Images at Librifly

Roman Landscape near Rocca di Papa, 1866, Pen and black and greyish brown ink, brush and brown ink, watercolor, sheet: 9 5/8 x 13 1/8 in. (24.4 x 33.4 cm), Drawings, Ernst Furchtegott Mohn (German, Dresden 1835–1912 Leipzig

Grand Duke Cosimo I of Tuscany Surrounded by his Artists., ca. 1556–62, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of black chalk or graphite, on gray-green paper, 9-3/16 in. (23.4 cm) diameter,

Design for Three Chairs, Two with Armorial Ornament on Backs, early 19th century, Graphite, sheet: 10 13/16 x 14 15/16 in. (27.4 x 38 cm), Anonymous, British, 19th century

Design for a Plate, ca. 1770–90, Black chalk, 8 3/4 x 9 13/16 in. (22.3 x 25 cm), Drawings, Anonymous, French, 18th century

Plate 8: cow, from 'Various animals' (Diversi animali), ca. 1641, Etching; second state of three (De Vesme), Plate: 3 5/16 × 4 1/8 in. (8.4 × 10.5 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

Palazzo Pirro in Rome, section (recto) Palazzo Pirro in Rome, sections; profiles (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 9 5/8 x 13 9/16 in. (24.5 x 34.5 cm), Drawings

Spoon Designs, 19th century, Pen and brown ink over graphite on laid paper, sheet: 7 1/8 x 4 9/16 in. (18.1 x 11.6 cm), Anonymous, French, 19th century

Bridge at Blenheim Palace (recto); York Cathedral (verso), 18th–19th century, Watercolor and gouache over graphite, sheet: 6 7/8 x 10 11/16 in. (17.5 x 27.1 cm), Drawings, Hubert Cornish (British, Teignmouth 1757–1832), A skilled amateur

Drawings Showing Combat on Foot (Champ Clos), 16th century, German, Pen, ink and watercolor on paper, 7 1/2 x 5 1/2 in. (19 x 13.9 cm), Works on Paper-Drawings

Saint Remi (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Black chalk, heightened with white chalk, on beige paper, 18 9/16 x 11 13/16 in. (47.3 x 29.9 cm), Drawings,

Study for a Bookplate with St. George Rescuing a Maiden from a Dragon, late 19th–early 20th century, Pen and black ink, brush and grey and black wash, over black chalk., 19 1/4 x 15 9/16 in. (48.9 x 39.5 cm), Drawings, Franz von Bayros

Design for an Urn with Garland of Vegetables and Fruit and Medallion with Profile of a Caesar., 1496–1528, Pen and brown ink, sheet: 8 1/4 x 12 1/8 in. (21 x 30.8 cm), Drawings, Giovanni Francesco Penni (Italian, Florence ca. 1496–after

Design for a framed panel with painted decoration, 1830–97, pen and ink, watercolor, and gouache over graphite on laid paper; mounted on blue wove paper, Overall: 10 9/16 x 8 3/16 in. (26.9 x 20.8 cm), Drawings, Jules-Edmond-Charles Lachaise

Les Musards de la Rue du Coq (Dawdlers of the Rue du Coq), 1805, Hand-colored pen lithograph, sheet: 12 5/16 x 17 5/8 in. (31.3 x 44.8 cm), Prints, Pierre Nolasque Bergeret (French, Bordeaux 1782–1863 Paris), Once thought to be after

Man in a Coat and Fur Cap Leaning against a Bank, ca. 1630, Etching, New Holl. first state of three, Sheet (trimmed at left into subject): 4 5/16 × 3 1/16 in. (11 × 7.8 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669

Still Life: Vases, a Cassolette on a Pedestal, and an Overturned Basket of Fruit, n.d., Pen and brown ink, gray wash, over graphite., 5 7/8 x 9 1/8 in. (15 x 23.2 cm), Drawings, Jean Jacques Lagrenée (French, Paris 1739–1821 Paris

Head of a Bearded Man, 1516–17, Black chalk on paper, 6 5/8 x 5 1/4in. (16.9 x 13.4cm), Drawings, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto

The Bottomless-Pitt, March 16, 1792, Hand-colored etching; open letter state, sheet (trimmed to plate line): 10 7/8 x 8 9/16 in. (27.6 x 21.7 cm), Prints, James Gillray (British, Chelsea 1756–1815 London

Bastione Ardeatino, Rome, plan and section (recto) Bastione Ardeatino, Rome, plans (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 22 11/16 x 16 1/4 in. (57.7 x 41.2 cm), Drawings

Design for a Stage Set at the Opéra, Paris, 1840–90, Graphite, Irregular sheet: 14 3/16 x 10 11/16 in. (36.1 x 27.1 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Study after the Belvedere Torso, ca. 1585, Red chalk, 9 15/16 x 7 1/2in. (25.2 x 19.1cm), Drawings, Cavaliere d'Arpino (Giuseppe Cesari) (Italian, Arpino 1568–1640 Rome

Design for a Man's Tomb, 16th century, Black chalk, pen and brown ink, watercolor, sheet: 19 x 11 3/4 in. (48.2 x 29.9 cm), Drawings, Anonymous, French, 16th century

Saint George and the Dragon, ca. 1504, Woodcut, sheet: 8 1/4 x 5 9/16 in. (21 x 14.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Songs of Innocence and of Experience: A Poison Tree, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm), Prints, William Blake (British, London 1757–1827

Leda and the swan, ca 1531–76, Engraving, sheet: 6 x 2 3/8 in. (15.2 x 6 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Plate 26 from 'The Disasters of War' (Los Desastres de la Guerra): 'One can't look.' (No se puede mirar.), 1810–20, published 1863, Etching, burnished lavis, drypoint and burin, Plate: 5 11/16 × 8 1/4 in. (14.5 × 21 cm), Prints, Goya

Virgin and Child, 1775, Etching, Sheet: 5 5/16 x 4 5/16 in. (13.5 x 11 cm), Prints, After Simone Cantarini (Italian, Pesaro 1612–1648 Verona

Design for a Sconce, 18th century, Pen and black ink, brush and grey wash., sheet: 7 3/8 x 10 1/2 in. (18.7 x 26.6 cm), Drawings, Anonymous, French, 18th century

Saint Jerome Writing, 1591–1666, Pen and brown ink, on brownish paper, sheet: 13 7/16 x 11 9/16 in. (34.2 x 29.4 cm), Drawings, Imitator of Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna

Table with Three Levels with Ornamental Objects, 19th century, Pen and ink and gouache, Overall: 14 1/8 x 18 3/8 in. (35.9 x 46.7 cm), Drawings, Anonymous, Chinese, 19th century

Design for a Stage Set at the Opéra, Paris, 1828–90, Watercolor over graphite, sheet: 9 1/2 x 15 13/16 in. (24.2 x 40.2 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

The Angry Parrot, n.d., Wash and Chinese white, 5 3/16 x 8 3/16 in. (13.2 x 20.8 cm), Drawings, Jean-Georges Vibert (French, Paris 1840–1902 Paris

A Nobleman and a Lady Seated in a Landscape (copy), n.d., sheet: 4 5/8 x 2 7/8 in. (11.7 x 7.3 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

The Holy Family with Two Angels in a Vaulted Hall, ca. 1503, Woodcut, sheet: 8 1/2 x 5 15/16 in. (21.5 x 15.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Standing Savoyarde with a Marmot Box, ca. 1715, Red and black chalk, 12 5/16 x 8 in. (31.2 x 20.3 cm), Drawings, Antoine Watteau (French, Valenciennes 1684–1721 Nogent-sur-Marne), Early in his career, before devoting himself to popular

Figures, 18th Century, Pen and brown ink, brush and brown wash, 3 11/16 x 4 3/4 in. (9.4 x 12.1 cm), Drawings, Anonymous, French, 18th century

Apollo and Coronis., 1652–1725, Pen and brown ink, brush and brown wash, over black chalk, sheet: 10 7/16 x 13 5/8 in. (26.5 x 34.6 cm), Drawings, Giovanni Battista Foggini (Italian, Florence 1652–1725 Florence

Senator Dolph of Oregon (Joseph Norman Dolph), ca. 1894, Graphite and pen and black ink on scratchboard, sheet: 13 1/2 x 10 1/4 in. (34.3 x 26 cm), Drawings, Thomas Nast (American (born Germany), Landau 1840–1902 Guayaquil), Nast’s

Pidgeon Hole. A Convent Garden Contrivance to Coop up the Gods, February 20, 1811, Hand-colored etching, Sheet: 8 7/8 x 12 3/4 in. (22.6 x 32.4 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 9 1/16 x 8 7/8 in. (23 x 22.5 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Cancalaqua, Erythraea venusta, April 1914, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York 1867–1944

A Bravura Air. Mandane, December 22, 1801, Hand-colored etching, sheet (trimmed to plate line): 14 3/16 x 10 in. (36 x 25.4 cm), Prints, James Gillray (British, Chelsea 1756–1815 London

Portrait of a Man in a Cap, 1699–1758, Black chalk, stumped, highlighted with white, on faded gray-green paper, 11 13/16 x 8 13/16in. (30 x 22.4cm), Drawings, Bartolommeo Nazari (Nazzari) (Italian, Clusone near Bergamo 1699–1758 Milan

A riding school, a horseman with sword jumping directed by another man with a sword in center, a man standing next to his horse to right, various horsemen, the school, and two dogs in the background, from 'Varie figure', ca. 1645, Etching;

Old Man with Beard, Fur Cap, and Velvet Cloak, ca. 1631, Etching; second state, Sheet: 5 15/16 × 5 1/4 in. (15.1 × 13.3 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Partial design for the decoration of a ceiling in geometric panels painted with putti, masks., and griffins, 1830–97, graphite, pen and ink, watercolor, and gold paint on tracing paper; mounted on heavy wove paper, Overall: 13 3/4 x 19 3/4

The Journey of Youth, 1923–24, Lithograph, image: 6 7/8 x 17 7/8 in. (17.5 x 45.4 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

The Peasant Couple at Market, 1519, Engraving, Sheet: 4 1/2 × 2 7/8 in. (11.5 × 7.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Poet Virgil in a Basket, 1512, Woodcut, sheet: 16 3/8 x 11 3/8 in. (41.6 x 29 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Boy Returning Joyfully, with Plough and Oxen, from Thornton's Pastorals of Virgil, 1821, Wood engraving, block: 1 1/2 x 3 1/16 in. (3.8 x 7.8 cm), Prints, William Blake (British, London 1757–1827 London

Two Alternate Decorative Designs for Ceiling, 19th century, Graphite and gouache, sheet: 10 3/8 x 10 5/16 in. (26.4 x 26.2 cm), Drawings, Anonymous, French, 19th century

Design for Two Red Fringed and Tasseled Curtains Hanging from Rods, early 19th century, Ink, watercolor and wash, sheet: 9 5/8 x 11 7/8 in. (24.4 x 30.2 cm), Anonymous, British, 19th century

The Descent from the Cross, from The Small Passion, ca. 1509, Woodcut, sheet: 5 1/16 x 3 13/16 in. (12.8 x 9.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Study for a Stage Set, 18th century, Pen and gray ink, brush and gray and colored wash over traces of black chalk and graphite, 10 1/16 x 16 in. (25.6 x 40.6 cm), Drawings, Jacques de Lajoüe (French, Paris 1686–1761 Paris

From Top to Bottom, or Cause and Effect (Du haut en bas...ou les causes et les effets), April 1814, Etching, hand-colored, plate: 9 5/8 x 12 7/8 in. (24.5 x 32.7 cm), Prints, Elie (French, active 1813–1819), Published in Paris shortly

After-dinner Coffee, ca. 1889, Soft-ground etching; third state of three, plate: 7 7/8 x 5 7/8 in. (19.9 x 14.9 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise

Odalisque Reclining in a Harem, 1850–1914, Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

Design for Fringed Curtains Hanging at Two Windows, early 19th century, Ink and wash, sheet: 8 9/16 x 12 3/16 in. (21.7 x 31 cm), Anonymous, British, 19th century

Samson Rending the Lion, ca. 1497–98, Woodcut, sheet: 15 3/16 x 11 in. (38.6 x 28 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Landscape (recto); Landscape (verso), 1489–90, Brush and brown wash, highlighted with white gouache, on gray-green prepared paper (recto); pen and brown ink on unprepared off-white paper (verso), 8 1/16 × 11 in. (20.4 × 28 cm), Drawings,

Wandering Minstrel; Old Nuremberg, 1843–84, Watercolor, 19 1/2 x 12 3/4 in. (49.5 x 32.4 cm), Drawings, Alexandre-Louis Leloir (French, Paris 1843–1884 Paris

Design for an Overdoor, ca. 1640, Pen and gray ink, brush and gray wash, 11 1/2 x 9 1/2 in. (29.2 x 24.1 cm), Anonymous, French, 17th century

Design for a Stage Set at the Opéra, Paris, 1830–90, Watercolor over graphite, Irregular sheet: 6 x 16 3/4 in. (15.3 x 42.5 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Head of an old bearded Man facing Right, Etching, Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua

The Clock Tower, Paris, 1852, Etching, sheet: 17 11/16 x 12 3/16 in. (45 x 31 cm), Prints, Charles Meryon (French, 1821–1868

Caricature of a Fat Person Wearing a Long Cloak and a Tricorne, Seen from Behind, 1760 (?), Pen and black ink, gray wash, 6 7/8 x 4 13/16 in. (17.5 x 12.3 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid

Entombment, n.d., Engraving, Sheet: 9 15/16 × 7 9/16 in. (25.3 × 19.2 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Betrayal of Christ, from The Passion, 1508, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Christ on the Cross with Mary and Saint John (second sheet of two), 1510, Woodcut, sheet: 10 x 6 3/8 in. (25.4 x 16.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Chimneypiece Design with Mirror, 19th century, Graphite, Anonymous, British, 19th century

Design for Vase, mid-18th century, Pen and black ink, brush and brown wash, brush and sanguine wash, 6 5/16 x 4 1/16 in. (16 x 10.3 cm), After Jacques François Joseph Saly (French, Valenciennes 1717–1776 Paris

Visiting the Sick, after 1635, Engraving, Sheet (trimmed): 8 9/16 × 11 7/8 in. (21.7 × 30.1 cm), Prints, Anonymous, After Abraham Bosse (French, Tours 1602/1604–1676 Paris

The Shoemaker, 1632–33, Etching; second state of two, Sheet: 11 5/16 × 14 7/16 in. (28.7 × 36.6 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Jan Uytenbogaert, Etching and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Design for a Round Pedestal Table on Casters, early 19th century, Graphite, sheet: 8 11/16 x 12 5/16 in. (22 x 31.2 cm), Anonymous, British, 19th century

Standing Male Nude, ca. 1506, Pen and brown ink, 7 x 3 5/8 in. (17.8 x 9.2 cm); maximum; corners have been cut, Drawings, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna

Illustration for a Book: Reception of Monks at a City Gate, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 2-15/16 x 6-1/4 in. (7.5 x 15.9 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice

Illustration for a Book: Troops Advancing toward a City Gate, 1696–1770, Graphite or black chalk. Horizontal and vertical centering lines and another vertical line in graphite or black chalk ruled at 1 cm to the left border, 3-3/8 x 6-3/4 in.

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 10 15/16 x 8 11/16 in. (27.8 x 22.1 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

The Wrath of Elihu, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 1/2 x 6 9/16 in. (21.6 x 16.7 cm), Prints, William Blake (British, London 1757–1827 London

Study for a Head of a Man, 1625–1713, Black chalk, on white paper, 9 5/8 x 8 1/4in. (24.5 x 21cm), Drawings, Attributed to Carlo Maratti (Italian, Camerano 1625–1713 Rome

Designs for Two Candelabras, 19th century, Pen and brown ink, a: 9 3/4 x 5 3/16 in. (24.8 x 13.2 cm) Left , Drawings, Anonymous, French, 19th century

The Agony in the Garden, ca. 1657, Etching and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Drawing After and Architectural Fragment of a Coffered Ceiling, 19th century, Graphite on laid paper, sheet: 12 x 8 in. (30.5 x 20.3 cm), Drawings, Anonymous, French, 19th century

Virgin and Child, 1775, Etching, Sheet: 7 x 6 11/16 in. (17.8 x 17 cm), Prints, After Simone Cantarini (Italian, Pesaro 1612–1648 Verona

Jupiter and Semele embracing, an eagle beneath them, a tree at right with a blank tablet hanging from a branch, a winged putto holding a thunderbolt at left, ca. 1515–27, Engraving, Sheet (Trimmed): 11 1/8 × 7 15/16 in. (28.2 × 20.2 cm),

Speculum Romanae Magnificentiae: Subjects after Antique Cameos and Gems, ca. 1550–70, Engraving, first state, Sheet: 10 7/8 × 16 5/16 in. (27.7 × 41.5 cm), Prints, Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice

Head of a Man, 1837–1911, Metalpoint on white prepared paper, 8 3/4 x 7 in. (22.2 x 17.8 cm), Drawings, Alphonse Legros (French, Dijon 1837–1911 Watford, Hertfordshire

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 11 1/8 x 7 3/4 in. (28.3 x 19.7 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Six Faces of Whistler, 1892–1902, Drypoint, plate: 7 5/16 x 5 7/16 in. (18.6 x 13.8 cm), Prints, Mortimer Menpes (Australian, Port Adelaide 1855–1938 Pangbourne, England

Arrie, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 3/8 x 8 3/8 in. (34 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676 Paris), After

Design for ceramic tile decoration of a bathroom in 'Pompeian' manner (possibly for Hope's Deepdene?), second half 19th century, Graphite, pen and brown ink, watercolor, and gouache, 13 7/16 x 19 5/8 in. (34.1 x 49.9 cm), Drawings,

Earth, 1630, Etching, Sheet: 5 13/16 × 4 5/16 in. (14.8 × 10.9 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Fortune Making a Prince Drink, ca. 1543, Etching in red ink, Sheet (trimmed/circle): 8 1/4 × 8 1/2 in. (21 × 21.6 cm), Prints, Antonio Fantuzzi (Italian, active France, 1537–45), After Rosso Fiorentino (Italian, Florence 1494–1540

Head of a Man, 1837–1911, Red chalk, 17 1/8 x 12 5/16 in. (43.5 x 31.3 cm), Drawings, Alphonse Legros (French, Dijon 1837–1911 Watford, Hertfordshire

Design for a Vase, 19th century, Graphite, watercolor, gouache, sheet: 16 3/16 x 10 9/16 in. (41.1 x 26.9 cm), Drawings, Anonymous, French, 19th century, Designs: Louis-Charles Labbé (French, active 1847–53

Design for a Desk with Cabinet, 19th century, Graphite, with framing lines in graphite, 9 3/16 x 6 15/16 in. (23.4 x 17.7 cm), Anonymous, French, 19th century

From Sir William Hamilton's Collection, May 8, 1801, Hand-colored etching, sheet: 10 3/16 x 8 1/16 in. (25.8 x 20.5 cm), Prints, James Gillray (British, Chelsea 1756–1815 London

Landscape with a Fortified Building, 1624–63, Pen and brown ink, brush and brown wash. Framing lines in pen and brown ink on mount, 2 15/16 x 4-9/16 in. (7.4 x 11.6 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?)

Design for painted decoration of a ceiling incorporating interwined initials: DD, second half 19th century, pen and ink, watercolor on wove paper, Overall: 10 11/16 x 8 1/4 in. (27.1 x 21 cm), Drawings, Jules-Edmond-Charles Lachaise (French,