Images at Librifly

The Virgin and Saint Joseph find Jesus Disputing with the Doctors in the Temple, 1555–1629, Pen and black ink, brush and grey wash, highlighted with white gouache, over charcoal, on brownish paper, 6 5/8 x 9 3/4in. (16.8 x 24.7cm),

Christ in Limbo: Design for the Standard of a Confraternity, 1550–1604, Pen and brown ink, brush and brown wash, over black chalk or leadpoint; squared in black chalk or leadpoint, 13 7/8 x 9 7/16in. (35.2 x 24cm), Drawings, Filippo Bellini

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Plate 7: Two noblemen seated in center, seen from behind, conversing with a noblewoman seated between them, a noblewoman and man seated to left in background and standing to right in background, from 'Various Figures' (Agréable diversité de

Design for the Top of an Arch, Decorated with a Cherub (recto); Design for the Frame of a Frieze (verso), 1652–1725, Pen and brown ink, brush and brown wash over traces of black chalk (recto); pen and brown ink over traces of black chalk

The Banquet for the Return of the Prodigal Son, ca. 1636, Etching, Sheet (trimmed): 10 1/16 × 12 5/8 in. (25.5 × 32.1 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 8 7/8 x 21 5/8 in. (22.6 x 55 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Portrait of Whistler, 1897, Drypoint; printed from cancelled plate, plate: 13 11/16 x 10 1/4 in. (34.7 x 26 cm), Prints, Paul-César Helleu (French, Vannes 1859–1927 Paris

Design for Two Round Pedestal Tables and Rococo-style Carved Shelf Supporting a Clock under Glass, early 19th century, Ink and wash, sheet: 8 5/8 x 12 3/16 in. (21.9 x 31 cm), Anonymous, British, 19th century

Christ in Limbo, from The Passion, 1512, Engraving, Sheet: 4 9/16 × 2 15/16 in. (11.6 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Achilles and the Daughters of Lycomedes, 1647–1726, Pen and brown ink, highlighted with white, over black chalk, on brownish paper, 9-5/8 x 13-9/16 in. (24.5 x 34.4 cm), Drawings, Gregorio de' Ferrari (Italian, Porto Maurizio 1647–1726

The Battle about Money, after 1570, Engraving; second state of four, Sheet: 9 5/16 x 11 15/16 in. (23.6 x 30.4 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

The Assumption of the Virgin, 1751–79, Brush, gray and cream tempera, on gray washed paper, 13 5/16 x 9 1/4in. (33.8 x 23.5cm), Drawings, Francesco Narice (Narici) (Italian, Genoa ca. 1719–1785 Genoa

Head of a Young Man, 1560–1609, Pen and brown ink, sheet: 11 5/8 x 8 1/2 in. (29.5 x 21.6 cm), Drawings, Anonymous, Italian, Bolognese, 17th century

St. Jerome beside a Pollard Willow, 1648, Etching, image: 7 x 5 1/8 in. (17.7 x 13.1 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

French Liberty – British Slavery, December 21, 1792, Hand-colored etching, sheet: 9 13/16 x 13 7/8 in. (24.9 x 35.2 cm), Prints, James Gillray (British, Chelsea 1756–1815 London

Temple of Hercules, Cori, plan, elevation; portal, details; Doric order, details (recto) St. Peter's, drum, section (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 22 11/16 x 16 15/16 in. (57.6

Englishmen in November, Frenchmen in November, November 25, 1788, Hand-colored etching, Sheet: 15 3/4 x 24 in. (40 x 61 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London), Issued in London at the height of the American

The Nôtre-Dame Pump, Paris, 1852, Etching on chine collé; eighth state of ten, plate: 6 7/8 x 9 13/16 in. (17.5 x 25 cm), Prints, Charles Meryon (French, 1821–1868

A group of emaciated men and women gathered around a skeleton laid on the ground and a figure of Death as a winged skeleton standing above it holding an open book, ca. 1515–27, Engraving, Sheet (Trimmed): 11 5/16 × 17 1/4 in. (28.8 × 43.8 cm),

Head of a Bearded Old Man in Profile to the Right, 1800, Red chalk over black chalk [or graphite?], sheet: 18 7/8 x 15 7/16 in. (48 x 39.2 cm), Drawings, Johann Evangelist Kastner (Austrian, Weiher 1776–1827 Vienna

Christ Descending into Hell, n.d., Woodcut, Sheet: 15 1/2 x 11 1/8 in. (39.4 x 28.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Rehearsal or the Baron and the Elephant, January 1, 1812, Hand-colored etching, sheet: 7 13/16 x 20 5/16 in. (19.8 x 51.6 cm), Prints, George Cruikshank (British, London 1792–1878 London), Cruikshank was nineteen when he etched this

The Last Judgment, from The Small Passion, ca. 1510, Woodcut, sheet: 5 1/8 x 38 3/16 in. (13 x 97 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Plate 6: a fisherman carrying a net to left, two horsemen in a stream to right, a tree in center, a castle in ruins to right in the background, from 'Various landscapes' (Divers paysages), ca. 1641, Etching; second state of two, Sheet

Illustration to 'The Morning before the Massacre of St. Bartholomew' (Once a Week), 1862, Wood engraving; proof, Prints, After James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

Men and women bathing, some embracing, 1531–76, Engraving, sheet: 9 1/16 x 13 3/8 in. (23 x 34 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Study No. 1: Mr. Thomas Way, 1896, Transfer lithograph, drawn on white transfer paper with a grained-stone texture; only state (Chicago); printed in black ink on grayish white chine mounted on off- white plate paper, Image: 7 3/8 × 4 11/16 in.

Portrait of an Old Lady Wearing a Cap, 18th century, Graphite, 8 5/8 x 6 1/2 in. (21.9 x 16.5 cm), Drawings, Anonymous, French, 18th century

St. Bridget (Schr. 1307a), 15th century, Woodcut, hand-colored, sheet: 3 13/16 x 3 1/16 in. (9.7 x 7.7 cm), Prints, Anonymous, German, 15th century

The Sudarium, ca. 1470–75, Woodcut, hand-colored., block: 10 1/8 x 7 5/8 in. (25.7 x 19.4 cm), Prints, Hans Schlaffer of Ulm (German, active ca. 1470–75), Signed at the lower margin by Hans Schlaffer, a woodcutter and publisher active in

Monkey, 1884, Conté crayon, 12 1/4 x 9 3/8 in. (31.1 x 23.9 cm), Drawings, Georges Seurat (French, Paris 1859–1891 Paris), Seurat imparted a timeless, idealized appearance to this monkey by showing the animal in strict profile, with

Sand Verbena, Abronia villosa, May 24, 1912, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York 1867–1944

Dieppe, Quai Henri IV, 1915, Etching; third state of three, plate: 7 3/4 x 5 3/16 in. (19.7 x 13.2 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset

Saint Mark, 1538, Brush with brown, beige, and cream-colored tempera and emulsion, 15 3/4 x 9 3/16in. (40 x 23.3cm), Drawings, Domenico Beccafumi (Italian, Cortine in Valdibiana Montaperti 1484–1551 Siena

Potiphar's Wife Acuses Joseph, 1512, Engraving; first state, sheet: 4 13/16 x 6 1/4 in. (12.2 x 15.9 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

La Rue des Toiles, Bourges, 1853, Etching with drypoint, Plate: 8 3/8 x 4 5/8 in. (21.3 x 11.7 cm), Prints, Charles Meryon (French, 1821–1868

The Flight into Egypt: Crossing a Brook, 1654, Etching and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Songs of Innocence and of Experience: The Sick Rose, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm), Prints, William Blake (British, London 1757–1827

San Lorenzo, Library, Ricetto, portal from cloister, elevation; plan (recto) San Lorenzo, Library, Ricetto, portal from cloister, section; details (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines,

American Wildflower with Pink Blossoms, May 29, 1912, Watercolor and brown ink over graphite with detail in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York 1867–1944 New

Head of a Man with Closed Eyes, 1563–1610, Black and red chalk on gray paper, 14 x 9-5/8 in. (35.5 x 24.4 cm), Drawings, attributed to Francesco Vanni (Italian, Siena 1563–1610 Siena

Design for a beamed ceiling with painted panels, 1830–97, Graphite and watercolor on wove paper, Overall: 12 1/2 x 18 11/16 in. (31.7 x 47.4 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French,

Design for Suspended Censer, 1652–1725, Pen and brown ink, brush and gray wash over traces of black chalk, sheet: 9/16 x 5 1/16 in. (1.5 x 12.8 cm), Attributed to Giovanni Battista Foggini (Italian, Florence 1652–1725 Florence

Design for a Ceiling (recto); Bearded Man Standing (verso), 1696–1770, Pen and brown ink, brush and brown wash, over black chalk (recto); brush and brown wash, over black chalk (verso), 11-7/16 x 9-13/16 in. (29.1 x 25.0 cm), Drawings,

Design for Export Furniture, ca. 1800, Watercolor over graphite, sheet approx.: 11 x 16 in. (27.9 x 40.6 cm), Drawings, Anonymous, Chinese, 19th century

Christ Crowned with Thorns, from the Engraved Passion, 1512, Engraving, sheet: 4 5/8 x 2 15/16 in. (11.7 x 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Martyrdom of Saint Catherine, n.d., Woodcut, sheet: 15 9/16 x 11 5/16 in. (39.6 x 28.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Address-card of the printseller, Rochoux, 1855, Etching from two plates, printed on laid paper in black and red ink; first state of five, plate: 3 5/8 x 4 11/16in. (9.2 x 11.9 cm), Prints, Charles Meryon (French, 1821–1868

Atabalipa, Rex Peruviæ, ca. 1634–37, Engraving, Sheet: 8 7/8 x 7 1/8 in. (22.5 x 18.1cm), Prints, Jerôme David (1605–after 1670), After Claude Vignon (French, Tours 1593–1670 Paris

Designs for Serving Trays, a Dish and an Urn, 19th century, Pen and brown ink, sheet: 6 15/16 x 9 1/2 in. (17.7 x 24.2 cm), Drawings, Anonymous, French, 19th century

Design for a Stage Set at the Opéra, Paris: Columned Exterior, 1828–90, Watercolor and gouache over graphite, Irregular sheet: 9 7/16 x 8 13/16 in. (24 x 22.4 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Rue des Bruyères, à Sèvres, n.d., Etching, Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

The Rasher, ca. 1920–22, Etching; between first and second states of two, plate: 6 15/16 x 4 15/16 in. (17.6 x 12.5 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset

St. Christopher, 15th century, Metalcut, hand -colored, sheet: 1 5/8 x 1 7/16 in. (4.2 x 3.6 cm), Prints, Anonymous, German, 15th century

Pilate Washing His Hands, from The Passion, 1512, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Head of a Rat Catcher, 17th century, Etching, sheet: 1 9/16 x 1 5/16 in. (3.9 x 3.4 cm), Prints, After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

The Prodigal Son, ca. 1496, Engraving, Sheet: 9 3/4 × 7 9/16 in. (24.8 × 19.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Sketches for Grotesque Wall Decorations., 1501–56, Pen and brown ink, Sheet: 16 1/16 x 10 9/16 in. (40.8 x 26.9 cm), Drawings, Girolamo da Carpi (Girolamo Sellari) (Italian, Ferrara 1501–1556 Ferrara

Design for a Stage Set at the Opéra, Paris: Church Interior, 1830–90, Pen and gray ink, brush and gray wash, gouache, over graphite, sheet: 10 7/8 x 17 1/16 in. (27.7 x 43.4 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890

Saint Martin and the Beggar, 1493–1500, Pen and gray ink, brush and gray wash, over faint traces of black chalk, 7 x 4 1/2 in. (17.8 x 11.4 cm) maximum; borders cropped irregularly, Drawings, Attributed to Vittore Carpaccio (Italian, Venice

Kneeling Milkmaid, 1723–83, Black chalk, highlighted with white, on brown paper, 10 3/4 x 12 1/16in. (27.3 x 30.7cm), Drawings, Francesco Londonio (Italian, Milan 1723–1783 Milan

Study of a Figure, 1837–1911, Red chalk, 16 1/2 x 9 1/4 in. (41.9 x 23.5 cm), Drawings, Alphonse Legros (French, Dijon 1837–1911 Watford, Hertfordshire

Design for a ceiling, second half 19th century, Graphite, gouache, and watercolor, Overall: 10 1/2 x 8 5/16 in. (26.7 x 21.1 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris,

Coat-of-Arms Symbolic of the City of Paris with the motto: It Rocks But Does Not Sink, 1854, Woodcut on china paper, sheet: 7 5/16 x 5 11/16 in. (18.5 x 14.4 cm), Prints, After Charles Meryon (French, 1821–1868

Diana at the Bath, 1744, Etching, Sheet (trimmed): 6 1/8 × 5 3/8 in. (15.5 × 13.7 cm), Prints, Charles Michel Ange Challe (French, Paris 1718–1778 Paris

Study, Mrs. R., 1923, Lithograph, image: 13 1/2 x 11 in. (34.3 x 27.9 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

Four Nude Warriors, 1624–63, Pen and brown ink. Framing lines in pen and brown ink, 5-7/16 x 3-15/16 in. (13.8 x 10.0 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?) 1615/20–after 1679 Gubbio

Le Cauchemar (The Nightmare), published in La Caricature no. 69, February 23, 1832, February 23, 1832, Lithograph, Sheet: 10 11/16 × 14 3/16 in. (27.2 × 36 cm), Prints, Honoré Daumier (French, Marseilles 1808–1879 Valmondois

Study of a Woman, 1906, Red chalk, 12 3/4 x 9 3/8 in. (32.4 x 23.8 cm), Drawings, Louis-Oscar Roty (French, Paris 1846–1911 Paris

The Last Judgment, 15th century, Woodcut; Derschau restrike, sheet: 17 11/16 x 12 in. (45 x 30.5 cm), Prints, Anonymous, German, 15th century

En plein soleil, 1858, Etching; third state of three (Glasgow); printed in black ink on buff chine, Plate: 3 7/8 x 5 1/8 in. (9.8 x 13 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

Mounted Warrior with a Baton Giving Orders to His Troops, 1590–1646, Pen and brown ink, brush and blue wash, over black chalk. Squared in black chalk, 10-9/16 x 15-7/16 in. (26.9 x 39.2 cm), Drawings, Belisario Corenzio (Italian (born

Winged putti at a banquet, second half 19th century, oil on embossed card, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Study for Vieille Italienne(recto); Drapery Study (verso), 1856, Graphite on blue paper. Verso: graphite, Sheet: 17 1/16 x 11 5/8 in. (43.3 x 29.5cm), Drawings

The Arms of Johann Tscherte, n.d., Woodcut, sheet: 7 5/16 x 5 11/16 in. (18.6 x 14.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Study for the Wife and Daughters of Brutus (recto); Study of a Male Nude (verso), n.d., Red chalk, Sheet: 9 1/16 x 7 5/16 in. (23 x 18.5 cm), Drawings, Jacques Louis David (French, Paris 1748–1825 Brussels

Cartouche Crowned by Helmet and Leopards, 1647, Etching, touched proof of state i with hand-written title, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

Vauxhall Bridge, 1861, Etching and drypoint; second state of two (Glasgow); printed in black ink on, Plate: 2 11/16 x 4 1/2 in. (6.8 x 11.4 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

Head of a Woman, 1837–1911, Red chalk, 14 15/16 x 11 1/4 in. (37.9 x 28.5 cm), Drawings, Alphonse Legros (French, Dijon 1837–1911 Watford, Hertfordshire

Hocus Pocus–or Conjurors Raising the Wind, October 1, 1814, Hand-colored etching, sheet: 8 15/16 x 21 5/8 in. (22.7 x 55 cm), Prints, Charles Williams (British, active 1797–1830

Scene of Sacrifice with Warrior Killing Ram and Four Other Figures, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco

Drawing for a Book Illustration, 18th century, 3 1/4 x 4 3/4 in. (8.3 x 12.1 cm), Drawings, Anonymous, French, 18th century

The Forge, 1861, Drypoint; sixth state of six (Glasgow); printed in black ink on cream wove paper, Plate: 7 5/8 × 12 7/16 in. (19.4 × 31.6 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

The Mandolin Player, ca. 1889, Drypoint; seventh state of seven, plate: 9 1/8 x 6 3/8 in. (23.2 x 16.2 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise

Woman with a book, 1775, Etching, sheet: 7 11/16 x 4 15/16 in. (19.5 x 12.6 cm), Prints, After Simone Cantarini (Italian, Pesaro 1612–1648 Verona

Three designs for decorative borders, 1830–97, pen and ink, wash and watercolor over graphite on wove paper, Overall: 19 1/2 x 13 5/16 in. (49.5 x 33.8 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet

The Milkmaid, 1510, Engraving, sheet: 4 11/16 x 6 3/16 in. (11.9 x 15.7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Dead Christ Supported by Three Figures, 1537–91, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown-washed paper, 12 3/4 x 9 1/8in. (32.4 x 23.1cm), Drawings, Giovanni Battista Naldini (Italian,

Parade float in the form of a ship, coat of arms of the Grand Duke of Modena at top, 1652, Etching, engraving, Sheet: 9 5/16 × 11 5/8 in. (23.6 × 29.6 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Harbour Scene with Rising Sun, 1634, Etching; fifth state of eight (Mannocci), sheet: 5 9/16 x 8 1/4 in. (14.1 x 21 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome

A Diablerie, 1591–1666, Pen and brown ink, sheet: 10 1/2 x 7 13/16 in. (26.7 x 19.9 cm), Drawings, Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna

Neptune, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 13/16 × 2 5/16 in. (4.6 × 5.8 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

Design for a Wall Panel, n.d., Pen and black ink, brush and gray, blue, rose, and violet wash, 19 x 11 in. (48.3 x 27.9 cm), Drawings, Henri Sallembier (French, Paris 1753–1820 Paris

Design for Two Round Pedestal Tables and Square Rococo-style Table Supporting a Clock under Glass, early 19th century, Ink and wash, sheet: 8 5/8 x 12 5/16 in. (21.9 x 31.2 cm), Anonymous, British, 19th century

Death of Saint Peter Martyr, 1667–1748, Brown and cream oil paint on paper, laid down on canvas. Varnished, 15-13/16 x 11-7/8 in. (40.2 x 30.2 cm), Drawings, Felice Torelli (Italian, Verona 1667–1748 Bologna

Head of a Gamekeeper, 1837–1911, Red chalk, 18 3/4 x 13 in. (47.6 x 33 cm), Drawings, Alphonse Legros (French, Dijon 1837–1911 Watford, Hertfordshire

Menalcus Watching Women Dance, from Thornton's Pastorals of Virgil, 1821, Wood engraving, block: 1 1/2 x 3 1/16 in. (3.8 x 7.8 cm), Prints, William Blake (British, London 1757–1827 London

Saint Jerome in His Study, 1514, Woodcut, sheet: 9 x 6 1/4 in. (22.9 x 16 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Nude Study, early 19th century, Pen and brown ink on tracing paper, 16 3/8 x 4 7/8in. (41.6 x 12.4cm), Drawings, Anonymous, Italian, early 19th century