Images at Librifly

Les Visites, Musée Grotesque, No. 21, early 19th century, Etching, hand-colored, Sheet: 8 11/16 x 10 9/16 in. (22 x 26.8 cm), Prints, Anonymous, French, 19th century

Plate 53 from 'The Disasters of War' (Los Desastres de la Guerra): 'There was nothing to be done and he died.'' (Espiró sin remedio.), 1811–12 (published 1863), Etching, burnished aquatint, lavis, burin, and burnisher, Plate: 6 in. × 8

Sketching No. 1, 1861, Etching and drypoint; third state of six (Glasgow); cream chine collé on, Plate: 4 3/4 × 6 9/16 in. (12 × 16.7 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

Le Mari Confesseur, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching and engraving; second state of three (Cohen), Sheet: 13 15/16 ×

Uniforms of the civil guard in Courtray, Belgium, 1832, Black chalk and watercolor, 11 1/4 x 8 5/16 in., Drawings, Auguste Raffet (French, Paris 1804–1860 Gênes

Gentleman in a Cape and Plumed Hat Seen from the Back, 1629, Etching; first state of two, Sheet (trimmed): 5 9/16 × 3 5/8 in. (14.2 × 9.2 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris), After Jean de Saint-Igny (French,

Forest Scene, a Halt at the Left, a Hunt at the Center, 1612–66, Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, 6 3/8 x 14 13/16in. (16.2 x 37.7cm), Drawings, attributed to Pier Francesco Mola

Speicher, Kroll, and Bellows, 1921, Lithograph, image: 7 5/8 x 10 1/2 in. (19.4 x 26.7 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

Design for the decoration of a ceiling, 1830–97, graphite on wove paper, Overall: 10 1/2 x 14 13/16 in. (26.7 x 37.7 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Mercury and Argus, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 3/4 × 2 3/16 in. (4.5 × 5.5 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by

Plate 18: camel viewed from behind with pyramid at left, from 'Various animals' (Diversi animali), ca. 1641, Etching; third state of three (De Vesme), Plate: 3 3/8 × 4 1/4 in. (8.6 × 10.8 cm), Prints, Stefano della Bella (Italian, Florence

Two designs for the painted decoration of ceiling coves with cartouches, 1830–97, graphite, watercolor and gouache on wove paper; mounted on wove paper, Overall: 12 7/16 x 9 7/16 in. (31.6 x 23.9 cm), Drawings, Jules-Edmond-Charles Lachaise

Standing Man in a Full Coat and High Hat with a Medaillon, 1696–1770, Pen and dark brown ink, brush and brown wash, 9-3/8 x 5-7/8 in. (23.8 x 14.9 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid

Drawing of a Roman Emperor Receiving a Petition, n.d., Pen and brown ink, Drawings, After Federico Zuccaro (Zuccari) (Italian, Sant'Angelo in Vado 1540/42–1609 Ancona

On Stage III, 1876–77, Softground etching, drypoint, and roulette on wove paper; fourth state of five, sheet: 6 13/16 x 9 13/16 in. (17.3 x 25 cm), Prints, Edgar Degas (French, Paris 1834–1917 Paris

The Doubting Thomas, from The Small Passion, ca. 1510, Woodcut, sheet: 5 x 7/8 in. (12.7 x 2.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Caricature, Ayant Pour Titre: Lequel Faut-il Donner?, Sujet tiré du Miroir, no. 378, 13 Mai, 1797, 1797, Letterpress, sheet: 7 x 4 5/16 in. (17.8 x 11 cm), Prints

The Nativity, from The Life of the Virgin, 1502–3, Woodcut, sheet: 17 5/16 x 11 15/16 in. (44 x 30.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Woman coiffed as a sultana, from 'Several heads in the Persian style' (Plusieurs têtes coiffées à la persienne), 1649–50, Etching; second state of two, Plate: 3 15/16 × 2 15/16 in. (10 × 7.5 cm), Prints, Etched by Stefano della Bella

Design for a Candlestick, 18th century, Graphite, red chalk, sheet: 17 x 8 11/16 in. (43.2 x 22.1 cm), Drawings, Anonymous, French, 18th century

Standing Man in a Turban, Holding a Sword, 1696–1770, Pen and dark brown ink, brush and brown wash, over black chalk, 9-7/16 x 5-13/16 in. (23.9 x 14.7 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 13 7/16 x 11 5/16 in. (34.1 x 28.7 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

A Male Saint Followed by a Group of Men, Pointing to a Monstrance on an Altar, 1555–1619, Pen and brown ink, brush and gray wash, squared for transfer in red chalk, 9 3/4 x 11in. (24.8 x 28cm), Drawings, Giovanni Battista Trotti ('Il

The Standard Bearer, ca. 1501, Engraving, Sheet: 4 1/2 × 2 3/4 in. (11.5 × 7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Partial design for wood panneling inlaid with painted panels, 1871, Pen and ink, watercolor, and gouache, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Design for wall panels with putti and flowered garlands, second half 19th century, Graphite, pen and black ink, and watercolor, Overall: 10 7/16 x 14 13/16 in. (26.5 x 37.6 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

An entrance to a fortress in center, a woman with child seated by a fire to right, soldiers gather to right and in center, cannons in landscape to left, title page for 'Peace and War' (Divers desseins tant pour la paix que pour la guerre), ca.

Ceiling Design, second half 19th century, Graphite, watercolor, gouache, and gilt, 14 x 12 3/16 in. (35.6 x 31 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Cardinal Albrecht of Brandenburg, 1519, Engraving, Sheet: 6 × 4 in. (15.2 × 10.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Venus and Cupid riding two sea creatures, Cupid raising an arrow with his right hand and two heads representing wind in the clouds above, ca. 1515–27, Engraving, Sheet (Trimmed): 10 5/8 × 7 1/16 in. (27 × 18 cm), Prints, Marco Dente

Plate 19: Landscape with a Cavalier Watering His Horse at a Fountain, from 'Various figures and doodles' (Diverses figures et griffonnemens), ca. 1646, Etching, Sheet (trimmed): 3 1/8 × 2 5/8 in. (8 × 6.6 cm), Prints, Stefano della Bella

The Letter, 1890–91, Drypoint, printed in black ink, plate: 13 9/16 x 8 15/16 in. (34.4 x 22.7 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise

Two Terms, a Nymph at left Silvanus at right, ca. 1530–50, Engraving, sheet: 7 7/8 x 6 in. (20 x 15.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Little Venice (The Little Venice), 1879–80, Etching; second state of two (Glasgow); printed in brownish-black ink on medium weight ivory laid paper, Plate: 7 3/16 × 10 5/16 in. (18.3 × 26.2 cm), Prints, James McNeill Whistler (American,

Becquet (J. Becquet, Sculptor), 1859, Etching; cancelled plate, printed in black on medium weight European laid paper, Plate: 9 15/16 x 7 1/2 in. (25.2 x 19.1 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903

Landscape, second half 19th century, Watercolor over black chalk on wove paper, 12 7/8 x 9 3/4 in. (32.7 x 24.8 cm), Drawings, Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830–1903 Paris

All Nations, from Pictures of Extra Articles and Visitors to the Exhibition, ca. 1851, Wood engraving, sheet: 4 3/4 x 13 7/8 in. (12.1 x 35.3 cm), Prints, Richard Doyle (British, London 1824–1883 London), London's Great Exhibition of the

Design for a ceiling, second half 19th century, Graphite and watercolor, Overall: 10 3/8 x 14 3/4 in. (26.4 x 37.4 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Old Bricklayer, 1737, Etching with some engraving, Sheet: 9 1/4 x 7 1/8 in. (23.5 x 18.1 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

Study for Clovis (middle register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Black, white, and red chalk on gray paper, 17 7/8 x 12 5/8 in. (45.3 x 32.2 cm), Drawings, Isidore Pils

Architectural Capriccio: Courtyard of a Palace, 1712–93, Pen and brown ink, brush and brown wash, over red chalk, 10 11/16 x 7 3/8in. (27.1 x 18.8cm), Drawings, Francesco Guardi (Italian, Venice 1712–1793 Venice

A Raven Perched on a Rail, mid-19th century, Graphite on wove paper laid down on blue-green French mat, 4 7/16 x 2 13/16 in. (11.3 x 7.1 cm), Drawings, Charles Meryon (French, 1821–1868

'The Return', late 18th–19th century, Graphite, red chalk, sheet: 15 11/16 x 14 15/16 in. (39.9 x 38 cm), Drawings, Johannes Riepenhausen (German, Goettingen 1788–1860 Venice

Plate 59 from 'The Disasters of War' (Los Desastres de la Guerra): 'What is the use of a cup?' ( De qué sirve una taza?), 1811–12 (published 1863), Etching, burnished aquatint and lavis, Plate: 6 × 8 in. (15.3 × 20.3 cm), Prints, Goya

Portion of the Martyrdom of Saint Cecilia, 1581–1641, Black chalk, 10 x 7 3/8in. (25.4 x 18.7cm), Drawings, After Domenichino (Domenico Zampieri) (Italian, Bologna 1581–1641 Naples

Study of a Head, 1837–1911, Graphite on gray paper, 8 x 7 3/4 in. (20.3 x 19.7 cm), Drawings, Alphonse Legros (French, Dijon 1837–1911 Watford, Hertfordshire

Le Général la fayette soutenu sur les batons des marechaux Lukner et Rochambeau prend la Lune avec les dents, January 22, 1792, Aquatint and etching, sheet: 8 3/4 x 5 7/8 in. (22.3 x 15 cm), Prints, Anonymous, French, 18th century

Martyrdom of St. Andrew, 1615–73, Pen and brown ink, brown wash, over traces of black chalk, 7-13/16 x 5-3/8 in. (19.8 x 13.7 cm), Drawings, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome

Wives at Table During the Absence of Their Husbands, ca. 1635–36, Etching, Sheet (trimmed): 10 1/4 × 13 3/8 in. (26 × 34 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Anne d'Autriche, reine de France, en habit de deuil, Etching, image: 11 11/16 x 9 1/4 in. (29.7 x 23.5 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris

Thimble-berry, Rubus parviflorus, June 24, 1912, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York

Design for a Rococo Cartouche with Putti and Monkeys, Pen and black ink with brush and gray wash over black chalk underdrawing, 6 7/8 x 6 9/16 in. (17.5 x 16.6 cm), Drawings, Clément Pierre Marillier (French, Dijon 1740–1808 Melun

Design for a Chandelier, 19th century, Pen and brown ink, sheet: 10 1/4 x 7 3/16 in. (26.1 x 18.3 cm), Drawings, Anonymous, French, 19th century

Kneeling in an Armchair, ca. 1903, Drypoint; only state, plate: 11 7/8 x 9 9/16 in. (30.2 x 24.3 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise

Allegory of Earth, ca. 1660, Gray wash, over red chalk. Framing lines in pen and brown ink., 11 7/8 x 8 1/4 in. (30.1 x 21 cm.), Drawings, Charles Le Brun (French, Paris 1619–1690 Paris

The Parrot, 1620–76, Etching, sheet: 11 1/4 x 7 5/8 in. (28.5 x 19.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Rest on the flight into Egypt, 18th century, Etching, sheet: 9 5/8 x 6 7/8 in. (24.5 x 17.5 cm), Prints, Anonymous, French, 18th century, After Simone Cantarini (Italian, Pesaro 1612–1648 Verona

Figures, 1624–63, Pen and brown ink, 2-1/2 x 7-3/8 in. (6.4 x 18.7 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?) 1615/20–after 1679 Gubbio

The Virgin being crowned by two angels, ca9, Etching, Sheet (Trimmed): 8 3/8 × 5 1/2 in. (21.2 × 14 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona

Captain's Love Letter, ca. 1636, Etching; second state of two, Sheet: 18 1/2 x 11 5/8 in. (47 x 29.6 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Trompe l'oeil design for a ceiling, second half 19th century, Oil paint, Overall: 14 3/4 x 10 1/2 in. (37.4 x 26.6 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Saint Sebastian Bound to the Column, ca. 1499, Engraving, Sheet: 4 1/4 × 2 15/16 in. (10.8 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Woman Seated on the Ground, early 18th century, Black and white chalk on brownish paper, 5 1/2 x 6 15/16 in. (14 x 17.7 cm), Drawings, Nicolas Lancret (French, Paris 1690–1743 Paris

Night Hawk, from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 10 15/16 x 7 1/16 in. (27.8 x 17.9 cm), Prints, Henry Louis Stephens (American, Philadelphia, Pennsylvania 1824–1882

Design for a Room with a Balcony, ca. 1920, Brush and black ink, blue and green crayon and grey and brown gouache over graphite., 13 x 13 13/16 in. (33.0 x 35.1 cm), Attributed to Guido Heigl (German, 1890–1926), Little is known about the

Designs for panels, 19th century, graphite, pen and ink, watercolor, and gold paint on tracing paper, mounted on wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

The Franciscan, Pelbart of Temesvar, Studying in a Garden (Schr. 2876), 1502, Whiteline woodcut, Prints, Johann Otmar (German, Augsburg, 1502–1514

Head of a Young Man Looking Right, 1774, Reddish-brown chalk, sheet: 23 7/16 x 18 in. (59.5 x 45.7 cm), Drawings, Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna

Father Time at the right leaning on a scythe, three naked boys and eagle at the left, 1531–76, Engraving, sheet: 12 3/16 x 8 1/4 in. (31 x 21 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), after Giulio

Design for Three Vases, ca. 1770–85, Pen and brown ink, watercolor, and graphite, 14 7/8 x 9 1/8 in. (37.8 x 23.2 cm), Drawings, Anonymous, French, 18th century

Man with a Spade, ca. 1855–58, Conté crayon on laid paper, 15 7/8 x 11 in. (40.3 x 27.9 cm), Drawings, Jean-François Millet (French, Gruchy 1814–1875 Barbizon

The Book Plate of Wilibald Pirckheimer, n.d., Woodcut, sheet: 5 7/8 x 4 11/16 in. (14.9 x 11.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

A battle on horseback, from 'Peace and War' (Divers desseins tant pour la paix que pour la guerre), ca. 1641, Etching; second state of two, Sheet (trimmed to plate): 4 1/8 × 9 13/16 in. (10.4 × 25 cm), Prints, Stefano della Bella (Italian,

Two Seated Bearded Male Figures, 1637–1713, Brush, red-brown and white paint. Varnished, 10 3/8 x 7 13/16in. (26.4 x 19.8cm), Drawings, Sigismondo Caula (Italian, Modena 1637–1724 Modena

Design for a Stage Set at the Opéra, Paris, 1828–90, Graphite, sheet: 17 3/8 x 9 3/16 in. (44.2 x 23.3 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Design for Red Curtains with Gold Fringes and a Gold and White Pediment, early 19th century, Ink, watercolor and wash, sheet: 10 13/16 x 14 15/16 in. (27.5 x 38 cm), Anonymous, British, 19th century

A Goldsmith, from Indian Trades and Castes, ca. 1840, Watercolor and gouache, sheet: 14 3/8 x 10 3/8 in. (36.5 x 26.4 cm), Drawings, Anonymous, Indian, 19th century

Design for Two Tasseled Curtains, Shown with Chairs, early 19th century, Ink and wash, sheet: 8 5/8 x 12 5/16 in. (21.9 x 31.2 cm), Anonymous, British, 19th century

Sudarium Held by Two Angels, 1513, Engraving, Sheet: 3 15/16 × 5 7/16 in. (10 × 13.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

State of the English Nation, ca. 1780, Etching and engraving, image: 6 11/16 x 10 7/16 in. (17 x 26.5 cm), Prints, Anonymous, British, 18th century

Plate 10: elephant, from 'Various animals' (Diversi animali), ca. 1641, Etching; third state of three (De Vesme), Sheet (trimmed to plate): 3 3/8 × 4 5/16 in. (8.5 × 11 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664

Woman in Pink Reclining on a Canape, 1819, Watercolor, 10 x 14 5/8 in. (25.4 x 37.2 cm), Drawings, Theodore Lebrun (French, active ca. 1819

Ornamental Design with Amphore and Antique Style Armor (recto); Sketch with Two Figures (verso), 16th century, Pen and brown ink, over traces of black chalk or leadpoint; partial framing line (recto); graphite or leadpoint; pen and brown ink

Plate 13: buffalo lying down, from 'Various animals' (Diversi animali), ca. 1641, Etching; third state of three (De Vesme), Sheet (trimmed to plate): 3 3/8 × 4 5/16 in. (8.6 × 10.9 cm), Prints, Stefano della Bella (Italian, Florence

Pink Pyrola, June 30, 1912, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York 1867–1944 New York

Jael Slaying Sisera, 1625–1713, Red chalk, highlighted with white chalk, on blue paper, sheet: 8 3/4 x 10 11/16 in. (22.3 x 27.2 cm), Drawings, Carlo Maratti (Italian, Camerano 1625–1713 Rome), In the later 1670s, Maratti designed a

Allegorical Figures for a Ceiling Decoration, 17th century, Black chalk, heightened with white chalk, on beige paper., 11 3/8 x 15 15/16 in. (28.9 x 40.5 cm), Drawings, Michel Corneille the Elder (French, Orléans 1602–1664 Paris), Trained

Hôtel Colbert, Windows, 1891, Transfer lithograph drawn on fine-grained transfer paper; only state (Chicago), Image: 6 5/8 × 5 1/16 in. (16.9 × 12.8 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 12 13/16 x 11 15/16 in. (32.6 x 30.4 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Drawing of an Urn, 18th century, Pen and brown ink, brush and gray wash on wove paper, sheet: 9 3/8 x 6 1/4 in. (23.8 x 15.9 cm), Drawings, Attributed to Anonymous, French, 18th century

Portrait of an Old Woman, 19th century, Black chalk, heightened with white chalk, on buff paper, 29.8 x 21.2 cm., Drawings, Anonymous, French, 19th century

A Shepherd Addressing a Seated Male Nude., n.d., Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on blue paper, sheet: 10 1/16 x 11 1/8 in. (25.5 x 28.2 cm) maximum; irregular borders, Drawings,

The Dentist, 1523, Engraving, sheet: 4 5/8 x 2 15/16 in. (11.7 x 7.5 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Chapel in a Gothic Church (recto); Outline sketch of an oval form (verso), 1762–1844, Pen and brown ink, brush and brown wash, over graphite (recto); graphite (verso). Fragments of framing lines in graphite or black chalk along all borders, 9

The Swan's Inn with Farms from the series The Small Landscapes, 1559–61, Etching; first state of three, plate: 5 7/8 x 8 3/4 in. (15 x 22.2 cm), Prints, After The Master of the Small Landscapes (Netherlandish, 16th century), Johannes van

Designs for decorated pendentives, 1830–97, Graphite on wove paper, Overall: 10 1/2 x 14 3/4 in. (26.7 x 37.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Flayed man with left hand on hip, holding skin in right hand, ca. 1531–76, Engraving, sheet: 6 x 4 7/16 in. (15.3 x 11.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Design for a Chair, early 19th century, Ink and watercolor, sheet: 7 1/2 x 4 7/16 in. (19 x 11.2 cm), Attributed to Gillows (British, 19th century

St. Benedict Resuscitating an Infant, ca. 1745, Black chalk, heightened with white, on gray-green paper, 8 3/4 x 6 in. (22.2 x 15.5 cm), Drawings, Pierre Hubert Subleyras (French, Saint-Gilles-du-Gard 1699–1749 Rome