing Angel Brandishing a Sword., ca. 1590, Pen and brown ink, brush and brown wash, over black chalk, 10 11/16 x 6 15/16in. (27.2 x 17.6cm), Drawings, Ferraù Fenzoni (Italian, Faenza 1562–1645 Faenza

The Monkey and the Cat, from the Fables of La Fontaine, 1886, Etching; fifth and final state, plate: 17 5/16 x 11 13/16 in. (44 x 30 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres), After Gustave Moreau (French, Paris

Unidentified Subject: Figures before a Palace or Temple, 1624–63, Pen and brown ink, brush and brown wash, over a little red chalk. Framing lines in pen and brown ink on mount, 5-1/4 x 7-1/16 in. (13.4 x 17.9 cm), Drawings, attributed to

Bearded Man in Soldier's Cap (from Sketches on the Coast Survey Plate), 1854–55, Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of 'Sketches on the Coast Survey Plate' (Kennedy no. 1) by

Temple of Castor and Pollux, soffit panel, ceiling plan (recto) Unidentified, stucco or fresco, details (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 8 11/16 x 6 1/8 in. (22 x 15.5 cm

Design for wallpaper featuring shells, waterlilies, and cattails, 1830–97, gouache on wove paper, image: 7 1/4 x 6 13/16 in. (18.4 x 17.3 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French,

Long Lagoon, 1879–80, Etching and drypoint; second state of two (Glasgow); printed in brown ink on light weight ivory laid paper, Plate: 6 × 8 7/8 in. (15.2 × 22.6 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts

Islamic Ceiling Design for Deepdene House, Surrey, 1875, Graphite, pen and black ink, watercolor and gouache, 9 x 5 1/2 in. (22.9 x 13.9 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born

Saint Jerome Penitent in the Wilderness, ca. 1496, Engraving, sheet: 12 5/8 x 8 13/16 in. (32 x 22.4 cm) trimmed to plate line, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Venus, Mars, and Cupid, 18th century, Graphite, pen and brown ink, brush and brown wash, 11 5/8 x 7 3/16 in. (29.5 x 18.3 cm), Drawings, Anonymous, French, 18th century

Two Grotesque Heads Facing One Another within a Circle, 1727, Pen and brown ink, sheet: 12 7/8 x 8 1/2 in. (32.7 x 21.6 cm), Drawings, Gaetano Piccini (Italian, active Rome, 1710–30

Esther Before Ahasuerus, 1518, Engraving; third state, sheet: 10 7/8 x 8 7/8 in. (27.6 x 22.5 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, sheet: 11 5/8 x 19 1/2 in. (29.5 x 49.5 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Despair, February 21, 1800, Etching, printed in brown ink, sheet: 11 x 9 1/16 in. (28 x 23 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London), After George Moutard Woodward (British, ca. 1760–1809 London

The New Tie, 1922, Etching; first state of two, plate: 10 13/16 x 6 7/8 in. (27.5 x 17.5 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset

Fragment of an Architectural Design, 18th century, Pen and black ink, brush and gray wash., sheet: 2 1/2 x 9 1/4 in. (6.4 x 23.5 cm), Drawings, Anonymous, French, 18th century

Partial design for the decoration of a ceiling, 1840–97, graphite, pen and ink, watercolor and gouache on wove paper; inlaid in blue wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French,

Two Beasts and a Human Mask within a Circle, 1727, Pen and brown ink, sheet: 12 7/8 x 8 1/2 in. (32.7 x 21.6 cm), Drawings, Gaetano Piccini (Italian, active Rome, 1710–30

The Extermination of Tammany with a Straight Republican Ticket. Platt's 'Living Picture' – An Awful Fake(illustration for 'Puck, ' June 27, 1894), 1894, Lithograph touched with pen and ink and wash, sheet: 14 11/16 x 14 3/16 in. (37.3 x 36 cm),

Olympia (small plate), 1867, Etching on laid paper, sixth and final state, from 1905 Strölin edition, plate: 3 7/16 x 7in. (8.7 x 17.8cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris

Broom Peddler, 1737, Etching with some engraving, Sheet: 9 1/2 × 7 3/8 in. (24.1 × 18.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

Christ Healing a Possessed Man, 1675–1749, Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk, on light brown paper, 11 3/4 x 13 3/4in. (29.8 x 34.9cm), Drawings, Aureliano Milani (Italian, Bologna

Jupons, corsets et relève jupe de la Maison de Plument, from Les Modes Parisiennes Illustrées, 1862, Steel engraving with hand coloring, Sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm), Prints, Anonymous, French, 19th century

Joseph Telling His Dreams to Jacob (copy), 1640–70, Engraving, sheet: 5 x 6 3/4 in. (12.7 x 17.1 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Portrait of Alphonse Legros, 1875, Etching; second state of two, Plate: 6 9/16 x 4 5/8 in. (16.7 x 11.7 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

Nemesis (The Great Fortune), ca. 1501, Engraving, Sheet: 13 1/4 in. × 9 in. (33.6 × 22.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Cleric with Joined Hands (lower register?); verso: (same figure); (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Black chalk, stumped, white chalk, on dark gray paper (recto); faint black

Man Shading His Face with a Tricorne, 1691–1765, Pale brown wash, over graphite, 8 1/2 x 4 3/16in. (21.6 x 10.6cm), Drawings, Giovanni Paolo Panini (Italian, Piacenza 1691–1765 Rome

Design for Domed Ceiling for Mme Païva's Chateau at Neudeck, ca. 1877–84, Pen and black and gray ink, watercolor, gouache., 15 15/16 x 12 1/16 in. (40.5 x 30.6 cm), Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet

The Draughtsman of the Lute, n.d., Woodcut, sheet: 5 1/8 x 7 3/16 in. (13 x 18.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Bathers, 1651, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Peddler of Knives, Scissors and Combs, 1742, Etching with some engraving, Sheet: 9 7/16 x 7 5/16 in. (23.9 x 18.5 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon

Portrait of Joseph Guichard, 1850–1914, Etching, sheet: 6 x 5 1/2 in. (15.2 x 14 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

Plate 1: the genius of drawing, a child with wings, seated on a rock in center turned towards the right, holding a drawing pad and pen, ruins including a triumphal arch to right in the background, the title page from 'The Principles of Design'

The Betrothal of the Virgin, from The Life of the Virgin, ca. 1504, Woodcut, sheet: 11 11/16 x 8 3/8 in. (29.7 x 21.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Design for a Gothic Bed, early 19th century, Graphite and ink, sheet: 8 9/16 x 12 5/16 in. (21.8 x 31.2 cm), Anonymous, British, 19th century

Comparative Anatomy, 1800–1825, Etching, sheet: 8 15/16 x 7 in. (22.7 x 17.8 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Head of a Man Wearing a Helmet, Looking to Upper Left (recto); Two Sketches, Arms and Hands (verso), 1623–90, Red chalk, highlighted with a little white (recto); black chalk studies of arms (verso), 6 15/16 x 7 5/16in. (17.7 x 18.5cm),

Cover Design, 1905, Black chalk and watercolor, 16 15/16 x 12 1/16 in. (43.0 x 30.6 cm), Drawings, Charles-Lucien Léandre (French, Champsecret 1862–1930

Plan and Elevations of a Room, early 19th century, Graphite, sheet: 11 11/16 x 16 in. (29.7 x 40.6 cm), Anonymous, British, 19th century

Design for a sepulchral monument; verso: Fragment of a letter and notes, late 17th–early 18th century, Pen and brown ink, over red chalk and black chalk or graphite, red and brown wash, sheet: 9 5/8 x 6 1/4 in. (24.5 x 15.9 cm), Drawings,

The judgment of Paris, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 1/4 x 4 1/16 in. (13.3 x 10.3 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after

Design with Two Winged Female Figures and a Putto, 1548–1612, Charcoal on blue paper faded blue-gray., 4 5/8 x 8 3/16 in. (11.8 x 20.8 cm), Bernardino Poccetti (Italian, San Marino di Valdelsa 1548–1612 Florence

The Tantrum, 1796–97, Brush and gray wash (Indian ink) on laid Netherlandish paper, Sheet: 9 1/4 x 5 3/4 in. (23.5 x 14.61cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

Reading by Lamplight, 1859, Etching and drypoint; third state of three (Glasgow); black ink on fine tan fibrous oriental paper, plate: 6 1/4 x 4 5/8 in. (15.9 x 11.7 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts