Images at Librifly

Wall Design, 18th century, Leadpoint or graphite with ruled and compass construction, 14 1/8 x 9 3/4 in. (35.9 x 24.8 cm), Drawings, Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730–after 1797

Madonna and Child on clouds, 17th century, Etching, Sheet (Trimmed): 5 1/16 × 3 3/8 in. (12.8 × 8.5 cm), Prints, Attributed to Simone Cantarini (Italian, Pesaro 1612–1648 Verona

Allegory with a Flying Victory and a Seated Bearded Man with a Book, 1510–61, Pen and brown ink, brush and brown wash, 7 1/2 x 8 1/16in. (19 x 20.5cm), Drawings, Battista Franco (Italian, Venice ca. 1510–1561 Venice), This drawing seems

In the Opera Box (No. 3), ca. 1880, Soft-ground, aquatint and etching; fourth state of four, Plate: 7 3/4 x 7 in. (19.7 x 17.8 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise

St. Dorothea, 15th century, Woodcut, hand-colored, sheet: 4 1/2 x 3 1/8 in. (11.4 x 7.9 cm), Prints, Anonymous, German, 15th century

Eleven designs for the painted decoration of interiors, 1830–97, graphite, pen and ink, and watercolor on various papers; mounted on cardboard, Overall: 12 5/16 x 18 3/4 in. (31.3 x 47.6 cm), Drawings, Jules-Edmond-Charles Lachaise (French,

Christophe de Thou, premier president au Parlement, Etching, sheet: 13 3/16 x 10 1/2 in. (33.5 x 26.6 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris

Study of a Nude Man Holding Bottles, ca. 1715–16, Black, red, and white chalk., 10 7/8 x 8 7/8 in. (27.7 x 22.6 cm), Drawings, Antoine Watteau (French, Valenciennes 1684–1721 Nogent-sur-Marne), The four large oval paintings of the

Designs for the ceiling and wall of a room decorated with waterbirds and flowering vines, 1830–97, pen and ink and watercolor on wove and laid papers; mounted on blue wove paper, Overall: 14 7/8 x 10 9/16 in. (37.8 x 26.8 cm), Drawings,

Horses in the Meadow, 1891–92, Softground etching, aquatint, and drypoint on laid paper; second state of three (unique impression), plate: 5 1/16 x 5 11/16 in. (12.9 x 14.5 cm), Prints, Edgar Degas (French, Paris 1834–1917 Paris

Globe flower, Trollius laxus, June 26, 1909, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York 1867–1944

Songs of Innocence: Frontispiece, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm), Prints, William Blake (British, London 1757–1827 London), This

The Adoration of the Magi, ca. 1517, Red chalk, highlighted with white gouache, 11-7/16 x 7-3/4 in. (29.1 x 19.7 cm), Drawings, Correggio (Antonio Allegri) (Italian, Correggio, active by 1514–died 1534 Correggio), It is possible Correggio

Design for Garden Architecture, n.d., Pen and brown and black ink, brush and gray wash, over traces of graphite. Framing lines in pen and brown ink., 11 7/16 x 16 13/16 in. (29.1 x 42.7 cm), Sébastien Leclerc I (French, Metz 1637–1714

Satyr and Nymphs Dancing, mid-17th century, Pen and ink on paper, 11 5/8 x 8 1/4 in. (29.5 x 21 cm), Drawings, Raymond de La Fage (French, Lisle-sur-Tarn 1650–1684 Lyon

We Have the Exhibition to Examine, 1810–40, Hand-colored etching, Sheet: 9 9/16 x 14 1/8 in. (24.3 x 35.9 cm), Prints, William Heath ('Paul Pry') (British, London 1795–1840 Hampstead

Christ in the Garden of Gethsemane., 18th century, Pen and brown ink, brush and gray wash, over red chalk, sheet: 7 13/16 x 6 9/16 in. (19.8 x 16.6 cm) maximum; irregular borders, Drawings, Gaspare Diziani (Italian, Belluno 1689–1767

Putto and Angel Holding a Banderole., 1706, Brush and pink and white tempera, over red chalk, on brownish paper, Sheet: 6 9/16 x 7 3/8 in. (16.7 x 18.7 cm), Drawings, Antonio Franchi (Il Lucchese) (Italian, Villa Basilica near Lucca

Les Ruines au Fond, Etching, sheet: 7 13/16 x 7 3/16 in. (19.8 x 18.3 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris

Cartouche Framed by Apollo and Pan, 1647, Etching; first state, Sheet: 4 3/4 × 3 9/16 in. (12 × 9.1 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

The Surgeon (La Saignée), 1632, Etching and engraving, sheet: 10 1/4 x 13 7/16 in. (26 x 34.2 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Design for a Grate, with Plan, 19th century, Ink, graphite and watercolor on tracing paper, Anonymous, British, 19th century

Design for Red Curtains with a Gothic Style Gold Pediment, early 19th century, Ink, watercolor and wash, sheet: 9 5/8 x 11 7/8 in. (24.4 x 30.2 cm), Anonymous, British, 19th century

Bust portrait of Michelangelo facing right, set within a cartouche., 1546, Engraving, Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 10 3/16 x 4 in. (25.9 x 10.2 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

James McNeill Whistler, 1874, Etching; early state (before addition of artist's signature lower left center), plate: 5 1/8 x 7 3/4 in. (13 x 19.7 cm), Prints, Percy Thomas (British, London 1846–1922 London), After James McNeill Whistler

Design for a paneled ceiling with alternative decorations, 19th century, pen and ink, watercolor, and gold paint on tracing paper, glued on to wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet

Study for the Archangel Gabriel, 17th century, Red chalk and graphite, heightened with white chalk, 13 1/4 x 9 1/2 in. (33.7 x 24.1 cm), Drawings, Nicolas Mignard (French, Troyes 1606–1668 Paris

The Bus from Hell to Earth, Peace Day, 1919, ca. 1919, Pen and black ink, brush and watercolor and wash, over graphite, sheet: 9 1/2 x 17 1/8 in. (24.1 x 43.5 cm), Drawings, Georges Tiret-Bognet (French, born Saint-Servan, 1855

Small Shooting Star, Dodecatheon pauciflorum, Juky, 1909, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New

Designs for the painted decoration of ceiling timbers; one monogrammed: 'LB', second half 19th century, pen and ink, watercolor, and gold paint, sheet: 10 13/16 x 8 7/8 in. (27.5 x 22.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French,

Architectural Design in Section, 18th century, Pen and black ink, brush with gray-black wash, with ruled and compass construction, 17 13/16 x 12 3/8 in. (45.2 x 31.4 cm), Drawings, Workshop of Leonardo Marini (Italian, Piedmontese documented

A Standing Peasant Boy in Hat and Wooden Shoes, 1825–65, Black chalk, heightened with white, Overall: 11 1/2 x 7 5/8in. (29.2 x 19.4cm), Drawings, Constant Troyon (French, Sèvres 1810–1865 Paris

Head of an old bearded Man with a Turban, Etching, Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 3 x 9 7/16 in. (7.6 x 23.9 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Plate 20 from 'The Disasters of War' (Los Desastres de la Guerra): 'Get them well, and on to the next.' (Curarlos y á otra.), 1810 (published 1863), Etching, lavis, burin and burnisher, Plate: 6 5/16 × 9 1/4 in. (16 × 23.5 cm), Prints,

Design for the decoration of a ceiling in rinceaux, 1830–97, pen and ink, watercolor, and gold paint on wove paper; mounted on blue wove paper, Overall: 10 7/16 x 14 3/4 in. (26.5 x 37.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French,

Apollo and Diana, ca. 1503, Engraving, Sheet: 4 1/2 × 2 13/16 in. (11.5 × 7.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Design for an Ewer, 19th century, Pen and black ink, brush and gray and blue wash, over graphite. Design pasted to gray mounting paper., sheet: 14 5/16 x 9 5/8 in. (36.3 x 24.5 cm), Drawings, Anonymous, French, 19th century

Anger (Ira) from The Seven Deadly Sins, 1558, Engraving, plate: 8 13/16 x 11 9/16 in. (22.4 x 29.4 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569

Design for a Crucifix, 18th century, Red chalk over graphite, touched with pen and brown ink along bottom left, sheet: 17 3/16 x 6 1/16 in. (43.7 x 15.4 cm), Attributed to Anonymous, French, 18th century

The columns of the Temple of Antoninus to right, a part of the Campo Vaccino in center and at left, along with various animals and figures, the Palatine ruins in the background, from 'Six large views, four of Rome, and two of the Roman

Head of a Bearded Man in Profile to Left, possibly the Portrait of the Poet Giorgio Anselmi (ca. 1459-1528), with Faint Sketch of a Skull-like Head, 1503–40, Red chalk, the head at the left over a stylus sketch, 5 1/2 x 9 1/16in. (13.9 x

Apollo standing a beside a woman representing an allegory of painting, from 'The Loves of the Gods', 1531–60, Engraving, sheet: 5 1/2 x 4 3/16 in. (14 x 10.7 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Design for an Iron Railing, 18th century, Pen and brown ink, sheet: 9 1/2 x 14 9/16 in. (24.2 x 37 cm), Anonymous, French, 18th century

The Fall of Satan, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 7 13/16 x 6 3/8 in. (19.8 x 16.2 cm), Prints, William Blake (British, London 1757–1827 London

Caricature of Eugène Delacroix Painting Medea about to Kill Her Children, 1839, Lithograph, Sheet: 14 7/16 x 10 1/16 in. (36.7 x 25.5 cm), Prints, Benjamin Roubaud (called 'Benjamin') (French, 1811–1847

Hardware Peddler, 1746, Etching with some engraving, Sheet: 9 3/16 x 6 13/16 in. (23.4 x 17.3 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

La Gageure des trois Commeres: La Servante, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching; first state of three (Cohen), Sheet: 13

View of a Park, n.d., Watercolor and gouache over traces of graphite., 12 3/4 x 18 7/8 in. (32.4 x 47.9 cm), Drawings, Louis Gabriel Moreau (French, Paris 1740–1806 Paris

The Little Forge (The Little Forge, Liverpool), 1875, Drypoint; seventh state of sixteen (Glasgow); printed in black ink on ivory laid paper removed from a book, Plate: 8 7/8 × 5 7/8 in. (22.6 × 14.9 cm), Prints, James McNeill Whistler

Design for a Trompe L'Oeil Ceiling, ca. 1750–60, Pen and brown ink, brush and brown, gray, rose, green and blue wash, over traces of black chalk or leadpoint, 9 15/16 x 11 7/8 in. (25.3 x 30.1 cm), Attributed to Flaminio Innocenzo Minozzi

Queen Elizabeth I of England, late 16th–early 17th century, Engraving, sheet: 6 7/8 x 5 in. (17.5 x 12.7 cm), Prints, Attributed to Frans Huys (Netherlandish, 1522–1562

The Surgeon, 1632, Etching and engraving; first state of two, Sheet: 11 1/2 × 14 9/16 in. (29.2 × 37 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

The Feast of the Faun, n.d., Etching, fifth state, sheet: 11 5/16 x 16 3/4 in. (28.8 x 42.6 cm), Prints

The Baptism of Christ, 1727–1804, Pen and brown ink, brush and brown wash, 10 1/8 x 7 13/16in. (25.7 x 19.8cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice

Studies of Heads, Engraving with etching, sheet: 7 1/2 x 8 7/16 in. (19 x 21.5 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Design for Export Furniture, ca. 1800, Watercolor over graphite, sheet approx.: 11 x 16 in. (27.9 x 40.6 cm), Drawings, Anonymous, Chinese, 19th century

Portrait of Meryon, 1850–1914, Etching; second state of two. Reproduction by Amand-Durand process, per Beraldi., Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

Olympia (small plate), 1867, Etching in brown ink on laid paper with partial watermark (fleur de lis in a cartouche), final state of six, Plate: 3 7/16 × 7 1/16 in. (8.8 × 17.9 cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris

The Virgin Intervening during a Siege of Madrid, ca. 1699, Brush and brown wash over lead or black chalk, 10 1/2 x 14in. (26.6 x 35.6cm), Drawings, Luca Giordano (Italian, Naples 1634–1705 Naples

The Martyrdom of Saint Catherine of Alexandria, n.d., Woodcut, image: 15 7/16 x 11 5/16 in. (39.2 x 28.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Jean Duvergier de Hauranne, abbe de Saint-Cyran, Etching, sheet: 13 x 10 7/16 in. (33 x 26.5 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674 Paris

La Colation preparee dans un jardin, n.d., Etching, second state, sheet: 8 x 7 15/16 in. (20.3 x 20.2 cm), Prints, Claude Gillot (French, Langres 1673–1722 Paris), Engraved by Charles Nicolas Cochin I (French, Paris 1688–1754 Paris

Cavalry Charge, 1624–63, Pen and brown ink, 3-1/2 x 3-3/4 in. (8.9 x 9.5 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?) 1615/20–after 1679 Gubbio

Satirical drawing: Artist Painting an Old Lady's Portrait, 1729–1804, Pen and gray ink, brush and gray wash, and gray, brown, red, blue, yellow and green watercolor. Framing lines in pen and brown ink, 10 7/8 x 15 7/16in. (27.7 x 39.2cm),

Chagford (The Small Plate), ca. 1916, Etching; second state of two, plate: 4 x 5 3/4 in. (10.2 x 14.6 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset

Evening, Little Waterloo Bridge, 1896, Transfer lithograph with stumping, drawn on white transfer paper with a grained-stone texture; second stateof two (Chicago); printed in black ink on medium weight cream laid paper, Image: 3 11/16 × 7 5/8

A View of the Ancient City (Parthenon?), after 1800, Graphite, 14 5/16 x 22 1/4 in. (36.4 x 56.5 cm), Drawings, Anonymous, German, 19th century ?, Anonymous, Italian, 19th century

Young Man with His Head Lowered, Wearing a Turban, Facing Left, from Studies of Small Heads in Oriental Headdress, 17th century, etching, sheet: 4 5/16 x 3 1/8 in. (11 x 8 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian,

The School Master, ca. 1635–38, Etching, Sheet (trimmed): 10 in. × 12 5/8 in. (25.4 × 32.1 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Entombment, 16th century, Pen and brown ink, brush and brown wash, over leadpoint, 7 3/8 x 7 3/4 in. (18.8 x 19.7 cm), Drawings, Traditionally Ascribed to Maso da San Friano (Tommaso Manzuoli) (Italian, Florence 1531–1571 Florence

The Gypsies (Les Gitanos), 1862, etching, final state (II) on blue laid paper, plate: 12 x 9 3/8in. (30.5 x 23.8cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris

Alexander Entering Babylon, n.d., Pen and brown ink, brush and gray wash over red chalk. Several corrections on separate pieces of paper, pasted onto original sheet., 8 13/16 x 14 7/16 in. (22.4 x 36.7 cm.), Drawings, Sébastien Leclerc I

Death on a Battlefield, from 'The five deaths' (Les cinq Morts), ca. 1646/7, Etching, third state of four, Plate: 8 11/16 × 11 13/16 in. (22 × 30 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

The Garden, 1891, Transfer lithograph, drawn on medium-grained transfer paper; only state (Chicago); printed in black ink on cream wove paper, Image: 6 11/16 × 7 5/16 in. (17 × 18.5 cm), Prints, James McNeill Whistler (American, Lowell,

The Flight into Egypt, early 18th century, Black chalk, heightened with white, on blue paper. Framing lines in pen and brown ink., 8 3/8 x 12 3/16 in. (21.3 x 31 cm), Drawings, François Le Moyne (French, Paris 1688–1737 Paris

Ducks (Decoration for a Plate), second half 19th century, Etching on laid paper, sheet: 12 3/8 x 19 3/16 in. (31.5 x 48.8 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

Design for Two Small Tables with Tapered Columnar Legs, early 19th century, Graphite, sheet: 8 9/16 x 12 5/16 in. (21.8 x 31.2 cm), Anonymous, British, 19th century

Design for Wall Paneling, Château de Deepdene, 1875–79, Watercolor, 8 13/16 x 8 1/8 in. (22.4 x 20.6 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Illustration for a Book: Cardinal with Troops Facing a Fortification on a Hilltop, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 3-1/8 x 6-1/4 in. (7.9 x 15.8 cm), Drawings, Giovanni Battista

La Vielle aux Loques, 1858, Etching and drypoint; third state of four (Glasgow); printed in black ink on tan chine on off-white wove paper (chine collé), Plate: 8 3/16 × 5 3/4 in. (20.8 × 14.6 cm), Prints, James McNeill Whistler (American,

Plate 8 from the 'Tauromaquia':A Moor Caught by the Bull in the ring., 1816, Etching, burnished aquatint and drypoint, Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828

Design for a Music Program, 19th century, Black chalk, graphite, and pen and black ink., sheet: 19 1/8 x 12 9/16 in. (48.6 x 31.9 cm), Drawings, Anonymous, French, 19th century

Plate 18 from 'The Disasters of War' (Los Desastres de la Guerra): 'Bury them and keep quiet'(Enterrar y callar), 1810 (published 1863), Etching, burnished lavis, drypoint and burin, Plate: 6 5/16 × 9 1/4 in. (16 × 23.5 cm), Prints, Goya

Aurora Riding in Her Chariot, 1754–1817, Pen and brown ink, brush and brown wash, over black chalk, 7-3/8 x 11-7/16 in. (18.8 x 29.0 cm), Drawings, Andrea Appiani (Italian, Milan 1754–1817 Milan

Portrait of Jacques d'O, Black, red, and brown chalks, 11-7/8 x 8-5/16 in. (30.2 x 21.1 cm), Drawings, Anonymous, French, 16th century

Plate 19 from 'The Disasters of War' (Los Desastres de la Guerra): 'There isn't time now.' (Ya no hay tiempo.), 1810 (published 1863), Etching, lavis, drypoint, burin and burnisher, Plate: 6 1/2 × 9 1/4 in. (16.5 × 23.5 cm), Prints, Goya

Man with Wing; Man with Vase and Dog, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice ca. 1510–1561 Venice

Design for Grand Salon Ceiling, Hôtel Hope, 1867, Pen and black ink, and gouache, 10 3/8 x 14 5/8 in. (26.4 x 37.2 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Time Holding a Nude Woman, a Putto at Right, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over leadpoint or black chalk (recto); contours of drawing traced in black chalk by a later hand (verso), 8 3/4 x 7 13/16in. (22.2

Plate 15: doe, from 'Various animals' (Diversi animali), ca. 1641, Etching; second state of three (De Vesme), Plate: 3 3/8 × 4 3/16 in. (8.5 × 10.6 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Design for a Ceiling at Théatre Français, Paris, 1810–38, Pen and black ink, gouache, gold gilt, over graphite, 12 11/16 x 15 11/16 in. (32.3 x 39.9 cm), Aimé Chenavard (French, 1798–1838

Studies of Horsemen and Study of a Figure for a Deposition (recto); Sketch for an Entablature (verso), 1548–1628, Pen and brown ink, 6 3/8 x 6 7/16in. (16.2 x 16.4cm), Drawings, Jacopo Palma the Younger (Italian, Venice ca. 1548–1628

Saint George Standing (copy), n.d., Engraving, Sheet: 4 7/16 × 2 13/16 in. (11.3 × 7.2 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Head of a soldier in profile, with a sword handle, ca. 1794, Pen and brown ink over black chalk, 5 7/8 x 4 7/16 in. (15 x 11.2 cm.), Drawings, baron Dominique Vivant Denon (French, Givry 1747–1825 Paris

The Large Horse, 1505, Engraving, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Rest on the Flight into Egypt: A Night Piece (reverse copy), late 18th–mid-19th century, Etching, Prints, Francesco Novelli (Italian, 1764–1836), After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Moses and Other Figures, 1570–80, Pen and brown ink, over traces of leadpoint or black chalk, 6 13/16 x 3 11/16 in. (17.3 x 9.3 cm), Drawings, Attributed to Cesare Nebbia (Italian, Orvieto ca. 1536–1614 Orvieto

Study of a Valet Pouring Wine, ca. 1723, Red Chalk, 10 1/8 x 6 5/8 in. (25.7 x 16.8 cm), Drawings, François Le Moyne (French, Paris 1688–1737 Paris