Images at Librifly

Cloister in Syracuse, 1835, Graphite, sheet: 15 5/16 x 21 3/4 in. (38.9 x 55.3 cm), Drawings, Anton Hallmann (German, Hannover 1812–1845 Livorno

Old man on a swing (Viejo columpiándose), 1824–28, Etching, burnished aquatint and/or lavis, Plate: 7 3/8 x 4 3/4 in. (18.8 x 12.1 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

Portrait of a Woman., n.d., Black chalk on blue paper (now faded), sheet: 7 1/2 x 5 3/4 in. (19.1 x 14.6 cm), Drawings, Attributed to Ottavio Leoni (Il Padovano) (Italian, Rome 1578–1630 Rome

Child Jesus Explaining the Scriptures to His Mother and St. Joseph, ca. 1627, Etching with engraving; second or third state of three, Sheet (trimmed to plate): 5 13/16 in. × 5 in. (14.7 × 12.7 cm), Prints, Etched by Stefano della Bella

Design for an Arabesque, ca. 1780–93, Pen and gray and brown ink, brush and colored wash, 15 1/16 x 10 5/8 in. (38.3 x 27 cm), Étienne de Lavallée-Poussin (French, Rouen 1733–1793 Paris

View in 3/4 of a Design for a Headpiece Decorated with a Shell and Large Plume, 1652–1725, Pen and brown ink, brush and light brown wash over traces of black chalk, sheet: 6 9/16 x 4 1/2 in. (16.6 x 11.5 cm), Drawings, Giovanni Battista

Standing Draped Male Figure, ca. 1550, Black chalk, highlighted with white, on blue-green paper, deckled edges. Glued onto secondary paper support, 15 5/16 x 10 3/8 in. (38.9 x 26.3 cm), max., Drawings, Baldassarre Franceschini (il

Friar Lawrence and Juliet Discover the Bodies of Romeo and Paris (Romeo and Juliet, Act 5, scene 3), 19th century, Brush and brown and black ink, gouache, and wash. Pen and black ink framing lines added when mounted on blue paper., sheet: 13

Archway, Pont Nôtre-Dame, Paris, 1853, Etching on green laid paper; fourth (final) state, plate: 6 x 7 11/16 in. (15.3 x 19.5 cm), Prints, Charles Meryon (French, 1821–1868

Campanula, May 26, 1913, Watercolor and brown ink over graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York 1867–1944 New York

Elevation of a paneled interior decorated with painted landscapes and coves with cartouches and flowers, 1830–97, pen and ink, watercolor and gold paint on laid paper; inlaid in laid paper, Overall: 10 11/16 x 14 15/16 in. (27.1 x 37.9 cm),

Coronation Regalia Carried in Procession at Saint-Denis, 1775, Pen and black ink, brush and gray wash, over black chalk., 2 1/16 x 4 1/16 in. (5.2 x 10.3 cm), Drawings, Gabriel de Saint-Aubin (French, Paris 1724–1780 Paris

Plate 8 from the 'Disparates': The men in sacks, ca. 1816–23 (published 1864), Etching and burnished aquatint, Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 6 x 18 in. (15.2 x 45.7 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, 1795, Etching and engraving; second state of three (Cohen), Sheet: 14 × 10 5/16 in. (35.5 × 26.2

View of the Colosseum, ca. 1744–50, Black and white chalk on blue antique laid paper, 11 3/4 x 18 1/16 in. (29.8 x 45.9 cm.), Drawings, Joseph Marie Vien (French, Montpellier 1716–1809 Paris

Sibylle Samienne, ca. 1635, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 14 1/16 x 8 3/8 in. (35.7 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours

Virtue Crowned by Honor, 1670–76, Pen and brown ink, over red chalk, highlighted with white gouache, on blue paper, 5 7/8 x 5 1/4in. (14.9 x 13.3cm), Drawings, Carlo Maratti (Italian, Camerano 1625–1713 Rome), During the pontificate of

Christ Carrying the Cross, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Four Naked Women, 1497, Engraving, Sheet: 7 1/2 in. × 5 in. (19 × 12.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Bust-Length Portrait of an Ecclesiastic, 16th century, Colored chalks, over charcoal (?), on blue paper, Sheet: 11 7/8 x 8 5/16 in. (30.2 x 21.1 cm), Drawings, Carletto Caliari (Italian, Venice 1567/70–1592/96 Venice), This portrait shows

The Passion for Gambling, n.d., Etching, second state, sheet: 10 1/4 x 15 7/8 in. (26 x 40.3 cm), Prints, Claude Gillot (French, Langres 1673–1722 Paris), Engraved by Jacques Gabriel Huquier (French, Paris 1730–1805 Shrewsbury

The Beast with Two Horns Like a Lamb, from The Apocalypse, n.d., Woodcut, sheet: 17 3/8 x 12 in. (44.1 x 30.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Forest Interior, 1835–1916, Graphite, 16 7/8 x 11 in. (42.9 x 28 cm), Drawings, Henri-Joseph Harpignies (French, Valenciennes 1819–1916 Saint-Priv

Design for a Stage Set at the Opéra, Paris, 1830–90, Watercolor over graphite, sheet: 9 3/16 x 2 13/16 in. (23.3 x 7.1 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau

Holy Family with Saint John the Baptist kissing the infant Christ's hand, copy in reverse after Cantarini, ca2 or after, Etching, Plate: 5 × 3 9/16 in. (12.7 × 9 cm), Prints, After Simone Cantarini (Italian, Pesaro 1612–1648 Verona

Ornament frieze with winged Centaur, 1531–76, Engraving, sheet: 4 15/16 x 11 9/16 in. (12.6 x 29.4 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Parmigianino (Girolamo Francesco Maria Mazzola)

Design for an Overmantel or Door with a Variant, 19th century, Brush and brown wash with traces of crayon, sheet: 4 3/4 x 6 7/16 in. (12 x 16.4 cm), Anonymous, French, 19th century

Design for a Frieze Decorated With a Palmette and Tendrils (recto); Two Designs for a Rosette (verso)., 1652–1725, Pen and brown ink, over traces of black chalk, sheet: 1 5/8 x 4 5/16 in. (4.2 x 11 cm), Giovanni Battista Foggini (Italian,

Clarence's Dream (Shakespeare, Richard III, Act 1, Scene 4), 1774, Engraving, plate: 4 7/8 x 2 7/8 in. (12.4 x 7.3 cm), Prints, After Thomas Stothard (British, London 1755–1834 London), When just seventeen, Blake engraved this design by

The Rejection of Joachim's Offering, from The Life of the Virgin, ca. 1504, Woodcut, sheet: 17 5/16 x 12 in. (44 x 30.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Design for a Frame, 1843, Tempera and graphite, 19 1/4 x 12 1/2 in. (48.9 x 31.7 cm), Edouard [?] Bouvenne (French

The Sculptor, 1642, Etching, Sheet: 10 15/16 x 13 9/16 in. (27.8 x 34.5 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

The Dyer's Boat (Bas-Meudon), 1833–1914, Etching; only state, sheet: 12 7/16 x 8 3/4 in. (31.6 x 22.3 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres

The Virgin and Child with Saints, 1498–1544, Pen and brown ink, brush and brown wash, highlighted with white gouache, on blue paper that was tinted with a dark brown wash, Sheet: 10 3/16 × 10 13/16 in. (25.8 × 27.4 cm), Drawings, Girolamo

Design for Ceiling, Hôtel Cottier, 1879, Watercolor, gouache and gilt, 14 3/4 x 10 3/8 in. (37.5 x 26.4 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

The Triumphal Chariot of Maximilian I (The Great Triumphal Car), probably finished ca. 1518, published 1522, Woodcut, image: 17 7/8 x 12 1/16 in. (45.4 x 30.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Three Angels Visiting Abraham, n.d., Pen and brown ink, brush and brown wash., 6 3/4 x 8 3/4 in. (17.2 x 22.3 cm), Drawings, Charles Meynier (French, Paris 1768–1832 Paris

The Staircase of the Giants, Ducal Palace, Venice, 1712–93, Pen and brown ink, brush and brown wash, over red chalk. Selectively pricked holes for the construction of straight lines, 10 3/8 x 7 5/16in. (26.4 x 18.5cm), Drawings, Francesco

Heads of a Stag and Two Boars in Rinceaux of Oak Branches, ca. 1653, Etching, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence

Herdsman on horseback drives animals, from 'Six animal subjects' (Six sujets d'animaux), ca. 1646, Etching, Sheet (trimmed to plate): 5 11/16 × 5 7/16 in. (14.5 × 13.8 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

A Circular ceiling design with clouds and roses, second half 19th century, graphite, pen and ink, and watercolor on wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

The Coronation of the Virgin, 1605, Brown, gray-blue and white tempera on paper, 11-1/8 x 7-3/16 in. (28.3 x 18.2 cm), Drawings, Francesco Vanni (Italian, Siena 1563–1610 Siena

The Pool, 1859, Etching and drypoint; fourth state of six (Glasgow); black ink on thick cream laid paper, plate: 5 3/8 x 8 1/4 in. (13.7 x 21 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

Long-Tailed Bird Seen in Profile., 1685–1755, Brush with black, gray, and brown was over traces of graphite., sheet: 4 11/16 x 7 1/16 in. (11.9 x 17.9 cm), Drawings, Count Giorgio Durante (Duranti) (Italian, Palazzolo (?) 1685–1755

Rest on the flight into Egypt, Mary holding and looking at the infant Christ while St. Joseph reads, ca. 1637, Etching, Sheet (Trimmed): 3 1/4 in. × 5 in. (8.3 × 12.7 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona

Saint Thomas, 1514, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12.1 × 7.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Butterfly Tulip, Calochorus luteus, var. oculatus, 1909–14, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New

Coast View with Perseus and the Origin of Coral, 1674, Pen, brown ink, brown, blue, grey wash, heightened with white gouache, 9 3/4 x 15 1/16 in. (24.7 x 38.2 cm), Drawings, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682

Saint Christopher Facing Right, 1521, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Balcony, 1879–80, Etching and drypoint; sixteenth state of nineteen (Glasgow); printed in dark brown ink on heavy laid buff paper, Plate: 11 11/16 x 7 13/16 in. (29.7 x 19.9 cm), Prints, James McNeill Whistler (American, Lowell,

Plate 42 from 'The Disasters of War' (Los Desastres de la Guerra): 'Everything is topsy-turvey.'(Todo va revuelto.), 1810 (published 1863), Etching and burin, Plate: 6 3/4 × 8 9/16 in. (17.2 × 21.7 cm), Prints, Goya (Francisco de Goya y

Saint Eberhard of Tüntenhausen as a Shepherd, late 17th–early 18th century, Brush and grey and black ink, over black chalk or graphite, sheet: 6 1/4 x 6 1/8 in. (15.9 x 15.5 cm), Drawings, Jan Sebastiaen Loybos (Flemish, active

Study for Saint Remi (middle register); verso: Study for Remi's Raised Arm (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Red chalk, stumped, black chalk, heightened with white gouache,

Tête-à-tête in the Garden, 1894, Transfer lithograph, drawn on fine-grained transfers paper; only state (Chicago); printed in black ink on cream laid paper (darkened), Sheet: 10 1/16 x 8 1/16 in. (25.6 x 20.5 cm), Prints, James McNeill

Saint Peter, 1515, Woodcut, hand-colored, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden) and Workshop

San Biagio, 1879–80, Etching and drypoint; tenth state of seventeen (Glasgow); printed in dark brown ink, Plate: 8 1/4 × 11 7/8 in. (21 × 30.2 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London), San

Trees Beside a Pond, 1820–78, Watercolor over graphite, 10 x 7 3/4 in. (25.5 x 19.6 cm), Drawings, Louis-Antoine-Léon Riesener (French, Paris 1808–1878 Paris

Fantasy View of the Roman Forum, n.d., Pen and brown ink, watercolor, image diameter: 2 3/4 in. (7 cm.), Drawings, Victor Jean Nicolle (French, Paris 1754–1826 Paris

Jesus Disputing with the Doctors in the Temple (Luke 2:46-47), 16th century, Pen and brown ink, over a little black chalk, 7-1/2 x 5-9/16 in. (19.1 x 14.2 cm), Drawings, Ercole Setti (Italian, documented Modena, late 16th century

The Betrothal of the Virgin, from The Life of the Virgin, ca. 1504, Woodcut, sheet: 17 5/16 x 12 1/16 in. (44 x 30.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Design for a Tomb, Rothgeisser in Nuremberg (Elevation and Ground Plan), 1826, Pen and black ink, brush and green, blue, black, grey and purple watercolor., 28 7/8 x 16 1/8 in. (73.3 x 41 cm), Drawings, Johann Georg Dürschner (German,

The rest of the Holy Family on their flight to Egypt, 1531–76, Engraving and etching, sheet: 12 15/16 x 13 7/8 in. (32.8 x 35.3 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576

Billingsgate, 1859, Etching and drypoint; eighth state of nine (Glasgow); printed in black ink on fibrous laid Japan tissue, Plate: 6 × 8 7/8 in. (15.2 × 22.5 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903

Le Pate d'Anguilles, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching and engraving; third state of three (Cohen), Sheet: 12 3/16 × 9

Winged Figure Flying Through Clouds, ca. 1780–87, Engraving; only state, sheet: 4 1/2 x 2 11/16 in. (11.4 x 6.9 cm) (cut within plate mark), Prints, After Thomas Stothard (British, London 1755–1834 London

Le Bouvier Assis, Etching, sheet: 7 3/16 x 9 13/16 in. (18.2 x 25 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Cornelis van Poelenburch (Dutch, Utrecht (?) 1594/95–1667 Utrecht

The Hotpot Carried to the Newlyweds; or The Racket, ca. 1633, Etching with engraving; first state of two, Sheet: 11 in. × 13 11/16 in. (28 × 34.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Two Designs for Ewers, 1600–1800, Pen and black ink, brush and grayish-brown wash, over traces of leadpoint or graphite, sheet: 6 x 7 9/16 in. (15.2 x 19.2 cm), After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499–ca. 1543 Messina

Virgin and Child with St. John the Baptist and St. Elizabeth, ca. 1641, Etching; second state of four, Sheet (trimmed to plate): 6 7/8 × 6 1/16 in. (17.5 × 15.4 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664

Design for a Gilt Bronze Ewer, ca. 1770–90, Pen and black and brown ink, graphite, watercolor. Framing lines in pen and black ink., image: 17 5/8 x 11 3/4 in. (44.8 x 29.9 cm), Drawings, George Heinrich von Kirn (German, 1736–1793

Lunar Law, 1856, Pen and brown ink, brush and brown and colored washes, graphite, on etching, Overall: 7 13/16 x 10 1/16in. (19.9 x 25.6cm), Drawings, Charles Meryon (French, 1821–1868

The Lamentation, from The Small Passion, edition Venice, 1612, 1612, Woodcut, sheet: 8 1/16 x 5 13/16 in. (20.5 x 14.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done, 1850, Wood engraving, sheet: 5 1/16 x 9 5/16 in.

Christ and the Virgin Appearing to Saint Francis, 1562–1602, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of charcoal or soft black chalk, on blue-green paper; scattered paint stains throughout, 16 x

Portrait of cardinal d'Ossat, 1601–46, Charcoal, stumped, black and red chalk, 15 11/16 x 10 1/8 in. (39.8 x 25.7 cm), Drawings, Daniel Dumonstier (French, Paris 1574–1646 Paris

Design for a Curved and Bottle Coaster, early 19th century, Graphite, sheet: 8 11/16 x 12 5/16 in. (22 x 31.2 cm), Anonymous, British, 19th century

Study No. 2: Mr. Thomas Way, 1896, Transfer lithograph, drawn on white transfer paper with a grained-stone texture; only state (Chicago); printed in black ink on cream laid paper, Image: 6 5/8 × 4 7/16 in. (16.8 × 11.2 cm), Prints, James

Tavolino tavolo e paltrona [Perspective of Lounge Chair with Quilted Back and a Pedestal Table], 1937, Watercolor and graphite, Drawings, Guglielmo Ulrich (Italian, 1904–1977

Design for an Oil Lamp, 19th century, Graphite, brush and gray wash, watercolor, gouache, and gold gilt, sheet: 17 1/4 x 11 5/16 in. (43.8 x 28.7 cm), Drawings, Anonymous, French, 19th century

Plate 15: a Polish nobleman, facing away, holding his horse covered in leopard skin, four men and a horse in background, from 'Diversi capricci', ca. 1644–47, Etching; third state of four (De Vesme), Sheet: 3 1/8 × 3 5/8 in. (7.9 × 9.2

St. Peter's, drum, exterior, elevation (recto) St. Peter's, tribune, entablature, section and details (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 22 5/8 x 17 1/8 in. (57.5 x 43.5 cm),

Sweeper, 1746, Etching with some engraving, Sheet: 9 3/16 x 6 13/16 in. (23.3 x 17.3 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont 1698–1762

A Justice of the Peace, ca. 1798–99, Pen and gray ink with watercolor, over a black chalk underdrawing, sheet: 12 1/8 x 7 1/2 in. (30.8 x 19.1 cm), Drawings, Jean François Léonor Mérimée (French, Broglie 1757–1836 Paris

The Smith's Yard, 1895, Transfer lithograph drawn on thin, transparent transfer paper; only state (Chicago), as published; printed from a supplementary stone on medium-weight ivory wove paper with a smooth finish, Image: 7 1/2 × 6 1/4 in. (19.1

The Chimney Sweep, mid to late 17th century, Etching, Sheet: 8 5/8 × 5 13/16 in. (21.9 × 14.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Congregation in a Temple, 1787–1863, Pen and brown ink with graphite on thin paper, 7 1/2 x 10 9/16in. (19.1 x 26.8cm), Drawings, Fortunato Duranti (Italian, 1787–1863

Saint Matthew, 1538, Brush with brown, beige, and cream-colored tempera and emulsion, 15-1/4 x 8-1/2 in. (38.7 x 21.6 cm), Drawings, Domenico Beccafumi (Italian, Cortine in Valdibiana Montaperti 1484–1551 Siena

Old Woman and Child in Oval (from Sketches on the Coast Survey Plate), 1854–55, Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of 'Sketches on the Coast Survey Plate' (Kennedy no. 1) by

The Old Beach House, Corner of Cedar and Greenwich Streets (from Scenes of Old New York), 1874, Etching, cut within platemark, sheet: 5 3/8 x 7 1/2 in. (13.7 x 19 cm), Prints, Henry Farrer (American, London 1844–1903 New York

Ornament design for a thesis, the Strozzi coat of arms at top, ca. 1660, Engraving with etching; second state of two, Sheet: 10 1/4 × 14 7/8 in. (26 × 37.8 cm), Prints, Designed by Stefano della Bella (Italian, Florence 1610–1664 Florence

Plate 1: soldiers waiting to board a ship, from 'Various Embarkations' (Divers embarquements), ca. 1646–47, Etching, Plate: 3 × 6 3/8 in. (7.6 × 16.2 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence

The Raising of Lazarus (copy), n.d., sheet: 10 3/8 x 7 13/16 in. (26.4 x 19.8 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Design for Two Vases, ca. 1770–85, Pen and brown ink, black chalk, and watercolor, 14 13/16 x 9 1/16 in. (37.7 x 22.95 cm), Drawings, Anonymous, French, 18th century

Brandy or Cure Seller, mid to late 17th century, Etching, Sheet: 8 9/16 x 5 11/16 in. (21.7 x 14.5 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris

Landscape, 1792, Graphite and brush and wash on pale blue-green paper, 7 3/4 x 12 1/8 in., Drawings, Jean Pillement (French, Lyons 1728–1808 Lyons

View of the Forum, 1880, Watercolor, traces of graphite, sheet: 21 7/16 x 13 7/8 in. (54.4 x 35.2 cm), Drawings, Victor Laloux (French, 1850–1937

Ceiling Design for Madame Hope's Bedroom, ca. 1867, Watercolor, gouache, gilt, sheet: 7 1/4 x 8 1/8 in. (18.4 x 20.6 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820

Design for a Gothic Style Corner Book Cabinet: Elevation and Plan, early 19th century, Ink and wash, sheet: 9 x 11 13/16 in. (22.8 x 30 cm), Anonymous, British, 19th century

Torchlight Procession at the Modena Carrousel, 1652, Etching, state i, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence