Images at Librifly

Bill Lying on His Mother's Lap, ca. 1889, Soft-ground and aquatint; fourth state of five, plate: 7 1/16 x 5 7/16 in. (17.9 x 13.8 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise

Jean Duvergier de Hauranne, abbe de Saint-Cyran, Etching, image: 13 9/16 x 9 7/16 in. (34.4 x 23.9 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris

Two designs for wall panels, second half 19th century, Graphite, gilt, gouache, and watercolor, Overall: 13 9/16 x 19 13/16 in. (34.5 x 50.3 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French,

Two Studies of a Seated Male Nude Seen from the Back, 1596–1602, Red chalk, with some contours reinforced in pen and brown ink. Upper right corner replaced, 7-13/16 x 5-1/4 in. (19.8 x 13.3 cm), Drawings, attributed to Cherubino Alberti

Rest on the flight into Egypt, Mary holding the infant Christ with St. Joseph at right, ca. 1640, Etching, Plate: 6 15/16 × 10 3/8 in. (17.7 × 26.3 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona

Christ Giving the Host to a Holy Abbess (after Gaulli), 1639–1709, Pen and brown ink, brush and gray wash. Squared in black chalk, 15-1/4 x 9-1/4 in. (38.8 x 23.5 cm), Drawings, After Giovanni Battista Gaulli (Il Baciccio) (Italian, Genoa

Design for an Architectural Interior, n.d., Pen and black ink, brush and gray, blue and brown wash, 6 7/16 x 11 11/16 in. (16.3 x 29.7 cm.), Drawings, Pierre Nicolas Ransonnette (French, Paris 1745–1810 Paris

Christ on the Cross, 1590–1600, Black chalk. Traces of reddish-brown oil paint at lower left, 10 11/16 x 7 1/2in. (27.1 x 19.1cm), Drawings, attributed to Girolamo Muziano (Italian, Acquafredda, Brescia 1528–1592 Rome

The Circumcision, Study for an Engraving, 1634–89, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, 10 15/16 x 7 13/16in. (27.8 x 19.9cm), Drawings, Ciro Ferri (Italian, Rome 1634?–1689 Rome) - workshop

Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie, 18th century, Etching, sheet: 6 7/16 x 8 3/16 in. (16.3 x 20.8 cm), Prints, Jean Claude Richard, Abbé de Saint-Non (French, Paris

Woodcutter Trimming Faggots, 1853–54, Conté crayon with stumping on beige laid paper, Overall: 15 x 11 3/4in. (38.1 x 29.8cm), Drawings, Jean-François Millet (French, Gruchy 1814–1875 Barbizon

A Giant Seated in a Landscape, sometimes called 'The Colossus', by 1818, Burnished aquatint with scraping and strokes of 'lavis' added along the top of the landscape and within the landscape, Plate: 11 3/16 × 8 3/16 in. (28.4 × 20.8 cm),

Design for a Ewer, 1734–91, Pen and black ink, brush and gray wash., 9 5/8 x 5 9/16 in. (24.4 x 14.1 cm), Drawings, Jean Charles Delafosse (French, Paris 1734–1789 Paris

Funerary Scene in a Temple, ca. 1760, Etching, image: 5 1/16 x 7 1/2 in. (12.9 x 19.1 cm), Prints, Pierre Moreau (French, 1722–1798 Paris

The Crucifixion (Round) (copy), n.d., Engraving, Diameter: 1 7/16 in. (3.6 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Arion, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 13/16 × 2 1/4 in. (4.6 × 5.7 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean

Man Wearing a Small Turban Ornamented with Plumes and Ribbon, Facing Right, from Studies of Small Heads in Oriental Headdress, 17th century, etching, sheet: 4 5/16 x 3 1/8 in. (11 x 8 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto)

Mauritanie, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676

Ornamental Designs After Antique Vases, 1548–1612, Pen and brown ink, brush and brown wash., 4 15/16 x 7 5/8 in. (12.5 x 19.4 cm), Drawings, After Bernardino Poccetti (Italian, San Marino di Valdelsa 1548–1612 Florence

Design for Gallery Elevation and Ceiling, Hôtel Cottier, ca. 1867, Watercolor and gilt, 11 5/16 x 13 1/4 in. (28.8 x 33.7 cm), Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Design for the decoration of a ceiling, 1830–97, pen and ink, watercolor, and gouache on wove paper; mounted on wove paper, Overall: 10 5/16 x 14 13/16 in. (26.2 x 37.7 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

Plate 37 from 'The Disasters of War' (Los Desastres de La Guerra):'This is worse' (Esto es peor.), 1810 (first published 1863), Etching, lavis and drypoint, Plate: 6 in. × 7 15/16 in. (15.2 × 20.1 cm), Prints, Goya (Francisco de Goya y

Elevation of the Entrance to an Arsenal, Pen and black ink with brush and gray, brown and blue washes, 7 5/8 x 11 7/8 in. (19.3 x 30.2 cm.), Drawings, Attributed to Jean Charles Delafosse (French, Paris 1734–1789 Paris

Ornamental drawings (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 3 7/16 x 11 3/4 in. (8.7 x 29.9 cm

The Holy Trinity (Schr. 774a), 15th century, Woodcut, hand-colored, sheet: 3 7/16 x 2 5/8 in. (8.8 x 6.7 cm), Prints, Anonymous, German, 15th century

The Presentation in the Temple in the Dark Manner, ca. 1654, Etching and drypoint, Plate: 8 1/4 x 6 3/8 in. (21 x 16.2 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Design for a Lighthouse (Margate?), ca. 1815, Pen and black ink, watercolor. Framing lines in pen and black ink., sheet: 15 1/2 x 12 5/16 in. (39.4 x 31.3 cm), Debenne (French, active ca. 1815

Lamp, Hellenistic or Early Imperial, 1st century B.C.–1st century A.D., Greek or Roman, Terracotta, Overall: 1 5/16 x 4 7/8 in. (3.3 x 12.4 cm), Terracottas

Tobit burying the Dead, ca. 1647–51, Etching, Sheet: 8 1/16 × 11 3/4 in. (20.4 × 29.8 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua

Le Public à l'Exposition (The Public at the Exhibition), June 18, 1864, Lithograph; third state of three, image: 8 13/16 x 8 11/16 in. (22.4 x 22 cm), Prints, Honoré Daumier (French, Marseilles 1808–1879 Valmondois

A Fountain in a Grotto, ca. 1598, Pen and brown ink, brush and brown wash, over traces of black and red chalk, maximum, corners cut to octagonal shape: 10 3/4 × 7 1/4 in. (27.3 × 18.4 cm), Giovanni Guerra (Italian, Modena 1544–1618 Rome),

Cameo, No. 1 (Mother and Child), 1880–1903, Etching; only state (Glasgow); printed in black ink on dark ivory laid paper, Plate: 6 7/8 × 5 in. (17.5 × 12.7 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903

Plate 18 from the 'Disparates':Birds of a feather flock together, ca. 1816–23 (private printing ca4), Etching, burnished aquatint and burin, Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish,

Spring (Ver) from The Seasons, 1570, Engraving; first state of three, sheet: 9 x 11 7/16 in. (22.8 x 29 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

Standing Male Figure with Left Arm Extended, 18th century, Red chalk, traces of black chalk, heightened with white, on beige paper., 16 5/16 x 11 1/8 in. (41.5 x 28.3 cm), Drawings, Charles Joseph Natoire (French, Nîmes 1700–1777 Castel

Design for a Decorative Wall Panel with Profile Portraits, and a Study for a Column, 19th century, Watercolor on wove paper (wall panel); pen and ink (column), sheet: 6 3/8 x 10 1/16 in. (16.2 x 25.5 cm), Anonymous, French, 19th century

Minerva (Study after a Sculpture), n.d., Conté crayon, stumping, heightened with white chalk on faded blue paper, sheet: 11 1/2 x 8 7/16 in. (29.2 x 21.5 cm), Drawings, Louis Léopold Boilly (French, La Bassée 1761–1845 Paris), This

Death on the Battlefield, from 'The five deaths' (Les cinq Morts), ca. 1648, Etching; proof state retouched with graphite and pen and brown ink, Sheet (trimmed): 7 1/2 × 11 3/4 in. (19.1 × 29.8 cm), Prints, Etched by Stefano della Bella

Lust (Luxuria) from The Seven Deadly Sins, 1558, Engraving, plate: 8 7/8 x 11 11/16 in. (22.6 x 29.7 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569

Return of the Prodigal Son, 1620–69, Etching, pen and ink, Plate: 6 1/8 × 5 7/16 in. (15.6 × 13.8 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

The Merchant Robbed by Monkeys, 1562, Engraving; first state of five, plate: 8 15/16 x 11 9/16 in. (22.7 x 29.4 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.

Watch Design, 1794, Watercolor with pen and ink on laid paper, sheet: 13 5/8 x 9 5/8 in. (34.6 x 24.4 cm), Drawings, Delamotte

Design for double doors decorated in the rococco style, 1867, graphite, pen and ink, watercolor and gold paint on wove paper; mounted on blue paper, Overall: 14 3/4 x 10 3/8 in. (37.4 x 26.4 cm), Drawings, Jules-Edmond-Charles Lachaise

Molière's tomb, Père-Lachaise Cemetery, Paris, 1854, Copper plate, plate: 2 5/8 x 2 3/4 in. (6.7 x 7 cm), Plates, Charles Meryon (French, 1821–1868

The Lamentation, n.d., Woodcut, sheet: 15 5/16 x 11 1/8 in. (38.9 x 28.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

The Angel Appearing to the Shepherds, 1634, Etching, burin, and drypoint; third state of three, image: 10 5/16 x 8 9/16 in. (26.2 x 21.7 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

The Church of St. Etienne-du-Mont, Paris, 1852, Etching and drypoint on laid paper; eighth (final) state, plate: 9 13/16 x 5 1/8 in. (25 x 13 cm), Prints, Charles Meryon (French, 1821–1868

Naked woman (Leda) and swan (Zeus) embrace on a river bank; two figures jump into the water at middle ground; a town and bridge in the background., early 16th century, Engraving, Sheet (trimmed to plate): 6 9/16 × 7 13/16 in. (16.7 × 19.9 cm),

Jansenius, eveque d'Ypres, Etching, first state, image: 11 13/16 x 9 3/8 in. (30 x 23.8 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris

Pastry Shop, ca. 1632–33, Etching, sheet: 10 1/4 x 13 3/16 in. (26 x 33.5 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

The Great Triumphal Car third sheet, n.d., Woodcut, sheet: 8 3/8 x 10 1/16 in. (21.3 x 25.6 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Cosimo de Medici, Prince of Tuscany, and His Wife, Marguerite Louise d'Orleans, 1661, Etching, Sheet: 5 3/8 × 5 7/16 in. (13.6 × 13.8 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Scherzo di Fantasia: Two Standing Orientals and a Standing Youth with a Sword, 1696–1770, Pen and dark brown ink, brush with pale and dark brown wash, over traces of black chalk, 13-11/16 x 9-15/16 in. (34.7 x 25.2 cm), Drawings, Giovanni

Bust of a Woman, 18th century, Graphite, 4 x 3 3/4 in. (10.2 x 9.5 cm) Oval, Drawings, Anonymous, French, 18th century

Pietà, 1612–16, Etching with stippling and engraving, Sheet (trimmed): 12 3/16 × 7 13/16 in. (31 × 19.8 cm), Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy

A Trip to Scarborough, March 3, 1783, Etching, sheet: 9 7/16 x 16 5/16 in. (24 x 41.5 cm), Prints

Design for the decoration of a ceiling in the house of Baron Malet, Jouy-en-Josas (Seine et Gise), second half 19th century, Gouache on laid paper; inlaid in blue wove paper, sheet: 8 5/8 x 11 1/16 in. (21.9 x 28.1 cm), Drawings,

Saint Jerome Extracting a Thorn from the Lion's Foot, Lyons, 1508 (copy), n.d., Woodcut, Sheet: 9 11/16 × 7 3/16 in. (24.6 × 18.2 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Figures in a Garden, 1784, Gouache, 12 1/2 x 17 1/4 in. (31.7 x 43.8 cm), Drawings, Jean Démosthène Dugourc (French, Versailles 1749–1825 Paris

Elevation of an Italianate interior, including steps and an upper loggia decorated in composite columns, 1830–97, pen and ink, wash and watercolor, heightened with white on wove paper, sheet: 19 3/16 x 13 5/16 in. (48.8 x 33.8 cm), Drawings,

Christ on the Cross with the Virgin and Saint John, n.d., Woodcut, sheet: 8 5/8 x 5 7/16 in. (21.9 x 13.8 cm), Prints, Formerly attributed to Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Prodigal Son Leaves Home, ca. 1636, Etching and engraving, Sheet: 11 7/8 × 14 1/16 in. (30.1 × 35.7 cm), Prints, Anonymous, After Abraham Bosse (French, Tours 1602/1604–1676 Paris

Mars, Venus and Cupid, ca7–1639, Etching, Sheet: 10 5/16 × 7 7/8 in. (26.2 × 20 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona), After Paolo Veronese (Paolo Caliari) (Italian, Verona 1528–1588 Venice

New Caledonia: Large native hut on the road from Balade to Puebo, 1845, 1863, Etching on laid paper., plate: 5 3/8 x 9 3/4 in. (13.7 x 24.8 cm), Prints, Charles Meryon (French, 1821–1868

Two designs for a ceiling, second half 19th century, Graphite, pen and black ink, and watercolor, Overall: 10 1/4 x 15 7/8 in. (26 x 40.4 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born

Clothing Beggars, possibly 1635, Etching, Sheet (trimmed): 10 1/4 × 12 15/16 in. (26.1 × 32.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Designs for Ornamental Motifs and for a Herm Supporting a Chimney Piece, 1568–1625, Pen and brown ink, brush and brown wash, over black chalk, 12 x 8 1/2in. (30.5 x 21.6cm), Drawings, Moncalvo (Guglielmo Caccia) (Italian, Montabone

Design for an ornamental plaque for a bath house, 1830–97, graphite, wash, and watercolor on wove paper; mounted on wove paper, Overall: 9 11/16 x 12 5/8 in. (24.6 x 32.1 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

Virgin and Child with Two Saints (recto); Fragmentary Design of a Pietà (verso)., 1515–20, Red chalk (recto); soft black chalk (verso), sheet: 8 1/16 x 6 1/8 in. (20.5 x 15.6 cm), Drawings, Domenico Puligo (Italian, Florence 1492–1527

Presentation of the Infant Jesus in the Temple, ca. 1643, Pen and brown ink, brown wash., 8 3/16 x 5 7/8 in. (20.8 x 15 cm), Drawings, Charles Mellin (French, Nancy ca. 1597–1649 Rome

A lion, dragon and fox fighting each other, an inscribed banderole above, an oval composition, ca. 1515–27, Engraving, Sheet (Trimmed to plate): 4 3/4 × 6 9/16 in. (12 × 16.6 cm), Prints, Marco Dente (Italian, Ravenna, active by

Plate 51 from 'Los Caprichos': They spruce themselves up (Se repulen.), 1799, Etching, burnished aquatint and burin, Plate: 8 1/4 x 5 13/16 in. (20.9 x 14.7 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828

Ornamental Design with Fruit and Flowers (recto); Flower Stalk with Leaves (verso), 18th century, Black chalk with pastel on blue paper (recto); black chalk (verso), 16 1/16 x 11 1/4 in. (40.8 x 28.6 cm), Drawings, Alexis Peyrotte (French,

Saint Anthony of Padua adoring the Christ Child, copy after Cantarini, 1640, Etching, Sheet: 10 13/16 × 7 1/2 in. (27.4 × 19 cm), Prints, Anonymous, Italian, 17th century, After Simone Cantarini (Italian, Pesaro 1612–1648 Verona

Three Designs for Ceilings, Hôtel Cottier, ca. 1879, Graphite, 10 3/8 x 14 7/8 in. (26.4 x 37.8 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces, 1521 before, Woodcut, sheet: 11 5/16 x 9 1/16 in. (28.7 x 23 cm), Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), after Leonardo da Vinci (Italian, Vinci

Courtyard of the Chateau de Saint-Cloud, n.d., Pen and brown ink, watercolor, over traces of graphite. Scattered stains., 7 15/16 x 12 5/8 in. (20.1 x 32.1 cm), Drawings, Victor Jean Nicolle (French, Paris 1754–1826 Paris

Christ Carrying the Cross, from The Passion, 1512, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12 × 7.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Bacchanale with Eight Figures, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561

Au jardin d'acclimatation, 1850–1914, Etching; first state of two, sheet: 9 15/16 x 12 1/2 in. (25.2 x 31.7 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

Design for a Stage Set at the Opéra, Paris, 1828–90, Graphite, brush and gray wash, sheet: 11 13/16 x 18 3/16 in. (30 x 46.2 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Design for Decorated Archway, Monaco Pavillion, 1878, Pen and black ink, graphite, watercolor, and gouache, 8 x 11 in. (20.3 x 27.9 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born

An Old Man in Profile, 1761, Etching, plate: 5 1/16 x 3 7/8 in. (12.9 x 9.8 cm), Prints, Captain William E. Baillie (Irish, County Kilbride 1723–1810 London), After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Monstrous Craws at a New Coalition Feast, May 29, 1787, Etching and aquatint, sheet: 14 5/8 x 18 7/16 in. (37.2 x 46.9 cm), Prints, James Gillray (British, Chelsea 1756–1815 London), Queen Charlotte, George, Prince of Wales, and King

L'Enfant Trouvé:–a Sample of Roman Charity!–or–the Misfortune of Not Being Born with Marks of 'the Talents', May 19, 1808, Hand-colored etching, sheet (clipped impression): 10 1/16 x 14 in. (25.6 x 35.6 cm), Prints, James Gillray

Satyr Leading Goat on which a Infant Rides, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561

Prise de Constantine, 19th century, Pen and ink and watercolor, 5 7/8 x 11 in. (14.9 x 27.9 cm), Drawings, Auguste Raffet (French, Paris 1804–1860 Gênes

Baby's Lullaby, ca. 1887, Drypoint; second state of two, plate: 6 1/4 x 6 1/4 in. (15.9 x 16 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise

Hermit Saints (Schr. 1773b), 15th century, Woodcut, hand-colored with oxidized silver; printed by hand, sheet: 5 11/16 x 4 3/4 in. (14.5 x 12 cm), Prints, Anonymous, German, 15th century

Elevation of a Pulpit, Front View, R. Edmundson & Sons, early 19th century, Ink and watercolor, sheet: 9 1/2 x 11 13/16 in. (24.2 x 30 cm), Anonymous, British, 19th century

Le Cocu battu et content, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, 1795, Etching and engraving; second state of three (Cohen), Sheet: 13 15/16 × 10 9/16

Design for an Casket heavily decorated Foliate Scrolls, Garlands and a Satyr Mask, 1652–1725, Pen and brown ink, brush and gray wash over traces of graphite, sheet: 6 x 9 5/16 in. (15.2 x 23.7 cm), Giovanni Battista Foggini (Italian,

Fortitude, from the series The Seven Virtues, 1530, Engraving, sheet: 6 7/16 x 4 1/4 in. (16.4 x 10.8 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

L'Homme au Gros Dos Orné d'Une Rangée de Boutons (Man with a Large Back Ornamented with a Row of Buttons), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The

Cut-leaved Balsam Root, Balsamorrhiza macrophylla, May 26, 1913, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American,

Cephalus and Procris, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 3/4 × 2 1/4 in. (4.5 × 5.7 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by

The Blacksmith, 1895–96, Transfer lithograph with stumping, drawn on thin, transparent transfer paper; second state of three (Chicago); printed in black ink on cream laid paper, Image: 8 3/8 × 6 1/8 in. (21.2 × 15.5 cm), Prints, James

Songs of Innocence and of Experience: The Chimney Sweeper, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm), Prints, William Blake (British, London

Saint Jerome Penitent in the Wilderness (copy), n.d., Engraving, Sheet: 12 5/8 × 8 15/16 in. (32.1 × 22.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg