Images at Librifly

“The Fourth Knot”. Interlaced Roundel with a Round Medallion in its Center, 1521 before, Woodcut, sheet: 10 3/4 x 8 3/8 in. (27.3 x 21.2 cm), Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), After Leonardo da Vinci (Italian,

Design for Stage Set, 1698–1765, Pen and brown ink, brush and gray wash, sheet: 5 7/8 x 4 in. (15 x 10.2 cm), Drawings, Attributed to Giovanni Battista Natali III (Italian, Pontremoli, Tuscany 1698–1765 Naples

The Pancake Woman, 1635, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Eight designs for a ceiling, second half 19th century, Graphite, gouache, and watercolor, Overall: 12 5/16 x 19 3/16 in. (31.2 x 48.8 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born

The Assumption of the Virgin, ca. 1816–19, Black and white chalk on blue paper, 18 3/8 x 11 7/8 in. (46.7 x 30.2 cm), Drawings, Pierre Paul Prud'hon (French, Cluny 1758–1823 Paris

Saint Roch standing holding a staff in his left hand, a dog by his side, 1531–76, Engraving, Sheet: 10 1/8 × 5 13/16 in. (25.7 × 14.8 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Parmigianino

Plate 16: stag, from 'Various animals' (Diversi animali), ca. 1641, Etching; third state of three (De Vesme), Sheet (trimmed to plate): 3 3/8 × 4 5/16 in. (8.5 × 11 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Plate 14 from the 'Disparates': Carnival Folly, ca. 1816–23 (published 1864), Etching and aquatint, Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux), This

The Virgin Lamenting over the Dead Christ, 1612–50, Pen and brown ink, on beige paper, 12 13/16 x 9 1/16in. (32.5 x 23cm), Drawings, Pietro Testa (Italian, Lucca 1612–1650 Rome

Youth with Right Arm Raised in a Shoulder-Length Portrayal (preparatory study for St. Sebastian), ca. 1515, Soft black chalk, or charcoal, on paper now very darkened (to beige color)., 7 3/4 x 5 3/8 in. (19.7 x 13.7 cm), Drawings, Timoteo Viti

Plate 76 from 'The Disasters of War' (Los Desastres de la Guerra): 'The carnivorous vulture' (El buitre carnívoro.), after 1814–15 (published 1863), Etching, drypoint(?), burin and burnisher, Plate: 6 13/16 × 8 11/16 in. (17.3 × 22 cm),

Ancient Military Dandies of 1450 – Modern Military Dandies of 1819, August 1, 1835, Etching, hand colored, sheet: 10 1/8 x 14 1/16 in. (25.7 x 35.7 cm), Prints, George Cruikshank (British, London 1792–1878 London

The Supreme Bon Ton, No. 3, November 9, 1801, Hand-colored etching, 8 5/8 x 13 3/16 in. (21.9 x 33.5 cm), Prints, Attributed to Charles Williams (British, active 1797–1830

Sabrina's Silvery Flood, from Thornton's Pastorals of Virgil, 1821, Wood engraving; second state, block: 1 1/2 x 2 15/16 in. (3.8 x 7.5 cm), Prints, William Blake (British, London 1757–1827 London

Phrygian Sibyl, from the series of Sibyls, ca. 1530, Woodcut, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Torso of the Belvedere, 1837–1911, Metalpoint, 16 1/8 x 10 9/16 in. (40.9 x 26.9 cm), Drawings, Alphonse Legros (French, Dijon 1837–1911 Watford, Hertfordshire

Phormio, from The Comedie of Terence, 19th century reprint, n.d., Woodcut, sheet: 3 x 5 5/8 in. (7.7 x 14.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Portrait of Piermarino Bernabò, 1618, Black chalk, highlighted with white, on faded blue paper, 8 7/16 x 5 13/16in. (21.5 x 14.7cm), Drawings, Ottavio Leoni (Il Padovano) (Italian, Rome 1578–1630 Rome

The Young David Playing the Harp, ca. 1548–50, Black chalk, brush and gray wash, on blue paper, squared in pen and brown ink, 15-3/16 x 5-9/16 in. (38.6 x 14.1 cm), Drawings, Michelangelo Anselmi (Italian, Siena or Lucca (?) 1492–1556

Domus Aurea, unidentified, grotteschi, details (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 9 1/4 x 6 1/2 in. (23.5 x 16.5 cm

Gentleman in a Cape and Plumed Hat Seen from the Back, 1629, Etching (reverse copy), Sheet (trimmed): 5 1/2 × 3 11/16 in. (13.9 × 9.4 cm), Prints, Anonymous, French, 17th century, After Abraham Bosse (French, Tours 1602/1604–1676 Paris),

Solar Law, 1855, Etching printed on two plates, on laid paper; only state (proof), plate: 4 5/8 x 3 3/16 in. (11.7 x 8.1 cm), Prints, Charles Meryon (French, 1821–1868

Head of a bearded Man with a Turban, facing Right, Etching, Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua

Elevation of a dining room with a carved buffet and window draperies, 19th century, graphite on laid paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

A Dutch Hulk and a Boeier from The Sailing Vessels, 1565, Engraving; first state of two, sheet: 13 1/4 x 10 1/4 in. (33.7 x 26.1 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Frans Huys

Seated Warrior Between Two Figures, 1526–78, Pen and brown ink, squared in black chalk, 9 9/16 x 6 7/8 in. (24.3 x 17.5 cm), Drawings, Giambattista Zelotti (Italian, Verona 1526–1578 Mantua

Holy Family with a rosary, ca. 1640–1642, Etching, Plate: 5 1/16 × 3 5/16 in. (12.9 × 8.4 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona

Plate 19: wild boar, from 'Various animals' (Diversi animali), ca. 1641, Etching; second state of three, Plate: 3 3/8 × 4 3/8 in. (8.5 × 11.1 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Castel Sant' Angelo, ca. 1634, Etching, Sheet: 8 1/4 × 13 3/8 in. (21 × 33.9 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Design for a ceiling painted with putti in clouds with roses, second half 19th century, oil on laid paper; mounted on wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

The Death of Lucretia, from Allen's New and Impartial Roman History, 1797, Engraving, plate: 5 7/8 x 3 1/4 in. (14.9 x 8.3 cm), Prints, William Blake (British, London 1757–1827 London

Seated Male Nude Facing Right, 1577–1688, Red chalk on beige paper, 11 1/2 x 7 1/4in. (29.2 x 18.4cm), Drawings, Alessandro Tiarini (Italian, Bologna 1577–1668 Bologna

The Covered Rocks, 1640, Etching; first state of two (Robert-Dumesnil), sheet: 4 15/16 x 5 7/8 in. (12.5 x 15 cm), Prints, Laurent de La Hyre (French, Paris 1606–1656 Paris

Design for a Fountain with Sea Horses and Triton Base, Basin, Dolphins and Tritons, Three Grotesque heads and Neptune, ca. 1550, Pen and brown ink, 15 1/4 x 9 3/4in. (38.7 x 24.8cm), Battista Franco (Italian, Venice ca. 1510–1561 Venice

L'Homme qui court après la Fortune et celui qui l'attend dans son lit, after Gustave Moreau, 1850–1914, Etching; fifth state of five, sheet: 19 x 13 1/4 in. (48.2 x 33.6 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres),

The Bench, September 1758, Etching and engraving; third state of five, sheet: 12 x 8 3/8 in. (30.5 x 21.2 cm), Prints, William Hogarth (British, London 1697–1764 London

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 12 3/4 x 18 3/4 in. (32.4 x 47.6 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Design for a Stage Set, 19th century, Graphite, watercolor, gouache, sheet: 9 3/16 x 10 13/16 in. (23.4 x 27.5 cm), Anonymous, French, 19th century

The Crucifixion (Round) (copy), n.d., Engraving, Diameter: 1 7/16 in. (3.6 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Fall of Antiochus From His Chariot, 18th century, Etching in red ink, sheet: 10 3/8 x 12 15/16 in. (26.3 x 32.8 cm), Prints, Noël Hallé (French, Paris 1711–1781 Paris

Partial design for the painted decoration of a ceiling, 1840–97, graphite, pen and ink, and watercolor on wove paper; inlaid in blue wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French,

Avarice (Avaritia) from the series The Seven Deadly Sins, 1558, Engraving; first state of two, Sheet: 8 7/8 x 11 5/8 in. (22.6 x 29.5 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel the Elder

Portrait of Lemmens, 19th century, Graphite, sheet: 1 7/8 x 1 13/16 in. (4.8 x 4.6 cm), Drawings, Anonymous, French, 19th century

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Presumed Portrait of Phocion, n.d., Red chalk. Faintly squared in red chalk. Framing lines in black chalk., 8 5/16 x 5 7/8 in. (21.9 x 14.9 cm), Drawings, Bernard Picart (French, Paris 1673–1733 Amsterdam

Allegory on Vanity, Engraving, sheet: 17 1/16 x 12 1/2 in. (43.3 x 31.8 cm), Prints, Anonymous, German, 17th century

The Son of Moses Circumcised, 17th century, Red chalk, brush and red, brown, and gray wash, heightened with white, on beige paper., 9 1/8 x 11 1/4 in. (23.1 x 28.6 cm), Drawings, Anonymous, French, 17th century

The Lamentation, from The Small Passion, ca. 1509, Woodcut, sheet: 5 x 3 7/8 in. (12.7 x 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Saint Benedict exorcising a demon, ca. 1637–1639, Etching, Sheet (Trimmed): 15 11/16 × 10 5/8 in. (39.8 × 27 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona), After Ludovico Carracci (Italian, Bologna 1555–1619

Design for Six Pedestals, Four Supporting Male Portrait Busts, early 19th century, Graphite, sheet: 10 7/8 x 15 1/16 in. (27.7 x 38.2 cm), Anonymous, British, 19th century

A Port near Venice: Chioggia (?), 1764–1835, Pen and brown ink, brush and gray wash, 4 9/16 x 7 5/16in. (11.6 x 18.5cm), Drawings, Giacomo Guardi (Italian, Venice (?) 1764–1835 Venice

The Bath, 1890–91, Drypoint, soft-ground etching and aquatint, printed in color from two plates; seventeenth state of seventeen (Mathews & Shapiro), image: 11 5/8 x 9 3/4 in. (29.5 x 24.8 cm), Prints, Mary Cassatt (American, Pittsburgh,

'The Swan, ' Chelsea (The Old Swan Brewery, Chelsea), 1872–73, Etching; only state (Glasgow); printed in black ink on grayish laid paper, Plate: 2 11/16 × 3 7/8 in. (6.8 × 9.8 cm), Prints, James McNeill Whistler (American, Lowell,

Unidentified, portal, elevation; portal, cornice, profile; fireplace, elevation (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Drawings

Wooded Landscape with Two Country Carts and Figures, August 1, 1797, Soft-ground etching, printed in gray ink; second state of two, plate: 11 9/16 x 15 9/16 in. (29.4 x 39.5 cm), Prints, Thomas Gainsborough (British, Sudbury 1727–1788

Coat of Arms with a Skull, 1503, Engraving, Sheet: 8 5/8 × 2 5/16 in. (21.9 × 5.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Portrait of James NcNeill Whistler, 1880, Monotype, image: 8 13/16 x 6 1/16 in. (22.4 x 15.4 cm), Prints, Charles Abel Corwin (American, Newburgh, New York 1857–1938 Chicago, Illinois

Horsemen and Three Foot Soldiers in Battle, 1624–63, Pen and brown ink, brush and brown wash, 3-3/4 x 5-1/4 in. (9.5 x 13.3 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?) 1615/20–after 1679 Gubbio

Ruines d'Aqueduc, Etching, first state, sheet: 7 5/16 x 10 11/16 in. (18.6 x 27.2 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome

Plate 77 from 'Los Caprichos':What one does to another (Unos á otros.), 1799, Etching, burnished aquatint, drypoint, and burin, Plate: 8 3/8 x 5 7/8 in. (21.3 x 15 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos

The Smoker (Le Fumeur), 1866–67, Etching on blue laid paper, final state (II), from 1905 Strölin edition, plate: 6 13/16 x 5 13/16in. (17.3 x 14.8cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris

Unidentified Palace, section and half elevation (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 16 9/16 x 11 7/16 in. (42 x 29 cm), Drawings

Design for a Monumental Fountain, 1750–70, Pen and black ink, brush and grey and black wash, 18 3/8 x 12 1/2 in. (46.7 x 31.8 cm), Attributed to Jean Dominique Etienne Le Canu (French, active Paris, 1750–70

Edgar Degas: Self Portrait, 1857, Etching and drypoint; third state of four, plate: 9 1/16 x 5 11/16 in. (23 x 14.4 cm), Prints, Edgar Degas (French, Paris 1834–1917 Paris

Domus Aurea, cryptoporticus, grostteschi, details (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 10 13/16 x 10 1/16 in. (27.5 x 25.5 cm

Classical Gods, Muses, and Allegorical Figures, 1566–67, Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on blue paper; circular framing outline in compass point and brown ink, diameter 5-1/2 in.,

The Engraver Joseph Tourny, 1857, Etching (only state); fourth printing on laid paper (with corrosion partly cleaned and additional scratches), plate: 9 1/16 x 5 11/16in. (23 x 14.4cm), Prints, Edgar Degas (French, Paris 1834–1917 Paris

Ceiling and Cove Designs, Hôtel Rothschild, Vienna, second half 19th century, Pen and gray ink, brush and gray wash, graphite, 13 3/8 x 21 7/16 in. (33.9 x 54.4 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

Design for Ceiling at Fontainebleau, second half 19th century, Graphite, pen and black ink, and watercolor, 12 9/16 x 3 1/4 in. (31.9 x 8.3 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French,

Interior of the Church of Saint Katherine’s with the Parable of the Mote and the Beam, ca. 1530, Etching; first state of two, plate: 11 5/8 x 7 11/16 in. (29.5 x 19.6 cm), Prints, Daniel Hopfer (German, Kaufbeuren 1471–1536 Augsburg

Long Venice, 1879–80, Etching and drypoint; eighth state of eight (Glasgow); printed in dark brown ink on fine ivory laid paper, Plate: 5 × 12 1/16 in. (12.7 × 30.7 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts

Le Joeuer de Luth (The Lute Player), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs), 1616–22, Etching and

Caricature of the Artist's Younger Brother Marie-Alexandre-François, 1776, Pen and brown ink, brush and brown wash, 14 3/4 x 9 1/4 in. (37.5 x 23.5 cm), Drawings, François André Vincent (French, Paris 1746–1816 Paris

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, brush and brown wash, Irregular sheet: 9 7/16 x 3 1/8 in. (24 x 7.9 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

The Vinegar Merchant, mid to late 17th century, Etching, Sheet: 8 9/16 x 5 13/16 in. (21.7 x 14.7 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Design for a Stage Set at the Opéra, Paris: Lighthouse, 1830–90, Graphite, brush and gray and green wash, and gouache, Irregular sheet: 9 5/8 x 17 1/2 in. (24.5 x 44.5 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890

Chinese Man with Parasol, Rattle and Box, 19th century, Watercolor and gouache, sheet: 14 9/16 x 8 9/16 in. (37 x 21.7 cm), Drawings, Anonymous, Chinese, 19th century

Design for a Stage Set, 1828–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Turbaned Warrior Holding a Mace, 1615–73, Pen and brown ink, brown wash, over a little black chalk, 5-3/16 x 3-1/4 in. (13.2 x 8.2 cm), Drawings, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome

Design for Ceiling, Hôtel Cottier, ca. 1879, Watercolor, 7 3/4 x 9 5/16 in. (19.7 x 23.7 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Saint Eustace, ca. 1501, Engraving, Sheet: 13 13/16 × 10 3/16 in. (35.1 × 25.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Standing Nude Man (Bacchus), ca. 1590–1600, Red chalk, 10 13/16 x 5in. (27.4 x 12.7cm), Drawings, Workshop of Cavaliere d'Arpino (Giuseppe Cesari) (Italian, Arpino 1568–1640 Rome), After a print by Bartholomeus Spranger (Netherlandish,

The Rape of Europa, 1634, Etching; fourth state of seven (Mannocci), sheet: 7 7/8 x 10 3/8 in. (20 x 26.4 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome

Needlework, 1896, Transfer lithograph, drawn on white transfer paper with a grained-stone texture, Image: 7 3/4 × 5 5/8 in. (19.7 × 14.3 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

Saint Francois de Sales, eveque de Geneve, Etching, first state, image: 12 3/16 x 8 1/4 in. (31 x 21 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris

Elephant in a Landscape, 1727–1804, Pen and brown ink, brush and brown wash, over black chalk. Framing lines in pen and brown ink at left, right, and upper borders, sheet: 7 1/8 x 9 9/16 in. (18.1 x 24.3 cm), Drawings, Giovanni Domenico

Illustration for a Book: Cardinal Receiving a General at a City Gate, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 2-15/16 x 6-1/8 in. (7.5 x 15.5 cm), Drawings, Giovanni Battista Tiepolo

Design for a Carpet, 19th century, Pen and black ink, gouache, 10 9/16 x 10 9/16 in. (26.8 x 26.8 cm), Drawings, Anonymous, French, 19th century

Plate 13: a peasant woman, seen from the back, holding a basket in center, a donkey to left and a horse with a pack on its back to right, from 'Diversi capricci', ca. 1644–47, Etching; third state of four, Sheet: 3 3/8 × 4 1/16 in. (8.5 ×

John Grove, 1895, Transfer lithograph drawn on thin, transparent paper; only state (Chicago); printed in black ink on cream machine-made wove, Image: 8 1/8 × 6 1/16 in. (20.7 × 15.4 cm), Prints, James McNeill Whistler (American, Lowell,

Arms of the Counts of Botenlauben, 1480–1500, Woodcut, colored by stencil, 7-5/16 x 6-5/16 in., Prints, Anonymous, German, Thuringia, 15th century

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 12 1/16 x 12 5/8 in. (30.6 x 32.1 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

St. James Street, 1878, Lithographic reproduction of etching, sheet: 15 9/16 x 10 11/16 in. (39.5 x 27.2 cm), Prints, After James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.), 1881–86, Etching and burnished aquatint, Plate: 8 9/16 × 5 15/16 in. (21.8 × 15.1 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish,

The Desperate Man, n.d., Etching, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Ornament Design with Alternate Suggestion (recto). Variant Ornament Design with Alternate Suggestion (verso), 1698–1765, Brush and gray ink, brush and gray wash, 4 3/8 x 3 7/8in. (11.1 x 9.8cm), Drawings, Giovanni Battista Natali III

Study for 'Action in Chains (Monument to Louis-Auguste Blanqui)' or 'Île de France (Woman Walking in Water)', 1905-07, 1905–7, Black chalk on off-white wove paper, 12 1/2 x 9 3/4 in. (31.8 x 24.8 cm), Drawings, Aristide Maillol (French,

Humming Bird (Thomas B. Florence), from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 11 x 7 in. (27.9 x 17.8 cm), Prints, Henry Louis Stephens (American, Philadelphia, Pennsylvania

Study of Man between Trees, n.d., 9 3/4 x 7 1/2 in. (24.8 x 19.1 cm), Drawings, Odilon Redon (French, Bordeaux 1840–1916 Paris

Design with an Eagle Fighting with a Serpent and a Putto in the Sky Holding an Inscribed Banner., 17th century, Pen and black ink, brush and black wash over traces of black chalk, highlighted with white and blue-gray gouache, on light brown