Images at Librifly

Confidences in the Garden, 1894, Transfer lithograph, drawn on thin, transparent transfer paper; only state (Chicago); printed in black ink on medium weight cream laid paper, Image: 8 3/8 × 6 5/16 in. (21.2 × 16 cm), Prints, James McNeill

Saint Jerome Penitent in the Wilderness, ca. 1496, Engraving; second state of two, Sheet: 12 5/8 × 8 7/8 in. (32.1 × 22.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Flayed man arms raised holding the branch of a tree, ca. 1531–76, Engraving, sheet: 5 13/16 x 4 1/8 in. (14.7 x 10.5 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Libyan Sibyl, from the series of Sibyls, ca. 1530, Woodcut, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Adoration of the Shepherds, 1524–27, Pen and brown ink, brown wash, highlighted with white gouache over traces of black and a little red chalk (at upper left), on brownish paper, sheet: 8 9/16 x 5 7/8 in. (21.7 x 14.9 cm), Drawings,

Two Shepherds with a Donkey, etching, sheet: 9 5/8 x 12 3/16 in. (24.5 x 31 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua

Back View of a Roman Servant Boy, 1774–80, Black chalk, 12 1/8 x 6 5/16 in. (30.8 x 16.1 cm), Drawings, François André Vincent (French, Paris 1746–1816 Paris

Design for Part of a Ceiling or Cornice, 17th century, Pen and brown ink, brush and brown wash, 4 1/4 x 16 3/8 in. (10.8 x 41.6 cm), Anonymous, French, 17th century

H(C)annibalism or an Irish Stew, August 5, 1833, Hand-colored lithograph, sheet: 12 x 17 9/16 in. (30.5 x 44.6 cm), Prints, John Doyle (Irish, Dublin 1797–1868 London

Two Standing Soldiers and Six other Figures, 1615–73, Pen and brown ink, 4-3/8 x 7-1/2 in. (11.1 x 19.0 cm), Drawings, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome

The Entombment, ca. 1552–61, Engraving, undescribed first state., sheet: 16 9/16 x 22 in. (42 x 55.9 cm), Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Woman returning from a hunt carrying a boar in her left hand and a stick on her right shoulder to which a hare and two ducks are tied, ca. 1515–1600, Engraving, Sheet (Trimmed): 6 5/16 × 4 5/8 in. (16 × 11.8 cm), Prints, Anonymous, Italian,

Bearded Male Term Covered in a Cloak, ca. 1545–65, Pen and black ink with grey wash, heightened with white, each: 11 7/16 x 3 15/16 in. (29 x 10 cm), Anonymous, French, 16th century

The Sorcerer Atlante Abducting Pinabello's Lady (Ariosto, Orlando Furioso, canto II, 38), ca. 1635–38, Pen and brown ink; black chalk on verso, 7 5/8 x 4 7/16 in. (19.3 x 11.2 cm), Drawings, Nicolas Poussin (French, Les Andelys 1594–1665

The Flight into Egypt: Small Plate, n.d., Etching, Prints, Claude Henri Watelet (French, Paris 1718–1786 Paris), After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Design for a Stage Set at the Opéra, Paris, 1828–90, Graphite, sheet: 3 x 2 11/16 in. (7.6 x 6.8 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Unyok'd Heifers, Loitering Homeward, from Thornton's Pastorals of Virgil, 1821, Wood engraving, block: 1 5/16 x 3 in. (3.3 x 7.6 cm), Prints, William Blake (British, London 1757–1827 London

Liverdun, 1858, Etching; third state of three (Glasgow); printed in black ink on gray chine on off-white wove paper (chine collé), Plate: 4 3/16 x 6 1/16 in. (10.6 x 15.4 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts

La Clochette, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching, Sheet: 13 1/8 x 10 1/8 in. (33.4 x 25.7 cm), Prints, Jean Dambrun

Plate 18 of the 'Tauromaquia': The daring of Martincho in the ring at Saragossa, 1816, Etching, burnished aquatint and drypoint, Plate: 9 5/8 × 13 3/4 in. (24.5 × 34.9 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos

S. Giovanni Laterno, Oratorio della Santa Croce, section (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 14 5/8 x 13 1/4 in. (37.2 x 33.7 cm

Head of a Pope(?) (recto); Two Studies of Left Hand (verso), 1550–1600, Black and colored chalks on blue paper (recto); black chalk (verso), 15-7/16 x 10-5/8 in. (39.2 x 27.0 cm); irregular borders, Drawings, Ascribed to Jacopo Bassano (Jacopo

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 9 1/8 x 6 1/2 in. (23.1 x 16.5 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Lola de Valence, 1862, etching and aquatint, final state (VI), plate: 10 3/8 x 7 1/8, Prints, Édouard Manet (French, Paris 1832–1883 Paris

Head of a Man, 1850–1914, Etching, Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

Landscape with a Cottage and a Haybarn, 1641, Etching, plate: 5 1/16 x 12 5/8 in. (12.8 x 32.1 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Christ and the Woman of Samaria among Ruins, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Illustration from the Ritter von Turn, 1493, n.d., Woodcut, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Nora Quinn, after 1887–88, Etching; only state, this impression from the cancelled plate (Glasgow); printed in black ink on heavy wove paper, Plate: 8 3/8 × 5 in. (21.3 × 12.7 cm), Prints, James McNeill Whistler (American, Lowell,

Saint Sebastian Tied to a Tree (reverse copy), n.d., Engraving, Sheet: 4 5/8 × 2 13/16 in. (11.7 × 7.2 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Four designs for decorative patters featuring foliage, flowers, and scrolls, 1830–97, pen and ink and wash on wove paper, Overall: 19 3/16 x 12 1/8 in. (48.8 x 30.8 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

Temple of Portonus, capital, elevations and plan (recto) Unidentified, capital, elevation (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 17 3/16 x 11 1/4 in. (43.7 x 28.5 cm

Cooper, 1742, Etching with some engraving, Sheet: 9 3/16 x 6 15/16 in. (23.3 x 17.6 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762 Paris

Death of the Strong Wicked Man, from The Grave, a Poem by Robert Blair, May 1, 1808, Engraving, plate: 8 1/8 x 10 1/4 in. (20.6 x 26 cm), Prints, Luigi Schiavonetti (Italian, Bassano del Grappa 1765–1810 London), After William Blake

Head of a Man, 1765–1810, Red chalk over traces of black chalk, sheet: 19 15/16 x 14 13/16 in. (50.6 x 37.6 cm), Drawings, Attributed to Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna

Design for an Ornamental Panel, 19th century, Pen and black ink, brush and orange, brown, and gray wash, 17 7/8 x 7 15/16 in. (45.4 x 20.1 cm), Drawings, Anonymous, French, 19th century

Two Angels or Winged Genii Carrying Torches, Etching and engraving, sheet: 77 3/16 x 75 9/16 in. (196 x 192 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Landscape with Brigands, 1633, Etching; fifth state of nine (Mannocci), sheet: 5 9/16 x 8 3/8 in. (14.1 x 21.2 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome

The sacrifice of a ram held by a naked man at right, hooded priest at left with a young attendant, ca. 1515–1600, Engraving, Sheet (Trimmed): 4 1/2 × 7 1/16 in. (11.4 × 18 cm), Prints, Anonymous, Italian, 16th to early 17th century,

Groupe d'enfans, 17th century, Pen and brown ink, brush and gray wash, graphite, 5 1/16 x 3 11/16 in. (12.9 x 9.3 cm), Drawings, Anonymous, French, 17th century

Partial design for painted ceiling, 19th century, pen and ink, watercolor and gouache on wove paper; pasted on wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Christ Falls under the Cross, 1730–94, Black chalk, stumped, pen and black ink, brush and gray wash. Framing lines in pen and black ink at top and sides of sheet, 9 1/8 x 11 3/4in. (23.1 x 29.9cm), Drawings, Girolamo Starace (Italian,

Fall of Man, 1529, Engraving, sheet: 6 3/8 x 4 5/8 in. (16.2 x 11.7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Allegorical Figure of Peace, 1625–1713, Pen and brown ink, highlighted with white gouache, over red chalk, on light brown washed paper (the form of the spandrel is indicated in brown wash), 9 1/2 x 9 1/8in. (24.1 x 23.1cm), Drawings, Carlo

Design for a Chimney Piece, 18th century, Pen and black ink, brush and black, gray, and brown wash, sheet: 10 3/4 x 6 5/16 in. (27.3 x 16 cm), Anonymous, British, 18th century

The Circle of Corrupt Officials: The Devils Mauling Each Other, from Dante's Inferno, Canto XXII, ca. 1825–27, Engraving, plate: 9 9/16 x 13 1/16 in. (24.3 x 33.2 cm), Prints, William Blake (British, London 1757–1827 London

Hanging Lantern, 19th century, Pen and ink and gouache, Overall: 14 1/8 x 18 3/8 in. (35.9 x 46.7 cm), Drawings, Anonymous, Chinese, 19th century

Juno, Mars and Cupid, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 1/4 x 4 in. (13.3 x 10.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Death Dragging an Old Man to His Tomb, ca. 1648, Etching with engraving; second state of three, Sheet: 7 3/16 × 5 13/16 in. (18.2 × 14.7 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

Landscape with Figures and a Two-Arched Bridge, 1591–1666, Pen and dark brown ink, some brush and dark brown ink, sheet: 7 13/16 x 11 1/4 in. (19.9 x 28.6 cm), Drawings, Imitator of Guercino (Giovanni Francesco Barbieri) (Italian, Cento

Bacchus and Ariadne, 1696–1770, Pen and brown ink, brush and brown wash, over black chalk, 9 15/16 x 7 5/8in. (25.3 x 19.3cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid

Portrait of Zacharie Astruc, ca. 1865, Etching on Arches paper; first or second state (indeterminate), sheet: 16 3/8 x 11 in. (41.6 x 27.9 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

Temperance Enjoying a Frugal Meal, July 28, 1792, Hand-colored etching, sheet: 14 3/4 x 12 3/16 in. (37.5 x 30.9 cm), Prints, James Gillray (British, Chelsea 1756–1815 London

Design for a Column Base, 18th century, Pen and gray ink over graphite with brush and gray wash on laid paper, sheet: 10 7/8 x 8 3/8 in. (27.7 x 21.2 cm), Drawings, Attributed to Anonymous, French, 18th century

The Drunkenness of Noah, 1599–1661, Red chalk, 7 5/16 x 10 3/16 in. (18.6 x 25.9 cm), Drawings, Andrea Sacchi (Italian, Rome (?) ca. 1599–1661 Rome

Procession of Monstrous Figures, 1615, Etching, frieze 1 of 8 plates, sheet: 3 11/16 x 12 1/16 in. (9.4 x 30.7 cm), Prints, Wendel Dietterlin, the Younger (German, active Strasbourg ca. 1614–69

Kings, Bishops and Popes: design for ceiling., 1696–1782, Pen, ink and wash on paper, 10 5/8 x 10 5/8in. (27 x 27cm), Drawings, Francesco de Mura (Italian, Naples 1696–1782 Naples

Figure Disrobing, 1900–1910, Graphite on cream paper, 12 3/16 x 7 7/8 in. (31 x 20 cm), Drawings, Auguste Rodin (French, Paris 1840–1917 Meudon

The Philosopher (Le Philosophe), 1865–66, etching and drypoint on blue laid paper, from 1905 Strölin edition, plate: 12 1/2 x 9 1/4in. (31.8 x 23.5cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris

Flagellation of Christ, from The Passion, 1512, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The birth of Saint John the Baptist set within a classical building, ca 1531–76, Engraving, sheet: 11 1/4 x 17 3/8 in. (28.5 x 44.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Somerindyck House (from Scenes of Old New York), 1870, Etching, trial proof, plate: 3 1/16 x 4 3/16 in. (7.8 x 10.7 cm), Prints, Henry Farrer (American, London 1844–1903 New York

Western Wall-flower, Erysimum asperum, July 5, 1912, Watercolor and brown ink over graphite, with page design indicated in graphite and details in brown ink, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong

Design for a candlestick, 1839, Pen and black ink, brush and brown wash, Adolph-Jean LaVergne (French, 19th Century

Design for a Decorated Drinking Cup with Floriated Heads around Large Mouth, Intertwined Serpents as Handles, n.d., Pen and brown ink, brush and brown wash over traces of black chalk; small corrections in white gouache, Sheet: 9 15/16 x 8 9/16

The Annunciation; the archangel Gabriel at left approaching the Virgin kneeling in prayer at right, God the Father in the upper left, ca. 1515–27, Engraving, Sheet (Trimmed): 11 3/8 × 10 1/4 in. (28.9 × 26.1 cm), Prints, Attributed to Marco

Saints Sebastian, Anthony and Roch, n.d., Engraving, sheet: 9 13/16 x 6 5/8 in. (24.9 x 16.8 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

Frontispiece for an Album of the Société des Aquafortistes, 1865, Etching; second and final state, Sheet: 19 5/8 x 12 11/16 in. (49.9 x 32.2 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres), Bracquemond's design for the

Hélène of Septeuil, ca. 1890, Drypoint; third state of five, plate: 9 5/16 x 6 3/16 in. (23.7 x 15.7 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise

James McNeill Whistler, Age 14, after 1848, Photogravure, image: 5 1/2 x 4 7/16 in. (13.9 x 11.2 cm), Prints, After Sir William Boxall (British, Oxford 1800–1879 London

Winter, ca. 1637, Etching; first state of two, Sheet (trimmed): 10 3/8 × 12 15/16 in. (26.3 × 32.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Design for a Funerary Monument, ca. 1710–40, Pen and brown ink, with grey wash; incised for transfer, sheet: 16 7/16 x 10 1/8 in. (41.7 x 25.7 cm), Circle of Ignaz Günther (German, Altmannstein 1725–1775 Munich

Marchand, 18th century, Black chalk, stumped, sheet: 4 1/2 x 3 9/16 in. (11.5 x 9.1 cm), Drawings, Anonymous, French, 18th century

Flora in the centre passing a wreath to another woman, surrounded by other figures, mid-16th century, Engraving, sheet: 13 1/8 x 17 in. (33.3 x 43.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Design for Ceiling, Château de Cangé, second half 19th century, Pen and black ink, watercolor, and gouache, 8 1/16 x 8 1/8 in. (20.4 x 20.6 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French,

Angel Holding a Banderole, 1706, Brush and pink and white tempera, over red chalk, on brownish paper (recto). Red chalk tracing of the angel done from the recto (verso)., 6 7/8 x 7 13/16in. (17.4 x 19.9cm), Drawings, Antonio Franchi (Il

Satyrs Supporting an Ornamental Motif, 1596–1669, Pen and brown ink, 6 9/16 x 7 5/16in. (16.7 x 18.6cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome

Banquet Scene: A Seated Warrior Attended by a Number of Servants (recto); Back View of a Standing Man in a Long Cloak (verso), 1536–1614, Pen and brown ink (recto); pen and brown ink, brush and brown wash, over black chalk (verso), 11 x 8

The Charming Doll, 1742, Etching with some engraving, Sheet: 9 3/16 x 6 7/8 in. (23.3 x 17.4 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

Alexander Cutting the Gordian Knot, Study for a Fresco in the Castel Sant'Angelo, Rome, 1501–47, Pen and brown ink, brush and gray wash highlighted with white, squared in black chalk, 7 1/2 x 4 7/16in. (19 x 11.2cm), Drawings, Perino del

The Amorous Widower, 1629, Etching; reverse copy, Sheet (trimmed): 5 1/2 × 3 9/16 in. (14 × 9.1 cm), Prints, Anonymous, French, 17th century, After Abraham Bosse (French, Tours 1602/1604–1676 Paris), After Jean de Saint-Igny (French,

The Entombment, from The Passion, 1512, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

America, from 'Game of Geography' (Jeu de la Géographie), 1644, Etching, Sheet: 3 1/2 × 2 3/16 in. (8.9 × 5.6 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin

Saint John sees Seven Gold Candlesticks, from the Apocalypse, n.d., Engraving, sheet: 12 5/16 x 8 7/8 in. (31.3 x 22.6 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

The Assumption and Coronation of the Virgin, from The Life of the Virgin, 1510, Woodcut, 11 7/16 x 8 3/16 in. (29.1 x 20.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Design for a Commode, 19th century, Pen and black ink, watercolor, gouache, 8 9/16 x 7 1/2 in. (21.8 x 19 cm), Drawings, Anonymous, French, 19th century

An Artist Travelling in Wales, February 10, 1799, Etching and aquatint with hand coloring, sheet: 13 3/16 x 15 1/2 in. (33.5 x 39.4 cm), Prints, Henri Merke (Swiss, Niederweningen, canton Zürich ca. 1760–after 1820), After Thomas

Architectural Study (recto); Separate Sheet with Architectural Drawing (verso), 1676–1736, Pen and brown ink, brush and brown wash, over graphite, sheet: 8 1/4 x 7 in. (21 x 17.8 cm), Drawings, Filippo Juvarra (Italian, Messina 1678–1736

The Knight on the Horseback with Lansquenet, n.d., Woodcut, sheet: 15 7/16 x 11 1/8 in. (39.2 x 28.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Saint Augustine on Clouds Surrounded by Angels, 1667–1744, Pen and brown ink, brush and gray wash, black chalk underdrawing, sheet: 9 13/16 x 6 5/16 in. (24.9 x 16 cm), Drawings, Johann Jacob Eybelwieser (Austrian, Vienna (?), ca.

The Herdsman and the Shepherdess, ca. 1630, Etching; first state of three (Mannocci), sheet: 12 7/16 x 9 in. (31.6 x 22.8 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome

A Centaur and a Satyr, 1727–1804, Pen and brown ink, brush and brown wash, over graphite or lead, sheet: 7 1/2 x 10 3/4 in. (19.1 x 27.3 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice

Big Fish Eat Little Fish, 1557, Engraving; first state of four, 9 x 11 5/8 in. (22.9 x 29.6 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels),

The Enthronement of the Virgin, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Portrait of François Reidy de Lagrange, ca. 1791–94, Red chalk, diam.: 8 3/8 in. (21.3 cm), Drawings, Louis Roland Trinquesse (French, Paris ca. 1746–ca. 1800

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 8 13/16 x 3 7/16 in. (22.4 x 8.7 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Landscape with Catacombs, 1530–40, Pen and ink, brush and brown wash, over black chalk, 8 1/4 x 6 3/4in. (21 x 17.1cm), Drawings, Domenico Beccafumi (Italian, Cortine in Valdibiana Montaperti 1484–1551 Siena

The Peasant Couple at Market, 1519, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Spring, ca. 1637, Etching; first state of two, Sheet (trimmed): 10 3/16 in. × 13 in. (25.8 × 33 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris