Images at Librifly

The Apse of Nôtre-Dame, Paris, 1854, Etching with engraving and drypoint on laid paper; fourth state of nine, plate: 6 1/2 x 11 13/16 in. (16.5 x 30 cm), Prints, Charles Meryon (French, 1821–1868

Hector, Alexander, Julius Caesar, from the Nine Heroes, ca. 1520, Woodcut, image: 12 3/8 x 19 9/16 in. (31.4 x 49.7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Design for a Wall Decorated with Grotesque, 1762–1844, Pen and light brown ink, brush and brown, green, yellow, pink, orange, purple and blue wash over traces of leadpoint, 8 x 6-1/16 in. (20.3 x 15.4 cm), Giuseppe Bernardino Bison

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, heightened with white, Irregular sheet: 11 1/2 x 16 1/8 in. (29.2 x 40.9 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

The Vision of Saint John of Matha, 1646–1707, Pen and brown ink, black and red chalk, some corrections in white, 14 1/4 x 10 7/16in. (36.2 x 26.5cm), Drawings, Giacinto Calandrucci (Italian, Palermo 1646–1707 Palermo

Design for One Half of a Ceiling with Elaborate Medaillons and Figures., 1709–30, Pen and brown ink over leadpoint or graphite, 9 1/2 x 14 1/4in. (24.2 x 36.2cm), Drawings, Attributed to Donato Giuseppe Frisoni (Italian, Laino near Como

The City Rout, May 20, 1776, Etching, sheet: 9 3/4 x 13 15/16 in. (24.7 x 35.4 cm), Prints, In the manner of Richard St. George Mansergh St. George (Irish, ca. 1750–1798), Two elaborately dressed, coarse looking women face one another at a

Tobias Brings His Bride Sarah to the House of His Father, Tobit, 1830–82, Oil paint on paper, mounted on board, 9 5/8 x 13 3/4 in. (24.5 x 35 cm), Drawings, Henri Lehmann (French, Kiel 1814–1882 Paris

Plate 9 of the 'Tauromaquia': A Spanish knight kills the bull after having lost his horse., 1816, Etching, burnished aquatint and burin, Plate: 9 1/2 × 13 3/4 in. (24.2 × 35 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish,

Nymph at a Bath, 1744, Etching, Sheet: 6 1/8 × 5 1/4 in. (15.6 × 13.4 cm), Prints, Charles Michel Ange Challe (French, Paris 1718–1778 Paris

Young Woman on a Cloud with Three Figures (recto); Studies of an Old Man and a Hand (verso), 17th century, Red chalk, highlighted with white chalk, Sheet: 9 9/16 x 7 5/8 in. (24.3 x 19.4 cm), Drawings, Francesco Furini (Italian, Florence

Drapery Study for a Standing Male Figure in Profile Facing Left., 1512–17, Black chalk, highlighted with white chalk, on tan paper, sheet: 11 x 5 15/16 in. (28 x 15.1 cm), Drawings, Workshop of Fra Bartolomeo (Bartolomeo di Paolo del

Christ on the Mount of Olives, from The Passion, 1508, Engraving, Sheet: 4 9/16 × 2 7/8 in. (11.6 × 7.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, brush and gray, yellow, and rose wash, Irregular sheet: 11 7/16 x 5 11/16 in. (29 x 14.5 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

U.S. Coast Survey...Reconnaissance of Smith's or Blunt's Island, Washington / U.S. Coast Survey...Sketch of Anacapa Island in Santa Barbara Channel, 1854–57, Transfer lithograph, image: 11 3/4 x 9 5/16 in. (29.8 x 23.7 cm), Prints, James

Two Princes of the House of Este: Ernest VI and Francis II, 1513–83, Pen and brown ink, brush and yellow-brown wash, over black chalk, 8 3/4 × 4 15/16 in. (22.3 × 12.6 cm), Drawings, Pirro Ligorio (Italian, Naples ca. 1512/13–1583

Design for a Quarter of a Trompe L'Oeil Ceiling with Architecture in the Ionic Order and a Statue of Victory, ca. 1710–40, Pen and brown ink, brush and gray wash, over traces of graphite, sheet: 8 3/8 x 8 7/8 in. (21.3 x 22.5 cm), Vittorio

Plate 17 from 'The Disasters of War' (Los Desastres de la Guerra): 'They do not agree.' (No se convienen.), 1810, Etching, drypoint, burin, and burnisher, Plate: 5 11/16 × 8 7/16 in. (14.4 × 21.5 cm), Prints, Goya (Francisco de Goya y

Design for the decoration of a ceiling, second half 19th century, Pen and ink and watercolor on wove paper, sheet: 4 5/8 x 5 3/16 in. (11.8 x 13.1 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet

Saints John the Evangelist, Paul, Peter, and Stephen., ca. 1590, Black chalk, pen and brown ink, brush and brown wash, 14 x 9 3/4in. (35.6 x 24.8cm), Drawings, Ferraù Fenzoni (Italian, Faenza 1562–1645 Faenza

Femme debout de face, 1772, Etching, sheet: 19 11/16 x 13 3/8 in. (50 x 34 cm), Prints, After Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), Engraved by Gilles Demarteau (French, Liège 1722–1776 Paris

Study for a Cartouche, mid-18th century, Pen and brown ink, brush and brown and gray wash, 15 7/16 x 10 3/8 in. (39.2 x 26.3 cm), Drawings, Pierre Edmé Babel (French, Paris 1720–1775 Paris

Saint Benedict exorcising a demon, ca. 1637–1639, Etching, Sheet (Trimmed): 15 9/16 × 10 5/8 in. (39.6 × 27 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona), After Ludovico Carracci (Italian, Bologna 1555–1619 Bologna

The Reclining Headless Body of Holofernes; Study of Female Semi-Nude Figure (on a small separate, unrelated sheet of blue paper, pasted onto the lower left of the large sheet)., 1625–40, Black chalk on brownish paper that may have been

Two nude figures, 16th century, Pen and brown ink, 8-7/8 x 5-1/8 in. (22.5 x 13 cm), Drawings, After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome

The Rape of Europa, 1634, Etching and drypoint; third state of seven (Mannocci), sheet: 8 1/16 x 10 3/16 in. (20.5 x 25.8 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome

Study of Drapery (Probably After the Antique ), 1520–40, Red chalk, 8 3/16 x 5 5/8 in. (20.8 x 14.3 cm); maximum (all four corners have been cut), Drawings, Circle of Domenico Beccafumi (Italian, Cortine in Valdibiana Montaperti 1484–1551

Plate 14 from the 'Disparates': Carnival Folly, ca. 1816–23 (published 1864), Etching and aquatint, Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux), From

Head of a Young Man in Three-Quarter View., 18th century, Red chalk, highlighted with white chalk, on blue-gray paper, Sheet: 10 3/8 x 7 1/2 in. (26.4 x 19 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid), While

Faust, ca. 1652, Etching, drypoint, and burin, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Design for an Overdoor or Chimney Piece with an Armorial Trophy and the personification of Victory, 18th century, Pen and wash, sheet: 4 3/8 x 6 in. (11.1 x 15.2 cm), Anonymous, French, 18th century

Lace Design, 19th century, Pen and ink with wash, sheet (irreg.): 2 3/8 x 5 1/4 in. (6 x 13.3 cm), Drawings, Anonymous, French, 19th century

The Rival Whiskers, ca. 1824, Hand-colored aquatint, sheet: 10 5/16 x 12 7/16 in. (26.2 x 31.6 cm), Prints, Designed and etched by Theodore Lane (British, Isleworth ca. 1800–1828 London), George Hunt (British, active 1820–45

Mon dieu! Si j'allais faire un enfant à tête de Poire, published in La Caricature no, February 7, 1833, February 7, 1833, Lithograph; first state of two (Delteil), Sheet: 13 1/2 × 10 1/2 in. (34.3 × 26.6 cm), Prints, Honoré Daumier

Coast View with the Embarkation of Carlo and Ubaldo, 1744, Etching, sheet: 13 9/16 x 17 13/16 in. (34.4 x 45.2 cm), Prints, Etched by Pierre Charles Canot (French, Paris 1710–1777 Kentish Town, London (active England)), After Claude Lorrain

A Town by a Rivers Edge, Pen and black ink, 3 7/8 x 6 1/2 in. (9.8 x 16.5 cm.), Drawings, Attributed to Nicolas Perelle (French, Paris 1631–1695 Orléans

Three Children in a Landscape, 1840–00, Pastel on brown wove paper (mounted on beige wove paper) , sheet: 12 7/16 x 16 5/16 in. (31.6 x 41.4 cm), Drawings, Charles-Emmanuel Serret (French, 1824–1900

A Bird of Paradise, 1835–68, Graphite, 3 5/8 x 2 3/16 in. (9.2 x 5.5 cm), Drawings, Charles Meryon (French, 1821–1868

Design for Choir Stalls, 18th century, Pen and black ink, brush and gray wash, over graphite. Scale in pieds at bottom, 11 1/8 x 17 3/16 in. (28.3 x 43.7 cm), Drawings, Anonymous, French, 18th century

Little London, 1896, Transfer lithograph with stumping, drawn on white transfer paper with a grained-stone texture; only state (Chicago), posthumous; printed in black ink on fine ivory laid paper, Image: 7 1/2 × 5 1/2 in. (19 × 14 cm),

View of a Small House Built into a Rock, 1576–1636, Engraving, sheet: 9 7/16 x 14 1/2 in. (23.9 x 36.8 cm), Prints, Isaak Major (German, Frankfurt am Main ca. 1576–1630/36 Vienna

Thenot Remonstrates With Colinet, from Thornton's Pastorals of Virgil, 1821, Wood engraving; second state, block: 1 1/2 x 2 7/8 in. (3.8 x 7.3 cm), Prints, William Blake (British, London 1757–1827 London

Saint Sebastian pierced with arrows and tied to a tree, copy after Cantarini, ca. 1639 or after, Etching, Sheet (Trimmed): 7 1/2 × 4 15/16 in. (19.1 × 12.6 cm), Prints, After Simone Cantarini (Italian, Pesaro 1612–1648 Verona

A Man Seen from the Back Leaning on a Cane or Mallet, 1629, Etching; reverse copy, Sheet (trimmed): 5 3/8 × 3 11/16 in. (13.7 × 9.3 cm), Prints, Anonymous, French, 17th century, After Abraham Bosse (French, Tours 1602/1604–1676 Paris

Two Partially Draped Male Figures in a Pendentive, 1603–84, Pen and brown ink, brush and pale gray wash, over black chalk, 11 7/16 x 9 3/16in. (29 x 23.3cm), Drawings, attributed to Giovanni Battista Carlone (Italian, Genoa 1603–1684

Reclining Nude with Drapery, Back View, 1917–1918, Graphite, 14 5/8 x 22 3/8 in. (37.1 x 56.8 cm), Drawings, Gustav Klimt (Austrian, Baumgarten 1862–1918 Vienna

Designs for Two Round Tables, early 19th century, Ink, watercolor and wash, sheet: 9 5/16 x 11 13/16 in. (23.7 x 30 cm), Anonymous, British, 19th century

The Hanging Gardens, 1929, Etching; third state of three, plate: 7 x 4 7/16 in. (17.8 x 11.2 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset

The Virgin Immaculate, 1596–1669, Red chalk., 10 1/2 x 7 3/16in. (26.7 x 18.3cm), Drawings, After Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome

Justice Holding Scales, 1503–40, Pen and brown ink, 3 7/16 x 2 1/2in. (8.8 x 6.3cm), Drawings, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore

Section of a 'Galerie dans le palais d'un souverain', ca. 1791, Pen and black ink, brush and gray and pink wash, 9 3/4 x 17 13/16 in. (24.8 x 45.2 cm), Drawings, Charles Pierre Joseph Normand (French, Goyencourt 1765–1840 Paris

St. Thomas Aquinas Presenting His Work to the Crucified Christ, ca. 1593, Pen and brown ink, brown wash, over traces of black chalk, 6 3/4 x 4 3/4in. (17.1 x 12cm), Drawings, Santi di Tito (Italian, Sansepolcro 1536–1603 Florence

Pont-Neuf, Paris, 1853, Etching and drypoint (burnished) on laid paper; eighth state of eleven; with additions in graphite, plate: 7 1/4 x 7 3/16 in. (18.4 x 18.3 cm), Prints, Charles Meryon (French, 1821–1868

Morris Dancers, late 15th–early 16th century, Etching; fourth state of four, sheet: 8 3/8 x 13 1/8 in. (21.2 x 33.3 cm), Prints, Daniel Hopfer (German, Kaufbeuren 1471–1536 Augsburg), After Anonymous, Italian, 15th to 16th century

At left four shepherds with musical instruments seated under a group of trees; at right a hilly landscape with buildings, ca. 1517, Engraving, Sheet (Trimmed to plate): 5 3/8 × 10 1/8 in. (13.6 × 25.7 cm), Prints, Giulio Campagnola (Italian,

A French Ordinary, January 2, 1804, Hand-colored etching, Sheet: 12 1/8 × 9 15/16 in. (30.8 × 25.3 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

The Nôtre-Dame Pump, Paris, 1852, Etching on laid paper; eighth state of ten, plate: 6 11/16 x 9 13/16 in. (17 x 25 cm), Prints, Charles Meryon (French, 1821–1868

Human Mask Looking to the Left within a Circle, 1727, Pen and brown ink, sheet: 12 7/8 x 8 1/2 in. (32.7 x 21.6 cm), Drawings, Gaetano Piccini (Italian, active Rome, 1710–30

A Woman Burning Weeds, 1830–75, Pen and brown (iron gall) ink, watercolor and wash over graphite on laid paper, 15 5/16 x 9 3/4 in. (38.9 x 24.8 cm), Drawings, Jean-François Millet (French, Gruchy 1814–1875 Barbizon

The Promenade, 1520, Engraving, sheet: 4 9/16 x 2 7/8 in. (11.6 x 7.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Court Cupboard (side elevation), 16th century, Pen and brown ink, sheet: 17 1/4 x 11 1/2 in. (43.8 x 29.2 cm), Drawings, Anonymous, French, 16th century

Sudarium Held by One Angel, 1516, Etching, image: 7 3/8 x 5 1/4 in. (18.7 x 13.3 cm) trimmed slightly within plate mark, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Religious Scene (Job and His Comforters?), 1624–63, Pen and brown ink. Framing lines in black chalk, and in pen and brown ink on mount, 3-1/8 x 4-5/8 in. (7.9 x 11.7 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?)

Corra Linn, the Falls of the Clyde, 1788, Graphite, pen and ink and wash, sheet: 14 1/8 x 20 7/8 in. (35.9 x 53 cm), Drawings, Joseph Farington (British, Lancashire 1747–1821 Lancashire), This expressive working drawing by Farington

Man Reading , 'ECO DOMINUS', 17th century, Red chalk over some black chalk, 11-3/8 x 8-1/2 in. (28.9 x 21.6 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Plate 9: leopard, from 'Various animals' (Diversi animali), ca. 1641, Etching; third state of three (De Vesme), Sheet (trimmed to plate): 3 3/8 × 4 5/16 in. (8.6 × 10.9 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664

Three Caravels in a Rising Squall with Arion on a Dolphin from The Sailing Vessels, 1561–65, Engraving and etching; first state of six, 8 11/16 x 11 1/4 in. (22 x 28.6 cm), Prints, Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

The Holy Kindred, (Virgin and Child with Joseph, Anne and Two Male Saints) (copy), n.d., sheet: 9 1/8 x 9 3/4 in. (23.2 x 24.8 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

An Angel holding a Lily, early 18th century, Red chalk, brush and brown ink, sheet: 9 13/16 x 8 9/16 in. (24.9 x 21.8 cm), Drawings, Cosmas Damian Asam (German, Benediktbeuern 1686–1739 Munich

Chinese Woman, Man with Legs Chained and Another Carrying Parasol and Bundle, 19th century, Watercolor and gouache, sheet: 14 3/8 x 17 5/8 in. (36.5 x 44.7 cm), Drawings, Anonymous, Chinese, 19th century

Standing Youth Leaning on a Long Staff (recto); Seated Man (verso), 1438–61, Brush and gray wash, highlighted with white, on faded blue paper (recto); faint black chalk sketch of a seated man (verso), 8-5/16 x 4-5/16 in. (21.1 x 11.0 cm),

Figure studies: seated and standing men, 1615–73, Pen and brown ink, over traces of black chalk, 6 3/8 x 6 11/16 in. (16.1 x 17 cm), Drawings, Traditionally attributed Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome

Statue of Caesar as a Divinity, 1771–1844, Lead graphite, 9 1/4 x 7 1/2in. (23.5 x 19.1cm), Drawings, Vincenzo Camuccini (Italian, Rome 1771–1844 Rome

Design for a Chair, 'For Lord Grosvenor's Dining Room', early 19th century, Ink and gouache, sheet: 7 7/16 x 4 3/8 in. (18.9 x 11.1 cm), Attributed to Gillows (British, 19th century

Caricature Showing Louis XVI as a Ram, 18th century, Etching, sheet: 4 1/2 x 3 7/8 in. (11.5 x 9.8 cm), Prints, Anonymous, French, 18th century

Drapery Study for Soldier (middle register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Black and white chalk, stumped, on gray paper, 47.7 x 30.7 cm., Drawings, Isidore Pils (French,

The Man of Sorrows Seated, 1515, Etching on iron; first state of three, plate: 4 7/16 x 2 3/4 in. (11.3 x 7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Songs of Innocence and of Experience: A Cradle Song, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm), Prints, William Blake (British, London 1757–1827

Design for Mirror Frame, ca. 1720–40, Pen and brown ink, brush with gray and brown wash, over traces of graphite or black chalk, sheet: 13 3/4 x 8 in. (34.9 x 20.3 cm), Giovanni Battista Natali III (Italian, Pontremoli, Tuscany 1698–1765

St. Francis, n.d., Engraving with etching, sheet: 16 15/16 x 11 in. (43.1 x 27.9 cm), Prints, Nicolas Pitau (French, Paris before 1670–1724), After Laurent de La Hyre (French, Paris 1606–1656 Paris

The Visitation, from The Life of the Virgin, 1503–4, Woodcut, sheet: 11 3/4 x 8 3/16 in. (29.8 x 20.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Oval design for a ceiling painted with clouds, second half 19th century, oil paint on laid paper; partially varnished, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Design for Coffered Ceiling in Red and Gold, second half 19th century, Pen and black ink, watercolor, and gilt, 17 1/8 x 13 1/4 in. (43.5 x 33.7 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet

Design for Pulpit with Papal Tiara, 18th century, Pen and brown ink, brush and black wash, black chalk. Framing lines in pen and brown ink, brush and brown wash., Overall: 8 15/16 x 4 11/16in. (22.7 x 11.9cm), Anonymous, French, 18th

The Go-Between or Barrow Man Embarrass'd, May 15, 1786, Etching, plate: 9 3/8 x 10 7/8 in. (23.8 x 27.6 cm), Prints, Anonymous, British, 18th century

Apollo wearing a mantle and holding a laurel branch and violin, 1784, Etching and engraving, Sheet: 8 1/8 x 6 1/4 in. (20.7 x 15.8 cm), Prints, After Simone Cantarini (Italian, Pesaro 1612–1648 Verona

Female Term encased by a Strapwork Panel, ca. 1545–65, Pen and black ink with grey wash, heightened with white, each: 11 7/16 x 3 15/16 in. (29 x 10 cm), Anonymous, French, 16th century

The Holy Family, 1783, Etching, Sheet (trimmed): 3 11/16 × 2 13/16 in. (9.4 × 7.1 cm), Prints, baron Dominique Vivant Denon (French, Givry 1747–1825 Paris), After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Plate 54 from 'The Disasters of War' (Los Desastres de la Guerra): 'Appeals are in vain' (Clamores en vano), 1811–12 (published 1863), Etching, lavis, burin, and burnisher, Plate: 6 in. × 8 1/16 in. (15.2 × 20.5 cm), Prints, Goya

The Baptism of Christ, 1683, Pen and brown ink, heightened with white, on beige paper, 18 1/8 x 12 3/8 in. (46.1 x 31.4 cm), Drawings, Raymond de La Fage (French, Lisle-sur-Tarn 1650–1684 Lyon

Childbirth, 1633, Etching with engraving, Sheet: 11 1/2 × 14 7/8 in. (29.2 × 37.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Songs of Innocence and of Experience: To Tirzah, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm), Prints, William Blake (British, London 1757–1827

The Pancake Woman, 1635, Etching, Sheet: 4 3/8 × 3 3/16 in. (11.1 × 8.1 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

The Descent of Christ Into Limbo, 1551, Engraving; first state of two, sheet: 10 5/16 x 13 9/16 in. (26.2 x 34.5 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Pieter van der Heyden

Woman and Child, 1898–1902, Lithograph, image: 15 5/8 x 9 3/4 in. (39.7 x 24.8 cm), Prints, After Auguste Rodin (French, Paris 1840–1917 Meudon

Five Men Pushing a Block of Stone, early 17th century, Pen and brown ink, brush and gray wash, over traces of black chalk, 6 1/2 x 10 in. (16.5 x 25.4 cm), Drawings, Jacques Stella (French, Lyons 1596–1657 Paris

Wolf Hunt, 1725, Etching, image: 12 3/16 x 7 5/8 in. (30.9 x 19.3 cm), Prints, Jean-Baptiste Oudry (French, Paris 1686–1755 Beauvais

Young Man Standing in Profile Facing Left (recto); Sketch of Two Capitals (verso), 1494–1557, Red chalk, Overall: 9 5/8 x 6 in. (24.4 x 15.3 cm), Drawings, Bachiacca (Francesco d'Ubertino Verdi) (Italian, Florence 1494–1557 Florence

Saint Peter, 1581–1644, Black chalk, selectively reinforced with wetted point of chalk, highlighted with white, on light brown paper; traces of octagonal framing outlines in black chalk by the artist, 13 3/4 x 9 1/8in. (35 x 23.2cm),