Images at Librifly

Child Carrying a Puppy on his Shoulder, ca. 1662, Etching retouched with gray wash; artist's proof, Sheet (trimmed): 5 11/16 × 5 3/8 in. (14.4 × 13.7 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Bacchus, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 7/8 × 2 3/8 in. (4.8 × 6 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets

La Vieille Femme Assise, Etching, second state, image: 6 11/16 x 8 3/8 in. (17 x 21.3 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Cornelis van Poelenburch (Dutch, Utrecht (?) 1594/95–1667 Utrecht

The Triumph of Mordecai, ca. 1641, Etching and drypoint, sheet: 6 15/16 x 8 11/16 in. (17.6 x 22 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Plate 72 , from 'Los Caprichos': You will not escape (No te escaparàs.), 1799, Etching and burnished aquatint on laid paper, Plate: 8 3/8 x 5 7/8 in. (21.2 x 14.9 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

The Arrest of Christ, 1624–63, Pen and brown ink, 3-3/4 x 5-5/16 in. (9.5 x 13.5 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?) 1615/20–after 1679 Gubbio

The Martyrdom of Saint John, from The Apocalypse, 1511, Woodcut, sheet: 15 3/8 x 11 1/8 in. (39.1 x 28.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Design for a Cartouche Decorated with a Mask, Swags and Rosettes., 1790–1800, Pen and brown ink over black chalk, with vertical crease through the center to create the symmetry of the design, sheet: 9 5/16 x 6 13/16 in. (23.6 x 17.3 cm),

Design for a coffered ceiling with alternative decorative patterns, 1840–97, Pen and ink, watercolor, and gouache on wove paper; inlaid in wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet

Design for a Cartouche with a Coat of Arms containing a Griffin, 1732–1802, Pen and brown ink, brush and brown wash over traces of leadpoint, 8 13/16 x 7 1/8 in. (22.4 x 18.1 cm), Carlo Bianconi (Italian, Bologna 1732–1802 Milan

Plate 5: two pilgrims with hats rest to the left, seen from behind, a horseman rides towards the background to the right, from 'Various Figures' (Agréable diversité de figures), 1642, Etching; state unknown (clipped impression), Sheet: 2

The Brothers, 1895–96, Transfer lithograph, drawn on thin, transparent transfer paper; first state of two (Chicago); printed in black ink on medium weight cream laid paper, Sheet: 10 x 7 5/8 in. (25.4 x 19.4 cm), Prints, James McNeill

Design for Five Table Top Mirrors with Varying Ornament, early 19th century, Graphite, sheet: 10 13/16 x 15 1/16 in. (27.5 x 38.3 cm), Anonymous, British, 19th century

Male Figure Seen from Rear, After a Drawing by Michelangelo, 1508–1600, Pen and brown ink on brown paper, 10 7/8 x 4 3/8 in. (27.6 x 11.1 cm), Drawings, After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome), After

Virgin in Glory with Angels, 1556–1622, Pen and brown ink, brush and brown wash, over black chalk, 10 5/16 x 8 1/16in. (26.2 x 20.5cm), Drawings, Aurelio Lomi (Italian, Pisa 1556–1622 Genoa

A Prehistoric Stone Circle on a Mound, an Extensive Landscape Beyond, mid-18th–early 19th century, Black chalk or graphite, pen and brown ink, brush and brown wash, and watercolor; framing line in black ink, sheet: 7 15/16 x 12 3/4 in. (20.1

The Holy Family, 1734–1802, Red chalk, highlighted with white, on beige paper, 9 7/8 x 7 15/16in. (25.1 x 20.2cm), Drawings, Gaetano Gandolfi (Italian, San Matteo della Decima 1734–1802 Bologna

Little Court, Cloth Fair, 1887, Transfer lithograph, drawn on coarse-grained transfer paper; only state (Chicago); printed in black ink on off-white proving paper, Image: 7 9/16 × 3 3/4 in. (19.2 × 9.5 cm), Prints, James McNeill Whistler

Design for a Chalice with Lid, 19th century, Pen and brown ink, watercolor. Framing lines in pen and gray ink. Design pasted onto mounting paper., sheet: 10 3/16 x 6 15/16 in. (25.8 x 17.7 cm), Drawings, Anonymous, French, 19th century

Saint Matthew holding a pouch, ca. 1515–27, Engraving, Sheet (Trimmed): 8 1/4 × 5 1/4 in. (21 × 13.3 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome), After Marcantonio Raimondi (Italian, Argini (?) ca.

The Publisher Aubert (You must admit the government has a comic appearance), 1831, Lithograph, image: 7 5/8 x 10 13/16 in. (19.4 x 27.5 cm), Prints, Charles-Joseph Traviès (French, 1804–1859), After Charles Philipon (French, Lyons

Two Seated Satyrs and a Child Satyr, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over red chalk, 8 1/4 x 9 13/16in. (20.9 x 25cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid

Satyr carrying a nymph restraining her right arm, ca. 1515–27, Engraving, Sheet (Trimmed): 6 3/4 × 4 7/16 in. (17.1 × 11.2 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome), After Giulio Romano (Italian, Rome

St. James Major, ca. 1510, Engraving, sheet: 4 5/8 x 2 7/8 in. (11.7 x 7.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Order of the Chevaliers Marching at Fontainebleau in May 1633, 1634, Etching, Sheet (trimmed): 10 11/16 × 14 1/16 in. (27.1 × 35.7 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Solf-Coraven, or Beggar, from Indian Trades and Castes, ca. 1840, Watercolor and gouache, sheet: 14 3/8 x 10 3/8 in. (36.5 x 26.4 cm), Drawings, Anonymous, Indian, 19th century

Design for Four Vases, ca. 1770–85, Pen and brown ink, and black chalk, 14 13/16 x 9 1/8 in. (37.7 x 23.2 cm), Drawings, Anonymous, French, 18th century

St. Dorothy (Schr. 2610), 15th century, Metalcut, sheet: 2 1/2 x 1 15/16 in. (6.3 x 5 cm), Prints, Anonymous, German, 15th century

Portrait of a Man, 1594, Black and red chalk, heightened with white., 11 1/4 x 8 11/16 in. (28.5 x 22 cm), Drawings, Anonymous, French, 16th century642e18e4d3585_AM170720_077588.jpg | The Holy Family resting on their flight into Egypt, ca.

The Holy Family resting on their flight into Egypt, ca. 1637–1639, Etching, Plate: 8 13/16 × 6 11/16 in. (22.4 × 17 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona)

The Virgin and Child in the Clouds, 1641, Etching and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Louis III et Carloman donnent aux eveques du Royaume l'assurance de leur Fidelite en 882, ca. 1791, Pen and black ink, gouache, sheet: 4 3/16 x 3 in. (10.7 x 7.6 cm), Drawings, Nicolas Lejeune (French, active late 18th century

The Lamentation for Christ, n.d., Woodcut, sheet: 15 7/16 x 11 1/16 in. (39.2 x 28.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Study of a Putto Seated on a Corbel in a Shell Niche, ca. 1674–76, Red chalk, Sheet: 7 x 5 1/16 in. (17.8 x 12.8 cm), Drawings, Carlo Maratti (Italian, Camerano 1625–1713 Rome), The Great Hall of the Palazzo Altieri in Rome, where Maratti

Saint Joseph Seen with his Flowering Staff, which is Held by the Christ Child, 1591–1666, Red chalk, sheet: 10 3/16 x 9 1/8 in. (25.9 x 23.2 cm), Drawings, Attributed to Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666

Hurlingham, 1879, Etching and drypoint; fourth state of four (Glasgow); printed in black ink on ivory laid paper, image: 5 7/16 x 7 15/16 in. (13.8 x 20.1 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

San Lorenzo, New Sacristy, niche frame, tabernacle, plan and elevation (recto) San Lorenzo, New Sacristy, entablature, cornice, and base of niche, profiles (verso), early to mid-16th century , Dark brown ink, black chalk, and incised

Tête à Tête, 1716, Pen and gray ink, brush and gray wash, heightened with white, over traces of graphite, contours incised., 2 15/16 x 4 3/8 in. (7.5 x 11.1 cm), Drawings, Claude Simpol (French, Clamecy 1666–1716 Paris

Design for a Garden Capriccio, n.d., Pen and black ink, with graphite underdrawing. Framing lines in pen and black ink., 17 1/8 x 11 5/8 in. (43.5 x 29.5 cm), Workshop of Gilles-Marie Oppenord (French, Paris 1672–1742 Paris

Saint Eustace, ca. 1501, Engraving, Sheet: 14 1/8 × 10 9/16 in. (35.8 × 26.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Cavalry Battle, n.d., Pen and bistre, washed with bistre and ink, 12 5/8 x 18 3/8 in. (32.1 x 46.7 cm), Drawings, After Jacques Courtois (French, Saint-Hippolyte 1621–1676 Rome

The Presentation of the Virgin in the Temple, from The Life of the Virgin, ca. 1503, Woodcut, sheet: 11 3/4 x 8 1/4 in. (29.8 x 21 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Lamp, Hellenistic or Early Imperial, 1st century B.C.–1st century A.D., Greek or Roman, Terracotta, Overall: 1 3/16 x 4 1/16 in. (3 x 10.3 cm), Terracottas

Design for a Stage Set at the Opéra, Paris, 1825–90, Graphite, Irregular sheet: 12 7/16 x 19 1/8 in. (31.6 x 48.5 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Willie Harradon, Cyclist, The Youthful Phenomenon, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes, 1888, Commercial lithograph, Sheet: 2 15/16 x 3 1/4 in. (7.4 x 8.3 cm), Trade cards from 'World's Champions, '

Four Putti on Clouds, 1640–50, Pen and brown ink, brown wash, over traces of black chalk, 6 3/8 x 8 1/4in. (16.2 x 21cm), Drawings, Leonardo Scaglia (Italian, documented Perugia, Ancona, 1640–1650

Design for a ceiling, second half 19th century, Graphite, pen and black ink, adn watercolor, Overall: 14 13/16 x 10 3/8 in. (37.7 x 26.4 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born

Design for a Chandelier, 19th century, Pen and brown ink, sheet: 14 x 17 3/16 in. (35.5 x 43.6 cm), Drawings, Anonymous, French, 19th century

Design for a beamed ceiling in French Renaissance style, 1830–97, pen and ink, wash and watercolor over graphite on wove paper, image: 19 7/16 x 13 1/2 in. (49.4 x 34.3 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

Portrait of Rinaldo Orsino, Archbishop of Florence (1474-1508), early 17th century, Pen and dark brown ink, brush and brown wash, highlighted with white gouache, over traces of red chalk, on green prepared paper, sheet (circular, diameter

The Ravisher, ca. 1495, Engraving, Sheet: 4 1/2 × 4 in. (11.4 × 10.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Lady on Horseback and the Lansquenet, ca. 1497, Engraving, Sheet: 4 3/16 × 3 7/16 in. (10.7 × 8.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Plate 37 from 'Los Caprichos': Might not the pupil know more? (Si Sabrá mas el discipulo?), 1799, Etching, aquatint and burin, Plate: 8 3/8 x 5 7/8 in. (21.3 x 15 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos

Allegory of Shipping, Pen and black ink with brush and brown wash with white heightening over graphite underdrawing, 6 1/8 x 8 3/8 in. (15.5 x 21.3 cm.), Drawings, Charles Percier (French, Paris 1764–1838 Paris

Design for Salon Ceiling, Château de Cangé, second half 19th century, Pen and black ink, watercolor, gouache, 6 5/8 x 7 3/4 in. (16.8 x 19.7 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French,

Fortitude in profile view walking toward a fire at left and leading a harnessed lion, a landscape in the background, ca. 1515–27, Engraving, Sheet (Trimmed): 10 1/4 × 7 5/16 in. (26 × 18.5 cm), Prints, Marco Dente (Italian, Ravenna,

The Image Seen by Nebuchadnezzar, 1655, Etching, burin, and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Study for Portraits, 18th century, Red chalk, brush and black wash, gray wash., 5 5/8 x 4 3/8 in. (14.3 x 11.1 cm), Drawings, Anonymous, French, 18th century

Design for a Carved or Openworked Frame with a Variant, 1652–1725, Pen and brown ink, brush and brown wash, over traces of black chalk, vertical line in graphite through the center (recto); Pen and brown ink, over traces of black chalk

Ennui (The Medium Plate), 1914–15, published 1929, Etching; fifth state of six, plate: 8 15/16 x 6 15/16 in. (22.7 x 17.6 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset

Andria, from The Comedie of Terence, 19th century reprint, n.d., Woodcut, sheet: 3 1/2 x 5 5/8 in. (8.9 x 14.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Eunuchus, from The Comedie of Terence, 19th century reprint, n.d., Woodcut, sheet: 3 1/2 x 5 5/8 in. (8.9 x 14.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

A Soldier on Duty, mid to late 17th century, Etching, Sheet: 7 3/8 x 4 7/16 in. (18.8 x 11.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Pallas et Arachne, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 13/16 × 2 3/16 in. (4.6 × 5.6 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by

Design for a Firescreen (?), 19th century, Watercolor, sheet: 7 9/16 x 12 3/8 in. (19.2 x 31.4 cm), Drawings, Anonymous, French, 19th century

Laughter, January 21, 1800, Etching, printed in brown ink, hand-colored, Sheet: 11 5/8 × 8 15/16 in. (29.5 × 22.7 cm), Prints, After George Moutard Woodward (British, ca. 1760–1809 London

Design for a Stage Set at the Opéra, Paris, 1840–90, Graphite, Irregular sheet: 12 13/16 x 12 9/16 in. (32.5 x 31.9 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Design for an Urn with Satyrs for Handles., 17th century, Pen and brown ink, brush and brown wash over traces of graphite. Additions in gray wash by a restorer, Sheet: 7 9/16 x 6 in. (19.2 x 15.3 cm), Anonymous, Italian, 17th century

Design for the decoration of an oval ceiling with putti and garlands; with a detail of a lunette, 1830–97, graphite, watercolor and gold paint on tracing paper; mounted on wove paper, Overall: 19 5/8 x 13 5/16 in. (49.8 x 33.8 cm), Drawings,

Design for a Stage Set, 1840–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Design for Ceiling, 19th century, Pen and black ink, brush and gray wash over graphite, 10 3/4 x 13 3/4in. (27.3 x 34.9cm), Drawings, Charles Monblond (French, 19th century

Saint John the Baptist Preaching., 1612–66, Pen and brown ink, brush with brown and red wash, red chalk, sheet: 7 7/8 x 10 13/16 in. (20 x 27.4 cm), Drawings, attributed to Pier Francesco Mola (Italian, Coldrerio 1612–1666 Rome

A Woman Seated at a Bench on the Avenue du Bois, 19th century, Watercolor over traces of graphite, sheet: 7 7/8 x 11 in. (20 x 28 cm), Drawings, Berthe Morisot (French, Bourges 1841–1895 Paris

Head of a Bearded, Young Man in Profile Facing Right, 1545–55, Black chalk on light brown paper, 8 1/4 x 6 1/4 in. (21 x 15.8 cm), Drawings, Bronzino (Agnolo di Cosimo di Mariano) (Italian, Monticelli 1503–1572 Florence), This delicately

Design for a ceiling paianted in filagree patterns, 1830–97, watercolor, gouache, and gold paint on wove paper; inlaid in wove paper, Overall: 10 5/16 x 14 3/4 in. (26.2 x 37.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died

The Holy Family with the Infant Baptist, 1521–75, Pen and brown ink, brush and brown wash, highlighted with white, on blue paper, 5 11/16 x 4 3/16in. (14.4 x 10.6cm), Drawings, attributed to Girolamo Siciolante da Sermoneta (Italian,

Ceiling, Cove, and Wall Decorations of the 'Guilio Romano' Room, Villa Madama, 1824, Graphite, watercolor, and gouache, 9 5/8 x 15 11/16 in. (24.4 x 39.9 cm), Drawings, Anonymous, French, 19th century

Fashion illustration, no. 2224, July 1885, Watercolor, sheet: 14 x 10 5/8 in. (35.5 x 27 cm), Drawings, Jules David (French, 1808–1892

Head of a Woman (recto); Head of a Child, Study of Children's Forearms (verso), 1634–89, Black chalk on blue paper, 7 5/8 x 8 7/8in. (19.4 x 22.5cm), Drawings, Ciro Ferri (Italian, Rome 1634?–1689 Rome

Decorated Initial with Scene of Christ Entering the Temple., 1408–11, Pen and pale grayish brown ink, brush and pale grayish brown wash (figural scene), pen and pale brown ink, over construction in leadpoint, ruling and compass work

Dignity! - 'Grace was in all her Steps. Heaven in her eyes, In all her actions dignity', June 21, 1821, Hand-colored etching, sheet: 10 3/8 x 8 9/16 in. (26.4 x 21.7 cm), Prints, Theodore Lane (British, Isleworth ca. 1800–1828 London

The Nôtre-Dame Pump (small plate), 1854, etching on heavy machine-laid paper; second of three states, plate: 4 1/4 x 3 1/8 in. (10.8 x 8 cm), Prints, Charles Meryon (French, 1821–1868

Flower Vendor, 1738, Etching with some engraving, image: 8 13/16 x 6 3/4 in. (22.4 x 17.2 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

The Prodigal Son in a House of Ill Repute, ca. 1636, Etching; third state of three, Sheet: 10 7/8 × 13 9/16 in. (27.7 × 34.4 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Saint Jerome (recto); Soldier with a Spear (verso), 1460–1525, Brush with black ink and gray wash, over traces of black chalk or charcoal, highlighted with white gouache on blue paper (recto); black chalk, highlighted with white gouache, with

Pastoral Scene: Nomads with Sheep and Cattle, 1609–64, Brush, brown, red-brown, blue, and white paint, on brownish paper, 10 1/16 x 14 1/4in. (25.6 x 36.2cm), Drawings, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa

Virility, 1636, Etching, Sheet (trimmed): 10 1/16 × 12 11/16 in. (25.6 × 32.2 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Landscape with a Large Cannon, 1518, Etching, sheet: 8 1/2 x 12 5/8 in. (21.7 x 32 cm) fair margin, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Design for a Jardinière, 18th century (?), Pen and black ink, brush and grey wash, sheet: 16 1/4 x 22 7/16 in. (41.2 x 57 cm), Drawings, Anonymous, German, 18th century

Design for a sepulchral monument; verso: Design for a monument, late 17th–early 18th century, Pen and brown ink, over red chalk and black chalk or graphite, brown and brownish yellow wash; verso: pen and brown ink, black chalk, sheet: 8 1/4 x

Design for a Decorated Wall with Grottesque over Blue Background, 1762–1844, Pen and black ink, brush and orange-gold, black wash with white gouache over traces of leadpoint on blue prepared paper, 6-1/8 x 11-7/16 in. (15.5 x 29 cm),

Virgin and Child Crowned by Two Angels, 1518, Engraving, Sheet: 5 7/8 × 3 15/16 in. (14.9 × 10 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Pelham Bay, ca. 1875, Etching, plate: 4 x 5 1/16 in. (10.2 x 12.9 cm), Prints, Henry Farrer (American, London 1844–1903 New York

Floris II from the series Counts and Countesses of Holland, Zeeland, and West-Frisia, 1650, Engraving and etching; second state of three, sheet: 20 7/16 x 15 1/16 in. (51.9 x 38.3 cm), Prints, Engraved by Cornelis Visscher (Dutch, Haarlem (?)

Ségur d'Aguessau, February 18, 1850, Lithograph, sheet: 14 1/4 x 9 15/16 in. (36.2 x 25.2 cm), Prints, Honoré Daumier (French, Marseilles 1808–1879 Valmondois

A Rat Seen in Profile., 1685–1755, Brush with gray, brown, and light pink wash over traces of graphite. Traces of framing lines in pen and black ink at right edge, sheet: 4 9/16 x 8 9/16 in. (11.6 x 21.7 cm), Drawings, Count Giorgio Durante

Neptune in his Chariot being drawn by seahorses, from the 'Division of the Universe', 1531–76, Engraving, sheet: 7 13/16 x 10 1/4 in. (19.8 x 26 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 2 7/8 x 3 11/16 in. (7.3 x 9.3 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau