Images at Librifly

The Artist's Mother Seated at a Table, Looking Left: Three Quarter Length, after 1631, Etching, Sheet: 5 7/8 × 4 9/16 in. (14.9 × 11.6 cm), Prints, After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Six Animals, Etching and engraving, second state, sheet: 13 7/16 x 19 3/8 in. (34.1 x 49.2 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Moses and a Prophet, 1763–64, Etching, first state, sheet: 6 15/16 x 9 3/16 in. (17.6 x 23.3 cm), Prints, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), After Annibale Carracci (Italian, Bologna 1560–1609 Rome

Naval battle, a rowboat filled with people fighting with muskets to left, people drowning in the sea in the center and right foreground, a ship on its side and burning in the background, from 'Peace and War' (Divers desseins tant pour la paix que

Two Acanthus Friezes: Cupid Subduing Two Lions; Heads of Four Seasons, Plate 14 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), ca. 1648, Etching; fourth state of five, Sheet: 3 1/4 × 9 11/16 in. (8.3 × 24.6 cm),

Design for a Section of a Domed Corinthian Temple, 1769, Pen and black ink, brush and gray and beige wash over graphite underdrawing, 10 7/8 x 17 3/8 in. (27.6 x 44.1 cm), Drawings, Pierre Mathieu (French, Dijon 1657–1719 Paris

Perspective Drawing of an Interior, early 19th century, Graphite, sheet: 8 9/16 x 12 5/16 in. (21.7 x 31.2 cm), Anonymous, British, 19th century

Scenes from Ancient History, after Polidoro da Caravaggio, 1560–1608, Pen and brown ink, brush and brown wash, over traces of black chalk. Framing lines in black chalk, 4 11/16 x 13 1/8in. (11.9 x 33.3cm), Drawings, attributed to Andrea

A standing sailor talking to a seated Levantine, ca. 1660, Etching; second state of two, Sheet: 7 1/16 × 7 1/4 in. (18 × 18.4 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Rembrandt with Raised Sabre, 1634, Etching with touches of burin, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

God The Father Creating (?) (r.); Study of neo-classical statue of a nude male (v.), 1772–1850, Pen and brown ink over graphite (recto); graphite (verso), 8-3/4 x 6-7/8 in. (22.2 x 17.5 cm), Drawings, Luigi Sabatelli (Italian, Florence

May Day Celebrations at Xeuilley, ca. 1624–25, Pen and brown ink, brush and brown wash, sheet: 7 x 13 1/16 in. (17.8 x 33.2 cm), Drawings, Jacques Callot (French, Nancy 1592–1635 Nancy), Born in the Duchy of Lorraine, Callot spent his

Antoine Vitre, typrographe du roi, Etching, third state, image: 12 3/16 x 8 3/8 in. (31 x 21.2 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris

Standing Man in Exotic Dress, 1765–1810, Red chalk wash, sheet: 16 1/2 x 10 15/16 in. (41.9 x 27.8 cm), Drawings, Attributed to Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna

The Death of Dido, 1624–63, Pen and brown ink, brush and brown wash, over black chalk. Framing lines in pen and brown ink on mount, 3-11/16 x 5-5/16 in. (9.4 x 13.5 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?)

Design for Albert Settee, early 19th century, Ink, watercolor and wash, sheet: 8 15/16 x 11 13/16 in. (22.7 x 30 cm), Anonymous, British, 19th century

Design for a ceiling with allegorical panels, second half 19th century, Graphite, pen and black ink, gilt, gouache, and watercolor, Overall: 12 5/8 x 9 7/16 in. (32.1 x 24 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

Design for Urn, ca. 1770–90, Pen and gray and black ink, brush and gray wash, 10 1/8 x 17 5/16 in. (25.7 x 43.9 cm), Drawings, Anonymous, French, 18th century

Design for a Vessel with Two Griffons, 18th century, Pen and gray ink over graphite on laid paper, sheet: 6 7/16 x 5 3/16 in. (16.4 x 13.1 cm), Drawings, Attributed to Anonymous, French, 18th century

The Resurrection, 1521, Engraving; first state, image: 4 5/8 x 12 15/16 in. (11.7 x 32.9 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Aeneas's Farewell to Dido, Pen and black ink, 6 5/8 x 8 1/2 in. (16.9 x 21.6 cm.), Drawings, Jean Le Pautre (French, Paris 1618–1682 Paris

Designs for a Palmette Motif with Tendrils (recto); studies for a Male Figure and Decorative Sculpture (verso), 1652–1725, Pen and brown ink, over traces of graphite. Verso: Pen and brown ink, brush and gray wash, over traces of graphite,

Two Women and Two Cupids, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561 Venice

Drapery Study for Sainte Clotilde (middle register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Black chalk, stumped, traces of red chalk, stumped, 18 7/16 x 11 15/16 in. (46.8 x 30.3

Bust of a Man Facing Right, 1591–1666, Pen and dark brown ink, brush with brown and gray-brown wash, sheet: 5 3/8 x 6 in. (13.7 x 15.3 cm), Drawings, Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna

Replacements in the Parisian Guard Playing Cards, ca. 1795, Black chalk, 6 9/16 x 4 7/16 in. (16.6 x 11.3 cm), Drawings, baron Dominique Vivant Denon (French, Givry 1747–1825 Paris

Blasted Trees and Flattened Crops, from Thornton's Pastorals of Virgil, 1821, Wood engraving; second state, block: 1 3/8 x 2 7/8 in. (3.5 x 7.3 cm), Prints, William Blake (British, London 1757–1827 London

A Small Town on the Crest of a Slope, 1504–1507, Pen and brown ink, 11 x 8-9/16 in. (27.9 x 21.7 cm), Drawings, Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (Italian, Florence 1473–1517 Florence

Young Man with a Skull, ca. 1519, Engraving; first state, sheet: 6 1/4 x 5 3/4 in. (15.9 x 14.6 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Los Disparates (Los Proverbios), ca. 1816–23 (published 1864), Etching, Sheet: 13 1/8 × 18 7/8 in. (33.3 × 48 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux), From the posthumous first edition

Design for Upright Decorative Panels, 18th century, Red chalk over black chalk, sheet: 13 3/4 x 10 3/8 in. (35 x 26.3 cm), Drawings, Anonymous, French, 18th century

Virgin and Child Enthroned with Saint Anthony Abbot, Saint Peter, Saint Paul, Saint Julian the Hospitaler, Saint Roch, and Saint Mary Magdalen?, 1522–23, Pen and brown ink, highlighted with white gouache, on brownish paper, 8 3/4 x 7

Papal Cartouche, ca. 1740–41, Pen and brown ink, brush and brown wash over traces of black chalk, Overall: 10 3/16 x 6 15/16in. (25.9 x 17.6cm), Carl Frederick Adelcrantz (Swedish, 1716–1796), After Francesco Borromini (Italian, Bissone

Fragment of a Composition with a Reclining Semi-Nude Man Surrounded by Soldiers and Other Onlookers in a Landscape, 1634–1705, Pen and brown ink. Squared for transfer in red chalk, 15 11/16 x 8 11/16in. (39.8 x 22.1cm), Drawings, Attributed to

Man Stabbing Himself, 1591–1666, Pen and brown ink, squared in black chalk, sheet: 6 5/8 x 7 3/4 in. (16.9 x 19.7 cm), Drawings, Circle of Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna

Part of the Entrance of the Polish Legation (Q.X.Y.), 1633, Etching, state i, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

The Adoration of the Lamb, from The Apocalypse, Latin Edition, 1511, 1511, Woodcut, block: 15 3/8 x 10 15/16 in. (39 x 27.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Vulcan seated hammering on an anvil flanked by Venus and three cupids, ca. 1515–27, Engraving, Sheet (Trimmed): 4 3/16 × 6 7/8 in. (10.7 × 17.5 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, brush and brown and green wash, Irregular sheet: 10 7/8 x 6 5/16 in. (27.6 x 16.1 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Judith Holding up the Head of Holofernes, 1625–1713, Pen and brown ink, over red chalk, 10 1/16 x 7 1/16in. (25.5 x 18cm), Drawings, Carlo Maratti (Italian, Camerano 1625–1713 Rome

The Death of the Virgin, from The Life of the Virgin, 1510, Woodcut, sheet: 11 9/16 x 8 3/16 in. (29.4 x 20.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Libye, 1644, Etching, state iii, Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676

Little Venice (The Little Venice), 1879–80, Etching and drypoint; second state of two (Glasgow); printed in black ink with selectively wiped ink on medium weight cream wove paper, Plate: 7 5/16 × 10 7/16 in. (18.5 × 26.5 cm), Prints, James

The Magic Lantern, 1737, Etching with some engraving, Sheet (trimmed): 9 3/8 × 7 3/16 in. (23.8 × 18.3 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French,

Fish Shop, Venice, 1879–80, Etching and drypoint; fifth state of nine ( Glasgow) with extensive pencil alterations on shop, street, arch and figures (brown wash in the window, blue/grey on figures in street), and pen at top and right;

Firelight (Mrs. Joseph Pennell), 1896, Transfer lithograph, drawn on white transfer paper with a grained-stone texture, Sheet: 12 1/8 in. × 9 in. (30.8 × 22.9 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903

Designs for Arched Doorway, 19th century, Pen and black ink, watercolor, 10 1/8 x 5 1/2in. (25.7 x 14cm), Drawings, Charles Monblond (French, 19th century

Design for a Silver-Gilt Vessel, 18th century, Pen and brown ink, brush and greenish-yellow wash, sheet: 6 5/16 x 16 7/16 in. (16 x 41.7 cm), Drawings, Anonymous, French, 18th century

Plate 7 from 'The Disasters of War' (Los Desastres de la Guerra): What courage! (Que valor!), 1810 ( published 1863), Etching, aquatint, drypoint, burin and burnisher, Plate: 6 x 8 3/16 in. (15.3 x 20.8 cm), Prints, Goya (Francisco de Goya y

Portrait of a Man in a Monastic Habit, 1699–1758, Black chalk, stumped, highlighted with white, on gray-green paper, 11 5/8 x 8 13/16in. (29.6 x 22.4cm), Drawings, Bartolommeo Nazari (Nazzari) (Italian, Clusone near Bergamo 1699–1758

Venus et Adonis, 1644, Etching, state i, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676

The Infant St. John the Baptist Holding up His Robe, ca. 1649, Etching; second state of three, Sheet (trimmed): 5 9/16 × 3 5/8 in. (14.1 × 9.2 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

Mercury at the right telling the story of Pan and Syrinx, 1531–76, Engraving with etching, sheet: 8 11/16 x 12 5/8 in. (22 x 32.1 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Nude Male Figure, Rear View, 18th century, Red and black chalk on buff paper, 15-1/8 x 10-1/8 in. (38.4 x 25.7 cm), Drawings, Attributed to Giovanni da San Giovanni

Christ Child With New Year's Wish (Schr. 784), 15th century, Woodcut, hand-colored (modern restrike), sheet: 8 5/16 x 6 5/8 in. (21.1 x 16.8 cm), Prints, Anonymous, German, 15th century

Head of man in Profile to Left, 1503–40, Red chalk (face) and black chalk (hair, beard, and eyes), 2-13/16 x 2-3/16 in. (7.1 x 5.6 cm), Drawings, Attributed to Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540

Design for the decoration of a ceiling with circular medallions, 1830–97, graphite and watercolor on laid paper; mounted on wove paper, Overall: 10 5/16 x 14 13/16 in. (26.2 x 37.6 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died

Whistler's 'Portrait of Himself', 1888, Roulette, aquatint and etching; seventh state of seven, plate: 12 15/16 x 8 13/16 in. (32.8 x 22.4 cm), Prints, Henri-Charles Guérard (French, Paris 1846–1897 Paris

The Ascension, from The Little Passion, ca. 1510, Woodcut, sheet: 5 x 3 7/8 in. (12.7 x 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Design for Two Chairs, ca. 1770–90, Pen and black ink, brush and gray wash over graphite; framing lines in pen and brown ink., 8 3/4 x 13 7/8 in. (22.2 x 35.2 cm), Drawings, Anonymous, French, 18th century

The Man of Sorrows with Angels, 15th century, Metalcut, hand-colored in green, yellow, and red, sheet: 2 3/8 x 1 13/16 in. (6 x 4.6 cm), Prints, Anonymous, German, 15th century, After Master ES (German, active ca. 1450–67

Madere, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676

Two Women, a Lion, and a Putto on Clouds, 1696–1770, Pen and brown ink, brush with pale (yellow) and dark brown wash, over black chalk, 9-1/4 x 10-7/16 in. (23.5 x 26.5 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770

The Journalist, With a View of Auckinleck, or the Land of Stones (Picturesque Beauties of Boswell, Part the First), May 15, 1786, Etching, Sheet: 10 9/16 × 11 7/16 in. (26.9 × 29.1 cm), Prints, Thomas Rowlandson (British, London

Elevation and Plan for a Round Mausoleum, Pen and black ink with brush and gray and brown wash over graphite underdrawing., 16 15/16 x 11 1/8 in. (43.1 x 28.2 cm.), Drawings, Jean Charles Delafosse (French, Paris 1734–1789 Paris

The Caress, ca. 1891, Drypoint; second state, plate: 7 3/4 x 5 3/4 in. (19.7 x 14.6 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise

Lithograph from Baron Taylor's Voyages Pittoresques, 1820–78, Lithograph, Sheet: 8 15/16 × 11 9/16 in. (22.7 × 29.4 cm), Prints, Godefroy Engelmann (German (born France), Mulhouse 1788–1839 Mulhouse), After Alexandre Evariste Fragonard

Three Designs for Plate Borders (recto); Three Designs for Plate Borders (verso), 19th century, On recto, graphite, watercolor, gouache, and gold gilt. Framing lines in graphite. On verso, brush and brown wash., sheet: 9 3/4 x 13 9/16 in.

Coat of Arms with Cock, ca. 1502, Engraving, 7 3/8 x 4 in. (18.8 x 10.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Virgin and Child with Saint Catherine, Francis of Assisi and John the Baptist, 1620–70, Engraving, sheet: 16 1/8 x 11 7/16 in. (41 x 29.1 cm), Prints, Giovanni Battista Bonacina (Italian, Milan 1620–ca. 1670), After Andrea del Sarto

Designs for Ceiling, 19th century, Pen and gray, black and red ink, brush and gray wash, 15 7/8 x 10 1/2in. (40.3 x 26.7cm), Drawings, Charles Monblond (French, 19th century

Madonna and Child seated on clouds and surrounded by angels, copy in reverse after Cantarini, ca9 or after, Etching, Sheet (Trimmed): 5 9/16 × 4 1/2 in. (14.1 × 11.5 cm), Prints, After Simone Cantarini (Italian, Pesaro 1612–1648 Verona

Studies of Landscape, Trees, and Exotic Fruit, ca. 1885, Watercolor and ink over graphite, 12 1/2 x 18 3/4 in. (31.8 x 47.6 cm), Drawings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer

If he Is guilty, let him die quickly (Si es deliquente qe. muera presto), ca. 1815, Etching, printed in black ink with platetone, Plate: 4 9/16 × 3 3/4 in. (11.6 × 9.5 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos

Cavaliers in a City Square, early 17th century, Pen and brown ink, 9 7/16 x 8 3/16 in. (24 x 20.8 cm), Drawings, Jean de Saint-Igny (French, Rouen ca. 1595/1600–1647 Paris

Design for a Candelabra, 19th century, Pen and brown ink, sheet: 8 7/8 x 5 3/16 in. (22.5 x 13.2 cm), Drawings, Anonymous, French, 19th century

Palazzo Pontifici, Sala Regia, coffer panels, reflected ceiling plan (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 17 5/16 x 11 7/16 in. (44 x 29 cm), Drawings

Design for Salon Ceiling, Hôtel Candamo, ca. 1873, Pen and black ink, watercolor, 7 7/8 x 12 3/8 in. (20 x 31.4 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

The Bonnet, ca. 1891, Drypoint; third state of three, plate: 7 3/8 x 5 1/2 in. (18.7 x 14 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise

Design for a Wall Elevation with Halved Alternate Designs for the Doorway (recto); Designs for a Quarter of a Ceiling, Design for a Wall Elevation (verso), 1774–90, Pen and gray ink over black chalk with ruled and compass construction, 17-3/8 x

Eleven designs for the decoration of interiors, 1830–97, graphite and black chalk on various papers; mounted on cardboard, Overall: 12 1/4 x 18 3/4 in. (31.1 x 47.7 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

Faust, ca. 1652, Etching, drypoint, and engraving; first state of three, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

A Woman Making Water, late 18th/early 19th century, Etching, Sheet: 3 7/16 × 2 11/16 in. (8.7 × 6.9 cm), Prints, After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), baron Dominique Vivant Denon (French, Givry

Portrait of Miss L..., or A Door Must Be Either Open or Closed, 1876, Drypoint on laid paper; only state, Plate: 15 1/4 x 8 1/2 in. (38.8 x 21.6 cm), Prints, James Tissot (French, Nantes 1836–1902 Chenecey-Buillon

Design for Stern of the Boat 'Lorox', 1757, Pen and black and gray ink, brush and black and gray wash, 10 1/4 x 9 1/2 in. (26.1 x 24.2 cm) cut along border of design, Drawings, Anonymous, French, 18th century

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Design for a Candelabra, 18th century, Pen and brown ink. Framing lines in pen and brown ink., sheet: 10 1/2 x 8 1/16 in. (26.6 x 20.5 cm), Anonymous, French, 18th century

Design for Three Low Uphostered Arm Chairs, early 19th century, Graphite, sheet: 10 3/4 x 15 1/16 in. (27.3 x 38.2 cm), Anonymous, British, 19th century

Sheet of Studies with a Woman Lying Ill in Bed, etc., ca. 1641/42, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

The Herd Returning in Stormy Weather, 1651, Etching; second state of two (Mannocci), sheet: 6 7/8 x 9 3/16 in. (17.5 x 23.3 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome

A man playing the violin in center, turned towards the left in profile, a seated woman to left playing with her dancing child, another woman standing and pointing behind a tree to left, seated women in a landscape to right in the background,

Anatomical drawing, 18th century, Pen and ink, brush and gray wash on blue paper, sheet: 8 5/16 x 13 3/16 in. (21.1 x 33.5 cm), Drawings, Anonymous, French, 18th century

Head of a Warrior, 1597–1601, Red chalk, 11 1/8 x 7 5/8in. (28.2 x 19.4cm), Drawings, Cavaliere d'Arpino (Giuseppe Cesari) (Italian, Arpino 1568–1640 Rome

Studies for a Rest on the Flight into Egypt, 1571–1639, Pen and brown ink, brush and brown wash, over red chalk (the faint sketch of Saint Joseph and the donkey at left background is entirely in red chalk), 9 7/16 x 7 1/4in. (23.9 x 18.4cm),

Design for Wall Paneling and Ceiling in Pompeiian Style, Château de Deepdene, 1875–79, Watercolor, 12 7/8 x 4 1/8 in. (32.7 x 10.4 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born

Twenty-four Cavaliers Fighting in Two Columns, 1652, Etching, Sheet: 8 11/16 × 11 13/16 in. (22 × 30 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

Costume Design, 1836–37, Pen and brown ink, brush and brown wash, graphite, 9 1/2 x 5 7/8 in. (24.2 x 15 cm), Drawings, Pierre-Numa Bassaget, called Numa (French, active 1830–54

Designs for Fireplace Iron, Mantle Candlesticks and a Clock, 19th century, Pen and brown ink, sheet: 10 11/16 x 9 in. (27.1 x 22.8 cm), Drawings, Anonymous, French, 19th century

Saint Benedict at the School in Rome, ca. 1630–35, Red chalk, brush and red wash, squared in red chalk, 8 7/8 x 14in. (22.6 x 35.6cm), Drawings, Andrea Lilli (Lilio) (Italian, Ancona ca. 1560–ca. 1635 Ascoli Piceno

Persian Woman or Man Holding a Tray, 19th century, Watercolor and gouache, sheet: 7 3/4 x 4 1/4 in. (19.7 x 10.8 cm), Drawings, Anonymous, Persian, 19th century