Images at Librifly

A Male and a Female Saint (Joseph of Aramathea? and Saint Catherine of Siena? Adoring the Virgin and Child in Glory (recto); Minerva Bellona with a Victorious Warrior (verso), 1623–90, Pen and brown ink, brush and brown wash over black chalk on

The Virgin Immaculate and Four Male Saints (Study for The Dispute over the Immaculate Conception), 1625–1713, Red chalk on beige paper., 14 3/8 x 8 1/8in. (36.5 x 20.7cm), Drawings, Carlo Maratti (Italian, Camerano 1625–1713 Rome), Maratti

Philosopher with an Hourglass, 1620–74, Etching, Prints, Jan Lievens (Dutch, Leiden 1607–1674 Amsterdam

A Seated Apostle (recto); Drapery Study (verso), 18th century, Black chalk on blue paper, sheet: 6 1/4 x 5 1/16 in. (15.9 x 12.9 cm), Drawings, Anonymous, French, 18th century

State of the English Nation [Toestand der Engelsche Natie], ca. 1780, Engraving, plate: 8 3/16 x 13 5/16 in. (20.8 x 33.8 cm), Prints, Anonymous, Dutch, 18th century

The Latest Fashions, Expressly Designed and Prepared for Le Moniteur de la Mode, March 1, 1887, Hand-colored lithograph, Sheet: 15 9/16 x 10 1/2 in. (39.5 x 26.6 cm), Prints, Jules David (French, 1808–1892

St. Jerome (Schr. 1554a), 15th century, Woodcut, hand-colored, sheet: 6 1/2 x 4 13/16 in. (16.5 x 12.2 cm), Prints, Anonymous, German, 15th century

Plate 5 from the 'Disparates': Flying Folly, ca. 1816–23 (published 1864), Etching and aquatint, Sheet: 9 9/16 × 13 15/16 in. (24.3 × 35.4 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux), From

Le Savetier, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching; first state of three (Cohen), Sheet: 13 1/2 × 9 15/16 in. (34.3 × 25.2

Five Foot Soldiers and a Mounted Turk, ca. 1495, Engraving, Sheet: 5 3/16 × 5 11/16 in. (13.1 × 14.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Woodland Scene with Light Sketch of a Madonna and Child, 1528–92, Pen and brown ink, brush and brown wash, over black chalk, on buff paper, 8 1/8 x 10 7/8in. (20.6 x 27.6cm), Drawings, attributed to Girolamo Muziano (Italian, Acquafredda,

Study for a Garden Capriccio, n.d., Pen and black ink, over traces of graphite. Framing lines in pen and black ink., 18 1/8 x 11 3/8 in. (46 x 28.9 cm), Workshop of Gilles-Marie Oppenord (French, Paris 1672–1742 Paris

Virgin on the Crescent with a Starry Crown, 1508, Engraving, Sheet: 5 in. × 2 15/16 in. (12.7 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Wooded Landscape with Figures and Cows at a Watering Place (The Watering Place), August 1, 1797, Soft-ground etching with aquatint; second state of two, sheet: 11 x 13 3/4 in. (27.9 x 34.9 cm), Prints, Thomas Gainsborough (British, Sudbury

The Judgment of Paris, 16th century, Etching, sheet: 11 15/16 x 18 5/16 in. (30.4 x 46.5 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Design for a Porcelain Candelabra, 19th century, Graphite, watercolor, gouache, and gold gilt, sheet: 17 5/8 x 10 5/8 in. (44.8 x 27 cm), Drawings, Anonymous, French, 19th century

Santa Maria dell'Anima (Schr. 1019m), 15th century, Woodcut, hand-colored, sheet: 10 5/8 x 6 7/8 in. (27 x 17.5 cm), Prints, Anonymous, German, 15th century

Design for a Chair, ca. 1770–90, Graphite, 8 15/16 x 9 3/4 in. (22.7 x 24.7 cm), Drawings, Anonymous, French, 18th century

Designs for an Art Nouveau Table and Chair, 19th century, Watercolor over graphite with touches of gouache on heavy wove paper, sheet: 12 5/8 x 16 7/16 in. (32 x 41.7 cm), Anonymous, French, 19th century

Design for a Narrative Frieze: A Commander Addressing His Troops, 1535–1607, Pen and brown ink, brush and gray-brown wash, highlighted with a little white, over black chalk, on brownish paper. Framing lines in black chalk, 6-5/16 x 15-1/2

Design for a Bed and a Canopy, 18th century, Pen and black ink, brush and brown and gray wash, watercolor, sheet: 8 7/16 x 5 11/16 in. (21.5 x 14.4 cm), Drawings, Anonymous, French, 18th century

Summer, ca. 1637, Etching, Sheet: 10 1/16 × 12 13/16 in. (25.6 × 32.5 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Two Grotesque Heads Facing One Another and Touching Tongues Within a Circle, 1727, Pen and brown ink, sheet: 12 7/8 x 8 1/2 in. (32.7 x 21.6 cm), Drawings, Gaetano Piccini (Italian, active Rome, 1710–30

Witch of Endor, 19th century, Pen and brown ink, brush and gray wash, graphite, 4 9/16 x 3 9/16 in. (11.6 x 9.1 cm), Drawings, Ary Scheffer (Dutch, Dordrecht 1795–1858 Argenteuil (active France

Design for Ceiling, Hôtel Hope, 1867, Gouache and watercolor, 3 3/8 x 4 7/16 in. (8.6 x 11.3 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Design for Elevation of Gallery Bay, Château de Deepdene, 1875–79, Graphite and gouache, 13 1/8 x 9 1/4 in. (33.3 x 23.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Marine, 1865–66, Etching, aquatint, roulette and bitten tone in brown ink on laid paper with partial watermark (fleur de lis in a cartouche), only state, plate: 5 1/2 x 7 7/8in. (14 x 20cm), Prints, Édouard Manet (French, Paris

Félix Bracquemond in 1852, 1878, Etching, sheet: 12 15/16 x 9 13/16 in. (32.8 x 25 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres), Engraved by Paul Adolphe Rajon (French, Dijon 1843–1888 Auvers-sur-Oise

Scenes from the Life of Saint Anthony Abbot, 1532–87, Pen and brown ink, red chalk, brush and red wash. Traces of squaring in black chalk, 10 1/4 x 14 5/16in. (26 x 36.3cm), Drawings, Giovanni Battista Lombardelli (Giovanni Battista della

The Map, 1890, Drypoint; third state of three, plate: 6 1/4 x 9 1/8 in. (15.8 x 23.2 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise

Scene of Sacrifice, 1624–63, Pen and brown ink, brush and brown wash. Framing lines in black chalk, and pen and brown ink on mount, 4-1/16 x 6-1/8 in. (10.3 x 15.5 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?)

Oyster Seller, 1738, Etching with some engraving, Sheet: 9 5/16 x 6 13/16 in. (23.6 x 17.3 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

Design for Cartouches Decorated with Sea-Shells, Garlands, Foliage, Volutes and Urns, 1609–60, Leadpoint, 11-1/2 x 7-5/8 in. (29.2 x 19.4 cm) irregular borders, Drawings, After Agostino (Stanzani) Mitelli (Italian, Battidizzo (Bologna)

Juno asks Aeolus to raise a storm against the Trojan fleet, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 5/16 x 4 1/8 in. (13.5 x 10.5 cm), Prints, Giulio Bonasone (Italian,

Design for a Decorative Panel, 18th century, Red chalk, sheet: 16 15/16 x 10 3/8 in. (43.1 x 26.4 cm), Drawings, Anonymous, French, 18th century

Plate 15 from the 'Tauromaquia': The famous Martincho places the banderillas playing the bull with the movement of his body., 1816, Etching, burnished aquatint, drypoint and burin, Plate: 9 3/4 × 13 7/8 in. (24.7 × 35.2 cm), Prints, Goya

The Flight into Egypt, 17th century, Pen and brown ink, brush and gray wash, heightened with white, 14 x 10 3/8 in. (35.6 x 26.3 cm.), Drawings, Jacques Stella (French, Lyons 1596–1657 Paris

Design for a Sconce, 18th century, Pen and black ink, brush and grey wash., sheet: 11 1/8 x 7 9/16 in. (28.3 x 19.2 cm), Drawings, Anonymous, French, 18th century

Perspectival study for one quadrant of a ceiling design including a trompe l'oeil balustrade, second half 19th century, graphite, pen and ink, and watercolor on wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

Studies of Four Englishmen, after James Gillray, ca. 1817–25, Brush and brown ink on calque; mounted on wove paper, sheet: 10 1/2 x 6 3/4 in. (26.7 x 17.1 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Clélie, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 3/8 x 8 3/8 in. (33.9 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676 Paris),

Time and Truth, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over leadpoint or black chalk, 10-1/16 x 8-11/16 in. (25.5 x 22.1 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid

Plate 12 from the 'Disparates': If Marion will dance, then she has to take the consequences, ca. 1816–23 (published 1864), Etching, burnsihed aquatint and drypoint, Plate: 9 5/8 × 13 7/8 in. (24.5 × 35.3 cm), Prints, Goya (Francisco de Goya

Design for Bedroom Ceiling, Hôtel Hope, 1867, Watercolor and gouache, 6 7/8 x 10 1/4 in. (17.5 x 26.0 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

British Tars Towing the Danish Fleet into Harbour; the Broad-Bottom Leviathan trying Billy's Old Boat, and the Little Corsican tottering on the Clouds of Ambition, October 1, 1807, Hand-colored etching, sheet (clipped impression): 9 3/4 x 13 5/8

A vulture eating the innards of Titius, Cupid above two women to the left, set within and elaborate frame, from 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 5/16 x 3 15/16 in. (13.5 x 10 cm), Prints, Giulio Bonasone

The Nôtre-Dame Pump (small plate), 1854, Etching on wove paper; second of three states, sheet: 10 1/16 x 9 1/16 in. (25.6 x 23 cm), Prints, Charles Meryon (French, 1821–1868

Battle Scene, 19th century, Pen and watercolor on paper, 11 5/8 x 19 in. (29.6 x 48.3 cm), Drawings, François Joseph Heim (French, Belfort 1787–1865 Paris

Sibylle Persique, ca. 1635, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 14 1/16 x 8 3/8 in. (35.7 x 21.3 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours

The Monstrous Craw; or a New-Discovered Animal, March 1, 1802, Hand-colored etching, Sheet (irregular): 14 7/8 × 8 1/16 in. (37.8 × 20.5 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London), After George Moutard Woodward

Modello for Ceiling Fresco with Papal Coat of Arms, 1557–1629, Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk, on blue paper; squared in black chalk, 12 11/16 x 6 1/8 in. (32.3 x 15.6 cm),

Allegory of Vices, 1840–98, Brush and watercolor and gilt over graphite, 4 3/4 x 12 13/16in. (12 x 32.5cm), Drawings, Attributed to Gustave Moreau (French, Paris 1826–1898 Paris

Portrait of Pope Marcellus II, right hand raised facing left, ca. 1555, Engraving, Sheet: 15 3/8 × 9 5/8 in. (39 × 24.5 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

The Arms of Ferdinand I, King of Hungary and Bohemia, n.d., Woodcut, sheet: 10 1/16 x 5 7/8 in. (25.6 x 14.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Vulcan seated hammering on an anvil flanked by Venus and three cupids, ca. 1515–27, Engraving, Sheet (Trimmed): 4 3/8 × 6 7/8 in. (11.1 × 17.5 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died 1527 Rome

Seated John the Baptist with a Lamb in a Landscape, 1787–1871, Pen and brown ink, brush and pale brown wash, 5-7/8 x 7-5/16 in. (15 x 18.5 cm), Drawings, Tommaso Minardi (Italian, Faenza 1787–1871 Rome

Ceiling Design in Moorish Style for the de la Rochejaquelein Family, second half 19th century, Graphite, pen and black ink, and watercolor on tissue, 11 5/8 x 8 5/84 in. (29.5 x 20.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died

The Circumcision, 1634–89, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on light brown paper, 14 7/16 x 9 7/16in. (36.6 x 24cm), Drawings, Ciro Ferri (Italian, Rome 1634?–1689 Rome

Holy Family with the Infant Saint John the Baptist, n.d., Pen and brown ink, sheet: 8 3/16 x 6 1/4 in. (20.8 x 15.9 cm), Drawings, Hans Krumpper (German, Weilheim ca. 1570–1643 Munich), This is one of the most finished and pictorial drawings

Pompeiian Design for Paneling, second half 19th century, Graphite and watercolor, 12 x 10.5 in. (30.5 x 26.7 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

The Sunny Smithy, 1895, Transfer lithograph, drawn on thin, transparent transfer paper; only state (Chicago); printed in black ink on ivory wove proofing paper, Image: 5 9/16 × 8 1/16 in. (14.2 × 20.4 cm), Prints, James McNeill Whistler

Somerindyck House, Bloomingdale Road (from Scenes of Old New York), 1870, Etching, plate: 3 1/16 x 4 3/16 in. (7.8 x 10.7 cm), Prints, Henry Farrer (American, London 1844–1903 New York

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite and gouache, sheet: 9 5/16 x 3 1/8 in. (23.6 x 7.9 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

St. Thomas, ca. 1510, Engraving, sheet: 4 5/8 x 2 13/16 in. (11.7 x 7.1 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Plate 54 from 'The Disasters of War' (Los Desastres de la Guerra): 'Appeals are in vain' (Clamores en vano), 1811–12 (published 1863), Etching, lavis, burin and burnisher, Plate: 6 in. × 8 1/16 in. (15.2 × 20.5 cm), Prints, Goya (Francisco

The Angel Gives Saint John the Book to Eat, from the Apocalypse, n.d., Engraving; second state of two, plate: 12 1/16 x 8 9/16 in. (30.6 x 21.7 cm), Prints, Jean Duvet (French, ca. 1485–after 1561

Confidences in the Garden, 1894, Transfer lithograph, drawn on thin, transparent transfer paper; only state (Chicago); printed in black ink on fine cream laid Japanese paper, Image: 8 3/8 × 6 5/16 in. (21.2 × 16 cm), Prints, James McNeill

Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above, ca. 1515–27, Engraving, Sheet (Trimmed): 10 7/16 × 6 13/16 in. (26.5 × 17.3 cm), Prints, Marco Dente

Quietude, ca. 1891, Drypoint; third state, plate: 10 1/8 x 7 1/16 in. (25.7 x 17.9 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise

Landscape, 1892, Monotype in oil colors, heightened with pastel, sheet: 10 x 13 3/8 in. (25.4 x 34 cm), Prints, Edgar Degas (French, Paris 1834–1917 Paris), Degas undertook a series of landscape monotypes during a visit in October 1890 to

Design for Back of a Sedan Chair, ca. 1700, Pen and brown ink, brush and gray wash, graphite, 15 1/4 x 8 in. (38.8 x 20.3 cm), Drawings, Anonymous, French, 18th century, Anonymous, Italian, first half of the 18th century

The Wild Man or the Masquerade of Orson and Valentine, 1566, Woodcut, sheet: 10 13/16 x 16 1/4 in. (27.4 x 41.3 cm), Prints, Anonymous, Netherlandish, 16th century, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569

Family Group Kneeling Before a Street Shrine, ca. 1600, Red and black chalk. Framing lines in pen and brown ink, 6 1/8 x 8 1/8in. (15.5 x 20.6cm), Drawings, Ventura Salimbeni (Italian, Siena 1568–1613 Siena), alternatively attributed to

Sheet of Figure Studies and Ornamental Motifs (recto and verso)., 1520–35, Pen and brown ink over leadpoint (recto and verso), Overall: 8 3/16 x 13 1/8 in. (20.8 x 33.3 cm), Drawings, Vincenzo Tamagni (Italian, San Gimignano 1492–ca. 1530

Design for a Covered Urn with Two Eagles, 17th century, Pen and brown ink, brush and brown and black wash, 10 3/4 x 8 3/16 in. (27.3 x 20.8 cm), Drawings, Anonymous, French, 17th century

Design for White Curtains with Gold Pendiment and Tie-backs, early 19th century, Ink, watercolor and wash, sheet: 10 5/8 x 14 5/8 in. (27 x 37.2 cm), Anonymous, British, 19th century

Design for a Vignette: Harbor Scene, Pen and black ink with brush and gray wash, 1 1/4 x 3 3/8 in. (3.1 x 8.6 cm), Drawings, Charles Percier (French, Paris 1764–1838 Paris

The Mystic Marriage of Saint Catherine; Saint Celestine V Renouncing the Papacy; Saint Catherine Touched by Divine Love, ca. 1780, Pen and black ink, gray wash, over black chalk underdrawing. Framing lines in pen and brown ink., 8 5/16 x 14 1/16

The Banquet of the Rich Man, mid to late 17th century, Etching, Sheet: 10 1/4 × 12 7/8 in. (26 × 32.7 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Frontispiece for Il Mercurio, III: Hercules Planting His Club, 1652, Etching, state i, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

Air, 1630, Etching, Sheet: 5 13/16 × 4 5/16 in. (14.7 × 10.9 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Embarkation of St. Ursula, 1665, Etching, sheet: 10 3/8 x 13 3/4 in. (26.4 x 35 cm), Prints, After Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), Etched by Dominique Barrière (French, Marseille 1610–1678

Woman with the Hind, 1509, Engraving, sheet: 4 1/4 x 2 7/8 in. (10.8 x 7.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Town and Lake of Nemi, 1815–80, Graphite and black chalk, heightened with white on blue paper, 11 15/16 x 17 15/16 in. (30.4 x 45.6 cm), Drawings, Édouard Bertin (French, Paris 1797–1871 Paris

Design for wall panels, mirror, and fire mantle, second half 19th century, Graphite, pen and black ink, gouache, and watercolor, Overall: 10 5/8 x 15 5/16 in. (27 x 38.9 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

Design for a Stage Set at the Opéra, Paris, 1828–90, Graphite, sheet: 11 15/16 x 19 13/16 in. (30.4 x 50.4 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Church, Amsterdam, 1889, Etching; cancelled impression of the only state (Glasgow); printed in black ink on ivory wove paper, Plate: 8 1/2 × 5 1/16 in. (21.6 × 12.9 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts

Four Sketches of Putti Hanging Coat of Arms, 1702–86, Pen and brown ink, brush and gray wash over leadpoint, 6-7/16 x 9-1/8 in. (16.3 x 23.2 cm) irregular borders, Carlo Marchionni (Italian, Rome 1702–1786 Rome

Rinceaux with Child Frightened by Dogs, Plate 8 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), ca. 1648, Etching, Sheet: 3 in. × 9 3/4 in. (7.6 × 24.7 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664

Cleric (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Red, white, and black chalk, on dark gray paper, 18 7/8 x 12 1/4 in. (48.0 x 31.1 cm), Drawings, Isidore Pils

Abraham Casting out Hagar and Ishmael, 1637, Etching with touches of drypoint, Sheet: 5 1/4 x 3 15/16 in. (13.3 x 10cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Sibylle Samienne, ca. 1635, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 16 1/8 x 10 3/8 in. (41 x 26.3 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours

Design for the Tomb of Christophe de Thou (d. 1582), 16th century, Graphite, Drawings, Anonymous, French, 16th century, Barthélemy Prieur (French, Berzieux ca. 1536–1611 Paris

Design for a ceiling decorated with bands of oak leaves and a central panel of scrolls and rinceaux, 1830–97, Watercolor, gouache, and gold paint over graphite on wove paper; inlaid in blue wove paper, Overall: 19 5/8 x 13 5/8 in. (49.8 x 34.6

Landscape with Three Gabled Cottages Beside a Road, 1650, Etching and drypoint; third state of three, sheet: 6 9/16 x 8 3/16 in. (16.7 x 20.8 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Plate 41 from 'The Disasters of War' (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre las llamas), 1810 (published 1863), Etching and burin, Plate: 6 1/4 × 9 3/16 in. (15.9 × 23.4 cm), Prints, Goya (Francisco de

La Coupe Enchantee, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching and engraving; second state of three (Cohen), Sheet: 12 11/16 ×

Beheading of a Kneeling Nude Man, 1502–93, Brush and brown wash, 5 1/4 x 5 1/16in. (13.3 x 12.9cm), Drawings, Romulo Cincinnato (Italian, Florence ca. 1540–1597/98 Madrid

Ruins of a Temple in a Roman Landscape, ca. 1646, Etching; second state of six (De Vesme), Plate: 5 3/16 × 5 3/16 in. (13.1 × 13.2 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Man of Sorrows, from The Passion, 1509, Engraving, Sheet: 4 11/16 × 2 15/16 in. (11.9 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg