Images at Librifly

Fifteen Sketches for Ceiling and Cove Designs, Hôtel Rothschild, Vienna, second half 19th century, 15 sheets pasted down. 6 pounced. Media include graphite, pen and gray and black ink, and gouache, 15 sketches pasted on one sheet measuring 12

Designs for Two Serving Dishes and a Planter, 19th century, Pen and brown ink, image: 6 7/8 x 10 15/16 in. (17.5 x 27.8 cm), Drawings, Anonymous, French, 19th century

The Nativity (copy), n.d., Woodcut, Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Sheet of Studies, Including for Reineke Fuchs; verso: Studies of Soldiers and of a Battle in a Wood, mid-19th century, Pen and brown ink; verso: pen and brown ink, sheet: 13 1/4 x 8 7/16 in. (33.7 x 21.5 cm), Drawings, Wilhelm von Kaulbach

Marcus Aurelius Statue, pedestal, elevation (recto) Marcus Aurelius Statue, pedestal, plan (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 17 3/16 x 11 9/16 in. (43.7 x 29.3 cm), Drawings

Eight designs for painted wall decorations; one for 'chanteloup, ' another for 'Nause', second half 19th century, graphite and pen and ink on various papers glued to cardboard, mount: 18 13/16 x 12 3/16 in. (47.8 x 31 cm), Drawings,

Drouet (C.L. Drouet, Sculptor), 1859, Etching and drypoint; second state of two, from the cancelled plate (Glasgow); printed in black ink on fine ivory Japan, Plate: 8 13/16 in. × 6 in. (22.4 × 15.2 cm), Prints, James McNeill Whistler

Design for a ceiling with trompe l'oeil sky, second half 19th century, Graphite, gouache, and watercolor, Overall: 13 1/4 x 19 7/16 in. (33.6 x 49.3 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet

Design for a Sconce and Two Candelabras, 19th century, Pen and brown ink, sheet: 5 13/16 x 11 5/16 in. (14.8 x 28.7 cm), Drawings, Anonymous, French, 19th century

Three Parrots, ca. 1675, Red chalk, 8 7/8 x 7 5/16 in. (22.5 x 18.6 cm), Drawings, Nicolas Robert (French, Langres 1614–1685 Paris

John Bull and His Friends Commemorating the Peace, ca. 1801, Hand-colored etching, sheet: 10 1/16 x 13 in. (25.5 x 33 cm), Prints, Piercy Roberts (British, active 1794–1828), After George Moutard Woodward (British, ca. 1760–1809 London

Liverdun, 1858, Etching; third state of three (Glasgow); printed in black ink on tan chine on off-white wove paper (chine collé), Plate: 4 3/16 x 6 1/16 in. (10.6 x 15.4 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts

Reclining Nude with Outstretched Left Arm, 1903–1904, Graphite, sheet: 13 7/8 x 21 1/2 in. (35.2 x 54.6 cm), Drawings, Gustav Klimt (Austrian, Baumgarten 1862–1918 Vienna

Sheet of Sketches, 1753, Etching, image: 5 1/4 x 8 1/8 in. (13.4 x 20.7 cm), Prints, François Boucher (French, Paris 1703–1770 Paris), After Abraham Bloemaert (Netherlandish, Gorinchem 1566–1651 Utrecht

Ten Cavaliers Including Five Forming a V, 1652, Etching, Sheet: 8 9/16 × 11 5/8 in. (21.8 × 29.6 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

The Head and the Tail of the Serpent, from the Fables of La Fontaine, 1886, Etching; sixth state of seven, sheet: 18 1/16 x 12 3/8 in. (45.9 x 31.5 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres), After Gustave Moreau

Design for Two Square Tables with Carved Legs, early 19th century, Ink, watercolor and wash, sheet: 10 13/16 x 15 1/16 in. (27.4 x 38.2 cm), Anonymous, British, 19th century

Design for the decoration of a pentagonal ceiling, 1830–97, pen and ink, watercolor, and gouache on wove paper; mounted on blue wove paper, Overall: 10 3/8 x 14 3/4 in. (26.4 x 37.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died

Design for a Compotier, 19th century, Graphite, watercolor, and gouache, sheet: 11 3/8 x 18 1/8 in. (28.9 x 46 cm), Drawings, Anonymous, French, 19th century

Illustration for a Book: Allegorical Scene of Coronation, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 2-3/4 x 5-7/8 in. (7.0 x 15.0 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice

A Congress of Animals, 1641–1710, Pen and brown ink, brush and watercolor, over traces of black chalk, 8 1/8 x 12 1/8in. (20.7 x 30.8cm), Drawings, Giovanni Francesco Castiglione (Italian, Genoa 1641–1710 Genoa), The graphic oeuvre of

The Ass at School, 1557, Engraving, plate: 9 5/16 x 11 15/16 in. (23.7 x 30.3 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Pieter van der Heyden (Netherlandish, ca. 1525–1569

Alternate Designs for Decorated Bases or Pedestals, 18th century, Black chalk., 9 9/16 x 6 1/8 in. (24.3 x 15.6 cm), Anonymous, French, 18th century

The old shepherd lying in a landscape, buildings behind, a goat and a sheep to the left, ca. 1500–1515, Engraving, Sheet: 3 1/8 × 5 5/16 in. (8 × 13.5 cm), Prints, Giulio Campagnola (Italian, Padua ca. 1482–ca. 1515/18 Venice

Design for a Carafe, 19th century, Pen and brown ink, Brush and brown, green, and orange wash, over graphite., sheet: 9 15/16 x 6 7/8 in. (25.2 x 17.5 cm), Drawings, Anonymous, French, 19th century

Une Dame de Chypre, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 3/8 x 8 7/16 in. (34 x 21.4 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris), Gilles Rousselet (French, Paris 1614–1686

Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Mountainous Landscape with a Brook, 18th–early 19th century, Brush and brown ink over graphite, sheet: 8 1/16 x 10 7/8 in. (20.4 x 27.7 cm), Drawings, Franz Kobell (German, Mannheim 1749–1822 Munich

Design for a ceiling with lattice work and flowering vines, second half 19th century, Graphite, pen and ink, and watercolor on laid paper; mounted on blue wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre

The Great Triumphal Car, eight sheet, n.d., Woodcut, sheet: 9 3/4 x 12 1/2 in. (24.8 x 31.8 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Plate 7 from 'Los Caprichos': Even thus he cannot make her out (Ni asi la distingue.), 1799, Etching, aquatint, and drypoint, Plate: 7 3/4 x 5 13/16 in. (19.7 x 14.8 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos

Cottage Door, [1884–86], Etching and drypoint; second state of two (Glasgow); printed in dark brown ink on ivory laid paper, Plate: 2 5/8 × 3 7/8 in. (6.6 × 9.8 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts

Cartouche Framed by Ducks and Weeds, 1647, Etching; first state, Sheet: 4 3/16 × 3 13/16 in. (10.7 × 9.7 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Allegory of the Immaculate Conception, 1639–1709, Pen and brown ink, brush and gray wash. Squared in black chalk, 9-3/4 x 5-15/16 in. (24.7 x 15.1 cm), Drawings, Giovanni Battista Gaulli (Il Baciccio) (Italian, Genoa 1639–1709 Rome

Nocturne: Palaces, 1879–80, Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper., Sheet: 11 1/2 × 7 13/16 in. (29.2 × 19.8 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts

Presentation of the Virgin in the Temple, 1624–59, Pen and brown ink, brush and brown wash, over black chalk, 7 3/16 x 7 15/16 in. (18.2 x 20.1 cm), Drawings, Valerio Castello (Italian, Genoa 1624–1659 Genoa

Fountain Surmounted by Three Nymphs, Red chalk on beige paper. An area has been re-drawn on a separate piece of paper, measuring 14.2 x 18.2 cm., and affixed at lower center, including the fountain base with dolphins., 5 9/16 x 7 3/16 in. (14.2

Belphegor, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, 1795, Etching and engraving; third state of three (Cohen), Sheet: 12 1/16 × 9 15/16 in. (30.7 × 25.3

Study of Ruins, 1548–1608, Pen and dark brown ink, brush and gray wash, 7 15/16 x 12 5/16in. (20.1 x 31.3cm), Drawings, attributed to Filippo Napoletano (Filippo Angeli) (Italian, Rome ca. 1589–1629 Rome

White Evening Primrose, Pachylophus Marginatus, May 21, 1913, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New

Sketches of Figures of the Virgin Kneeling, Saint Peter Standing, Seated Allegorical Figures of Faith and Charity, and Child Standing on a Corbel (?) (recto); Sketches of Figures of Saint Sebastian Standing and the Virgin and Child with Angels

Charity, from the series The Virtues, 1530, Engraving; third state, sheet: 6 1/2 x 4 3/4 in. (16.5 x 12.1 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Caricature Shop of Piercy Roberts, 28 Middle Row, Holborn, 1801, Hand-colored etching, sheet: 10 7/16 x 12 3/8 in. (26.5 x 31.5 cm), Prints

Man Holding a Large Banderole, from Series of Small Heads in Oriental Headdress, etching, sheet: 4 5/16 x 3 1/8 in. (11 x 8 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua

Facade and Ruins, 1730–66, Pen and brown ink, grey wash, 11 1/4 x 8 3/8in. (28.6 x 21.3cm), Drawings, attributed to Mauro Antonio Tesi (Italian, Montalbano 1730–1766 Bologna

America, mid-17th century, Red chalk on paper, 5 x 8 7/8 in. (12.7 x 22.5 cm), Drawings, Louis Licherie de Beurie (French, Houdan 1629–1687 Paris

Design for Ceiling in Chinois Style, Empress Eugenie's Hotel, second half 19th century, Pen and black ink, brush and gray wash, 10 7/16 x 15 in. (26.5 x 38.1 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre

Illustration for a Book: Supplicants Imploring an Emperor for Peace, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 3 x 6-7/16 in. (7.6 x 16.3 cm), Drawings, Giovanni Battista Tiepolo (Italian,

Dead Birds., 1685–1755, Brush with gray, black, brown, and light orange wash over graphite. Traces of framing outlines in pen and black ink at left and right edges, sheet: 5 1/16 x 6 3/4 in. (12.8 x 17.1 cm), Drawings, Count Giorgio Durante

Design for Neptune with an Oval Medallion, Pen and black ink with brush and gray wash, 3 9/16 x 2 1/8 in. (9 x 5.4 cm), Drawings, Charles Percier (French, Paris 1764–1838 Paris

The Death of the Virgin, 1639, Etching and drypoint, sheet: 16 1/8 x 12 3/8 in. (41 x 31.4 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

The Battle of the Amalekites, ca. 1645–52, Etching; second state of two, Sheet: 5 1/16 × 10 15/16 in. (12.8 × 27.8 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

Title-page: De la Monarchie du Verbe incarné, 1638, Etching, Sheet: 7 1/16 × 4 13/16 in. (18 × 12.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris), After Laurent de La Hyre (French, Paris 1606–1656 Paris

Palazzo Massimo alle Colonne , plan (recto) Palazzo Massimo alle Colonne, façade, details and fireplace (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 16 1/8 x 11 1/4 in. (41 x 28.5 cm),

Saints Peter and John Healing a Cripple at the Gate of the Temple, 1501–47, Pen and brown ink, brush and brown wash, highlighted with white gouache, on brownish paper, 9 3/4 x 6 1/8in. (24.8 x 15.5cm), Drawings, Perino del Vaga (Pietro

Plate 15 from 'The Disasters of War' (Los Desastres de la Guerra): And there is no help (Y no hai remedio), 1810, Etching, drypoint, burin, and burnisher, Plate: 5 1/2 x 6 9/16 in. (14 x 16.7 cm), Prints, Goya (Francisco de Goya y Lucientes)

Dinners Drest in the Neatest Manner, October 1811, Hand-colored etching, Sheet: 9 13/16 x 13 3/4 in. (25 x 35 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London), Rowlandson addresses the dilemma faced by all who dine out–the

Mary Cassatt at the Louvre: The Etruscan Gallery, 1879–80, Soft-ground etching, drypoint, aquatint, and etching, Plate: 10 9/16 x 9 1/8 in. (26.8 x 23.2 cm), Prints, Edgar Degas (French, Paris 1834–1917 Paris), Among the most

Drummer Boy Attacked by a Cossack, ca. 1817, Brush, brown wash, heightened with white over black chalk on brown wove paper, 8 9/16 x 6 5/16 in. (21.8 x 16 cm), Drawings, Jean Victor Schnetz (French, 1787–1870

The Holy Family Appearing to St. Francis, St. Augustine, and St. Roch, 18th century, Pen and brown ink, brush and brown wash, heightened with white over black chalk., 12 1/16 x 9 1/4 in. (30.6 x 23.5 cm), Drawings, Charles Joseph Natoire

Tasso Contemplating Beauty, 1823, Watercolor, pen and brown ink, over graphite. Framing lines in pen and brown ink, sheet size: 10-3/8 x 13-1/4 in. (26.4 x 33.6 cm), Drawings, Tommaso Minardi (Italian, Faenza 1787–1871 Rome

Designs for Two Tombs, 16th century, Black chalk, pen and brown ink, brush and brown wash, sheet: 10 7/8 x 13 1/4 in. (27.6 x 33.6 cm), Drawings, Anonymous, French, 16th century

Design for Chinois Bench and Planters, 19th century, Graphite and watercolor, 7 9/16 x 10 9/16 in. (19.2 x 26.9 cm), Anonymous, French, 19th century

Joseph Interpreting His Dreams to Jacob (copy), n.d., Engraving, sheet: 4 15/16 x 6 5/8 in. (12.5 x 16.8 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The same (Lo mismo), from The Disasters of War (Los Desastres de la Guerra), plate 3, 1810 ( published 1863), Etching, lavis, drypoint, burin and burnisher, Plate: 6 1/4 × 8 9/16 in. (15.8 × 21.8 cm), Prints, Goya (Francisco de Goya y

Illustrations for Chansons, by Charles Desforges de Vassens, 1833–1914, Etching, sheet: 18 x 12 5/8 in. (45.7 x 32 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

Harlequin, Emperor on the Moon, n.d., Etching, second state, image: 7 3/8 x 8 9/16 in. (18.7 x 21.7 cm), trimmed to image, Prints, Claude Gillot (French, Langres 1673–1722 Paris), Engraved by Jacques Gabriel Huquier (French, Paris

Design for a Wall Decoration with the Coat of Arms of the Borghese Family., 1590–1618, Pen and dark brown ink, brush and brown wash, over traces of leadpoint or black chalk, Sheet: 10 15/16 x 8 3/8 in. (27.8 x 21.2 cm), Drawings, Attributed

Coppersmith from Auvergne, 1737, Etching with some engraving, Sheet: 9 5/16 x 7 in. (23.6 x 17.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

Design for Grand Salon Ceiling, Hôtel Hope, 1867, Pen and black ink, brush and black wash, and graphite, 14 3/4 x 10 3/8 in. (37.5 x 26.4 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French,

Girl with a Hen, 1682–1754, Charcoal, highlighted with white chalk, on blue-gray paper faded to light brown, 14 7/8 x 10 11/16in. (37.8 x 27.1cm), Drawings, Giovanni Battista Piazzetta (Italian, Venice 1682–1754 Venice

Plate 12: A soldier on horseback, holding a musket in his right hand, in profile descending a slope towards the right, other soldiers on horseback to right in the background, from 'Various Figures' (Agréable diversité de figures), 1642,

Plate 72 from 'The Disasters of War' (Los Desastres de la Guerra): 'The Consequences.' (Las resultas.), after 1814–15 (published 1863), Etching, Plate: 6 7/8 × 8 11/16 in. (17.5 × 22 cm), Prints, Goya (Francisco de Goya y Lucientes)

View of the Roman Forum with the Temple of Saturn in the Background, n.d., Pen and brown ink, watercolor on paper, image diameter: 2 3/4in. (7cm), Drawings, Victor Jean Nicolle (French, Paris 1754–1826 Paris

Design for a Chalice with Acanthus and Shell Decoration, 1652–1725, Pen and brown ink, brush and brown wash, over traces of black chalk, sheet: 9 x 4 1/4 in. (22.8 x 10.8 cm), Giovanni Battista Foggini (Italian, Florence 1652–1725

Portrait of Merle, 19th century, Graphite, sheet: 2 1/4 x 1 7/8 in. (5.7 x 4.8 cm), Drawings, Anonymous, French, 19th century

Head of a Man, ca. 1718, Red and black chalk, 5 7/8 x 5 3/16 in. (14.9 x 13.1 cm), Drawings, Antoine Watteau (French, Valenciennes 1684–1721 Nogent-sur-Marne), This expressive sheet is a study for the man's head in Watteau's painting

Design for a panel ornamented with strapwork and rinceaux, 1830–97, graphite and watercolor on wove paper; mounted on blue wove paper, Overall: 14 3/4 x 10 3/8 in. (37.4 x 26.3 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

Project for a Domed Building with Colonnaded Façade, late 18th century, Pen and black ink, brush and gray wash; scale in pieds at bottom, sheet: 12 7/8 x 16 15/16 in. (32.7 x 43.1 cm), Anonymous, French, 18th century

Head of a Bald and Bearded Old Man in Profile, from 'Various heads and figures' (Diverses tétes et figures), 1650, Etching, Plate: 3 5/16 × 2 1/2 in. (8.4 × 6.4 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Ornamental design for front of a chest with winged lion and bear, 19th century, Pen and black, brown, and gray ink with watercolor., sheet: 3 11/16 x 4 15/16 in. (9.4 x 12.5 cm), Drawings, Anonymous, French, 19th century (?), Anonymous,

Design for a Triumphal Arch, late 18th–early 19th century, Pen and black ink, pen and brown ink, graphite., 10 11/16 x 4 7/8 in. (27.1 x 12.4 cm), Anonymous, French, 18th century, Anonymous, French, 19th century

Design for Two Vases, ca. 1770–85, Pen and brown ink, black chalk, and watercolor, 14 7/8 x 9 3/16 in. (37.8 x 23.3 cm), Drawings, Anonymous, French, 18th century

Songs of Innocence and of Experience: The Human Abstract, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm), Prints, William Blake (British, London

Parted Curtains Revealing Angels Upon Clouds Worshipping a Monstrance (Design for a Stage Set?), 1698–1765, Pen and brown ink, brush and gray wash, sheet: 4 7/8 x 3 7/16 in. (12.4 x 8.8 cm), Drawings, Attributed to Giovanni Battista Natali

Study, 1894, Transfer lithograph, drawn on thin, transparent transfer paper; only state (Chicago); printed in black ink on grayish white chine mounted on white plate paper, Image: 7 3/16 × 3 11/16 in. (18.3 × 9.4 cm), Prints, James McNeill

Procession of Monstrous Figures, 1615, Etching, frieze 1 of 8 plates, sheet: 3 3/4 x 11 5/8 in. (9.5 x 29.5 cm), Prints, Wendel Dietterlin, the Younger (German, active Strasbourg ca. 1614–69

Déborah, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 14 5/8 x 9 11/16 in. (37.2 x 24.6 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676 Paris),

Figure Study in Colors, 1890, Transfer lithograph, drawn on medium-grained transfer paper; third state of three, Image: 10 3/16 × 5 1/2 in. (25.9 × 14 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

Design for Three Gothic Style Book Stands, early 19th century, Graphite, sheet: 8 9/16 x 12 5/16 in. (21.8 x 31.2 cm), Anonymous, British, 19th century

A Stream (Decoration for a Plate), 1850–1914, Etching and aquatint on laid paper, sheet: 12 5/8 x 19 3/16 in. (32 x 48.8 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

Three designs for wallpaper featuring strapwork, rinceaux, and fleurs-de-lis, 1830–97, gouache on wove paper glued to cardboard, Overall: 18 11/16 x 12 5/16 in. (47.4 x 31.3 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

Design for the decoration of a ceiling, 1830–97, graphite, watercolor, and gouache on laid paper; mounted on blue wove paper, Overall: 7 3/4 x 10 5/8 in. (19.7 x 27 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

La Vielle aux Loques, 1858, Etching and drypoint; fourth state of four (Glasgow); printed in black ink, Plate: 8 1/4 × 5 13/16 in. (20.9 × 14.7 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

Cleric (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Red chalk, 14 7/16 x 11 7/8 in. (36.7 x 30.1 cm), Drawings, Isidore Pils (French, Paris 1813/15–1875 Douarnenez

Design for Three Chairs with Curved Backs (verso: Sketch for a Sideboard), early 19th century, Ink and watercolor; verso: graphite, sheet: 6 5/8 x 9 in. (16.9 x 22.9 cm), Anonymous, British, 19th century

Mary seated beneath trees with baby, flanked by Joseph at left and St. Jerome at right; St. John the Baptist seated in the foreground holding a cross; a man stooping to pick up a child at left; a lion seen from behind at right; a town in the

Design for a Mirrored Cabinet and Four Chairs, early 19th century, Ink and watercolor and wash, sheet: 12 3/16 x 17 3/16 in. (30.9 x 43.6 cm), Anonymous, British, 19th century

Seven Miscellaneous Designs for the de la Rochejaquelein Family, second half 19th century, Graphite, 12 1/4 x 18 3/4 in. (31.1 x 47.6 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born

The Ship of Fortune, ca. 1633, Etching; second state of two, image: 4 3/8 x 6 9/16 in. (11.1 x 16.6 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam