Images at Librifly

Design for a Double Tomb, 16th century, Pen and brown ink, brush and gray wash, sheet: 20 11/16 x 14 9/16 in. (52.6 x 37 cm), Drawings, Anonymous, French, 16th century

Design for a Piano, 19th century, Watercolor, sheet: 16 7/8 x 10 9/16 in. (42.8 x 26.9 cm), Anonymous, French, 19th century

Design for a Stage Set at the Opéra, Paris, 1830–90, Watercolor and gouache over graphite, sheet: 11 1/8 x 21 13/16 in. (28.2 x 55.4 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

The Rape of Europa, 1624–63, Pen and brown ink. Framing lines in black chalk, and in pen and brown ink on mount, 3 5/8 x 4-3/4 in. (9.2 x 12.1 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?) 1615/20–after 1679

La Salute: Dawn, 1879–80, Etching and drypoint; fourth state of four (Glasgow); dark brown ink on fine ivory laid paper, plate: 4 7/8 x 7 15/16 in. (12.4 x 20.2 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903

Le Tombeau de Molière (au Père-Lachaise) Molière's tomb, Père-Lachaise Cemetery, Paris, 1854, Etching; first of two states, plate: 2 5/8 x 2 3/4 in. (6.7 x 7 cm), Prints, Charles Meryon (French, 1821–1868

Three Caravels in a Rising Squall with Arion on a Dolphin from The Sailing Vessels, 1561–65, Engraving; first state of six, sheet: 10 1/4 x 21 3/16 in. (26.1 x 53.8 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

Venus and Sleeping Cupid, 1600–1625, Pen and dark brown ink, brown wash, sheet: 6 15/16 x 7 1/8 in. (17.6 x 18.1 cm), Drawings, Hans Stutte (German, active Lübeck, died before 1625

The Virgin and Child with the Infant John the Baptist and a Lamb in a Landscape, 1787–1871, Pen and brown ink, brush and pale brown wash, 6 1/4 x 8 7/8in. (15.8 x 22.5cm), Drawings, Tommaso Minardi (Italian, Faenza 1787–1871 Rome

The Blindness of Tobit: A Sketch, ca. 1825, Etching, Sheet: 3 in. × 2 1/8 in. (7.6 × 5.4 cm), Prints, William James Smith (British, active London 1824–26), After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Design for a Sculptured Frame with Garlands and Statues and a Painting of Two Human Figures with Puttis inside the Frame., 1776, Pen and black ink, brush with gray and black wash over some traces of leadpoint, 15 1/8 x 11 9/16in. (38.4 x 29.4cm),

Three Designs for Helmets, 16th century, Pen and brown ink, brush and brown wash, over leadpoint; glued onto secondary paper support, Drawing is silhouetted; dimensions of secondary support: 6-9/16 x 11-3/16 in. (16.7 x 28.4 cm), After Polidoro

Design for the painted decoration of a ceiling, 1830–97, pen and ink and watercolor, heightened with white on wove paper; mounted on wove paper, Overall: 10 3/8 x 14 3/4 in. (26.3 x 37.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French,

Three Male Heads, 1493–1560, Pen and brown ink over traces of black chalk, 12-5/8 x 8-1/8 in. (32.1 x 20.6 cm), Drawings, Baccio Bandinelli (Italian, Gaiole in Chianti 1493–1560 Florence), The subject of this powerful drawing with the head

Whistler with the White Lock, 1879, Etching and drypoint; only state (Glasgow); printed in black ink on ivory tissue-weight Japan, Plate: 4 5/8 x 3 3/16 in. (11.7 x 8.1 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts

Saint Louis of France, Saint Francis, and a Female Monastic Saint, 1592–1631, Pen and brown ink, brush and brown wash, 8 1/2 x 5 13/16in. (21.6 x 14.8cm), Drawings, Pietro Damini (Pietro Damini da Castelfranco) (Italian, Castelfranco

San Lorenzo, Library, Ricetto, entry portal to library, elevation (recto) San Lorenzo, Library, Ricetto, entry portal to library, plan and wall detail (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines,

Saint Eustace, ca. 1501, Engraving, Sheet: 13 15/16 × 10 1/4 in. (35.4 × 26.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Framed Landscape with a View of Castel Durante with a Figure Holding an Inscribed Plaque in the Foreground, 1600–1638, Pen and dark brown ink, sheet: 10 1/2 x 15 3/16 in. (26.7 x 38.6 cm), Drawings, attributed to Ercole Bazicaluva (Italian,

Plate 32 from 'The Disasters of War' (Los Desastres de la Guerra):' Why?' (Por qué?), 1810 ( published 1863), Etching, lavis, drypoint, burin and burnisher, Plate: 6 1/8 × 8 1/16 in. (15.5 × 20.5 cm), Prints, Goya (Francisco de Goya y

The Crucifixion: Small Plate, ca. 1635, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Mars, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 7/8 × 2 3/8 in. (4.8 × 6 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de

The Pilot of Tonga, 1855, Etching (from two plates) printed in black and red ink on laid paper., plate: 8 x 5 11/16 in. (20.3 x 14.4 cm), Prints, Charles Meryon (French, 1821–1868

Long Dark Table with Decorative Objects, 19th century, Pen and ink and gouache, 14 1/8 x 18 3/8 in. (35.9 x 46.7 cm), Drawings, Anonymous, Chinese, 19th century

Studies of Nudes and Human Heads (recto and on the verso)., 1557–1602, Pen and brown ink over traces of graphite, Sheet: 8 7/16 x 8 1/8 in. (21.5 x 20.7 cm), Drawings, circle of Agostino Carracci (Italian, Bologna 1557–1602 Parma

Design for a Palace Facade: detail of Windows and Doors, early 18th–mid 18th century, Pen and black and gray ink, brush and gray ink, over black chalk or graphite, 9 7/8 x 8 7/16 in. (25.1 x 21.5 cm), Drawings, Carl Hårleman (Swedish,

La Marchande de moutarde, 1858, Etching; fifth state of five (Glasgow); black ink on cream laid paper, Plate: 6 1/8 x 3 1/2 in. (15.6 x 8.9 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

Robert's Back, ca. 1882, Drypoint; first state of two, plate: 9 3/4 x 5 7/8 in. (24.8 x 14.9 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise

Plate 16: an elephant in center, his mahout standing to the right wearing an Oriental costume, another elephant to left in background, from 'Diversi capricci', ca. 1644–47, Etching; third state of four (De Vesme), Sheet: 3 3/8 × 3 7/8 in.

Cottage beside a Canal; View of Ouderkerk, ca. 1648, Etching, sheet: 5 11/16 x 8 5/16 in. (14.4 x 21.1 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Three Designs for Plate Borders, 19th century, Graphite, watercolor, and gold glit. Framing lines in graphite., sheet: 13 11/16 in. (34.7 cm), Drawings, Anonymous, French, 19th century

The Virgin and Child with the Infant Christ and Saint Anne, ca. 1500, Engraving, Sheet: 4 9/16 × 2 13/16 in. (11.6 × 7.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Horse's head, 1500–1550, Brush and brown, red, green, yellow and white gouache on paper over black chalk, 15 5/8 x 8 7/8 in. (39.6 x 22.5 cm), Drawings, School of Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome

Half Figure of a Youth with Outstretched Left Arm and Bowed Head (recto); Two Women, One Holding a Vase, the Other a Book, and a Seated Man (verso), 1554–61, Red chalk (recto); pen and brown ink (verso) (the ink of this latter study has bled

Ex-libris Manet, 1875, Etching; first state of three, sheet: 11 13/16 x 8 7/16 in. (30 x 21.5 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

Design for the decoration of the stairway in the Chateau d'Ognon of M. de Machy (Oise, France), second half 19th century, Graphite and watercolor, heightened with white on wove paper; inlaid in blue wove paper, sheet: 5 3/8 x 10 3/4 in. (13.6 x

La Coaltion, n.d., Etching, sheet: 13 13/16 x 10 9/16 in. (35.1 x 26.9 cm), Prints, Esprit Antoine Gibelin (French, Aix en Provence 1739–1813 Aix en Provence

Portrait of John Churchill, 1st Duke of Marlborough, early 18th century, Pen and ink on vellum, diameter: 4 1/8 in. (10.5 cm), Drawings, John Faber, the Elder (British (born Holland), The Hague (?) ca. 1660–1721 Bristol), Faber the Elder

Design for a coffered ceiling with painted panels, 1840–97, Pen and ink, watercolor, and gouache on wove paper; inlaid in blue wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born

Title Page, from Monkey-ana, or Men in Miniature, 1827, Etching on chine collé, plate: 8 1/8 x 6 1/2 in. (20.6 x 16.5 cm), Prints, Thomas Landseer (British, London 1795–1880 London

Wheelwright, 1879–80, Etching and drypoint; nineth state of nine (Glasgow); printed in brownish black ink on fine ivory machine-made, paper, Plate: 4 15/16 × 6 15/16 in. (12.6 × 17.6 cm), Prints, James McNeill Whistler (American, Lowell,

Flayed man seen from behind, holding a rope, ca. 1531–76, Engraving, sheet: 6 x 4 5/16 in. (15.3 x 11 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Two Male Heads in Profile to Right, 1765–1810, Offprint made from red chalk drawing, sheet: 23 1/4 x 17 15/16 in. (59 x 45.6 cm), Drawings, Attributed to Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna

Caricature, 19th century, Graphite, sheet: 10 11/16 x 7 3/8 in. (27.1 x 18.8 cm), Drawings, Anonymous, French, 19th century

Large Prickly Gilia, Gilia California, May 28, 1912, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York

Courtier Following Edict Against Superfluity in Dress, mid to late 17th century, Etching, Sheet (trimmed): 11 3/8 × 7 3/4 in. (28.9 × 19.7 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

The Gay Lothario. The Great and Celebrated Amateur of Fashion, March 16, 1813, Hand-colored etching; impression with artist's name and date removed, sheet: 10 x 15 1/2 in. (25.4 x 39.4 cm), Prints, William Elmes (British, active 1804–16

Abigail Before David, ca. 1507, Engraving; second state, sheet: 10 3/4 x 7 11/16 in. (27.3 x 19.5 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church, August 1, 1797, Soft-ground etching, hand-colored; fourth state of four, plate: 12 13/16 x 15 1/2 in. (32.5 x 39.4 cm), Prints, Thomas Gainsborough (British,

The Virgin Appearing to Saint John, from The Apocalypse, n.d., Woodcut, sheet: 17 3/8 x 11 15/16 in. (44.1 x 30.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Side Elevation of a Triumphal Arch, 18th century, Pen and black ink, brush and gray and rose wash, 8 7/8 x 7 11/16 in. (22.6 x 19.5 cm), Drawings, Anonymous, French, 18th century

Design for a Sideboard with Mirrors and Shell Ornament, a Casket Below, early 19th century, Ink and wash, sheet: 8 11/16 x 12 3/16 in. (22 x 31 cm), Anonymous, British, 19th century

Saint Francis Receiving the Stigmata, ca. 1503, Woodcut, sheet: 8 11/16 x 5 3/4 in. (22 x 14.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Plate 9 from the 'Disparates':General folly, ca. 1816–23 (published 1864), Etching and burnished aquatint, Plate: 9 5/8 x 14 in. (24.5 x 35.5 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux), From

Christ Appearing to St. Mary Magdalen (Schr. 2388), 15th century, Metalcut, hand-colored, sheet: 4 5/8 x 3 5/16 in. (11.8 x 8.4 cm), Prints, Anonymous, German, 15th century

Luigi Vanvitelli, 1674–1755, Pen and brown ink, over traces of graphite or lead, 12 5/8 x 8 9/16in. (32 x 21.8cm), Drawings, Pier Leone Ghezzi (Italian, Comunanza near Ascoli Piceno 1674–1755 Rome

Design for a Stage Set at the Opéra, Paris, 1840–90, Graphite, sheet: 10 11/16 x 19 3/16 in. (27.1 x 48.8 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Sheet of Studies: Heads, Hands, and Doves, 1638–1721, Red chalk (the heads and hands) and black chalk (the doves), on blue paper, 15 11/16 x 10 11/16in. (39.8 x 27.1cm), Drawings, Luigi Garzi (Italian, Pistoia 1638–1721 Rome

Sixteen designs of the decoration of walls and ceilings, second half 19th century, graphite and pen and ink on trace on laid paper, sheet: 12 3/8 x 18 3/4 in. (31.4 x 47.7 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

The Virgin Surrounded by Many Angels, 1518, Woodcut, sheet: 11 3/4 x 8 5/16 in. (29.8 x 21.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Honi. Soi. Qui. Mal. Y. Pense: The Caricature Shop of G. Humphrey, 27 St. James's Street, London, August 12, 1821, Hand-colored etching, plate: 11 13/16 x 16 7/8 in. (30 x 42.8 cm), Prints, Theodore Lane (British, Isleworth ca. 1800–1828

Alternative designs for cup and cover, 18th century, Pen and gray and black ink, brush and gray wash, laid down., sheet: 14 1/8 x 5 1/4 in. (35.9 x 13.3 cm), Drawings, Attributed to Anonymous, German, 18th century

Design for a sepulchral monument; verso: Design for a sepulchral monument, late 17th–early 18th century, Pen and brown ink, over black chalk or graphite, red chalk and wash; verso: black chalk or graphite, red chalk, sheet: 6 5/16 x 4 3/16

Annie Seated, 1858–59, Etching and drypoint; third state of three (Glasgow); black ink on extremely fine laid Japan paper, Plate: 5 × 3 13/16 in. (12.7 × 9.7 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903

Design for Altar Tabernacle, 17th century, Pen and brown ink, with black chalk underdrawing, Overall: 12 7/16 x 9 5/8 in. (31.6 x 24.5 cm), Drawings, Anonymous, French, 17th century

The Siege of the La Motte, in Lorraine, 1636–38, Etching, Sheet (trimmed): 7 5/16 × 16 3/8 in. (18.6 × 41.6 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Design for a Plate, 1825–93, Pen and black ink, over black chalk, 12 1/4 x 11 3/4 in. (31.1 x 29.8 cm), Drawings, Karl Bodmer (Swiss, Riesbach 1809–1893 Barbizon

The Virgin Crowned by Two Angels, n.d., Engraving, Sheet: 5 11/16 × 3 11/16 in. (14.5 × 9.4 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Creation of Eve, 1529, Engraving; first state, sheet: 6 3/8 x 4 5/8 in. (16.2 x 11.7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Plate 24: donkeys, from 'Various animals' (Diversi animali), ca. 1641, Etching; second state of three (De Vesme), Plate: 3 7/16 × 4 5/16 in. (8.7 × 10.9 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Man seen from the Back, holding a Skull in his right Hand, 16th century, Engraving, sheet: 5 7/8 x 4 5/16 in. (15 x 11 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 2 9/16 x 2 5/8 in. (6.5 x 6.7 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Design for the painted decoration of a ceiling in with strapwork and rinceaux, 1830–97, pen and ink and watercolor, heightened with white gouache on wove paper; mounted on blue wove paper, Overall: 14 13/16 x 10 3/8 in. (37.6 x 26.3 cm),

Classical Male Bust in Profile, 1771–1844, Pen and brown ink with brush and gray wash over graphite, 10 x 8 1/2in. (25.4 x 21.6cm), Drawings, Vincenzo Camuccini (Italian, Rome 1771–1844 Rome

Ceiling Design of a Nereid Mounted on a Hippocamp with Putto, 18th century, Graphite, pen and black ink, brush and brown and gray wash. Framing lines in graphite., 7 5/8 x 7 in. (19.4 x 17.8 cm), Drawings, Anonymous, French, 18th century

The Mass of Saint Gregory, 1511, Woodcut, sheet: 11 9/16 x 8 1/8 in. (29.4 x 20.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Suggestion by Whistler for his Portrait, 1870s, Etching and roulette, plate: 14 1/16 x 9 15/16 in. (35.7 x 25.2 cm), Prints, Anonymous, British, 19th century, After James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

Jean-Pierre Camus, eveque de Belley, Etching, sheet: 12 3/16 x 10 1/8 in. (31 x 25.7 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris

Grotesque Head With a Large Ear and an Open Mouth Looking to the Right Within a Circle, 1727, Pen and brown ink, sheet: 12 7/8 x 8 1/2 in. (32.7 x 21.6 cm), Drawings, Gaetano Piccini (Italian, active Rome, 1710–30

Design for a Snuffbox Lid, ca. 1750, Pen and brown ink, brush and rose, olive green and yellow wash. Two border lines in pen and brown ink., 2 3/8 x 3 3/16 in. (6.0 x 8.1 cm), Drawings, Anonymous, French, 18th century

Seated Female Figure, 1562–1602, Brush and red wash, over red chalk; framing lines in pen and brown ink, 13 7/16 x 10 1/4in. (34.1 x 26cm), Drawings, Pietro Faccini (Italian, Bologna ca. 1562–1602 Bologna

Ducks' Pastime, 1850–1914, Etching; first state of four, sheet: 16 9/16 x 12 in. (42 x 30.5 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 8 1/4 x 11 13/16 in. (20.9 x 30 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Supplicants before an Enthroned King and Queen, 1624–63, Pen and brown ink, 5-1/4 x 4-3/16 in. (13.4 x 10.7 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?) 1615/20–after 1679 Gubbio

Portrait of Eleazor Swalmius, n.d., Engraving, sheet: 13 x 10 1/8 in. (33 x 25.7 cm), Prints, Jonas Suyderhoef (Dutch, Haarlem ca. 1613–1686 Haarlem), Designed by Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

The Unsafe Tenement (The Old Farm), 1858, Etching; third state of four (Glasgow); printed in black ink on tan chine on white wove (chine collé), Plate: 6 1/8 × 8 7/8 in. (15.6 × 22.6 cm), Prints, James McNeill Whistler (American, Lowell,

Frightened Soldier and a Man in a Fur Hat, ca. 1652, Etching, Sheet: 3 5/8 × 4 3/4 in. (9.2 × 12.1 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Margot Wearing a Large Bonnet, Seated in an Armchair, ca. 1904, Drypoint; only state, plate: 11 11/16 x 9 3/8 in. (29.7 x 23.8 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise

Study of Drapery (Probably After the Antique ), 1520–40, Red chalk, 8-1/8 x 5-5/8 in. (20.6 x 14.3 cm); maximum (all four corners have been cut), Drawings, Circle of Domenico Beccafumi (Italian, Cortine in Valdibiana Montaperti 1484–1551

Two Female Figures in Interlaced Cartouche Design for Door Knocker, 19th century, Graphite, brush and brown wash, sheet: 11 1/2 x 8 5/16 in. (29.2 x 21.1 cm), Drawings, Anonymous, French, 19th century

Portrait of Troyon, 19th century, Graphite, sheet: 1 1/4 x 1 13/16 in. (3.2 x 4.6 cm), Drawings, Anonymous, French, 19th century

Design for a Chandelier, 19th century, Pen and brown ink, sheet: 16 1/8 x 10 1/16 in. (41 x 25.5 cm), Drawings, Anonymous, French, 19th century

Design for Stable Arches, Hôtel Candamo, ca. 1873, Pen and black ink, watercolor, 14 7/8 x 10 1/2 in. (37.8 x 26.7 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Plate 1: a horse drawn cart carrying people and goods, dead horse in the foreground, from 'Various Military Caprices' (Varii capricci militari), ca. 1641, Etching; third state of four, Sheet: 3 9/16 × 5 11/16 in. (9 × 14.5 cm), Prints,

Girl with a Flower Pot, 19th century, Charcoal on pale buff paper, touched with white chalk, sheet: 14 5/8 x 11 1/2 in. (37.2 x 29.2 cm), Drawings, Anonymous, French, 19th century

Saint Paul Surrounded by Disciples after His Lapidation at Lystra (Acts 14:20), 1590–1618, Pen and brown ink, brush and pale brown wash, 4 3/4 x 6 1/2in. (12 x 16.5cm), Drawings, Giovanni Guerra (Italian, Modena 1544–1618 Rome

A Night in Summer, 1891-1936, Fan leaf on satin, Drawings, Emile Sevelinge (French, 1871–1936

Savoy Pigeons, 1896, Transfer lithograph, drawn on white transfer paper with a grained-stone texture; only state (Chicago), from the published edition printed from a supplementary stone; printed in black ink on heavy cream laid paper, Image: 7

Saint John the Baptist (?) Preaching to a Group of Soldiers, 16th century, Pen and brown ink, brown and gray wash. Octagonal, 10-1/4 x 6-13/16 in. (26.0 x 17.3 cm), Drawings, Giovanni Battista Trotti ('Il Malosso') (Italian, Cremona

Samson and Delilah, ca. 1514 , Woodcut, sheet: 16 7/16 x 11 5/8 in. (41.8 x 29.5 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden