Images at Librifly

St. Stephanus Girandi, 17th century, Engraving, sheet: 17 1/16 x 10 7/8 in. (43.3 x 27.6 cm), Prints, Conrad Lauwers (Flemish, Antwerp, 1632–ca. 1685), After Laurent de La Hyre (French, Paris 1606–1656 Paris

Plate 20: an old Polish nobleman wearing a plumed hat in center, standing in profile facing right, another Polish man to right in background, standing in profile facing left, from 'Diversi capricci', ca. 1644–47, Etching; third state of four

Design for a Sedan Chair, ca. 1700, Pen and brown ink, brush and gray wash, graphite, 15 7/16 x 8 7/16 in. (39.2 x 21.5 cm), Drawings, Anonymous, French, 18th century

Landscape with Soldiers Helping the Wounded after a Battle, 17th century, Red chalk (laid down on larger sheet with frame in pen and ink)., 11 x 8 1/4 in. Oval, Drawings, Anonymous, French, 18th century

Bishop (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Black chalk, stumped, white chalk, on dark gray paper, 18 15/16 x 12 5/16 in. (48.1 x 31.4 cm), Drawings, Isidore

Half-Length Study of a Monk Holding a Book and a Long Implement, ca. 1637–40, Black chalk, highlighted with white chalk on blue-gray paper, 11 7/16 x 8 5/8in. (29.1 x 21.9cm), Drawings, Bernardo Strozzi (Italian, Genoa 1581–1644 Venice),

Design for a Medallion: Huntress Kneeling before an Armed Goddess, 17th century, Black chalk, squared in black chalk, framing lines in brown ink., 6 x 6 1/4 in. (15.2 x 15.8 cm), Drawings, Eustache Le Sueur (French, Paris 1616–1655 Paris

A Powder Magazine in Central Park (from Scenes of Old New York), 1877, Etching, plate: 3 3/16 x 4 13/16 in. (8.1 x 12.3 cm), Prints, Henry Farrer (American, London 1844–1903 New York

Design for a Monument of the Victory of Waterloo (recto); Portico with Corinthian Columns (verso), 1815, Watercolor; framed by decorative border in black ink (recto); black pen and ink over graphite [erased] (verso), sheet: 15 1/16 x 20 5/8 in.

The Hymn of the Daughters of Israel and David (copy), n.d., Prints, Engraved by Jan (Pietersz.) Saenredam (Netherlandish, Zaandam ca. 1565–1607 Assendelft), After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Reflection, ca. 1890, Drypoint; fourth state of five, plate: 10 1/4 x 6 15/16 in. (26 x 17.6 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise

Fortune standing on a globe emptying a purse of coins, ca. 1635–1636, Etching, Plate: 9 1/4 × 5 9/16 in. (23.5 × 14.1 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona

Designs for Ceiling and Wall Decoration for Monsieur Lecomte de la Grange, second half 19th century, Pen and black ink, graphite, watercolor, gouache, and gilt, 6 3/8 x 4 5/16 in. (16.2 x 11 cm) left design, Drawings, Jules-Edmond-Charles

Plate 3: La Place Royale, equestrian statue of Louis XIII in profile facing the left in center, various horsemen and figures in background, from 'Various Figures' (Agréable diversité de figures), 1642, Etching; undescribed state between second

Ornamental Design with Amphore and Antique Style Armor, 16th century, Pen and brown ink over traces of black chalk or leadpoint; partial framing line, 6 11/16 x 9 in. (17 x 22.8 cm), Drawings, After Polidoro da Caravaggio (Italian, Caravaggio

Drapery Study for Saint Remi (middle register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Black chalk, stumped, heightened with white chalk, on gray paper, 18 5/8 x 12 1/16 in. (47.3 x

Design for a Wooden Cabinet in French Renaissance Style, 19th century, Graphite, brush and brown and gray wash, with framing lines in graphite, 11 1/4 x 7 1/4 in. (28.6 x 18.4 cm), Anonymous, French, 19th century

Standing Hunter Holding a Rifle, 18th century, Black chalk, heightened with white on brownish paper., 9 x 4 13/16 in. (22.9 x 12.3 cm), Drawings, Nicolas Lancret (French, Paris 1690–1743 Paris

God the Father Appearing to a Kneeling Figure, 1612–75, Pen and brown ink, brush and violet wash, 5-7/16 x 10-1/8 in. (13.8 x 25.7 cm), Drawings, Micco Spadaro (Domenico Gargiulo) (Italian, Naples 1609/10–1675 Naples

Coat of Arms with a Lion and a Cock, ca. 1502, Engraving, Sheet: 7 3/8 × 4 13/16 in. (18.7 × 12.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Architectural Interior, 19th century, Pen and brown ink, brush and brown wash, and graphite, 3 3/4 x 8 1/8 in. (9.5 x 20.6 cm), Drawings, Anonymous, French, 19th century

Sacrifice of Noah, 1622–1703, Pen and black ink, brush and gray wash. Squared in red chalk, 4-9/16 x 6-5/16 in. (11.6 x 16.1 cm), Drawings, Attributed to Lazzaro Baldi (Italian, Pistoia 1622–1703 Rome

St. Peter's, apse, window, elevation (recto) Unidentified, portal, elevation (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 16 7/8 x 11 7/16 in. (42.9 x 29 cm), Drawings, Circle of Etienne

Youth, 1636, Etching, Sheet (trimmed): 10 1/2 × 12 15/16 in. (26.7 × 32.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Palazzo Farnese, plan, garden extension (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 13 3/8 x 22 13/16 in. (34 x 58 cm), Drawings

Seated Apostles and Putti, 1637–38, Red chalk, 5 3/16 x 9 5/8in. (13.1 x 24.5cm), Drawings, Giovanni Lanfranco (Italian, Parma 1582–1647 Rome), One of Lanfranco's major commissions in Naples were the frescoes painted in 1637-38 on the

Standing Figure in Oriental Costume, 1635–1719, Pen and brown ink, brush and gray wash, 13 7/16 x 8 3/8in. (34.1 x 21.3cm), Drawings, attributed to Sebastiano Bombelli (Italian, Udine 1635–1719 Venice), Standing figure in Oriental

Group of Angel Musicians, 1551–1629, Pen and brown ink, brush and brush and brown wash, over traces of black chalk, 10 11/16 x 7 15/16in. (27.2 x 20.2cm), Drawings, Avanzino Nucci (Italian, Gualdo Tadino (Province of Perugia) 1551–1629

Designs for an Urn on a Pedestal and a Cachepot, 19th century, Graphite, sheet: 14 5/8 x 8 13/16 in. (37.1 x 22.4 cm) uneven, Drawings, Anonymous, French, 19th century

Seymour Seated (Seymour Haden, Jr., Seated), 1857–58, Etching; third state of three (Glasgow); black ink on fine dark cream laid Japan paper, plate: 5 3/8 x 3 13/16 in. (13.7 x 9.7 cm), Prints, James McNeill Whistler (American, Lowell,

Young Milkmaid, 1737, Etching with some engraving, Sheet: 9 5/16 in. × 7 in. (23.7 × 17.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

The Holy Family; verso: Moses striking water from a rock, mid-18th–early 19th century, Pen and brown ink, grey wash, over graphite; verso: Pen and brown ink, grey wash, over graphite, sheet: 7 3/4 x 5 3/4 in. (19.7 x 14.6 cm), Drawings,

Lilac Clematis, Atragene occidentalis, July 1909, Watercolor and brown ink over graphite, with page design indicated in graphite, and details in ink, Sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong

Plate 35 from 'The Disasters of War' (Los Desastres de La Guerra): 'One Can't Tell Why (No se puede saber por qué), 1810 (published 1863), Etching, burnished lavis, drypoint and burin, Plate: 6 × 8 in. (15.3 × 20.3 cm), Prints, Goya

Three designs for decorative motifs in strapwork, rinceaux, and egg-and-dart patterns, 1830–97, graphite, pen and ink, wash and watercolor on wove paper, sheet: 18 15/16 x 13 1/8 in. (48.1 x 33.3 cm), Drawings, Jules-Edmond-Charles

A French Christian Woman (Une Dame Chrétienne et Française), 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 3/8 x 8 5/16 in. (34 x 21.1 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris),

Plate 55 from 'Los Caprichos': Until death' (Hasta la muerte.), 1799, Etching, aquatint and drypoint, Plate: 8 3/8 × 5 15/16 in. (21.3 × 15.1 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

Wharf Rat, from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 7 1/16 x 11 in. (18 x 27.9 cm), Prints, Henry Louis Stephens (American, Philadelphia, Pennsylvania 1824–1882 Bayonne, New

Head of an old Man with a Turban facing Left, Etching, Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua

L'Assiette Républicaine, 1850–1914, sheet: 11 13/16 x 11 7/16 in. (30 x 29 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

Design for a ceiling painted with clouds and a soaring eagle, second half 19th century, pen and ink and watercolor on wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Ruins of a Basilica or Mausoleum, 1691–1765, Pen and ink, brush and brown and gray wash, 12 3/16 x 8 1/8in. (31 x 20.6cm), Drawings, Giovanni Paolo Panini (Italian, Piacenza 1691–1765 Rome

Meleager and Atalanta, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 3/4 × 2 3/16 in. (4.5 × 5.6 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed

Court Cupboard (recto); Half-page of rectangles, numbered and lettered (verso), 16th century, Pen and brown ink, sheet: 17 1/4 x 11 in. (43.8 x 27.9 cm), Drawings, Anonymous, French, 16th century

Medea, ca5, Pastel, 11 9/16 x 8 1/8 in. (29.4 x 20.6 cm), Drawings, Charles Antoine Coypel (French, Paris 1694–1752 Paris), An accomplished pastellist, Charles-Antoine Coypel used the medium not just for finished works, but frequently as a

Adoration, Etching; counterproof, sheet: 16 13/16 x 11 3/4 in. (42.7 x 29.8 cm), Prints, François Chauveau (French, Paris 1613–1676 Paris), After Laurent de La Hyre (French, Paris 1606–1656 Paris

Lamp, 2nd century A.D., Roman, Terracotta, Length 10.2 cm. H. 4 cm., Terracottas

Historical Scene (Composition Study for Chapelle de Guise), 16th century, Pen and brown ink, highlighted with white gouache over traces of black chalk; framing outlines with pen and brown ink, sheet: 6 9/16 x 10 1/16 in. (16.6 x 25.5 cm),

Design for a ceiling painted with putti, garlands, and swags, second half 19th century, graphite and watercolor on wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Time, Apollo and the Seasons, 1662, Etching; sixth state of seven (Mannocci), sheet: 7 7/8 x 10 1/4 in. (20 x 26 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome

Jan Asselijn, Painter (Krabbetje), ca. 1646, Etching, drypoint, and burin; second state, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Beggar in a High Cap, Standing and Leaning on a Stick, ca. 1629, Etching, New Holl. second state of two, Sheet: 6 1/8 × 4 5/8 in. (15.5 × 11.8 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Christ before Pilate, from The Passion, 1512, Engraving, Sheet: 4 9/16 × 2 15/16 in. (11.6 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Design for a Chandelier, 19th century, Pen and brown ink., sheet: 12 13/16 x 8 1/16 in. (32.5 x 20.4 cm), Drawings, Anonymous, French, 19th century

Two Fighting Beggars, 1612–16, Etching with stippling, engraving and drypoint, Sheet: 12 5/16 × 8 3/8 in. (31.3 × 21.2 cm), Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy

Young Herdsman on Horseback, 17th century, Etching, sheet: 7 9/16 x 10 1/16 in. (19.2 x 25.5 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua

The Crucifixion, from The Passion (reverse copy), n.d., Engraving, Sheet: 4 15/16 × 2 7/8 in. (12.6 × 7.3 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Three Camel Heads, ca. 1641, Etching, state ii or iii, Plate: 4 3/4 × 5 7/8 in. (12 × 15 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

Sketch of Triumphal Arch (recto); Alternate Study for Triumphal Arch (verso), n.d., Black chalk, 7 7/8 x 8 15/16 in. (20.0 x 22.7 cm), Drawings, Hubert Robert (French, Paris 1733–1808 Paris

Design for a Stage Set at the Opéra, Paris: Church Interior, 1830–90, Brush and brown and green wash, gouache, over graphite, sheet: 10 3/16 x 4 3/4 in. (25.8 x 12.1 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Arlequin Mecontent de Son Peintre, n.d., Etching, second state, 7 15/16 x 9 1/4 in. (20.1 x 23.5 cm), Prints

Three Nude Male Figures; Study of the Right Hand of the Figure on the Left, 1708–87, Red chalk, 8-3/16 x 11-15/16 in. (20.8 x 30.3 cm), Drawings, Pompeo Batoni (Italian, Lucca 1708–1787 Rome

Armorial Trophy, 1600–1800, Pen and brown ink, brush and brown wash, with white gouache highlighting, over traces of graphite, sheet: 5 1/8 x 8 1/16 in. (13 x 20.4 cm), After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499–ca. 1543

Saint Philip Seated, Holding a Book and a Cross, 1422–57, Brush and brown wash, highlighted with white gouache, over black chalk, 10 3/4 × 7 1/2 in. (27.3 × 19 cm), Drawings, Pesellino (Francesco di Stefano) (Italian, Florence ca.

Errant pendant la nuit..., n.d., Etching, third state, image: 8 7/8 x 13 1/8 in. (22.5 x 33.4 cm), trimmed with inscription cut off, Prints, Claude Gillot (French, Langres 1673–1722 Paris

Design for Altar, Saint Clotilde, second half 19th century, Graphite, pen and black ink, watercolor, gouache, and gilt, 11 x 9 1/4 in. (27.9 x 23.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet

Design for a Stage Set at the Opéra, Paris (recto); Design for a doorway (verso), 1828–90, Graphite (recto); pen and black ink, brush and gray wash, graphite (verso), sheet: 10 11/16 x 18 15/16 in. (27.1 x 48.1 cm), Drawings, Eugène

Design for a Frieze, n.d., Pen and brown ink, brush and brown wash, graphite, 2 11/16 x 10 1/2 in. (6.9 x 26.6 cm), Attributed to Henri Sallembier (French, Paris 1753–1820 Paris

The Forge, 1861, Drypoint; fourth state of six (Glasgow); printed in black ink on European ivory laid paper, Plate: 7 1/2 × 12 1/2 in. (19.1 × 31.8 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

Embroidery Pattern with an Oblong Panel in its Center, 1521 before, Woodcut, sheet: 10 1/2 x 8 1/4 in. (26.7 x 21 cm), Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), After Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise) (or

Design for a sofa with putti, late 19th–early 20th century, Pen and black ink, brush and gray wash, over traces of black chalk., 8 15/16 x 12 11/16 in. (22.7 x 32.2 cm), Drawings, Franz Krauß (Austrian, Vienna 1865–1942 Vienna

Caryatid, after Perino del Vaga drawing in Albertina, ca. 1520, Pen and brown ink, wash., Drawings, Anonymous, Netherlandish, 16th century, After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome

Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above, ca. 1515–27, Engraving, Sheet (Trimmed): 4 3/8 × 6 13/16 in. (11.1 ×

Design for Monument, 18th century, Pen and black ink, graphite, sheet: 11 1/2 x 7 5/16 in. (29.2 x 18.6 cm), Drawings, Anonymous, French, 18th century

Study of a Head, 1837–1911, Graphite on gray paper, 7 1/2 x 5 1/2 in. (19 x 14 cm), Drawings, Alphonse Legros (French, Dijon 1837–1911 Watford, Hertfordshire

Louis XIII as Hercules, ca. 1635, Etching; third state of four (Join-Lambert and Préaud), Sheet (trimmed): 10 3/16 × 12 13/16 in. (25.9 × 32.5 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Two Shepherds with a Donkey, 1630–64, Etching, Sheet: 9 7/16 x 11 13/16 in. (24 x 30 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua

Niobe, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 13/16 × 2 3/16 in. (4.6 × 5.6 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean

The Benediction at Table, ca. 1635, Etching, Sheet: 6 13/16 x 15 3/4 in. (17.3 x 40 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Virgin on the Crescent with Scepter and Starry Crown, 1516, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Plate 1 from the 'Disparates': Feminine folly., ca. 1816–23 (post the first edition published in 1864), Etching, aquatint and drypoint (?), Plate: 9 1/2 × 13 5/8 in. (24.2 × 34.6 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish,

Head of a Young Girl in Profile, 18th century, Crayon manner in black and white on blue paper, 18 3/4 x 13 1/8 in. (47.6 x 33.3 cm), Prints, Copyist Louis Marin Bonnet (French, Paris 1736–1793 Saint-Mandé, Val-de-Marne), Carle (Charles

Jan Cornelisz. Sylvius, preacher, 1646, Etching, drypoint, and burin; second state of two, sheet: 10 13/16 x 7 1/2 in. (27.4 x 19 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Samson Rending the Lion, ca. 1497–98, Woodcut, sheet: 15 1/4 x 11 in. (38.7 x 28 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Architectural Drawing for a Chapel and Hospital, ca. 1767, Etching counterproof and wash, 14 3/16 x 9 15/16 in. (36.1 x 25.3 cm), Drawings, de la Maire (French, 18th century), Destouches (Paris

Pllate 60 from 'Los Caprichos': Trials (Ensayos.), 1799, Etching, aquatint and burin, Plate: 8 1/8 x 6 7/16 in. (20.6 x 16.4 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

Fallen Huntsman, ca. 1736, Red chalk, heightened with white, 11 7/16 x 16 9/16 in. (29.1 x 42 cm), Drawings, François Boucher (French, Paris 1703–1770 Paris

Le Theatre Italien, Etching, before first state, sheet: 6 7/16 x 5 3/16 in. (16.3 x 13.2 cm), Prints, Gabriel de Saint-Aubin (French, Paris 1724–1780 Paris

The First Fruits of the Earth Offered to Saturn, 1555–56, Pen and brown ink, brush and brown wash, over traces of red chalk, 6 3/4 x 15 7/16in. (17.2 x 39.2cm), Drawings, Giorgio Vasari (Italian, Arezzo 1511–1574 Florence), The drawing,

Sally (The Small Plate), ca. 1911, published 1915, Etching; fourth state of four, plate: 6 3/16 x 3 13/16 in. (15.7 x 9.7 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset

Motif for an Iron Balcony, 19th century, Pen and brown ink, sheet: 4 11/16 x 13 11/16 in. (11.9 x 34.8 cm), Anonymous, French, 19th century

Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie, 18th century, Etching, sheet: 6 7/8 x 5 11/16 in. (17.4 x 14.5 cm), Prints, Jean Claude Richard, Abbé de Saint-Non (French, Paris

The Apse of Notre-Dame, Paris, 1854, Etching with engraving and drypoint on laid paper; fourth state of nine, plate: 6 1/2 x 11 13/16 in. (16.5 x 30 cm), Prints, Charles Meryon (French, 1821–1868

Landscape with Roman Ruins, 1820–82, Etching, sheet: 13 1/8 x 15 3/16 in. (33.4 x 38.5 cm), Prints, William Miller (British, Edinburgh, Scotland 1796–1882 Sheffield), After Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682

Plate 26 from the 'Tauromaquia':A picador is unhorsed and falls under the bull., 1816, Etching, burnished aquatint and drypoint, Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos

Design for a Mirrored Cabinet and Four Chairs, early 19th century, Ink and watercolor and wash, sheet: 12 5/16 x 17 3/16 in. (31.2 x 43.7 cm), Anonymous, British, 19th century

A Road below the Villa d'Este at Tivoli, n.d., Pen and black ink, watercolor, over traces of graphite and black chalk, 10 1/8 x 13 1/4 in. (25.7 x 33.6 cm), Drawings, Jean Thomas Thibault (French, Moutier-en-Der 1757–1826 Paris

Design for Four Footstools, early 19th century, Graphite, sheet: 9 9/16 x 11 13/16 in. (24.3 x 30 cm), Anonymous, British, 19th century

Designs for Cartouche (recto and verso), 1548–1612, Pen and brown ink, over leadpoint or black chalk., 5 x 6 1/4 in. (12.7 x 15.9 cm), Drawings, Ascribed to Bernardino Poccetti (Italian, San Marino di Valdelsa 1548–1612 Florence

Whistler Asleep, 1897, Drypoint, plate: 7 11/16 x 11 5/8 in. (19.6 x 29.6 cm), Prints, Giovanni Boldini (Italian, Ferrara 1842–1931 Paris