Images at Librifly

Design for a ceiling, second half 19th century, Graphite, pen and black ink, and gray wash, Overall: 10 5/8 x 14 15/16 in. (27 x 38 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born

Ceiling Design for the 'Petit Salon' of the Duchess of Newcastle, Hôtel Hope, ca. 1867, Gouache, Sheet: 9 7/8 x 14 7/8 in. (25.1 x 37.8 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born

Seated River God and Standing Female Attendant, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over black chalk, 9-3/16 x 9-3/16 in. (23.3 x 23.4 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770

Saint Gregory the Great Interceding for Souls in Purgatory, 1663–1731, Pen and brown ink, brush and brown wash, over black chalk, 12-5/16 x 8 in. (31.2 x 20.3 cm), arched top, Drawings, Giovanni Odazzi (Italian, Rome 1663–1731 Rome

Cat and Crab (Decoration for a Plate), 1850–1914, Etching and watercolor, sheet: 12 3/8 x 19 1/8 in. (31.5 x 48.5 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

Kneeling Prelate Holding a Cushion, 1830–71, Red chalk, Overall: 13 3/16 x 11 1/8in. (33.5 x 28.2cm), Drawings, Alexandre Laemlein (French, Hohenfeld 1813–1871 Pontlevoy

Elevation and transverse section of a domed and colonnaded hall, second half 19th century, graphite, watercolor, and gold paint, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Saint Eustace (reduced reverse copy in oval), n.d., Engraving, Sheet: 2 9/16 × 2 3/16 in. (6.5 × 5.5 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

St. Dominic, Engraving, sheet: 16 15/16 x 10 15/16 in. (43 x 27.8 cm), Prints, Conrad Lauwers (Flemish, Antwerp, 1632–ca. 1685), After Laurent de La Hyre (French, Paris 1606–1656 Paris

Study for a Cartouche, Pen and black ink, with brush and gray wash. Framing lines in pen and brown ink., 5 x 4 1/4 in. (12.7 x 10.8 cm), Drawings, Gilles-Marie Oppenord (French, Paris 1672–1742 Paris

Pilate Washing His Hands, from The Passion, 1512, Engraving, Sheet: 4 9/16 × 2 15/16 in. (11.6 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Resurrection, n.d., Etching, image: 7 11/16 x 4 13/16 in. (19.6 x 12.3 cm), trimmed to image, Prints, Claude Gillot (French, Langres 1673–1722 Paris), Engraved by Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury

Standing Male Figure with Right Arm Extended (recto); Seated Male Figure (verso), 1540–97, Pen and brown ink (recto); seated male figure in pen and brown ink (in part cut off) (verso), 7 5/16 x 3 7/8in. (18.5 x 9.9cm), Drawings, Romulo

The Descent from the Cross, from The Small Passion, ca. 1509, Woodcut, sheet: 5 x 3 7/8 in. (12.7 x 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

An 'Académie': One Man Lifting the Legs of Another Man, 1742–43, Etching, sheet: 11 1/8 x 15 3/16 in. (28.2 x 38.5 cm), Prints, Carle (Charles André) Vanloo (French, Nice 1705–1765 Paris

Plate 12 from 'The Disasters of War' (Los Desastres de la Guerra):This is what you were born for (Para eso habeis nacido), 1810, Etching, drypoint, and burin, Plate: 6 5/16 × 9 5/16 in. (16.1 × 23.6 cm), Prints, Goya (Francisco de Goya y

Villa Farnesina, Stables, half front elevation and end elevation (recto) Palazzo Salviati-Adimari, plan (verso), early to mid-16th century , Dark brown ink, black chalk, ink wash, and incised lines, sheet: 9 5/8 x 13 9/16 in. (24.5 x 34.5

Battle Scene, 1511–87, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of black chalk; squared in black chalk, 5 5/16 x 12in. (13.5 x 30.5cm), Drawings, Lelio Orsi (called Lelio da Novellara) (Italian,

Design for a Ceiling with Decoration Related to Virgil's Sixth Canto, 1758–1823, Pen and brown ink, brush and yellow, pink, blue and green wash over traces of leadpoint; vertical line in leadpoint through thr center to create the symmetry of

Design for a Jardiniere, 19th century, Graphite, watercolor, gouache, and gold gilt, sheet: 11 x 15 7/16 in. (28 x 39.2 cm), Drawings, Anonymous, French, 19th century, Designs: Louis-Charles Labbé (French, active 1847–53

Evariste Boulay-Paty, 1861, Etching on laid paper, plate: 4 1/4 x 4 1/8 in. (10.8 x 10.5 cm), Prints, Charles Meryon (French, 1821–1868), After Pierre Jean David d'Angers (French, Angers 1788–1856 Paris

Bust of a Soldier in Profile, from 'Various heads and figures' (Diverses tétes et figures), 1650, Etching, Plate: 3 5/16 × 2 5/8 in. (8.4 × 6.6 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Sanitorium des Airs, n.d., Pen and black ink, brush and colored wash, 18 3/4 x 13 1/2 in. (47.6 x 34.3 cm), Drawings, Georges Tiret-Bognet (French, born Saint-Servan, 1855

Seated Woman in Bonnet and Shawl, ca. 1879, Aquatint, drypoint, and etching; printed from canceled plate, sheet: 12 5/8 x 9 13/16 in. (32 x 24.9 cm), Prints, Edgar Degas (French, Paris 1834–1917 Paris

Holy Family with Palm, 1639, Etching; second state of two (Robert-Dumesnil), sheet: 11 1/4 x 7 1/2 in. (28.5 x 19 cm), Prints, Laurent de La Hyre (French, Paris 1606–1656 Paris

Black Lion Wharf, 1859, Etching; fourth state of four (Glasgow), printed in black ink on fine off-white laid Japan paper, plate: 6 x 8 15/16 in. (15.2 x 22.7 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903

Christ Taking Leave of His Mother (Schr. 639), 15th century, Woodcut, hand-colored, sheet: 6 3/4 x 4 13/16 in. (17.1 x 12.3 cm), Prints, Anonymous, German, 15th century

Design for a Stage Set at the Opéra, Paris, 1828–90, Brush and brown and green wash, gouache, over graphite, Irregular sheet: 12 1/2 x 21 5/16 in. (31.7 x 54.1 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Standing Pregnant Woman (Study for the Pregnant Virgin Mary), 1556–1629, Red chalk, highlighted with white, on blue paper. Squared in black chalk, 11 x 5 9/16in. (28 x 14.1cm), Drawings, Bartolomeo Cesi (Italian, Bologna 1556–1629

Ephraim Bueno, Jewish Physician, 1647, Etching, drypoint, and burin; second state of two, image: 8 3/16 x 6 15/16 in. (20.8 x 17.7 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Melchior, from Three Magi series, 1595–1616, Etching, Sheet (trimmed): 11 1/8 × 6 1/4 in. (28.2 × 15.8 cm), Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy

Plate 63 from 'The Disasters of War' (Los Desastres de la Guerra): 'Harvest of the dead'' (Muertos recogidos.), 1811–12 (published 1863), Etching and burnished aquatint, Plate: 5 7/8 × 8 1/16 in. (15 × 20.5 cm), Prints, Goya (Francisco de

The Annunciation, before 1557, Etching and Engraving, sheet: 13 9/16 x 10 1/4 in. (34.5 x 26 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Domus Aurea, Volta Gialla, grotteschi, details (recto) Unidentified building, thermal window, elevation (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 16 15/16 x 10 3/8 in. (43.1 x 26.4 cm

Design for an Urn on a Pedestal, 19th century, Pen and brown ink, sheet: 13 13/16 x 8 15/16 in. (35.1 x 22.7 cm) uneven, Drawings, Anonymous, French, 19th century

Gallery Ceiling Design, Hôtel Cottier, 1867, Graphite, pen and gray ink, brush and gray wash, watercolor, gilt, 19 1/2 x 13 5/8 in. (49.6 x 34.6 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet

Abandoned: Marshes of the Danube, before 1887, Watercolor and white gouache over graphite, 11 3/4 x 22 1/2 in. (29.8 x 57.1 cm), Drawings, Adolf Schreyer (German, Frankfurt 1828–1899 Kronberg

The Virgin and Child Appearing to Saint Anthony of Padua and a Hermit, 1615–66, Red chalk, brush and red wash, 13 5/8 x 9 1/8in. (34.6 x 23.1cm), Drawings, Giovanni Angelo Canini (Italian, Rome 1615–1666 Rome

Design for A Sleigh in the Form of a Griffin, Drawn by a Horse., 1610–64, Pen and brown ink, brush and gray-brown wash, Sheet: 6 5/16 x 9 13/16 in. (16 x 24.9 cm), Stefano della Bella (Italian, Florence 1610–1664 Florence

Ceiling Design with Grotesques, 19th century, Pen and brown ink, brush and brown wash, over graphite underdrawing, 7 15/16 x 10 15/16 in. (20.2 x 27.8 cm), Antonio Liverani (Italian, 1795–1878

Drapery Study for a Bishop (lower register); verso: Sketch of a sleeve; (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Black chalk, stumped, white and red chalk, on dark gray paper

Design for Five Medieval Brackets, the Central One Bearing a Clock, early 19th century, Graphite, sheet: 10 11/16 x 14 15/16 in. (27.2 x 38 cm), Anonymous, British, 19th century

Plate 21: a poor woman to left, seen from behind, enveloping her child in a shawl, another woman seen from behind to left in background, a woman atop a horse and a man to right in background, from 'Diversi capricci', ca. 1644–47, Etching;

The Temptation of St. Anthony, 1556, Engraving, sheet: 10 5/16 x 13 3/8 in. (26.2 x 33.9 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Pieter van der Heyden (Netherlandish, ca. 1525–1569

Design for the decoration of the fireplace in the library of the Chateau de Mouchy, second half 19th century, graphite, pen and ink, watercolor, and gold paint on wove paper; mounted on wove paper, Overall: 13 3/8 x 19 1/2 in. (33.9 x 49.5 cm),

Three Allegorical Figures in a Roundel., 1510–61, Pen and brown ink, brush and brown wash (recto); black chalk lines (verso), 7 5/8 x 7 5/8 in. (19.3 x 19.3 cm) Diameter, Drawings, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Two Women in Day Dresses, 1875, Watercolor, Sheet: 11 15/16 x 9 5/16 in. (30.3 x 23.6 cm), Drawings, Jules David (French, 1808–1892

The Martyrdom of Saint Lucy: Her Last Communion before Being Dragged by Oxen, 1556–1630, Pen and brown ink, brush and brown wash, over black chalk, 10 7/16 x 5 11/16in. (26.5 x 14.4cm), Drawings, Giovanni Battista Maganza il Giovane

The Flute Player, 1642, Etching and drypoint; fourth state of four, sheet: 4 1/2 x 5 9/16 in. (11.4 x 14.2 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Cherubs, 16th century, Pen and brown ink, washed, highlighted with white, 6 1/2 x 7 1/4 in. (16.5 x 18.4 cm), Drawings, School of Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome

L'Elegant from Journal des Tailleurs, 1848, Hand-colored lithograph, sheet: 10 5/16 x 7 3/4 in. (26.2 x 19.7 cm), Prints, Anonymous, French, 19th century

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 9 9/16 x 2 7/16 in. (24.3 x 6.2 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

David, Solomon, Rehoboam, from The Twelve Kings of Israel, 1520, Woodcut, image: 12 3/4 x 19 5/16 in. (32.4 x 49.1 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Two designs for the decoration of ceilings with figures in clouds, 1830–97, graphite, watercolor, and gold paint on wove papers mounted on cardboard, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet

Le bonne petite soeur, 1765–71, Etching, sheet: 12 13/16 x 9 3/16 in. (32.6 x 23.4 cm), Posters, Philippe Jacques de Loutherbourg (French, Strasbourg 1740–1812 London

Rest on the Flight into Egypt, ca. 1641, Etching; second state of two, Sheet: 3 1/16 × 2 13/16 in. (7.7 × 7.2 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

Two Grotesque Heads, 1538–73, Engraving, sheet: 4 1/2 x 6 3/16 in. (11.5 x 15.7 cm), Prints, Hans Liefrinck (Augsburg (?) 1518?–1573 Antwerp), After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise

Mercury and Argus, copy in reverse after Cantarini, ca. 1630–1648 or after, Etching, Sheet: 10 1/4 × 11 13/16 in. (26.1 × 30 cm), Prints, After Simone Cantarini (Italian, Pesaro 1612–1648 Verona

A Centaur Abducting a Nymph, 1727–1804, Pen and brown ink, brush and brown wash, over traces of graphite or lead, sheet: 7 11/16 x 9 1/8 in. (19.5 x 23.1 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice

Poet Virgil Suspended in a Basket, 1525 , Engraving; third state, sheet: 6 1/2 x 7 3/8 in. (16.5 x 18.7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Knight and Man-at-Arms, n.d., Woodcut, sheet: 15 1/4 x 11 3/16 in. (38.7 x 28.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Kneeling Woman, 17th century, Red chalk on light brown paper, 11 7/16 x 9 9/16in. (29 x 24.3cm), Drawings, Attributed to Mattia Preti (Il Cavalier Calabrese) (Italian, Taverna 1613–1699 Valletta

Design for Altar and Chapel, Farnborough, 1880–86, Pen and black ink, watercolor, gouache, and gilt, 13 5/8 x 9 1/4 in. (34.6 x 23.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born

St. Sebastian (Schr. 2858a), 15th century, Pasteprint, sheet: 5 9/16 x 4 5/16 in. (14.1 x 10.9 cm), Prints, Anonymous, German, 15th century

Saint Eustace, ca. 1501, Engraving, Sheet: 14 1/8 × 10 1/4 in. (35.8 × 26.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Massacre of the Innocents (Right side) with group of male figures attacking women and children; classical buildings in the background, 1517, Woodcut, Block: 20 11/16 × 16 3/8 in. (52.6 × 41.6 cm), Prints, Domenico Campagnola (Italian,

Design for a Wall Elevation, ca. 1770–80, Pen and black ink with brush and gray, brown, green, and blue washes over graphite underdrawing., Sheet: 7 3/4 × 10 1/4 in. (19.7 × 26.1 cm), Étienne de Lavallée-Poussin (French, Rouen

Hangman's House, Tours, 1888, Etching and drypoint; third state of three (Glasgow); printed in black ink on thick ivory laid paper, Plate: 5 3/16 × 3 7/8 in. (13.1 × 9.8 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts

St. Swithbert, 1650, Engraving and etching, sheet: 17 5/16 x 11 7/8 in. (44 x 30.1 cm), Prints, C. Visscher

The Bath House, n.d., Woodcut, sheet: 15 1/4 x 11 1/16 in. (38.7 x 28.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

A Woman from Savoy, 1742, Etching with some engraving, Sheet: 9 3/16 x 6 5/8 in. (23.4 x 16.9 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

Partial design for a ceiling to be painted with a trompe l'oeil iron railing and roses, second half 19th century, graphite and watercolor on wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet

The Antiquary's Last Will and Testament (The English Dance of Death, plate 2), April 1, 1814, Etching and aquatint with watercolor, image: 4 13/16 x 8 1/4 in. (12.2 x 21 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Plate 6: battery of cannons firing on a city, from 'Various Military Caprices' (Varii capricci militari), ca. 1641, Etching; second state of four, Sheet (trimmed to plate): 3 1/2 × 5 9/16 in. (8.9 × 14.2 cm), Prints, Stefano della Bella

Virgin and Child on the Crescent with a Diadem, 1514, Engraving, Sheet: 4 5/8 in. × 3 in. (11.8 × 7.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Frontispice to Theatre Italien, n.d., Etching; second state, image: 7 11/16 x 8 3/4 in. (19.6 x 22.3 cm), trimmed to image, Prints, Claude Gillot (French, Langres 1673–1722 Paris), Engraved by Jacques Gabriel Huquier (French, Paris

Figures in the Portico of Sainte-Geneviève le Panthéon, Paris, 1776–79, Pen and brown ink, brush and gray and brown wash, over black chalk, 7 1/8 x 6 in. (18.1 x 15.3 cm), Drawings, Gabriel de Saint-Aubin (French, Paris 1724–1780

Vertical Oval Vignette of a Mountainous Landscape with Two Shepherds in the Foreground., late 17th century, Pen and brown ink. Framing outlines in pen and brown ink, sheet: 9 3/8 x 7 3/16 in. (23.8 x 18.3 cm), Drawings, Carlo Antonio Buffagnotti

California Poppy, Eschscholtzia Californica, 1909–14, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York

The Virgin at top center in clouds with clasped hands and right foot raised, surrounded by cherubin; below, the twelve apostles stand together gesturing upwards, 1517, Engraving, Sheet (Trimmed to plate): 11 1/2 × 7 15/16 in. (29.2 × 20.1 cm),

Large Grotesque Head Being Strangled by its Own Hair, 1727, Pen and brown ink, sheet: 12 7/8 x 8 1/2 in. (32.7 x 21.6 cm), Drawings, Gaetano Piccini (Italian, active Rome, 1710–30

Plate 12: sheep and ram in a pasture, from 'Various animals' (Diversi animali), ca. 1641, Etching; third state of three, Plate: 3 1/4 × 4 5/16 in. (8.3 × 10.9 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

The Four Avenging Angels, from The Apocalypse, n.d., Woodcut, sheet: 17 3/8 x 11 15/16 in. (44.1 x 30.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Holy Family, 15th century, Engraving; first state, sheet: 7 5/16 x 6 9/16 in. (18.6 x 16.6 cm), Prints, Anonymous, German, 15th century

Monime, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 7/16 x 8 7/16 in. (34.1 x 21.5 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676 Paris),

King Bird (Robert P. King and Alexander Baird), from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 10 5/8 x 7 in. (27 x 17.8 cm), Prints, Henry Louis Stephens (American, Philadelphia,

Punchinello with Dumpling or Fritter, 1696–1770, Pen and brown ink, brush and brown wash, over leadpoint or black chalk, 12 x 8-7/16 in. (30.5 x 21.4 cm), Drawings, Circle of Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid

The Flight into Egypt, 1700–(?), Engraving., 33.0 x 22.7 cm., Prints, Francesco Polanzani (Italian, Noale near Venice 1700–after 1783 Venice (?)), After Jacques Stella (French, Lyons 1596–1657 Paris

Study, 1879, Lithograph with scraping on a prepared half-tint ground; only state (Chicago), Image: 10 1/4 × 6 1/2 in. (26 × 16.5 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

Plate 9: two horsemen at left galloping uphill towards the right, a horse and seated man to right, from 'Various landscapes' (Divers paysages), ca. 1641, Etching; second state of two, Sheet (trimmed): 4 13/16 × 10 1/4 in. (12.3 × 26.1 cm),

Groups of Men Talking, 1610–64, Pen and brown ink on paper, 2 1/16 x 4 1/8in. (5.2 x 10.5cm), Drawings, Stefano della Bella (Italian, Florence 1610–1664 Florence

Group of Standing and Seated Female Figures (recto); Costumed Female Figure (verso), 1624–63, Red chalk (recto). Pen and brown ink sketch of a costumed female figure (verso), 4-1/8 x 5-9/16 in. (10.4 x 14.1 cm), Drawings, attributed to

Design for a Pilaster with Two Candelabra Grotesques and Three Masks, ca. 1540–60, Pen and brown ink, brush and brown wash, Giuseppe Salviati (Giuseppe Porta, called Il Salviati) (Italian, Castelnuovo di Garfagnana ca. 1520–ca. 1575 Venice

Ceres, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 13/16 × 2 3/16 in. (4.6 × 5.5 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean

Drapery Study for a Cleric (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Black chalk, stumped, heightened with white chalk, on gray paper, 17 9/16 x 12 11/16 in. (44.6 x

Design for a Canopied Bed with Pale Blue and White Hangings, early 19th century, Ink, watercolor and wash, sheet: 8 9/16 x 12 5/16 in. (21.7 x 31.3 cm), Anonymous, British, 19th century

The Persian, 1632, Etching; New Holl.'s first state of three, Sheet: 4 5/8 × 3 1/2 in. (11.8 × 8.9 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Plate 5: a barefoot peasant on horseback crossing a river, another peasant on horseback and leading a horse on a bank to right in the background, from 'Diversi capricci', ca. 1644–47, Etching; third state of four (De Vesme), Sheet: 3 1/8 × 3

Mother and Daughter (La Mère Malade), 1897, Transfer lithograph with stumping, drawn on thin, transparent transfer paper; only state (Chicago); printed in black ink on fine cream Japan paper, Image: 7 3/8 × 6 1/4 in. (18.7 × 15.8 cm),

Design for a Stage Set at the Opéra, Paris, 1825–90, Graphite, heightened with white, Irregular sheet: 9 5/8 x 11 1/16 in. (24.5 x 28.1 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau