Images at Librifly

Château de Chenonceau, No 2, 1856, Etching on laid paper; third of three states., plate: 4 5/8 x 7 3/8 in. (11.7 x 18.7 cm), Prints, Charles Meryon (French, 1821–1868

St. Peter Celestine, Engraving, sheet: 17 x 10 7/8 in. (43.2 x 27.7 cm), Prints, Conrad Lauwers (Flemish, Antwerp, 1632–ca. 1685), After Laurent de La Hyre (French, Paris 1606–1656 Paris

A Prehistoric Stone Circle on a Mound, an Extensive Landscape Beyond, mid-18th–early 19th century, Black chalk or graphite; framing line in black chalk or graphite, sheet: 7 15/16 x 12 3/4 in. (20.1 x 32.4 cm) [folded], Drawings, Johann

Black Lion Wharf, 1859, Etching; fourth state of four (Glasgow), Sheet: 11 7/16 × 16 1/8 in. (29 × 41 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London), When he moved to London in 1859, Whistler

Studies of Heads, Engraving, sheet: 7 5/16 x 8 1/2 in. (18.6 x 21.6 cm), Prints, Anonymous, Italian, Roman-Bolognese, 17th century, After Battista Franco (Italian, Venice ca. 1510–1561 Venice

The Crucifixion, from The Large Passion, n.d., Woodcut, sheet: 17 3/8 x 11 15/16 in. (44.2 x 30.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Five Groups of Acrobats, 1652, Etching, Sheet (with border): 13 3/16 × 9 5/16 in. (33.5 × 23.7 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

Design for a Clock Case, ca. 1770, Graphite, pen and gray ink, brush and gray wash (recto); graphite (verso), 10 1/2 x 3 1/4 in. (26.7 x 8.3 cm), Anonymous, French, 18th century

The Patron Saints of Austria, 1515–17, Woodcut, sheet: 6 15/16 x 14 3/16 in. (17.7 x 36.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Panurge sortant de chez Rominagrobis, 1850–1914, Etching; third state of three, sheet: 15 1/16 x 11 in. (38.3 x 28 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

Hercules at the Crossroad, ca. 1498, Engraving, Sheet: 12 9/16 × 8 11/16 in. (31.9 × 22 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Design for Two Round Tables with Foliate Rococo Style Carving, early 19th century, Ink and grey and yellow wash, sheet: 8 3/8 x 12 7/8 in. (21.2 x 32.7 cm), Anonymous, British, 19th century

Plate 77 from 'The Disasters of War' (Los Desastres de la Guerra): 'May the cord break.'' (Que se rompe la cuerda.), after 1814–15 (published 1863), Etching, burnished aquatint or lavis, drypoint and burnisher, Plate: 6 3/4 × 8 11/16 in.

Design for a Sarcophagus on a Pedestal, 16th century, Black chalk, pen and brown ink, brush and brown wash, sheet: 16 13/16 x 11 7/16 in. (42.7 x 29.1 cm), Drawings, Anonymous, French, 16th century

Virgin and Child, 1574–1625, Pen and black ink, brush and gray wash, 10 1/4 × 6 7/8 in. (26.1 × 17.5 cm), Drawings, Giulio Cesare Procaccini (Italian, Bologna 1574–1625 Milan

Design for Stage Set, 18th century, Graphite or leadpoint with ruled and compass construction, 9 15/16 x 7 15/16 in. (25.2 x 20.1 cm), Drawings, Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730–after 1797

Two eagles, one with prey, from 'Eagles' (Les aigles), ca. 1651, Etching, Plate: 4 3/4 × 5 7/8 in. (12.1 × 15 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Monk (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Red chalk, stumped, heightened with white chalk, traces of black chalk, on light gray paper, 18 3/16 x 11 3/4 in. (46.3

Study of a Horse, 1895, Transfer lithograph, drawn on thin, transparent transfer paper; only state (Chicago); printed in black ink on machine-made ivory wove paper, Image: 4 in. × 4 13/16 in. (10.2 × 12.3 cm), Prints, James McNeill Whistler

Design for a Small Cabinet with Elaborately Carved Legs, early 19th century, Ink and watercolor, sheet: 6 9/16 x 7 13/16 in. (16.7 x 19.9 cm), Anonymous, British, 19th century

America, from Pictures of Extra Articles and Visitors to the Exhibition, ca. 1851, Wood engraving, sheet: 4 3/4 x 13 7/8 in. (12.1 x 35.3 cm), Prints, Richard Doyle (British, London 1824–1883 London), London's Great Exhibition of the Works

Wandering Vinegar Seller, 1738, Etching with some engraving, Sheet: 9 3/16 x 6 15/16 in. (23.3 x 17.6 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

San Lorenzo, Library, portal, section (recto) San Lorenzo, Library, Ricetto, portal, elevation (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 16 15/16 x 11 7/16 in. (43 x 29 cm), Drawings

Virtue and Nobility, 1696–1770, Pen and brown ink, brush and brown wash, over black chalk, 10 7/16 x 9 3/4in. (26.5 x 24.8cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid

Standing Figure and Figures Bending Over, 1612–75, Pen and brown ink over black chalk, 5-7/8 x 7-1/16 in. (15.0 x 17.9 cm), Drawings, Micco Spadaro (Domenico Gargiulo) (Italian, Naples 1609/10–1675 Naples

Design for Three Vases, ca. 1770–85, Pen and brown ink, and black chalk, 14 7/8 x 9 3/16 in. (37.8 x 23.4 cm), Drawings, Anonymous, French, 18th century

In the Upper Gallery (Au Paradis), 1877, lithograph (transfer relief plate, or gillotage) on china paper, plate: 9 5/8 x 13 5/16in. (24.4 x 33.8cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris

Les Nouvellistes, 1752, Etching, early state, image: 4 x 5 1/4 in. (10.2 x 13.4 cm), trimmed to image, Prints, Gabriel de Saint-Aubin (French, Paris 1724–1780 Paris

A Woman from the Mountains, 1737, Etching with some engraving, Sheet: 9 1/4 x 6 7/8 in. (23.5 x 17.4 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

Eight designs for the painted decoration of interiors, 1830–97, graphite and pen and ink on various papers; mounted on cardboard, Overall: 12 5/16 x 18 13/16 in. (31.3 x 47.8 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

A Seraph (Cartoon for an Embroidery), 1466–1524, Pen and brown ink, brush and rose wash, highlighted with white gouache, over black chalk; outlines of design and framing outlines pricked and with traces of rubbed black pouncing dust, 4-5/16 x

Design for a Stage Set at the Opéra, Paris: A Tent, 1830–90, Graphite, heighted with white, Irregular sheet: 14 3/16 x 12 3/8 in. (36.1 x 31.5 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Design for a Doorway to a Rusticated Palace, ca. 1740, Pen and brown ink, brush and gray wash, 11 3/16 x 7 1/8 in. (28.4 x 18.2 cm), Drawings, Anonymous, French, 18th century

Despair of Hecuba, ca. 1784, Pen and black ink, grey wash, 6 1/2 x 8 15/16 in. (16.5 x 22.7 cm.), Drawings, Pierre Peyron (French, Aix-en-Provence 1744–1814 Paris

Study for Ugolino, 19th century, black chalk on brownish paper, 4 1/4 x 5 7/8 in. (10.8 x 14.9 cm), Drawings, Jean-Baptiste Carpeaux (French, Valenciennes 1827–1875 Courbevoie

Apparition of Saint Andrew in Glory, 1499–1546, Pen and brown ink, brush and brown wash, highlighted with white gouache, on blue paper. Partially squared in black chalk, 7 5/16 x 10 1/2in. (18.6 x 26.7cm), Drawings, Giulio Romano (Italian,

Seated Male Figure with Folded Hands, ca. 1895, Black chalk, 8 1/4 x 9 1/8 in. (21 x 23 cm), Drawings, Édouard Vuillard (French, Cuiseaux 1868–1940 La Baule

Christ and the Samaritan Woman at the Well., n.d., Pen and brown ink, over red chalk; framing outlines in red chalk, black chalk, and pen and ink, all probably by the artist, sheet: 9 7/16 x 7 3/16 in. (24 x 18.3 cm), Drawings, Giuseppe

Helluones librorum (Bookworms), November 10, 1786, Aquatint printed in brown ink, sheet (trimmed within plate): 11 x 14 5/16 in. (28 x 36.4 cm), Prints, Joshua Kirby Baldrey (British, 1754–1828), Aquatint by Francis Jukes (British,

Saint Philip, 1523/1526, Engraving, Sheet: 4 13/16 in. × 3 in. (12.2 × 7.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Study of Two Male Figures Fighting., mid-16th century, Pen and dark brown ink over traces of graphite, Sheet: 12 1/4 x 8 7/16 in. (31.1 x 21.4 cm), Drawings, Circle of Luca Cambiaso (Italian, Moneglia 1527–1585 Madrid

Plate 6: two women, one nursing a child, seated next to a dog and a horse carrying a pack, horses and figures to left in the background, from 'Various Figures' (Agréable diversité de figures), 1642, Etching; fourth state of five (De Vesme),

Design for Purple Curtains with Gold Fringes and a Gold and White Pediment, early 19th century, Ink, watercolor and wash, sheet: 10 3/4 x 14 15/16 in. (27.3 x 37.9 cm), Anonymous, British, 19th century

Theatrical Pleasures, Plate 2: Contending for a Seat, ca. 1835, Hand-colored etching, image: 8 15/16 x 7 5/16 in. (22.7 x 18.6 cm), Prints, Theodore Lane (British, Isleworth ca. 1800–1828 London), Lower-middle-class theatergoers struggle

Design for Carved Wood Paneling and Molding Featuring Strapwork, second half 19th century, Pen and black ink, brush and brown wash, and gilt, 4 5/8 x 10 7/8 in. (11.7 x 27.6 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

Fortune Favoring France, ca. 1635–37, Etching; first state of two (Join-Lambert and Préaud), Sheet: 11 7/16 x 13 7/16 in. (29.1 x 34.1 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Wild Sweet Pea, Lathyrus graminifolius, May 12, 1912, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York

Design for a Clock: Summer and Autumn, 19th century, Graphite, pen and black ink, brush and gray wash, watercolor, and gouache, sheet: 8 x 9 7/16 in. (20.3 x 24 cm), Drawings, Anonymous, French, 19th century

Sumatra, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676

Seated Satyr Holding a Garland, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over leadpoint or black chalk, 8-1/16 x 9 in. (20.5 x 22.9 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid

Section and Plan of the Small Dining Room of the Hôtel de Montholon, 1785–86, Pen and black and gray ink, brush and gray and beige wash, with framing lines in pen and black ink, 9 5/16 x 7 5/8 in. (23.7 x 19.4 cm), Jean Jacques Lequeu

Monkey Dandy, from Monkey-ana, or Men in Miniature, July 1828, Etching on chine collé, plate: 7 7/8 x 6 7/16 in. (20 x 16.3 cm), Prints, Thomas Landseer (British, London 1795–1880 London

De Podenas, published in La Caricature no. 130, May 2, 1833, May 2, 1833, Lithograph, Sheet: 12 5/8 x 9 9/16 in. (32 x 24.3 cm), Prints, Honoré Daumier (French, Marseilles 1808–1879 Valmondois

The Virgin reading with the infant Christ; woman seated in profile facing left and reading with an arm around a child who looks out toward the viewer, ca. 1515–1600, Engraving, Sheet (Trimmed): 6 7/8 × 4 13/16 in. (17.5 × 12.3 cm), Prints,

Marco and Carlo: Caricature of Two Men Standing Face to Face, 1674–1755, Pen and dark brown ink, over leadpoint or graphite, Sheet: 9 13/16 x 7 3/8 in. (25 x 18.8 cm), Drawings, Pier Leone Ghezzi (Italian, Comunanza near Ascoli Piceno

Intarsia Ceiling Design for the Dining Room, Chateau de Deepdene, 1875–79, Watercolor, 10 5/16 x 9 5/16 in. (26.2 x 23.7 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Spotted Mallow, Malvastrum rotundifolium, May 25, 1912, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York

Marie de Medicis, reine de France, Etching, image: 12 x 8 5/16 in. (30.5 x 21.1 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Frans Pourbus the Younger (Netherlandish, Antwerp 1569–1622 Paris

Card Table and Side Chair with Leather or Rubber Strapping (Perspective), 1933, Graphite, Drawings, Guglielmo Ulrich (Italian, 1904–1977

Angel Holding a Banderole, Black and white chalk on beige paper, 16 7/16 x 11 in. (41.7 x 28 cm), Drawings, Charles Joseph Natoire (French, Nîmes 1700–1777 Castel Gandolfo

Vulcan, Neptune, Athena and other Gods making Shackles to pull Jupiter from the Heavens, set within an elaborate frame, from 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 5/16 x 4 in. (13.5 x 10.2 cm), Prints, Giulio

Five Young Women in a Landscape, 1702–88, Pen and brown ink, brush with brown and gray wash, highlighted with white gouache, over red chalk. Framing lines in pen and brown ink, 4-9/16 x 6-3/4 in. (11.6 x 17.1 cm), Drawings, Francesco

The Bruiser, August 1, 1763, Etching and engraving; seventh state of seven, sheet: 14 13/16 x 10 5/8 in. (37.7 x 27 cm), Prints, William Hogarth (British, London 1697–1764 London

Design for a Fountain with Two Water-Spouting Lions (recto); Sketch for Triumph of Galatea [?] (verso)., 1652–1725, Pen and brown ink, over traces of black chalk. Verso: pen and brown ink over black chalk (Verso), sheet: 5 15/16 x 5 3/4 in.

Design for the painted decoration of a coffered ceiling, second half 19th century, graphite, watercolor, gouache, and gold paint on tracing paper, sheet: 7 5/16 x 9 7/8 in. (18.5 x 25.1 cm), Drawings, Jules-Edmond-Charles Lachaise (French,

A London Furrier, 19th century, Watercolor, sheet: 14 x 11 5/8 in. (35.6 x 29.5 cm), Drawings, Anonymous, French, 19th century

Virgin and Child Crowned by an Angel, 1520, Engraving, Sheet: 1 7/16 × 3 7/8 in. (3.7 × 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Neptune and Melanthe, from 'The Loves of the Gods', ca 1531–76, Engraving, sheet: 5 5/16 x 4 5/16 in. (13.5 x 11 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Colinet's Journey, Milestone Marked 'LXII Miles to London', from Thornton's Pastorals of Virgil, 1821, Wood engraving; second state, block: 1 3/8 x 2 7/8 in. (3.5 x 7.3 cm), Prints, William Blake (British, London 1757–1827 London

Scholars at a Lecture, March 3, 1736, Etching and engraving; second state of two, sheet: 8 11/16 x 7 5/16 in. (22 x 18.6 cm), Prints, William Hogarth (British, London 1697–1764 London

Design for a carved and painted ceiling with clouds and ducks in the central circular panel, 1830–97, graphite, pen and ink, watercolor on wove paper; mounted on blue paper, Overall: 20 1/4 x 13 3/8 in. (51.5 x 33.9 cm), Drawings,

Two Camel Heads, ca. 1641, Etching, Plate: 4 13/16 × 5 15/16 in. (12.2 × 15.1 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

Fabius Maximus before the Senate at Carthage, 1763–64, Etching, first state, sheet: 9 3/8 x 7 in. (23.8 x 17.8 cm), Prints, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), After Giovanni Battista Tiepolo (Italian, Venice

Coronation of the Virgin, 1741, Etching and engraving, Sheet: 20 1/16 × 28 11/16 in. (50.9 × 72.8 cm), Prints, after Annibale Carracci (Italian, Bologna 1560–1609 Rome

Presqu'île de Banks, Pointe des Charbonniers, Akaroa (Seine fishing off Colliers' Point, Akaroa, Banks Peninsula, 1845), 1863 and later, Etching with drypoint on laid paper, plate: 6 1/8 x 12 13/16 in. (15.6 x 32.5 cm), Prints, Charles

Design for a Wall Tomb or Monument (Recto); Smaller Variant Version with Half Length Madonna & Child on Crescent Moon (Verso), 1496–1528, Pen and brown ink, sheet: 14 x 9 1/8 in. (35.6 x 23.2 cm), Drawings, Attributed to Giovanni Francesco

Port Scene, ca. 1760, Etching, image: 4 15/16 x 7 9/16 in. (12.6 x 19.2 cm), Prints, Pierre Moreau (French, 1722–1798 Paris

Plate 3: seated monkey, from 'Various animals' (Diversi animali), 1641, Etching; second state of three (De Vesme), Plate: 3 1/8 × 4 1/16 in. (8 × 10.3 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Landscape, Vichy, ca. 1866–67, Pen and brown (iron gall) ink with brown and green washes over graphite on laid paper, 4 7/16 x 6 1/8 in. (11.3 x 15.5 cm), Drawings, Jean-François Millet (French, Gruchy 1814–1875 Barbizon

View of the South side of the church of Santi Giovanni e Paolo in Venice, with Verrocchio's statue of Bartolomeo Colleoni, 1807–78, Graphite, brush and grey wash, sheet: 14 13/16 x 18 1/4 in. (37.7 x 46.3 cm), Drawings, Friedrich Nerly

The Head of a Grotesque Man in Profile Facing Right, after 1500, Pen and brown ink, on off-white paper (now darkened), (irregular): 3 5/8 × 2 1/8 in. (9.2 × 5.4 cm), Drawings, After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise),

St. Peter's, apse, partial elevation (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 16 9/16 x 12 3/8 in. (42 x 31.5 cm), Drawings

Firelight (Mrs. Joseph Pennell), 1896, Transfer lithograph, drawn on white transfer paper with a grained-stone texture, Image: 7 1/2 × 5 7/8 in. (19.1 × 14.9 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903

The Zenith of French Glory; - the Pinnacle of Liberty, February 12, 1793, Hand-colored etching, plate: 13 7/8 x 9 7/8 in. (35.2 x 25.1 cm), Prints, James Gillray (British, Chelsea 1756–1815 London

Diana holding fruit in her left hand standing within a niche, ca. 1531–76, Engraving, sheet: 6 5/8 x 3 3/8 in. (16.9 x 8.6 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Judith passing the head of Holofernes to her maidservant, the decapitated Holofernes inside the tent at left, 1531–76, Engraving, Sheet: 12 3/8 x 17 5/8 in. (31.5 x 44.8 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna,

Christ on the Cross with the Virgin and Saint John, 15th century, Woodcut, sheet: 11 x 7 5/8 in. (28 x 19.3 cm), Prints, Anonymous, 15th century

Twelve ornamental designs for the decoration of interiors, second half 19th century, graphite and pen and ink on trace and wove paper, sheet: 12 1/4 x 18 11/16 in. (31.1 x 47.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

Landscape with Two Peasants, One Riding a Horse, from 'Landscapes and seaports' (Paysages et ports de mer, dans des ronds), 1656, Etching; second state of two, Sheet (trimmed): 5 3/16 × 5 3/16 in. (13.1 × 13.1 cm), Prints, Stefano della

Christ on the Mount of Olives, from the Circular Passion, 1509, Engraving, Diameter: 11 3/16 in. (28.4 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Old Entrance to the Palais de Justice, Paris, 1854, Etching and drypoint on laid paper; second (final) state (Schneiderman), plate: 3 7/16 x 3 3/8 in. (8.8 x 8.5 cm), Prints, Charles Meryon (French, 1821–1868

Plate 7: merchandise loaded onto a boat, two galleys in the background to right, from 'Various Embarkations' (Divers embarquements), ca. 1646–47, Etching, Plate: 2 15/16 × 6 5/8 in. (7.4 × 16.9 cm), Prints, Stefano della Bella (Italian,

Colinet's Journey: Milestone Marked 'LXII Miles to London', from Thornton's Pastorals of Virgil, 1821, Wood engraving; second state, block: 1 3/8 x 2 7/8 in. (3.5 x 7.3 cm), Prints, William Blake (British, London 1757–1827 London

Design for a ceiling with a trompe l'oeil sky filled with birds, 19th century, pen and ink, watercolor, and gouache, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Laban searching for idols among Jacob's possessions, ca. 1635–40, Etching, sheet: 9 15/16 x 13 1/16 in. (25.3 x 33.2 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua

Battle Scene, 19th century, Black chalk, heightened with white, 11 7/8 x 17 1/2 in. (30.2 x 44.5 cm), Drawings, Anonymous, French, 19th century

Dirk First Count of Holland, 1517, Woodcut, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Design for a Star-shaped Tilting Pedestal Table: Two Views, ca. 1830, Ink on green paper, sheet: 9 5/8 x 7 3/4 in. (24.4 x 19.7 cm), Anonymous, British, 19th century

Le Paysan qui avait offense son Seigneur, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching; first state of three (Cohen), Sheet: 13

Design for Coffered Ceiling, second half 19th century, Pen and brown ink, watercolor, gouache, and gilt, 9 x 9 1/4 in. (22.9 x 23.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born