Images at Librifly

Cephalus Receiving the Spear and Hound from Procris, ca. 1644, Black chalk, brush and gray wash, 11 1/16 x 8 9/16 in. (28.1 x 21.8 cm), Drawings, Laurent de La Hyre (French, Paris 1606–1656 Paris

Design with a Cartouche, 19th century, Graphite, Irregular sheet: 9 1/8 x 18 9/16 in. (23.1 x 47.2 cm), Drawings, Anonymous, French, 19th century

Ceiling design, Castle Blayney, second half 19th century, Watercolor, gouache, and gilt, 4 3/4 x 6 7/8 in. (12.1 x 17.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

The Creed, ca. 1450–70, Woodcut with hand-coloring, sheet: 11 1/8 x 15 13/16 in. (28.2 x 40.1 cm), Prints, Anonymous, German, 15th century

Band, ca. 1878, Made in United States, American, Trimming, 20 x 6 in. (50.8 x 15.24 cm), Textiles

Coastal Landscape, 1512–1600, Pen and brown ink, 8 1/8 x 9 3/4in. (20.6 x 24.8cm), Drawings, Gherardo Cibo (Italian, Genoa 1512–1600 Rocca Contrada (Arcevia

Greek Landscape, 1856, Etching (only state; impression from cancelled plate), sheet: 12 5/8 x 9 3/4 in. (32 x 24.8 cm), Prints, Edgar Degas (French, Paris 1834–1917 Paris

Jupiter tells Juno of his love, set within a frame, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 5/16 x 4 1/8 in. (13.5 x 10.4 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after

Le Ministere de la Marine (The Admiralty, Paris), 1865, Etching on laid paper, Plate: 6 5/8 x 5 3/4 in. (16.8 x 14.6 cm), Prints, Charles Meryon (French, 1821–1868

Portrait of Francesco de' Medici, 1634, Etching, Sheet: 7 5/16 × 5 1/4 in. (18.5 × 13.4 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

Judgment of Paris, after Raphael, 1483–1520, Black chalk scrawled over with pen and ink indication of head of Venus by a more skillful hand, 9 x 12 3/4 in. (22.8 x 32.4 cm), Drawings, After Raphael (Raffaello Sanzio or Santi) (Italian,

Boiserie from the Hôtel Colbert de Villacerf, 19th century, Pen and black ink, sheet: 14 7/16 x 11 1/8 in. (36.7 x 28.3 cm), Drawings, Anonymous, French, 19th century

Mask, Etching, Prints, Attributed to Stefano della Bella (Italian, Florence 1610–1664 Florence

Head of Gregory, 1924, Lithograph, image: 9 15/16 x 9 in. (25.2 x 22.9 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

Joseph Interpreting the Dreams in Prison, 1512, Engraving; first state, sheet: 4 15/16 x 6 7/16 in. (12.5 x 16.4 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 3 x 1 5/16 in. (7.6 x 3.3 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Design for Two White Curtains with Gold Fringes and a Gold Pediment, early 19th century, Ink, watercolor and wash, sheet: 9 5/8 x 11 7/8 in. (24.4 x 30.2 cm), Drawings, Anonymous, British, 19th century

Crouching Woman, n.d., Graphite and oil paint, Sheet: 12 3/8 x 19 5/8 in. (31.4 x 49.8cm), Drawings, Fernand Cormon (French, Paris 1854–1924 Paris

The Vision of Ezekiel, early 19th–mid 19th century, Graphite, on tracing paper, 19 1/8 × 24 7/8 in. (48.5 × 63.2 cm), Drawings, Bonaventura Genelli (German, Berlin 1798–1868 Weimar

The Betrayal, from The Passion, 1508, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12 × 7.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Southern landscape with a building and figures, ca. 1855–58, Graphite, sheet: 2 11/16 x 4 1/2 in. (6.9 x 11.4 cm), Drawings, Heinrich Dreber (German, Dresden 1822–1875 Anticoli di Campagna, near Rome

Noah and the animals entering the ark, ca. 1650–55, Etching, Sheet: 7 7/8 × 15 3/4 in. (20 × 40 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua

Design for an Armchair, ca. 1820, Ink and gouache, sheet: 4 1/2 x 3 5/8 in. (11.4 x 9.2 cm), Attributed to Gillows (British, 19th century

Drawing for a Standard with Christ in Glory Flanked by Putti, 16th century, Black chalk highlighted with white gouache, with some brown ink wash on blue paper, laid down., sheet: 10 3/8 x 7 1/4 in. (26.4 x 18.4 cm), Drawings, Anonymous,

Design for wall panels with putti and flower garlands, second half 19th century, Graphite, pen and black ink, and watercolor, Overall: 13 9/16 x 19 9/16 in. (34.4 x 49.7 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

The mystic marriage of Saint Catherine who sits at center with the Christ child, angels with instruments at the left, 1585, Engraving, Sheet (Trimmed): 11 9/16 × 8 7/8 in. (29.3 × 22.6 cm), Prints, Agostino Carracci (Italian, Bologna

The Sacred Monogram with the Symbols of the Evangelists and the Crucifixion (Schr. 1812), 15th century, Woodcut, sheet: 10 5/16 x 7 11/16 in. (26.2 x 19.6 cm), Prints, Anonymous, German, 15th century

Gentleman Holding a Crop, 1629, Etching; reverse copy, Sheet (trimmed): 5 5/8 × 3 3/4 in. (14.3 × 9.5 cm), Prints, Anonymous, French, 17th century, After Abraham Bosse (French, Tours 1602/1604–1676 Paris), After Jean de Saint-Igny

Milo of Crotona, 1615–73, Pen and brown ink, 5 9/16 x 3 5/16in. (14.1 x 8.4cm), Drawings, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome

Heauton Timouroumenos, from The Comedies of Terence, 19th century reprint, n.d., Woodcut, sheet: 3 1/2 x 5 5/8 in. (8.9 x 14.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Hallucinations, n.d., charcoal on tan paper, image: 11 5/8 x 9 5/16 in. (29.5 x 23.7 cm), Drawings, Odilon Redon (French, Bordeaux 1840–1916 Paris

The Fountain of Rome at the Villa d'Este, Tivoli, 1765, Pen and brown ink, brush and brown and gray wash, watercolor, heightened with white, over black and red chalk, on faded blue paper, 11 7/8 x 18 3/4 in. (30.2 x 47.6 cm), Drawings,

Le Lapin de Garenne, 1850–1914, Etching; only state, sheet: 13 1/2 x 19 5/16 in. (34.3 x 49 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

Free Trade Wharf, 1877, Etching and drypoint; fourth state of eight (Glasgow) as published by the Fine Art Society; printed in black ink on ivory laid paper, Plate: 3 13/16 × 7 1/4 in. (9.7 × 18.4 cm), Prints, James McNeill Whistler (American,

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Saint John Summoned to Heaven, from the Apocalypse, n.d., Engraving, plate: 11 13/16 x 8 1/2 in. (30 x 21.6 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

Plan, Elevation, and Section for a Single Story Pavilion, late 18th century, Pen and black and gray ink, brush and gray, yellow, orange, and green wash, 16 x 10 7/8 in. (40.6 x 27.6 cm), Drawings, Anonymous, French, 18th century

Proserpina, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 2 1/16 × 2 3/16 in. (5.3 × 5.5 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean

Design for Six Tripod Tables, early 19th century, Graphite, sheet: 9 7/16 x 11 7/8 in. (23.9 x 30.1 cm), Anonymous, British, 19th century

Design for Ceiling, 18th century, Leadpoint or graphite with ruled and compass construction, 10 5/16 x 15 3/4 in. (26.2 x 40 cm), Drawings, Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730–after 1797

Horsemen and Archers, 1624–63, Pen and brown ink. Framing lines in pen and brown ink, 4-3/8 x 5-7/8 in. (11.1 x 14.9 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?) 1615/20–after 1679 Gubbio

Tobit burying the Dead, ca. 1647–51, Etching, sheet: 7 1/4 x 10 1/4 in. (18.4 x 26 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua

The combat of Hector and Achilles, and Achilles dragging the body of Hector around the walls of Troy, 1531–76, Engraving, sheet: 7 1/4 x 11 7/8 in. (18.4 x 30.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after

La Conversation espagnole, 1754, Pen and brown ink, brown wash, over black chalk, 10 1/16 x 8 3/4 in. (25.5 x 22.3 cm), Drawings, Carle (Charles André) Vanloo (French, Nice 1705–1765 Paris

Pilate Washing His Hands, from The Small Passion, ca. 1509, Woodcut, sheet: 5 1/16 x 3 13/16 in. (12.8 x 9.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Death Carrying a Child, 1610–64, Pen and brown ink and brush and gray wash, over black chalk, 12 15/16 x 8 1/16in. (32.9 x 20.5cm), Drawings, Stefano della Bella (Italian, Florence 1610–1664 Florence

Study sheets with sketches of interiors, animals, sculpture, figures, notes, 16th century, Pen and brown ink, each sheet: 4 5/16 x 6 1/8 in. (11 x 15.5 cm), Drawings, Anonymous, German, 16th century , Bamberg

Architectural Drawing, n.d., Pen and ink, graphite, and watercolor on laid paper, sheet: 20 13/16 x 12 15/16 in. (52.8 x 32.8 cm), Drawings, Attributed to Nicolas François Barbier (French, 1768–1826

La Belle Dame Endormie (The Beautiful Woman Asleep), 1894, Transfer lithograph, drawn on thin, transparent transfer paper; only state (Chicago); printed in black ink on medium weight ivory laid paper, Image: 7 15/16 × 6 1/8 in. (20.2 × 15.6

Foolish Virgins Sleeping (Les Vierges folles somnolent en attendant l'arrivé de l'époux), ca. 1635, Etching; first state of two (Join-Lambert and Préaud), sheet: 8 7/8 x 12 7/8 in. (22.6 x 32.7 cm), Prints, Abraham Bosse (French, Tours

Study for a Tomb, ca. 1790/91–95, Graphite, Sheet: 7 5/16 x 10 1/16 in. (18.6 x 25.6 cm), Drawings, Antonio Canova (Italian, Possagno 1757–1822 Venice

Cross-Section and Elevation of the Funeral Monument for General François Séverin Marceau (1769-1796), 1801, Pen and black ink, brush and gray, brown, and pink wash, heightened with white, 13 9/16 x 20 3/16 in. (34.4 x 51.3 cm), Anonymous,

Hercules at the Crossroad, ca. 1498, Engraving, Sheet: 13 3/8 × 9 13/16 in. (33.9 × 24.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Portrait of Edward G. Kennedy (1849-1932), 1842–1931, Black graphite, 14 3/16 x 12 7/8in. (36 x 32.7cm), Drawings, Giovanni Boldini (Italian, Ferrara 1842–1931 Paris

Tête-à-tête in the Garden, 1894, Transfer lithograph, drawn on fine-grained transfers paper; only state (Chicago); printed in black ink on cream wove paper, Image: 8 1/4 × 6 1/8 in. (21 × 15.6 cm), Prints, James McNeill Whistler (American,

Saint Bernard Vanquishing the Devil, 15th century, Woodcut, hand-colored, Sheet: 8 x 5 5/16 in. (20.3 x 13.5cm), Prints, Anonymous, German, Upper Rhine, 15th century

The Manager's Window, Gaiety Theatre, 1896, Transfer lithograph, drawn on white transfer paper with a grained-stone texture, Image: 6 13/16 × 5 3/8 in. (17.3 × 13.6 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts

Saint Jerome in a Cave, 1512, Woodcut, sheet: 6 11/16 x 4 15/16 in. (17 x 12.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

A Theatrical Scene, 17th century, Pen and brown ink, brush and brown wash, 8 11/16 x 13 in. (22.1 x 33 cm), Drawings, Anonymous, French, 17th century

The Laughing Audience, December 1733, Etching; fourth state of four, plate: 7 1/2 x 6 7/8 in. (19 x 17.4 cm), Prints, William Hogarth (British, London 1697–1764 London

Design for a Stage Set at the Opéra, Paris, 19th century, Graphite, Irregular sheet: 12 1/2 x 19 1/8 in. (31.8 x 48.5 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Circe with the companions of Ulysses changed into animals, 1650–51, Etching, touches of red chalk added by hand, Sheet: 8 1/4 × 11 7/8 in. (21 × 30.2 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664

Triumph of Saint Ignatius and Saint Francis Xavier (Le Triomphe de Saint Ignace et de Saint François Xavier qui est au Collége de Louis le Grand...Paris), 17th century, Intaglio, sheet (trimmed): 11 3/4 x 21 1/4 in. (29.8 x 54 cm), Prints,

Interior with Marble and Gilt Decor, 19th century, Watercolor on wove paper, sheet: 9 5/8 x 11 1/4 in. (24.4 x 28.5 cm), Drawings, Anonymous, French, 19th century

Casimir le Conte, after Boulanger, 1856, Etching on laid paper, plate: 13 7/8 x 10 1/16 in. (35.2 x 25.6 cm), Prints, Charles Meryon (French, 1821–1868), After Gustave Boulanger (French, Paris 1824–1888 Paris

Le Ministère de la Marine (the Admiralty, Paris), 1865, Etching; third state of seven, Plate: 6 5/8 x 5 3/4 in. (16.8 x 14.6 cm), Prints, Charles Meryon (French, 1821–1868

A Shepherdess with Her Flock, ca. 1852, Conté crayon with stumping on laid paper, Overall: 13 x 18 1/2in. (33 x 47 cm), Drawings, Jean-François Millet (French, Gruchy 1814–1875 Barbizon

Head of a Beadle, 1837–1911, Red chalk, 14 3/8 x 11 1/8 in. (36.5 x 28.2 cm), Drawings, Alphonse Legros (French, Dijon 1837–1911 Watford, Hertfordshire

Des dames d'un demi-monde, mais n'ayant pas de demi-jupes, from Actualités, published in Le Charivari, May 11, 1855, May 11, 1855, Lithograph; second state of two (Delteil), Sheet: 9 3/4 × 12 15/16 in. (24.8 × 32.8 cm), Prints, Honoré

View of Dresden from the West, 1833, Watercolor, sheet: 6 7/8 x 9 5/16 in. (17.4 x 23.6 cm), Drawings, Christian Gottlob Hammer (German, Dresden 1779–1864 Dresden

Joseph Interpreting Pharoah's Dreams (copy), 1640–70, Engraving, sheet: 5 x 6 3/4 in. (12.7 x 17.1 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Plate 11 from 'The Disasters of War' (Los Desastres de la Guerra):Neither do these (Ni por esas), 1810, Etching, drypoint and burin, Plate: 6 5/16 × 8 3/8 in. (16.1 × 21.2 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish,

Moosehead Lake, Maine, 1857–72, Hand-colored lithograph, image: 7 13/16 x 12 in. (19.9 x 30.5 cm), Prints

Lamp, Greek or Roman, Terracotta, Overall: 15/16 x 3 5/16 in. (2.4 x 8.4 cm), Terracottas

Design for the painted decoration of a ceiling with bursts and filagree, 1830–97, pen and ink and watercolor on wove paper; mounted on blue wove paper, Overall: 10 7/16 x 14 3/4 in. (26.5 x 37.5 cm), Drawings, Jules-Edmond-Charles Lachaise

Visitors with Torches Inside a Circular Building, ca. 1769, Pen and brown ink, gray-brown wash, heightened with touches of white, over traces of black chalk, 10 9/16 x 15 1/2 in. (26.8 x 39.3 cm.), Drawings, Jean Pierre Louis Laurent Hoüel

The Holy Family with Two Angels, 1598–1654, Black chalk on off-white laid paper; framing outline in pen and dark brown ink; glued onto a secondary paper support, 10-3/16 x 7-13/16 in. (25.9 x 19.8 cm), Drawings, Alessandro Algardi (Italian,

Grand Course-au-Clocher Académique, Planche 1: Perruques Académiques, 1844, Hand-colored lithograph, sheet: 14 7/8 x 20 7/16 in. (37.8 x 51.9 cm), Prints, Auguste Desperret (French, died 1865), After J. J. Grandville (French, Nancy

Time Seated, Clutching a Putto, 1696–1770, Pen and dark brown ink, brush with pale and dark brown wash, over black chalk, 10-1/16 x 12-13/16 in. (25.5 x 32.6 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid

A Fool and a Woman (reverse copy), n.d., sheet: 4 9/16 x 2 7/8 in. (11.6 x 7.3 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Christ in Gethsemane (copy), 17th century, Etching, round sheet (cut to plate line): 8 3/4 x 8 13/16 in. (22.2 x 22.4 cm), Prints, Etched by Claes Jansz. Visscher (Dutch, Amsterdam 1586–1652 Amsterdam) probable, After Lucas van Leyden

Plate 56 from 'The Disasters of War' (Los Desastres de la Guerra): 'To the cemetery.'(Al cementerio.), 1810–14, Etching, lavis and drypoint, Plate: 6 1/16 × 8 1/16 in. (15.4 × 20.5 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish,

The Finding of Moses, 1638–1721, Pen and brown ink, brush and brown wash, highlighted with white, on gray-green paper, 10 5/16 x 10 15/16in. (26.2 x 27.8cm), Drawings, attributed to Luigi Garzi (Italian, Pistoia 1638–1721 Rome

Aspens on the Bank of the Seine, ca. 1884, Etching and drypoint, Sheet: 8 7/8 × 10 5/8 in. (22.6 × 27 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

View of Svenarum in the Province of Småland, Sweden, ca. 1764, Brush and gray and brown wash over faint indications in black chalk; framing lines in black ink, 12 13/16 x 19 3/8 in. (32.5 x 49.2 cm), Drawings, Jacob Philipp Hackert (German,

Studies of Walking Figures, 1712–93, Pen and brown ink, brush and brown wash, on blue paper faded to blue-brown. Another figure in black chalk at lower left of drawing, 6 7/16 x 8 5/8in. (16.3 x 21.9cm), Drawings, Francesco Guardi (Italian,

The Goddess Diana with Her Hounds Standing in a Landscape., n.d., Pen and brown ink, brush and brown wash, sheet: 9 x 6 9/16 in. (22.8 x 16.6 cm), Drawings, Agostino Tassi (Italian, Ponzano Romano ca. 1580–1644 Rome

A Saint Addressing Figures from the Steps of a Temple, Pen and brown ink, brush and brown wash, heightened with white, over black chalk, on light brown paper, 10-7/8 x 14-1/4 in. (27.6 x 36.2 cm), Drawings, Antoine Caron (French, Beauvais

Soldier (middle register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Black chalk, heightened with white chalk, on tracing paper, 14 1/8 x 8 5/16 in. (35.8 x 21.1 cm), Drawings, Isidore

View of Gray, n.d., Pen, black ink, grey wash over black chalk on yellowish paper, 9 15/16 x 17 3/8 in. (25.2 x 44.1 cm), Drawings, Jean-Baptiste Lallemand (French, Dijon 1716–1803/5 Paris

Head of a Young Woman Looking to Lower Right, 1565, Black, red, and yellow chalk, 9 7/16 x 7 3/8in. (24 x 18.7cm), Drawings, Federico Barocci (Italian, Urbino ca. 1535–1612 Urbino), This exquisite, though fragile and abraded drawing in

Design for panels framing a mirror decorated with scrolls and clusters of fish and vegetables, 1830–97, graphite, pen and ink, watercolor on wove paper; mounted on wove paper, Overall: 12 3/8 x 9 1/2 in. (31.5 x 24.2 cm), Drawings,

Design for a ceiling, 1860–1900, Graphite, pen and black ink, and watercolor, Overall: 8 3/8 x 10 3/4 in. (21.2 x 27.3 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Plan of a Room, early 19th century, Ink, watercolor and wash, sheet: 10 11/16 x 14 7/8 in. (27.2 x 37.8 cm), Anonymous, British, 19th century

The Mass of Saint Gregory, 1511, Woodcut, sheet: 11 11/16 x 8 1/8 in. (29.7 x 20.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Design for a Two Tiered Book Cabinet with Turned Feet and Ornament (Verso: sketch), early 19th century, Graphite, sheet: 9 9/16 x 11 13/16 in. (24.3 x 30 cm), Anonymous, British, 19th century

George Cumberland's Message Card, 1827, Engraving, plate: 1 5/16 x 3 1/4 in. (3.3 x 8.3 cm), Prints, William Blake (British, London 1757–1827 London

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 3 1/16 x 2 in. (7.8 x 5.1 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Holy Family with Saint John the Baptist kissing the infant Christ's hand, ca2, Etching, Sheet: 4 15/16 × 3 7/16 in. (12.5 × 8.8 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona

Peasants, 1881–84, Conté crayon, 9 13/16 x 12 7/16 in. (24.8 x 31.6 cm), Drawings, Georges Seurat (French, Paris 1859–1891 Paris