Images at Librifly

Hé c'est l'ami Carême!, Musée Grotesque No. 53, early 19th century, Hand-colored etching, plate: 7 13/16 x 10 5/16 in. (19.9 x 26.2 cm), Prints

Madonna and Child on clouds, 17th century, Etching, Sheet: 11 in. × 7 1/2 in. (28 × 19 cm), Prints, Attributed to Simone Cantarini (Italian, Pesaro 1612–1648 Verona

Design for a Pier Table, early 19th century, Graphite, sheet: 8 9/16 x 12 5/16 in. (21.8 x 31.2 cm), Anonymous, British, 19th century

Design for Ceiling, Château de Cangé, second half 19th century, Watercolor and gouache, 4 9/16 x 4 5/16 in. (11.6 x 10.9 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Dido Killing Herself, ca. 1660, Etching, Sheet (trimmed to plate): 4 3/16 × 2 13/16 in. (10.7 × 7.2 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), After Parmigianino (Girolamo Francesco Maria Mazzola)

Plate 80 from 'Los Caprichos': It is time (Ya es hora.), 1799, Etching, burnished aquatint, drypoint and burin, Plate: 8 7/16 x 5 15/16 in. (21.5 x 15.1 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828

Designs for Three Candelabras, 19th century, Pen and brown ink, sheet: 8 9/16 x 10 7/16 in. (21.7 x 26.5 cm), Drawings, Anonymous, French, 19th century

Laocoön and his two sons being attacked by serpents upon a pedestal, a temple to Minerva behind them, another temple and the sea in the background, ca. 1515–27, Engraving, Sheet (Trimmed): 11 1/8 × 15 5/8 in. (28.2 × 39.7 cm), Prints,

Design for a Stage Set at the Opéra, Paris, 1830–90, Watercolor, heighted with gold gilt, sheet: 10 7/8 x 16 5/16 in. (27.7 x 41.4 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Saint George Standing, ca. 1502, Engraving, Sheet: 4 7/16 × 2 13/16 in. (11.2 × 7.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Pierrot, 1889, Etching and drypoint; sixth state of eight (Glasgow); printed in dark brown ink on medium weight ivory laid paper, Plate: 9 1/8 × 6 1/4 in. (23.1 × 15.9 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

The Star of Kings: A Night Piece, ca. 1651, Etching and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Songs of Innocence and of Experience: Holy Thursday, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm), Prints, William Blake (British, London 1757–1827

Allegorical Figure of Chastity, 1792–1816, Pen and brown ink, brush and brown wash, over graphite, 11 3/8 x 8 1/8in. (28.9 x 20.6cm), Drawings, Ascribed to Filippo Pedrini (Italian, Bologna 1763–1856 Bologna

Scipio Granting Clemency to the Prisoners, Etching and engraving, first state, sheet: 10 1/4 x 14 15/16 in. (26 x 38 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice), After Giulio Romano (Italian,

Design for a Proscenium or Monumental Alcove, 1652–1725, Pen and dark brown ink, over traces of black chalk, sheet: 4 1/8 x 2 13/16 in. (10.5 x 7.2 cm), Giovanni Battista Foggini (Italian, Florence 1652–1725 Florence

Boney Bothered or an Unexpected Meeting, July 9, 1808, Hand-colored etching, sheet: 14 5/16 x 9 5/8 in. (36.3 x 24.5 cm), Prints, Charles Williams (British, active 1797–1830

Small Grotesque Head Looking to the Left Within a Circle, 1727, Pen and brown ink, sheet: 12 7/8 x 8 1/2 in. (32.7 x 21.6 cm), Drawings, Gaetano Piccini (Italian, active Rome, 1710–30

Two Horse Heads Framing a Shield, ca. 1653, Etching, state ii, Prints

Architectural Study, n.d., Pen and brown ink, 7 11/16 x 5 1/4 in. (19.5 x 13.4 cm), Drawings, After Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome

Gerson as a Pilgrim, frontispiece to Gersonis Opera, 1489, n.d., Woodcut, sheet: 8 11/16 x 5 15/16 in. (22.1 x 15.1 cm), Prints, Attributed to Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Design for Pink and White Curtains with Green Fringes, and Gold and White Pediments, ca. 1820, Ink, watercolor and wash, sheet: 10 13/16 x 15 in. (27.5 x 38.1 cm), Anonymous, British, 19th century

Reclining River God, 1638–1721, Black chalk, highlighted with white, on gray paper, 10 7/16 x 15 11/16in. (26.5 x 39.8cm), Drawings, Luigi Garzi (Italian, Pistoia 1638–1721 Rome

Design for Two Vases, ca. 1770–85, Pen and brown ink, watercolor, and black chalk, 14 3/4 x 8 15/16 in. (37.5 x 22.7 cm), Drawings, Anonymous, French, 18th century

The Theatrical Atlas, May 7, 1814, Hand-colored etching, plate: 14 1/8 x 10 in. (35.8 x 25.4 cm), Prints, George Cruikshank (British, London 1792–1878 London

La Vierge a l'enfant, a la rose, Etching, second state, sheet: 16 7/16 x 11 3/8 in. (41.8 x 28.9 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome

The Storm Cloud, 1882–84, Etching; second state of eleven, sheet: 11 7/16 x 16 1/8 in. (29 x 41 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

The Marriage of Adam and Eve, from The Apocalypse, ca. 1540–55, Engraving; second state of two, Prints, Jean Duvet (French, ca. 1485–after 1561

Henri II de Lorraine, duc de Guise, Etching, second state, sheet: 12 5/8 x 10 3/8 in. (32 x 26.3 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Justus Sustermans (Flemish, Antwerp 1597–1681 Florence

The Pancake Woman, 1635, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Elevation of a Wall with Marble Pilasters, a Draped Table and Two Armchairs with Footstools, early 19th century, Pen and ink, sheet: 9 1/2 x 11 3/4 in. (24.2 x 29.9 cm), Anonymous, British, 19th century

Sketch in St. James's Park, [1884–86], Etching; only state (Glasgow); printed in black ink on ivory laid paper, Plate: 2 9/16 × 3 7/8 in. (6.5 × 9.8 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

Figure with Pig and Serpent, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561 Venice

Drinks Vendor, 1737, Etching with some engraving, Sheet: 9 5/16 × 6 13/16 in. (23.7 × 17.3 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

La Gaité Montparnasse, ca. 1919, Etching; second state of three, plate: 5 13/16 x 4 5/16 in. (14.8 x 11 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset

Screen with Rebus of Fortune, ca. 1639, Etching, state ii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

God the Father with Four Angels., 1569–71, Pen and brown ink, brush and brown wash, over traces of black chalk, Sheet: 6 1/8 x 8 1/2 in. (15.5 x 21.6 cm), Drawings, Bertoia (Jacopo Zanguidi) (Italian, Parma 1544–?1573 Caprarola

Head of a young Man with Mouth open, facing Left, Etching, Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua

Man Attended by Three Women, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561 Venice

Head of a Quarryman, 1837–1911, Red chalk, 18 3/4 x 13 3/8 in. (47.6 x 34 cm), Drawings, Alphonse Legros (French, Dijon 1837–1911 Watford, Hertfordshire

Design for the decoration of a beamed ceiling, 1840–97, graphite, watercolor, and gold paint on wove paper; inlaid in blue wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris,

Illustration to 'The Relief Fund in Lancashire' (Once a Week, July 26, 1862), 1862, Wood engraving, Prints, After James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

The Reformed Woman, mid to late 17th century, Etching, Sheet (trimmed): 11 3/8 × 7 11/16 in. (28.9 × 19.6 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

The Rubens Hat, 1875, Etching on laid paper; second state of two, Plate: 10 7/16 x 6 3/4 in. (26.5 x 17.2 cm), Prints, James Tissot (French, Nantes 1836–1902 Chenecey-Buillon

Partial design for the decoration of a ceiling, 1830–97, graphite on wove paper, Overall: 11 3/16 x 9 3/16 in. (28.4 x 23.4 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Pont-au-change, Paris, 1854, Etching and drypoint on laid paper; fifth state of twelve, plate: 6 1/8 x 13 3/16 in. (15.5 x 33.5 cm), Prints, Charles Meryon (French, 1821–1868

The Tournament on Horseback, ca. 1517/18, Woodcut, sheet: 8 13/16 x 9 9/16 in. (22.4 x 24.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

Print, 1511, Woodcut, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Designs for three windowed storeys, 1830–97, Graphite, pen and ink, and watercolor on laid paper, Overall: 14 15/16 x 10 7/16 in. (37.9 x 26.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet

Christ before Caiaphas, from The Passion, 1512, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Two Women in a Garden, 1888, Gouache on silk. Framing lines in graphite., mount: 14 15/16 x 12 3/8 in. (37.9 x 31.5 cm), Drawings, Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830–1903 Paris

Two Women Crossing a Stream, ca. 1646, Etching, Sheet (trimmed): 5 11/16 × 4 13/16 in. (14.4 × 12.3 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Unidentified, plan (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 4 1/8 x 3 9/16 in. (10.5 x 9 cm), Drawings

Design for a Stage Set at the Opéra, Paris, 1830–90, Brush and brown and gray wash, over graphite, Irregular sheet: 4 5/16 x 2 5/16 in. (10.9 x 5.9 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, watercolor, sheet: 8 5/16 x 10 3/8 in. (21.1 x 26.3 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Bush Poppy, Dendromecon rigida, June 6, 1912, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York

Lamp, Hellenistic or Early Imperial, 1st century B.C.–1st century A.D., Greek or Roman, Terracotta, Overall: 1 3/16 x 4 9/16 in. (3 x 11.6 cm), Terracottas

Rest on the flight into Egypt, Mary holding the infant Christ while St. Joseph hands him a fruit, ca. 1639, Etching, Sheet (Trimmed): 11 7/16 × 7 3/8 in. (29 × 18.8 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona

The Descent of Man into the Vale of Death, from The Grave, a Poem by Robert Blair, March 1, 1813, Engraving, plate: 9 1/2 x 5 5/16 in. (24.1 x 13.5 cm), Prints, Luigi Schiavonetti (Italian, Bassano del Grappa 1765–1810 London), After

The Laundress, 1756, Etching; first state of two, image: 11 5/8 x 8 7/16 in. (29.6 x 21.4 cm), Prints, François Boucher (French, Paris 1703–1770 Paris

Jews in a Synagogue, 1648, Etching and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Design for Four Vases and a Teapot, ca. 1770–85, Pen and brown ink, and black chalk, 14 7/8 x 9 3/16 in. (37.8 x 23.3 cm), Drawings, Anonymous, French, 18th century

Design for a Chandelier, 19th century, Pen and brown ink, sheet: 6 7/8 x 9 3/4 in. (17.5 x 24.8 cm), Drawings, Anonymous, French, 19th century

Hat and Guitar. Cover design for 'Eaux-fortes par Edouard Manet, ' an album of fourteen etchings, 1862, etching, drypoint, and aquatint; final state on blue laid paper, plate: 9 x 8 1/2in. (22.9 x 21.6cm), Prints, Édouard Manet (French,

Woman with a Staff Looking Upward, early 17th century, Black chalk, heightened with white, on beige paper, 10 x 7 1/2 in. (25.2 x 19 cm), Drawings, Studio of Simon Vouet (French, Paris 1590–1649 Paris

Ecce Homo, n.d., Etching, image: 7 3/4 x 4 13/16 in. (19.7 x 12.3 cm), trimmed to image, Prints, Claude Gillot (French, Langres 1673–1722 Paris), Engraved by Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury

Fan with figures in a garden, Etching; reverse copy, Plate: 8 7/8 × 11 9/16 in. (22.5 × 29.4 cm), Prints, Attributed to Nicolas Cochin (French, Troyes 1610–1686 Paris), After Stefano della Bella (Italian, Florence 1610–1664 Florence

Design for a Half Frame Decorated with Angels, Volutes and Garlands., 1634–89, Pen and brown ink, brush and brown wash over traces of graphite highlighted with white gouache on the upper side of the frame, Sheet: 14 11/16 x 6 9/16 in. (37.3 x

Madonna and Child, ca. 1460–70, Woodcut, hand-colored, borders added by hand, sheet: 13 1/8 x 9 15/16 in. (33.3 x 25.2 cm), Prints, Anonymous, German, Augsburg, 15th century

A Moorish horseman facing the left, standing and seated Turks in the middle ground, and other horsemen in the background, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois), ca. 1651, Etching, Sheet (trimmed to plate): 7

Design for a brooch with a bird motif, 19th century, Gouache on cardboard, sheet: 10 5/8 x 8 7/8 in. (27 x 22.6 cm), Drawings, Anonymous, French, 19th century

Nocturne, 1879–80, Etching and drypoint; sixth state of nine (Glasgow); printed in black ink on heavy cream Japan, Plate: 8 × 11 5/8 in. (20.3 × 29.6 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London),

The Priest's House, Rouen, 1894–95, Transfer lithograph with stumping and scaping, drawn on thin, transparent transfer paper; second state of two (Chicago); printed in black ink on medium weight cream laid paper, Image: 9 1/16 × 6 1/8 in.

Plate 36 from 'Los Caprichos: A bad night (Mala noche.), ca. 1797–98, Etching and burnished aquatint, Plate: 8 7/16 x 5 15/16 in. (21.4 x 15.1 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

The Parable of the Wise and Foolish Virgins, ca. 1560–63, Engraving; first state of two, sheet: 10 5/16 x 13 3/16 in. (26.2 x 33.5 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Philips Galle

Songs of Innocence and of Experience: The Little Girl Lost/The Little Girl Found, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm), Prints, William Blake

A Group of Saints and Angels (recto); Studies of a Male Figure in a Pendentive (verso), 1613–99, Red chalk, brush and red wash (recto and verso), 5 15/16 × 7 1/8 in. (15.1 × 18.1 cm), Drawings, Mattia Preti (Il Cavalier Calabrese) (Italian,

Thenot Remonstrates With Colinet, from Thornton's Pastorals of Virgil, 1821, Wood engraving; second state, block: 1 15/16 x 3 in. (4.9 x 7.6 cm), Prints, William Blake (British, London 1757–1827 London

Plate 14 from 'The Disasters of War' (Los Desastres de la Guerra):It's a Hard Step! (Duro es el paso!), 1810, Etching, drypoint and burin, Plate: 5 9/16 × 6 9/16 in. (14.2 × 16.6 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish,

Portrait of Emma Hamilton, 1791, Black and white chalk, on gray prepared paper, sheet: 14 3/16 x 16 11/16 in. (36 x 42.4 cm), Drawings, Angelica Kauffmann (Swiss, Chur 1741–1807 Rome

The Actress Ellen Andrée, 1879, Drypoint on laid paper; second state of three (unique impression), sheet: 7 1/8 x 5 in. (18.1 x 12.7 cm), Prints, Edgar Degas (French, Paris 1834–1917 Paris

Standing Youth with Hands Behind His Back, and a Seated Youth Reading (recto); Two Studies of Hands (verso), 1457/58–1504, Metalpoint, highlighted with white gouache, on pink prepared paper (recto); metalpoint, on pink prepared paper (verso),

Designs for Ceilings with Clouds and Birds, 19th century, Watercolor and traces of graphite, 8 1/8 x 12 7/8in. (20.6 x 32.7cm), Drawings, Charles Monblond (French, 19th century

Capital with Acanthus Leaves, 18th century, Graphite, pen and black ink, 6 3/8 x 8 in. (16.2 x 20.3 cm), Drawings, Anonymous, French, 18th century

Plate 27 from 'The Disasters of War' (Los Desastres de la Guerra):'Charity' (Caridad), 1810, Etching, drypoint and burin, Plate: 6 7/16 × 9 1/8 in. (16.3 × 23.2 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos

Mary Magdalen Buying Ointment, 1666–1724, Pen and brown ink, brush and brown wash, 7 3/4 x 6 11/16in. (19.7 x 17cm), Drawings, Attributed to Paolo Gerolamo Piola (Italian, Genoa 1666–1724 Genoa

Musical Trophy, 19th century, Graphite, pen and dark brown ink, brush and brown wash. Pricked for transfer., 15 1/8 x 8 1/2in. (38.4 x 21.6cm), Drawings, Charles Monblond (French, 19th century

Plate18 from 'The Disasters of War' (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar), 1810, Etching, drypoint and burin, Plate: 6 5/16 x 9 1/4 in. (16 x 23.5 cm), Prints, Goya (Francisco de Goya y Lucientes)

The Winged Hat, 1890, Transfer lithograph, drawn on medium-grained transfer paper; second state of two (Chicago); printed in black ink on ivory smooth wove paper, sheet: 11 1/4 x 8 3/4 in. (28.6 x 22.3 cm), Prints, After James McNeill Whistler

L'Education fait tout, n.d., Etching, second state, sheet: 11 7/8 x 13 11/16 in. (30.1 x 34.8 cm), Prints, After Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), Engraved by Nicolas de Launay (French, Paris, 1739–1792

Jews in a Synagogue, 1648, Etching and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Virgin and Child Seated by a Tree, 1513, Engraving, Sheet: 4 9/16 × 2 15/16 in. (11.6 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Artists Drawing and Painting in a Studio, 1612–66, Pen and brown ink, brush and brown wash, 2-7/8 x 7-7/8 in. (7.3 x 20 cm), Drawings, Pier Francesco Mola (Italian, Coldrerio 1612–1666 Rome

Mlle. Etienne-Joconde-Cunégonde-Bécassin de Constitutionnel..., May 8, 1834, Lithograph, sheet: 13 3/16 x 10 in. (33.5 x 25.4 cm), Prints, Honoré Daumier (French, Marseilles 1808–1879 Valmondois

Songs of Experience: Frontispiece, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm), Prints, William Blake (British, London 1757–1827 London

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, brush and gray wash, heightened with white, Irregular sheet: 14 1/8 x 19 3/4 in. (35.9 x 50.2 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Vampyre, from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 7 1/16 x 10 13/16 in. (18 x 27.5 cm), Prints, Henry Louis Stephens (American, Philadelphia, Pennsylvania 1824–1882 Bayonne,

Drawing of an Interior: Cabinet du Salon, 1857, Graphite, pen and blue ink, watercolor, heightened with white, sheet: 8 3/16 x 11 5/16 in. (20.8 x 28.8 cm), Drawings, Anonymous, French, 19th century