Images at Librifly

The Unsafe Tenement (The Old Farm), 1858, Etching; fourth state of four (Glasgow); printed in black ink on medium weight tan antique laid paper, Plate: 6 1/4 × 8 7/8 in. (15.8 × 22.6 cm), Prints, James McNeill Whistler (American, Lowell,

A Shepherdess and Her Flock in the Shade of Trees, 1854–55, Conté crayon and pastel on laid paper, 14 3/4 x 10 3/4 in. (37.4 x 27.3 cm), Drawings, Jean-François Millet (French, Gruchy 1814–1875 Barbizon

Design for Hall Ceiling, Hôtel de Trévise, second half 19th century, Graphite, watercolor, and gouache, 11 x 9 3/4 in. (27.9 x 24.8 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born

Child's Head, 18th century, Red chalk. Framing lines in pen and brown ink., 5 5/8 x 6 in. (14.3 x 15.3 cm), Drawings, Anonymous, French, 18th century

Allegory on the Marriage of the Dauphin and Marie-Antoinette in 1770, 1770, Brush and gray wash, accents in pen and brown ink, over black chalk. Framing lines in pen and brown ink; margins tinted with blue-green wash., 8 11/16 x 6 3/4 in. (22.1

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 10 3/8 x 4 1/2 in. (26.4 x 11.4 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Plate 4: A military encampment with a soldier standing on a parapet to the right beating a drum, from 'Various Military Caprices' (Varii capricci militari), ca. 1641, Etching; second state of four, Sheet (trimmed to plate): 3 7/16 × 5 9/16 in.

Copy after a reproduction of a Rodin drawing, n.d., Pen and black ink, 14 5/16 x 9 1/4 in. (36.4 x 23.4 cm), Drawings, Anonymous

Baby's Back, 1890, Drypoint and soft ground etching; third state of three, plate: 9 3/16 x 6 1/2 in. (23.3 x 16.5 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise

The Vision of the Seven Candlesticks, from The Apocalypse, n.d., Woodcut, sheet: 17 3/8 x 12 in. (44.1 x 30.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Design for an Oval Serving Dish with Circular Raised Platform, ca. 1770–90, Black chalk, 8 1/8 x 13 3/4 in. (20.7 x 34.9 cm), Drawings, Anonymous, French, 18th century

Sea Battle, 1596–1669, Brush and brown wash, 4 3/4 x 7 1/16in. (12.1 x 18cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome

Design for a Frontispiece, 1720, Pen and black ink, brush and gray wash, framing lines in pen and black ink, 5 1/4 x 3 3/8 in. (13.4 x 8.5 cm), Drawings, Bernard Picart (French, Paris 1673–1733 Amsterdam

Theseus finding his father's arms, 1645 (published 1648), Etching, sheet: 11 13/16 x 7 7/8 in. (30 x 20 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua

Adam and Eve, 1504, Engraving, Sheet: 9 3/4 × 7 1/2 in. (24.7 × 19.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Pluto and Proserpine, from 'The Loves of the Gods', ca. 1531–76, Engraving, sheet: 5 5/16 x 4 5/16 in. (13.5 x 11 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Design for the Decoration of a Lunette on the Staircase, Hôtel de Pless, Berlin, second half 19th century, Gouache and oil on paper, sheet: 7 13/16 x 14 3/8 in. (19.8 x 36.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

A Judge of the Criminal Court, ca. 1798–99, Pen and gray ink with watercolor, over traces of graphite, sheet: 11 7/8 x 7 5/8 in. (30.2 x 19.3 cm), Drawings, Pierre Narcisse Guérin (French, Paris 1774–1833 Rome

The Head and Shoulders of a Woman in Profile; Separate Studies of Her Head and Ear (recto); Fragment of Drapery Study, Profile of Architectural Molding (verso)., 1592, Black chalk (recto); black chalk, pen and brown ink (verso), sheet: 8 1/2 x 6

Old Man with a Divided Fur Cap, 1640, Etching with some drypoint; first state of two, sheet: 6 7/16 x 5 11/16 in. (16.3 x 14.4 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Songs of Innocence and of Experience: Nurses Song, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm), Prints, William Blake (British, London 1757–1827

Jacob's Ladder, 1655, Etching, burin, and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Elevation of Nave, Chapelle des Catéchismes, Ste Clothilde, Paris, second half 19th century, Pen and brown ink, brush and gray wash, watercolor, gouache, gilt, and graphite, 19 1/2 x 13 5/16 in. (49.6 x 33.8 cm), Drawings,

Saint George on Horseback, 1505–8, Engraving, Sheet: 4 5/16 × 3 3/8 in. (10.9 × 8.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Frederick, Lord North, 1764–1802, Black, red, and white chalk on laid paper prepared with wash. Oval., 5-3/8 x 4-1/2 in. (13.7 x 11.4 cm), Drawings, Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon

Half-Figure of an Angel Looking Upward (recto); Bust of a Man in Left Profile (verso), 1611–89, Red chalk, on beige paper, 6 3/8 x 8 7/16in. (16.2 x 21.4cm), Drawings, Baldassarre Franceschini (il Volterrano) (Italian, Volterra 1611–1690

Ladies and Gentlemen, 1776, Etching, image: 4 5/16 x 5 5/16 in. (10.9 x 13.5 cm), Prints, Joseph François Foulquier (French, Toulouse 1744/45–1789 Martinique

Putti at play, second half 19th century, Graphite and brown wash, image: 5 x 9 5/16 in. (12.7 x 23.7 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

The Silver Tomb of St. John Nepomuk in the Cathedral of St. Veit's Prague, designed by Fischer von Erlach, 1729., ca. 1729, Red chalk, 19 3/4 x 14 15/16 in. (50.2 x 37.9 cm), Drawings, Jeremias Jakob Sedelmayr (German, 1706–1761

Death Appearing to a Wedded Couple from an Open Grave, 1639, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Mode de l'année prochaine, ca. 1830, Colored lithograph, image: 8 1/2 x 6 3/8 in. (21.6 x 16.2 cm), Prints, After Charles Philipon (French, Lyons 1806–1862 Paris), V. Ratier (French, 19th century

Design for Pink, Gold, Blue and White Curtains with Blue Fringes and a Gold and Wood Pediment, early 19th century, Ink, watercolor and wash, sheet: 8 5/8 x 15 1/16 in. (21.9 x 38.2 cm), Anonymous, British, 19th century

Masks of 1831, published in La Caricature, March 8, 1832, Lithograph, sheet: 9 15/16 x 13 3/8 in. (25.3 x 34 cm), Prints, Honoré Daumier (French, Marseilles 1808–1879 Valmondois

St. Paul, Etching; second state of two, sheet: 4 3/4 x 3 9/16 in. (12 x 9 cm), Prints, Laurent de La Hyre (French, Paris 1606–1656 Paris

Studies for Two Armchairs (recto); sketches for Three Chairs and Parts of a Fourth (verso), ca. 1800–1805, Graphite, 4 5/8 x 7 7/8 in. (11.8 x 20 cm), Drawings, Manner of Charles Percier (French, Paris 1764–1838 Paris

The Holy Family on their flight into Egypt, ca. 1647, Etching, sheet: 11 7/16 x 7 3/4 in. (29 x 19.7 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua

Entrance to the Harbor of La Rochelle, ca. 1920–28, Graphite and watercolor on paper, 10 3/4 x 16 3/8 in. (27.3 x 41.6 cm), Drawings, Paul Signac (French, Paris 1863–1935 Paris

Two Women Wearing Coats, 1863–64, Steel engraving with hand coloring, Sheet: 13 11/16 x 10 1/16 in. (34.8 x 25.6 cm), Prints, Anonymous, French, 19th century, Monnin, active 19th century (French

Forum of Nerva, entablature, elevation; cornice, elevation (recto) Forum of Nerva, architrave panel, ceiling plan, Corinthian, capital (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 11 9/16 x

The Virgin and Child with Two Angels, 1523, Engraving; touched with gray wash on face and shoulders of Virgin; first state, sheet: 5 15/16 x 4 1/16 in. (15.1 x 10.4 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Childhood, 1636, Etching with engraving, Sheet: 10 5/8 × 13 1/4 in. (27 × 33.7 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Sicile, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676

Drawing After an Architectural Fragment with a Corinthian pilaster, 19th century, Pen and ink over graphite on laid paper, sheet: 9 1/2 x 6 5/8 in. (24.2 x 16.8 cm), Drawings, Anonymous, French, 19th century

Thistle Sage, Salvia carduacea, 1909–14, Watercolor and brown ink over graphite, with page design indicated in graphite and two details in ink, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American,

On ne s'avise jamais du tout, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, 1795, Etching and engraving; second state of three (Cohen), Sheet: 13 3/4 × 10

Design for a Cartouche (recto); Designs for Frames (verso), 1610–64, Pen and brown ink, over red chalk (recto); pen and brown ink, over black chalk (verso), 9 15/16 x 7 5/16in. (25.2 x 18.6cm), Drawings, Stefano della Bella (Italian,

Cornelis Claesz Anslo, Preacher, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Design for a Pitcher, ca. 1857, Pen and black ink, watercolor., sheet: 10 1/2 x 6 1/8 in. (26.7 x 15.6 cm), Drawings, Anonymous, French, 19th century

The Palaces, 1879, Etching, drypoint and open bite (?); fifth state of six (Glasgow); Printed in black ink on medium weight ivory laid paper, Plate: 9 13/16 × 14 3/16 in. (25 × 36 cm), Prints, James McNeill Whistler (American, Lowell,

The Holy Family, 1512–13, Drypoint, Sheet: 8 1/4 x 7 1/8 in. (21 x 18.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Dürer created only three prints in the medium of drypoint. Since the other two are dated 1512,

Centaur with a Young Satyr, 1727–1804, Pen and dark brown ink, brush and gray-brown wash, over traces of graphite or lead, 7 11/16 x 10 13/16in. (19.6 x 27.5cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice

Fan Design with Grotesques, 19th century, Pen and ink, sheet: 11 15/16 x 20 3/16 in. (30.4 x 51.3 cm), Drawings, Anonymous, French, 19th century

Illustration for a Book: Scene of a Murder in an Interior, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 2-15/16 x 6-3/16 in. (7.4 x 15.7 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice

Design for Two Plain Tabletop Mirrors, early 19th century, Ink and watercolor and wash, sheet: 8 11/16 x 12 1/4 in. (22 x 31.1 cm), Anonymous, British, 19th century

Bust-Length Study of a Man Wearing a Hat in Three-Quarter View (a Frankish Nobleman), 18th century, Red and white chalk, some black chalk, on gray-blue paper, sheet: 13 3/16 x 8 3/8 in. (33.5 x 21.2 cm) maximum; corners cut, Drawings, Lorenzo

Napoleon Dance in Holland, January 1, 1814, Hand-colored etching, sheet: 11 15/16 x 9 in. (30.3 x 22.8 cm), Prints, Charles Williams (British, active 1797–1830

Employment Bureau, 1633, Etching, Sheet: 11 1/8 × 14 1/2 in. (28.3 × 36.9 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Design for a Clock: Commerce, 19th century, Graphite, watercolor, gouache, and gold gilt, 11 1/16 x 16 1/8 in. (28.1 x 40.9 cm), Drawings, Anonymous, French, 19th century

Death of a Roman Matron, 1781–1835, Pen and ink, brush and brown wash, 8 x 10 in. (20.3 x 25.4 cm), Drawings, Bartolomeo Pinelli (Italian, Rome 1781–1835 Rome

Two Dogs, n.d., Pen and brown ink, 2 15/16 x 8 1/4 in. (7.5 x 21 cm), Drawings, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois

Hungarian horseman riding towards the right, other horsemen in the background, a circular composition from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois), ca. 1651, Etching, Sheet (trimmed to plate): 6 3/4 × 6 3/4 in. (17.2

Design for a Chair, ca. 1820, Ink, watercolor and wash, sheet: 7 5/16 x 7 3/8 in. (18.5 x 18.7 cm), Attributed to Gillows (British, 19th century

Architectural Capriccio: Grand Staircase Seen through an Archway, 1712–93, Pen and brown ink, brush and brown wash, over black chalk, 13 11/16 x 11in. (34.8 x 27.9cm), Drawings, Francesco Guardi (Italian, Venice 1712–1793 Venice

Design for Two Clocks and Three Brackets, early 19th century, Graphite and ink, sheet: 7 7/8 x 12 1/4 in. (20 x 31.1 cm), Anonymous, British, 19th century

The Lamentation, from The Passion, 1507, Engraving, Sheet: 4 11/16 × 2 15/16 in. (11.9 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Drouet (C.L. Drouet, Sculptor), 1859, Etching and drypoint; second state of two (Glasgow); printed in black ink on , plate: 8 7/8 x 6 in. (22.5 x 15.2 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

The Wise Virgins Conversing, ca. 1635, Etching, Sheet: 10 1/16 x 12 15/16 in. (25.6 x 32.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

The Sarcophagus, 1640, Etching; first state of two (Robert-Dumesnil), sheet: 4 15/16 x 5 7/8 in. (12.6 x 15 cm), Prints, Laurent de La Hyre (French, Paris 1606–1656 Paris

Woman and Child on Stairs, n.d., Pen and brown ink, brush and gray washes over red chalk underdrawing, 9 7/16 x 7 1/2 in. (24 x 19.1 cm.), Drawings, Pierre Lélu (French, Paris 1741–1810 Paris

Design for a Stage Set at the Opéra, Paris, 1828–90, Graphite, watercolor, and gouache, sheet: 14 13/16 x 15 1/2 in. (37.6 x 39.3 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Neptune calming the Tempest Aeolus raised against the Fleet of Aeneas, 1531–76, Engraving, sheet: 9 x 16 3/4 in. (22.8 x 42.6 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Design for a Candelabra, 19th century, Pen and brown ink. Framing lines in pen and brown ink., sheet: 13 7/8 x 7 11/16 in. (35.3 x 19.6 cm), Drawings, Anonymous, French, 19th century

The Last Drop, April 5, 1801, Hand-colored etching, Sheet: 11 1/8 × 7 13/16 in. (28.3 × 19.9 cm), Prints, Standing on tiptoe, a short, heavy-bellied 'cit, ' or City of London tradesman, struggles to drain a large punch bowl. In his haste,

Jeanne (Spring), 1882, Etching on blue laid paper, only state, from 1905 Strölin edition, Plate: 6 3/16 x 4 1/2 in. (15.7 x 11.4 cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris

St. Paul's Chapel, New York (from Scenes of Old New York), 1877, Etching, plate: 7 1/4 x 5 in. (18.4 x 12.7 cm), Prints, Henry Farrer (American, London 1844–1903 New York

Fulham (Chelsea), 20th century, Facsimilie of etching, Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

Virgin and Child with the Monkey, ca. 1498, Engraving, Sheet: 7 1/2 × 4 3/4 in. (19.1 × 12.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Design of a decorative panel featuring hunting trophies, a shield, and a crown, 19th century, graphite, pen and ink, and watercolor on wove paper pasted to cardboard, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),

Carrying the Cross, n.d., Etching, image: 7 5/8 x 4 13/16 in. (19.4 x 12.3 cm), trimmed to image, Prints, Claude Gillot (French, Langres 1673–1722 Paris), Engraved by Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury

Designs for Two Sconces, 19th century, Pen and brown ink, image: 14 1/2 x 10 1/4 in. (36.9 x 26.1 cm), Drawings, Anonymous, French, 19th century

Virgin and Child Appearing to Saint Paul, 1612–75, Pen and brown ink, 9-3/4 x 7-11/16 in. (24.8 x 19.5 cm), Drawings, Micco Spadaro (Domenico Gargiulo) (Italian, Naples 1609/10–1675 Naples

Rebecca and Eliezer, Etching, sheet: 10 9/16 x 6 11/16 in. (26.9 x 17 cm), Prints, François Chauveau (French, Paris 1613–1676 Paris), After Laurent de La Hyre (French, Paris 1606–1656 Paris

Design for an Incense Burner (?), 19th century, Pen and ink with wash on laid paper, sheet: 11 13/16 x 7 7/8 in. (30 x 20 cm), Drawings, Anonymous, French, 19th century

An Eagle with Wings Spread, 1696–1770, Charcoal, highlighted with white chalk, on blue paper, 13-11/16 x 9-3/4 in. (34.7 x 24.8 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid), George Knox, who attributed

Laban cherchent ses dieux, 1753, Etching, between second and third states, image: 6 13/16 x 8 9/16 in. (17.3 x 21.8 cm), trimmed to image, Prints, Gabriel de Saint-Aubin (French, Paris 1724–1780 Paris

Design for Two Gothic Desks, early 19th century, Graphite, sheet: 8 9/16 x 12 3/16 in. (21.7 x 31 cm), Anonymous, British, 19th century

Large Ecce Homo (copy), n.d., Sheet: 11 1/4 x 17 1/2 in. (28.6 x 44.5 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Sketches of Grotesques., 1533–1609, Pen and brown ink, Sheet: 8 1/4 x 10 5/8 in. (21 x 27 cm), Giovanni Antonio Dosio (Italian, Florence/S. Gimignano 1533–1609 Rome/Naples

Corner of the Ambassador's Staircase at Versailles (recto); Sketches of Figures and Dolphins (verso), n.d., Pen and brown ink, brush and brown wash with touches of gray wash over traces of black chalk (recto); black chalk (verso), with framing

Marché du boeuf gras, 1750, Etching, between second and third states, sheet: 5 11/16 x 7 1/16 in. (14.5 x 18 cm), Prints, Gabriel de Saint-Aubin (French, Paris 1724–1780 Paris

Two Goats Nibbling Branches, ca. 1653, Etching, Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

San Lorenzo, New Sacristy, plan (recto) San Lorenzo, New Sacristy, details, elevation and section (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 17 1/4 x 11 13/16 in. (43.8 x 30 cm), Drawings

Armed Three-Master on the Open Sea Accompanied by a Galley from The Sailing Vessels, 1561–65, Engraving and etching; second state of three, sheet: 13 1/4 x 10 1/4 in. (33.6 x 26 cm), Prints, After Pieter Bruegel the Elder (Netherlandish,

The Adoration of the Shepherds, 17th century, Red chalk. Framing lines in pen and black ink., 7 1/2 x 10 9/16 in. (19.1 x 26.8 cm), Drawings, Anonymous, French, 17th century

Cover design for 'Klassischer Skulpurenschatz', late 19th century, Lithograph, sheet: 25 13/16 x 17 11/16 in. (65.5 x 44.9 cm), Prints, Otto Greiner (German, Leipzig 1869–1916 Munich

Plate 10: two horsemen descending a mountain at left, another horseman to right in background, from 'Diversi capricci', ca. 1644–47, Etching; third state of four (De Vesme), Sheet: 3 3/8 in. × 4 in. (8.5 × 10.1 cm), Prints, Stefano della

Le Duelliste a L'Épée et au Poignard (The Duelist with a Sword and Daggar), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque

A winged putto and turtle doves, second half 19th century, oil on canvas; mounted on wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Peace and Plenty or Good News for John Bull!!!, May 25, 1814, Hand-colored etching, sheet: 7 3/8 x 15 7/8 in. (18.8 x 40.4 cm), Prints, George Cruikshank (British, London 1792–1878 London), After George Humphrey (British, 1773?–?1831

Design for a Mirrored Cabinet and Four Chairs, early 19th century, Ink and watercolor and wash, sheet: 9 13/16 x 17 1/16 in. (24.9 x 43.4 cm), Anonymous, British, 19th century