Images at Librifly

The Ratcatcher, mid to late 17th century, Etching; second state of two, Sheet: 8 9/16 × 5 7/8 in. (21.8 × 14.9 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris), A noble gentleman who in combat made the whole earth tremble,

Plate 17: camels, from 'Various animals' (Diversi animali), after 1641, Etching; reverse copy, Sheet (trimmed): 3 3/8 × 4 1/16 in. (8.6 × 10.3 cm), Prints, After Stefano della Bella (Italian, Florence 1610–1664 Florence

Christ Appearing to His Mother, from The Small Passion, ca. 1510, Woodcut, sheet: 5 1/16 x 3 13/16 in. (12.8 x 9.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Old Testament Scene, 1639–97, Pen and brown ink, brush and brown wash, over black chalk. Squared in black chalk., 11 1/4 x 14 1/8in. (28.5 x 35.9cm), Drawings, Giovanni Andrea Carlone (Italian, Genoa 1639–1697 Genoa

Martydom of St. Lawrence, Pen and brown ink, 7 1/4 x 8 3/8 in. (18.4 x 21.2 cm.), Drawings, Raymond de La Fage (French, Lisle-sur-Tarn 1650–1684 Lyon

St. Louis in Glory, ca0–41, Black chalk, heightened with white chalk, on beige paper. Framing lines in pen and brown ink., 15 3/8 x 11 1/4 in. (39.1 x 28.6 cm), Drawings, Simon Vouet (French, Paris 1590–1649 Paris), After a trip to

Four Turks, Half Length, ca. 1662, Etching, first or second state of two, Plate: 3 1/4 × 5 11/16 in. (8.2 × 14.5 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Songs of Innocence and of Experience: On Anothers Sorrow, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm), Prints, William Blake (British, London

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

Caricature (Jean Baptiste Chollet?), 19th century, Black, red, and white chalk, sheet: 10 9/16 x 8 3/8 in. (26.8 x 21.2 cm), Drawings, Anonymous, French, 19th century

From Warwick Lane, May 1, 1790, Etching, sheet: 6 1/4 x 4 11/16 in. (15.8 x 11.9 cm), Prints, Philippe Jacques de Loutherbourg (French, Strasbourg 1740–1812 London

Female Figure, 19th century, Watercolor, 13 1/2 x 9 in. (34.3 x 22.9 cm), Drawings, Alexandre-Louis Leloir (French, Paris 1843–1884 Paris

Design for a Lunette Decoration: Coat of Arms Flanked by Seated Allegorical Figures (recto and verso), 1553–1626, Pen and brown ink, brush and brown wash, over black chalk. Squared in black chalk for transfer (recto). Another design for the

Benjamin Fillon, after a photograph, 1862, Etching and drypoint on tin, printed on laid paper; fifth state of six (Schneiderman), plate: 4 7/8 x 4 1/4 in. (12.4 x 10.8 cm), Prints, Charles Meryon (French, 1821–1868

Bust of a Woman with an Elaborate Coiffure, ca. 1530, Black chalk; some contours reinforced in pen and brown ink, and background tinted in brown wash (by another hand), 9 5/16 x 6 15/16 in. (23.6 x 17.7 cm), Drawings, Rosso Fiorentino (Italian,

A lion, dragon and fox fighting each other, an inscribed banderole above, an oval composition, ca. 1515–27, Engraving, Sheet (Trimmed to plate): 4 15/16 × 6 3/4 in. (12.6 × 17.2 cm), Prints, Marco Dente (Italian, Ravenna, active by

Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.), 1799, Etching and burnished aquatint, Plate: 8 7/16 × 5 7/8 in. (21.4 × 15 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos

Les Invisibles (The Invisible Ones), 1810, Hand-colored etching with roulette, Sheet: 9 5/16 x 12 7/8 in. (23.6 x 32.7 cm), Prints, William Brocas (Irish, ca. 1794–1868), After James Gillray (British, Chelsea 1756–1815 London), This

A galley covered in sails to left, six cannons and four people to left in foreground, one man seated at far left smoking a pipe, a man assisting others disembarking from rowboats to right, other rowboats and ships in the background, from 'Views

Acute Pain (Le Brun Travested, or Caricatures of the Passions), January 21, 1800, Etching, printed in brown ink, hand-colored, sheet: 11 3/8 x 8 7/8 in. (28.9 x 22.6 cm), Prints, After George Moutard Woodward (British, ca. 1760–1809

Peasant Mother and Child, ca. 1894, Drypoint and aquatint, printed in color from three plates; tenth state of ten, plate: 11 1/2 x 9 7/16 in. (29.2 x 24 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le

Seated Figure of Time, 1696–1770, Pen and dark brown ink, brush with pale and dark brown wash, over black chalk, 9-7/16 x 16-3/16 in. (23.9 x 41.1 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid

Olympia (small plate), 1867, Etching and aquatint on laid paper, state II of VI, plate: 3 3/8 x 8 1/8in. (8.6 x 20.6cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris

Putto's Head Looking to the Right with a Shell Beneath the Chin within a Circle, 1727, Pen and brown ink, sheet: 12 7/8 x 8 1/2 in. (32.7 x 21.6 cm), Drawings, Gaetano Piccini (Italian, active Rome, 1710–30

Recontre d'Anglais a Paris; Le Suprême Bon-Ton No. 23, ca. 1815, Etching, hand-colored, sheet: 8 5/16 x 10 3/4 in. (21.1 x 27.3 cm), Prints, Adrien Pierre Godefroy, Le Jeune (French, 1777–1865

Le Proces Steinheil, n.d., Graphite on white paper, 9 7/8 x 12 13/16 in. (25.1 x 32.5 cm), Drawings, Jean Veber (French, Paris 1864–1928 Paris

St. Jerome (Schr. 1551m), 15th century, Woodcut, hand-colored, sheet: 7 3/4 x 5 3/8 in. (19.7 x 13.6 cm), Prints, Anonymous, German, 15th century

The Tapestry at Michelfeld, n.d., Woodcut, sheet: 5 1/4 x 12 in. (13.3 x 30.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Landscape with two women, one mounted on a donkey, ca. 1660, Etching; touched proof with handwork in light grey wash, Sheet (trimmed to plate): 5 1/4 × 4 3/16 in. (13.4 × 10.6 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664

Bust of a Pole, after 1641, Etching, reverse copy, Sheet: 4 1/16 × 3 11/16 in. (10.3 × 9.4 cm), Prints, After Stefano della Bella (Italian, Florence 1610–1664 Florence), Peregrine Lovell (British, active 1646–47

Design for a Fountain, Pen and black ink with brush and gray, brown and blue washes, 16 1/4 x 10 3/8 in. (41.3 x 26.3 cm.), Drawings, Charles Pierre Joseph Normand (French, Goyencourt 1765–1840 Paris

Seated satyr, with enlarged head of same (recto); head of a woman (verso), 1527–96, Recto, pen and brown ink, brush and brown wash, with traces of highlighting in white gouache on faded blue paper (recto); black chalk and charcoal highlighted

Design for a Vessel with Two Tritons Blowing Horns and a Winged Putto on Top, 1652–1725, Pen and brown ink, brush and brown wash over traces of graphite, sheet: 7 1/4 x 5 9/16 in. (18.4 x 14.2 cm), Attributed to Giovanni Battista Foggini

Whistler the Proud – Two Faces, 1892–1902, Drypoint, plate: 7 5/16 x 5 5/16 in. (18.6 x 13.5 cm), Prints, Mortimer Menpes (Australian, Port Adelaide 1855–1938 Pangbourne, England

Cansolle [Perspective of a Red Laquer Cabinet], 1936, Watercolor and black ink, over graphite, Drawings, Guglielmo Ulrich (Italian, 1904–1977

Two Views of a Grand Foyer, 1830–97, pen and ink on tracing paper, mounted on heavy wove paper, Overall: 9 7/16 x 12 13/16 in. (24 x 32.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French,

Versailles Seen from the Southwest, 1779, Pen and black ink, watercolor, heightened with white, over traces of graphite., 8 1/8 x 13 5/16 in. (20.7 x 33.8 cm), Drawings, Louis Nicolas de Lespinasse, called the Chevalier de Lespinasse

Design for a Ewer, 1734–91, Pen and black ink with brush and gray wash and red chalk, over graphite underdrawing., 9 3/8 x 5 11/16 in. (23.8 x 14.5 cm), Drawings, Jean Charles Delafosse (French, Paris 1734–1789 Paris

A Farmhouse with a Thatched Roof and Trees Beside a River, 1825–65, Black chalk with touches of white, on blue paper., Overall: 12 1/16 x 17 3/8in. (30.6 x 44.1cm), Drawings, Constant Troyon (French, Sèvres 1810–1865 Paris

Jardin Public, Champs Elysées, n.d., Pen and black ink, brush and gray wash, and watercolor over graphite underdrawing, sheet: 15 3/4 x 11 1/8 in. (40 x 28.3 cm), Gabriel Thouin (French, 1747–1829

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Flower Design: Daffodils and Calla Lilies, 19th century, Watercolor and gouache, over graphite, 13 x 18 9/16 in. (33 x 47.1 cm), Drawings, Anonymous, French, 19th century

Old Woman Sleeping (copy), n.d., Etching, Prints, After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

The Virgin with the Swaddled Child, 1520, Engraving, Sheet: 5 9/16 × 3 3/4 in. (14.2 × 9.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Design for a Term Shaped like a Winged Female Figure, 1652–1725, Pen and brown ink, over traces of black chalk, sheet: 5 3/8 x 1 11/16 in. (13.7 x 4.3 cm), Giovanni Battista Foggini (Italian, Florence 1652–1725 Florence

A children's bacchanal with animals, 1531–76, Engraving, sheet: 9 3/16 x 14 15/16 in. (23.4 x 38 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Abraham about to Sacrifice Isaac, 1609/10–?1675, Pen and brown ink, brush and violet wash, 5-7/16 x 10-1/16 in. (13.8 x 25.6 cm), Drawings, Micco Spadaro (Domenico Gargiulo) (Italian, Naples 1609/10–1675 Naples

Design for a Stage Set, 1828–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Satire on the Papacy, 1555, Etching, Sheet: 8 x 5 in. (20.3 x 12.7 cm), Prints, Melchior Lorck (Danish, Flensburg 1526–after 1588 Hamburg (?)), This etching is one of a large group of harshly satirical depictions of the pope produced during

The Chinese Masquerade (La Mascarade chinoise), 1735, Etching, Sheet: 12 x 16 11/16 in. (30.5 x 42.4 cm), Prints, Jean-Baptiste Marie Pierre (French, Paris 1714–1789 Paris), One of Pierre's most accomplished etchings, this print

Design for a Stage Set: Stairway and Arcades Leading to a Salone, 1698–1765, Pen and brown ink, brush with brown and gray wash, over graphite or black chalk, 5 7/8 x 4in. (14.9 x 10.2cm), Drawings, Giovanni Battista Natali III (Italian,

Left Side of a Panel Decorated with Acanthus Scrolls and an Oval Medallion, 1652–1725, Pen and brown ink, brush and brown wash, over traces of black chalk, sheet: 3 3/8 x 4 15/16 in. (8.5 x 12.5 cm), Giovanni Battista Foggini (Italian,

Two Boys with a Helmet and Standard, 1527, Engraving, sheet: 5 x 3 1/4 in. (12.7 x 8.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Lola de Valence, 1863, etching and aquatint, final state; first edition on laid paper; proof for the Société des Aquafortistes' edition of 1863, published by Cadart, plate: 10 3/8 x 7 1/8 in. (26.4 x 18.1 cm), Prints, Édouard Manet (French,

Diana Visiting the Sleeping Endymion, 1729–1804, Pen and brown ink, brush and gray wash, over black chalk. Framing lines in pen and brown ink, 11 7/16 x 14 15/16in. (29 x 38cm), Drawings, Pietro Antonio Novelli (Italian, Venice 1729–1804

Ornamental design for liturgical object, 18th century, Pen and brown ink, brush and brown wash, heightened with white gouache. On blue paper with uneven edges, sheet: 8 3/8 x 10 3/4 in. (21.2 x 27.3 cm), Drawings, Anonymous, 18th century

White Valerian, Valeriana sitchensis, July 14, 1909, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York

Virgin and Christ Child, an octagonal composition, ca. 1649, Etching, Sheet (trimmed to plate): 3 3/8 × 3 9/16 in. (8.6 × 9 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

The Philistines Place the Ark of the Covenant in the Temple of Dagon, ca. 1540, Engraving with etching; second state, plate: 10 7/16 x 16 5/16 in. (26.5 x 41.5 cm), Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Unidentified building, ceiling or wall, painted frieze or decorative panels (recto) Unidentified building, cornice (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 3 1/8 x 9 9/16 in. (8 x 24.3 cm

How to Pluck a Goose, June 10, 1802, Hand-colored etching, Sheet: 12 1/16 x 15 3/16 in. (30.7 x 38.5 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London), A young officer playing the card game Cassino with three elderly expert

Plate 30 of the 'Tauromaquia': Pedro Romero killing the halted bull., 1816, Etching, burnished aquatint and burin, Plate: 9 3/4 × 13 3/4 in. (24.7 × 35 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828

Toilette in Pergamena, Signora Bernasconi, Milano...Dis.N. 65, 1932, Color pencils, graphite, and metallic ink, Drawings, Guglielmo Ulrich (Italian, 1904–1977

Five Music-Making Figures, 1610–62, Pen and brown ink, brush and blue wash, 1-1/15 x 4-9/16 in. (4.8 x 11.6 cm), Drawings, Giovanni Francesco Romanelli (Italian, Viterbo ca. 1610–1662 Viterbo

Clump of Trees, 1640, Etching; first state of two (Robert-Dumesnil), sheet: 4 1/2 x 6 3/4 in. (11.5 x 17.2 cm), Prints, Laurent de La Hyre (French, Paris 1606–1656 Paris

Scene from the Iliad, 1815, Pen and brown ink, brush and gray wash, heightened with white gouache over graphite underdrawing, sheet: 8 1/16 x 10 7/16 in. (20.5 x 26.5 cm), Drawings, Michael Martin Drölling (French, Paris 1786–1851 Paris

Egypte, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676

Arthur Haden, 1859, Drypoint; fourth state of four (Glasgow); printed in black ink on ivory Japan tissue, Plate: 8 7/8 in. × 6 in. (22.5 × 15.2 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

The Flower Garden, May 1, 1777, Etching and engraving with watercolor, plate: 13 3/4 x 9 11/16 in. (35 x 24.6 cm), Prints

Lamech and Cain (reverse copy), n.d., sheet: 4 1/2 x 3 1/8 in. (11.4 x 8 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Coat -of-Arms of Johan Stabius, edition of 1781, n.d., Woodcut, sheet: 13 11/16 x 8 3/4 in. (34.8 x 22.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Design for an elaborate arch, 19th century, Pen and wash on yellow paper, sheet: 8 11/16 x 12 1/8 in. (22.1 x 30.8 cm), Anonymous, French, 19th century

Xylorrhiza Tortifolia, May 13, 1912, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York 1867–1944 New

A Standing Soldier, 1610–64, Pen and brown ink, 7 1/16 x 5 3/4 in. (18.0 x 14.6 cm), Drawings, Stefano della Bella (Italian, Florence 1610–1664 Florence

Village Girl Dancing, 1626–28, Etching, Sheet (trimmed): 11 5/16 × 7 9/16 in. (28.7 × 19.2 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Characters and Caricaturas, April 1743, Etching; first state of two, sheet: 10 7/8 x 8 13/16 in. (27.7 x 22.4 cm), Prints, After Annibale Carracci (Italian, Bologna 1560–1609 Rome), After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino

Domestic Scene, 19th century, Pen and ink, wash, and black crayon, sheet: 7 7/8 x 11 3/8 in. (20 x 28.9 cm), Drawings, Anonymous, French, 19th century

Design for a Candelabra, ca. 1770–90, Graphite, 9 1/2 x 14 7/16 in. (24.1 x 36.6 cm), Drawings, Anonymous, French, 18th century

Adoration of the Magi, 16th century, Pen and brown ink, brush and brown wash, Diameter 2-1/2 in. (6.4 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

A Sheet of Studies with Architectural Motifs and Two Sketches for a Visitation (Recto). Sketch for a Funerary Monument (Verso), 1652–1725, Pen and brown ink, over black chalk (recto); black chalk (verso), Sheet: 11 5/8 x 8 7/16 in. (29.6 x 21.4

Woman with Shield Seated on Seamonster, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca.

Seated Woman, Seen from Behind, ca. 1790–95, Pen and brown ink, brush and brown wash, over graphite underdrawing, 13-9/16 x 9-1/2 in. (34.4 x 24.1 cm), Drawings, Anonymous, French, 18th century

A peasant woman with a cow at a fountain decorated with the Medici arms, from 'Six animal subjects' (Six sujets d'animaux), ca. 1646, Etching, Sheet (trimmed): 5 5/8 × 5 3/8 in. (14.3 × 13.6 cm), Prints, Stefano della Bella (Italian,

Violinist, Study for 'The Dance Lesson', ca. 1878–79, Pastel and charcoal on green wove paper; squared for transfer in charcoal; letterpress printing on verso, 15 3/8 x 11 3/4 in. (39.1 x 29.8 cm), Drawings, Edgar Degas (French, Paris

Portrait of Charles Baudelaire, after his own design of 1848, 1869, Etching, sheet: 10 3/4 x 7 in. (27.3 x 17.8 cm), Prints

Mural design picturing riders in a landscape for a lunette in the library of the Chateau de Lude (Sarthe), second half 19th century, oil paint on canvas, Overall: 10 3/8 x 14 7/8 in. (26.3 x 37.8 cm), Drawings, Jules-Edmond-Charles Lachaise

Study of an Old Man, 1577–1660, Charcoal, highlighted with white chalk, on blue-gray paper, 9 3/4 x 8 1/8in. (24.8 x 20.6cm), Drawings, attributed to Giacomo Cavedone (Italian, Sassuolo 1577–1660 Bologna

Francesco de Medici, Prince of Tuscany, ca. 1634, Etching, Sheet: 6 15/16 × 4 15/16 in. (17.6 × 12.6 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Design for a Mirrored, Marble-topped Sideboard and Four Chairs, early 19th century, Ink and watercolor and wash, sheet: 12 5/16 x 17 3/16 in. (31.2 x 43.6 cm), Anonymous, British, 19th century

Seated Man Holding a Club or Other Implement (recto); Two Heads of Grotesque Men in Profile (verso), 1484–1500, Pen and brown ink, brush and brown wash (recto); pen and brown ink (verso), 8 1/4 x 5 9/16in. (21 x 14.2cm), Drawings, Circle of

Plate 25 from 'The Disasters of War' (Los Desastres de la Guerra):'These too. (Tambien estos.), 1810, Etching, drypoint, and burin, Plate: 6 7/16 × 9 3/16 in. (16.3 × 23.3 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish,

Quivira, from 'Game of Geography' (Jeu de la Géographie), 1644, Etching; third state of four, Sheet: 3 1/2 × 2 3/16 in. (8.9 × 5.5 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean

Elevation of a paneled interior with double doors and gaslight sconces, 1830–97, graphite, pen and ink, watercolor on wove paper; mounted on blue wove paper, Overall: 10 3/4 x 8 11/16 in. (27.3 x 22.1 cm), Drawings, Jules-Edmond-Charles

The Adoration of the Magi, 1500–1571, Pen and brown ink, brush and brown wash, over traces of black chalk, with some traces of white gouache highlights (oxidized); the kneeling male figure at center reworked by the artist with pen and darker

Two Young Ladies in a Garden, 1873–74, Etching and drypoint, Image: 6 x 4 3/16 in. (15.2 x 10.6 cm), Prints, Anonymous, French, 19th century

Simone with Clasped Hands Looking Left, 1923, Drypoint; second state, restrike, plate: 7 5/16 x 5 13/16 in. (18.5 x 14.8 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise

The Agony in the Garden, ca. 1824–27, Brush and brown wash over graphite on wove paper, Overall: 5 1/4 x 7 5/8 in. (13.4 x 19.4 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Design for a Wall Decoration over an Arched Doorway with Grimani Arms, 1528–90, Pen and brown ink, brush and brown wash, 6 1/2 x 12 5/16in. (16.5 x 31.3cm), Drawings, Bernardino India (Italian, Verona 1528–1590 Verona), This design for a

Mr. Vieux-Niais, published in La Caricature no. 134, May 30, 1833, May 30, 1833, Lithograph, Sheet: 13 11/16 × 10 1/4 in. (34.8 × 26 cm), Prints, Honoré Daumier (French, Marseilles 1808–1879 Valmondois

Large Table and Two Small Higher Ones with Vases, 19th century, Pen and ink and gouache, Overall: 14 1/8 x 18 3/8 in. (35.9 x 46.7 cm), Drawings, Anonymous, Chinese, 19th century