Images at Librifly

Lucrèce, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 5/16 x 8 1/4 in. (33.8 x 21 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham Bosse (French, Tours 1602/1604–1676 Paris),

Portrait of Berthe Morisot, 1872–74, Etching on blue laid paper, second and final state, from 1905 Strölin edition, plate: 4 11/16 x 3 1/8in. (11.9 x 7.9cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris

Adam and Eve, ca. 1639, Etching, Sheet: 10 15/16 × 7 1/2 in. (27.8 × 19 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona

Caricature of a Gentleman and Other Studies, 1727–1804, Pen and dark brown ink, brush and brown wash, over black chalk, 10-11/16 x 7-5/16 in. (27.1 x 18.5 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice),

Head of a Woman in Profile, 1879–80, Softground etching, aquatint, and drypoint on laid paper (unique impression), plate: 4 1/2 x 4 7/16 in. (11.5 x 11.3 cm), Prints, Edgar Degas (French, Paris 1834–1917 Paris

En plein soleil, 1858, Etching; third state of three (Glasgow); printed in black ink on gray chine, Plate: 3 15/16 x 5 5/16 in. (10 x 13.5 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London

Design for an Urn, ca. 1770–90, Pen and black and gray ink, brush and gray wash over leadpoint, 11 5/16 x 16 1/8 in. (28.7 x 41 cm), Drawings, Anonymous, French, 18th century

Plate 16 from 'The Disasters of War' (Los Desastres de La Guerra):' They make use of them.' (Se aprovechan.), 1810 (published 1863), Etching, lavis, drypoint, burin and burnisher, Plate: 6 5/16 × 9 1/4 in. (16 × 23.5 cm), Prints, Goya

Farmyard, mid-18th century, Black and white chalk, gray wash, over a black chalk counterproof, 11 7/8 x 18 11/16 in. (30.1 x 47.4 cm), Drawings, Charles Michel Ange Challe (French, Paris 1718–1778 Paris

Lantern Seller, 1737, Etching with some engraving, Sheet: 9 7/16 × 7 1/4 in. (23.9 × 18.4 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme Bouchardon (French, Chaumont

The Massacre of the Innocents (Left side), with man on horseback at center left, women and children below, group of figures standing on steps above, Herod seated on throne at upper right, 1517, Woodcut, Sheet (Trimmed): 20 11/16 × 15 13/16

The Latest French Fashions from The Queen, The Lady's Newspaper and Court Chronicle, January 7, 1871, Lithograph, Sheet: 16 13/16 x 11 3/16 in. (42.7 x 28.4 cm), Prints, Anonymous, British, 19th century

Christ on the Mount of Olives, from The Passion, 1508, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

John Bull Viewing Billy's Preparations for his Birth-day, May 18, 1802, Hand-colored etching, sheet: 10 9/16 x 16 3/8 in. (26.9 x 41.6 cm), Prints, Charles Williams (British, active 1797–1830

Plate 28 from 'The Disasters of War' (Los Desastres de la Guerra): 'Rabble' (Populacho), 1810 (published 1863), Etching, lavis, drypoint, burin and burnisher, Plate: 7 3/16 × 8 7/16 in. (18.2 × 21.4 cm), Prints, Goya (Francisco de Goya y

Design for a Set of Candlesticks and a Clock, 19th century, Pen and brown ink, sheet: 5 7/8 x 9 1/8 in. (15 x 23.2 cm), Drawings, Anonymous, French, 19th century

The Vision of Saint Jerome, 1763–64, Etching, first state, sheet: 6 5/16 x 4 1/2 in. (16 x 11.4 cm), Prints, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), After Johann Liss (German, Oldenburg ca. 1595/1600–1631 Verona

Illustration from Sebastian Brandt: Navis Stultifera, Strassburg 1497, 19th century, Woodcut, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Design for a Stage Set Showing Interior of Rustic Kitchen ('Cucina Rustica'), 1759–1829, Lorenzo Sacchetti (Italian, 1759–1829

Martyrdom of St. Andrew, n.d., Pen and brown ink, brown wash, over black chalk. Oval framing lines in pen and black ink., 5 3/16 x 7 3/4 in. (13.1 x 19.7 cm), Drawings, Ferdinand Pierre Joseph Ignace Delamonce (French, Munich 1678–1753

Christ Appearing to St. Mary Magdalene as a Gardener, 1519, Engraving; second or third state, sheet: 5 1/8 x 6 1/2 in. (13 x 16.5 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

Portrait of a Man (Louis de Lorraine?, 1555-1588), Black and red chalk, heightened with white., 13 7/16 x 9 3/16 in. (34.1 x 23.4 cm), Drawings, Anonymous, French, 16th century

The angel awakening Joseph to the presence of the Virgin and Child, ca. 1645–49, Etching, sheet: 5 3/8 x 7 5/16 in. (13.6 x 18.6 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua

Landscape with an Easel, 19th century, Oil on card, sheet: 3 1/16 x 5 7/16 in. (7.8 x 13.8 cm), Drawings, Anonymous, French, 19th century

Man on Horseback, Study of a Man's Head (recto); Head of a Young Woman (verso), 1483–1548, Pen and brown ink, brush and gray wash (the man on horseback), red chalk (the man's head at upper right) (recto); black chalk on blue-washed paper

The Medici Collar, 1897, Transfer lithograph; only state (Chicago); printed in black ink on grayish ivory China paper, Image: 7 5/16 × 4 7/16 in. (18.5 × 11.2 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903

Design for a Console Table, ca. 1760–70, Red chalk over graphite on laid paper, sheet: 13 x 11 13/16 in. (33 x 30 cm), Anonymous, French, 18th century, Nature had always been an important source of inspiration for the design of patterns and

Portrait of a Man, 16th century, Charcoal, stumped, black and red chalk, with a little black crayon, 14 5/8 x 10 1/2 in. (37.2 x 26.6 cm), Drawings, Anonymous, French, 16th century, Circle of Nicolas Lagneau (French, 16th–17th century

Bi-colored Lupine, Lupinus Striversii, June 18, 1912, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York

Design for Four Vases, ca. 1770–85, Pen and brown ink, and black chalk, 14 13/16 x 9 3/16 in. (37.7 x 23.3 cm), Drawings, Anonymous, French, 18th century

Marches Ascoli Piceno Quintodecimo General views, this is my Italy, the italian country of visual history, Post-medieval General views of town and environs Antiquities Roman bridge, walls

Tuscany Siena Montalcino Museo Civico, this is my Italy, the italian country of visual history, Medieval Entire manuscript. Manuscripts. Post-medieval Sculpture and ceramics from local workshops 2nd half 12th century Sienese maiolica 14th century

Lazio Roma Trevignano Romano Assunta, this is my Italy, the italian country of visual history, Three exterior views of 16th c. church. Interior views of nave and altar, with detail views of apse fresco. View of side altar fresco and Pieta

Lazio Roma Rome Gesu, this is my Italy, the italian country of visual history, Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by

Lazio Roma Rome S. Eligio dei Ferrari, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, painting, religious reliquaries 17-18th centuries, sculptural relief, stucco Constructed in first half of

Lazio Latina Terracina Museo Archeologico, this is my Italy, the italian country of visual history, Antiquities Stone figures, both full-length and busts ancient altars, sarcophagi, inscriptions and stone fragments from the Temple of Giove

Tuscany Siena Colle di Val d'Elsa S. Francesco, this is my Italy, the italian country of visual history, Medieval Architecture and architectural sculpture funerary monuments. Post-medieval Architecture fresco architectural sculpture paintings on

Abruzzo Teramo Carpineto della Nora Abbey of S. Bartolomeo, this is my Italy, the italian country of visual history, Badia first established in 962, rebuilt in the 12th & 13th cents. Exterior views of monument, ruins and countryside. Architrave

Abruzzo L'Aquila Pescocostanzo Basilica, this is my Italy, the italian country of visual history, Medieval Wood statues 2 9-10, 12th century stone bust 10th century Post-medieval Architecture, architectural sculpture, painting, sculpture

Psyche, worshipped as goddess, incurs Venus' (Aphrodite) anger

Lazio Viterbo Caprarola S. Maria della Consolazione, this is my Italy, the italian country of visual history, Post-medieval Architecture, architectural sculpture, sculpture, coffering, woodworking, intaglio, fresco painting, painting

Landscape with creek, parrot, chicken pecking grapes, and rooster

Lazio, Viterbo, Bagnaia, Villa Lante

Lazio Roma Rome Maddelena, this is my Italy, the italian country of visual history, Post-medieval Architecture, architectural sculpture, sculpture, painting, fresco, stucco Rococo church of 18th century, facade by Sardi in 1735

Marches Ascoli Piceno Offida S. Agostino, this is my Italy, the italian country of visual history, Six exterior views with an an emphasis on the portals interior views of the nave, altars, and choir

Lazio Viterbo Nepi Oratorio di S. Biagio, this is my Italy, the italian country of visual history, Medieval Architecture, architectural sculpture, portal contains Roman spolia ambo, altar 1170 cofanetto 12th century. Post-medieval Frescoes

Lazio Viterbo Montefiascone S. Margherita, Duomo, this is my Italy, the italian country of visual history, Exterior views of domed church facade comprised of a neoclassical portal 1840, by Paolo Gazola, balustrade and flanking bell-towers.

Tuscany Grosseto Santa Fiora SS. Fiora e Lucilla, Parish church, this is my Italy, the italian country of visual history, Exterior views show a simple stone facade with a renaissance portal and a Romanesque rose window. Most views focus on the

Sardinia Sassari Sassari S. Pietro di Silki, this is my Italy, the italian country of visual history, Medieval Romanesque architecture 13th century, considerably altered architectural sculpture

Marches Ancona Serra Sant'Abbondio Eremo di Fonte Avellana, this is my Italy, the italian country of visual history, Exterior views of the romanesque-gothic architecture of the abbey buildings and cloister, including a bell tower 1482. Interior

Republic of San Marino San Marino Basilica di S. Marino, this is my Italy, the italian country of visual history, Post-medieval Neoclassical architecture 1826-1836. Campanile is 14th century

Lazio Roma Rome Gesu, this is my Italy, the italian country of visual history, Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by

Lazio Viterbo Capranica S. Giovanni Evangelista, this is my Italy, the italian country of visual history, Medieval. Post-medieval Architecture, sculpture, painting. This structure was built in the 16th century with modifications made in the 18th

Tuscany Siena Montalcino Museo Civico, this is my Italy, the italian country of visual history, Medieval Entire manuscript. Manuscripts. Post-medieval Sculpture and ceramics from local workshops 2nd half 12th century Sienese maiolica 14th century

Lazio Roma Frascati S. Maria in Vivario, this is my Italy, the italian country of visual history, Exterior views, including facade, bell tower, fountain, and a fresco damaged. interior views of nave, apse fresco, altar sarcophagus,

Lazio Roma Rome S. Croce in Gerusalemme, this is my Italy, the italian country of visual history, Medieval Cosmati pavement, architecture facade. Post-medieval Architecture, architectural sculpture, sculpture, frescoes "Leggenda della Santa

Lazio, Latina, Sezze, Antiquarium Comunale

Lazio Viterbo Castel Sant'Elia S. Elia, this is my Italy, the italian country of visual history, Exterior photos of views, the facade, the portal and many architeectural details. Interior views of nave, with its carved pulpit with details and

Lazio Viterbo Bolsena General views, this is my Italy, the italian country of visual history, Medieval Borgo Medievale. Views of the medieval quarter of the city, including neighborhoods, portals, and the walkway leading to the castle and

Millefleurs ground with tree in wattled fence enclosure

Lazio Roma Rome Gesu, this is my Italy, the italian country of visual history, Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by

Lazio Roma Rome S. Croce in Gerusalemme, this is my Italy, the italian country of visual history, Medieval Cosmati pavement, architecture facade. Post-medieval Architecture, architectural sculpture, sculpture, frescoes "Leggenda della Santa

Lazio Roma Rome Episcopal Complex S. Giovanni in Laterano, Baptistery, Cathedral, Cloister, this is my Italy, the italian country of visual history, Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn

Musical trophy in floral wreath

Lazio Viterbo Tuscania Palazzo Comunale, this is my Italy, the italian country of visual history, Post-medieval Architecture

Marches Macerata San Severino Marche S. Eustachio de Domora, this is my Italy, the italian country of visual history, Medieval Architecture and architectural sculpture 11th and 14th centuries. Post-medieval Altar

Lazio Sermoneta S. Francesco, this is my Italy, the italian country of visual history, Medieval Architecture 13-16th century fresco 13th century. Post-medieval Altar, wood late Baroque, wall painting 15th century, sculpture

Abruzzo Pescara Penne S. Maria in Colleromano, Convent church, this is my Italy, the italian country of visual history, Post-medieval exterior views, including detailed views of main portal. Views of interior, including naves, altars,

Lazio, Viterbo, Bagnaia, Villa Lante

Tuscany Grosseto Massa Marittima S. Cerbono Duomo, this is my Italy, the italian country of visual history, Medieval Architecture, architectural sculpture 13th-early 14th century Fresco 14th century Panels/Crucifix 14th century pascal candle

Lazio Roma Formello S. Angelo, this is my Italy, the italian country of visual history, Medieval Architecture. Post-medieval Architecture, architectural sculpture, sculpture, painting, fresco painting, 16th and 17th portals, frescoes

Abruzzo Pescara Penne Palazzo Vescovile, Museo, this is my Italy, the italian country of visual history, Medieval Architecture architectural sculpture detatched sculpture. Post-medieval Sculpture, painting, architectural sculpture detached,

Lazio Roma Rome Palazzo Quirinale, this is my Italy, the italian country of visual history, Post-medieval Tapestries. Also decorative furniture

Abruzzo Teramo Teramo S. Berardo, Cathedral, this is my Italy, the italian country of visual history, Exterior views mainly of the facade doors and portal sculpture by Deodatus also views of the bell tower, crossing, and dome. Interior views of

Marches Macerata San Severino Marche Pinacoteca Civica, this is my Italy, the italian country of visual history, The collections include a silver reliquary 1326, a relic of Pope Peter Celestini V, a silver plate, a 13th-century clothes chest

Lazio, Viterbo, Tuscania, S. Maria della Rosa

Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra, this is my Italy, the italian country of visual history, Medieval Romanesque architecture 12th century, architectural sculpture, 8th century mosaic, paintings on canvas and panel,

Marches Ancona Sassoferrato Pinacoteca, this is my Italy, the italian country of visual history, Two coats-of-arms of Sassoferrato and the Bishop Aldobrandini a polyptych of saints Anthony, Sebastian, Roch and Martin the Madonna of Sassoferrato

Lazio Roma Velletri Museo Civico di Velletri, this is my Italy, the italian country of visual history, Medieval Marble tondo of the depositon, early christian sarcophagus. Antiquities Romanstatue of Athena, male and female sculpture fragments-

Sardinia Sassari Castel Sardo Ancient walls general views, this is my Italy, the italian country of visual history, Post-medieval General views Antiquities Remains of ancient wall

Lazio Roma Rome S. Gregorio Magno, this is my Italy, the italian country of visual history, Medieval Sculpture, mosaics. Post-medieval Architecture, architectural sculpture, sculpture, painting, frescoes, stucco Completely renovated/restored

Lazio Roma Rome Episcopal Complex S. Giovanni in Laterano, Baptistery, Cathedral, Cloister, this is my Italy, the italian country of visual history, Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn

Lazio, Viterbo, Caprarola, Palazzo Farnese

Sardinia Cagliari Oristano S. Giusta, this is my Italy, the italian country of visual history, Extensive coverage of exterior, including facade, flanks, apse and bell tower. Interior views of presbystery, altars, crucifix, and paintings

Lazio, Roma, Grottaferrata, Museo

Lazio, Viterbo, Bagnaia, Villa Lante

Lazio Viterbo Viterbo Palazzo Gentili, this is my Italy, the italian country of visual history, Exterior views of 14th c. church, with details of architectural sculpture of fantastic creatures decorating windows

Tuscany Grosseto Massa Marittima S. Cerbono Duomo, this is my Italy, the italian country of visual history, Medieval Architecture, architectural sculpture 13th-early 14th century Fresco 14th century Panels/Crucifix 14th century pascal candle

Marches Macerata Tolentino General views, this is my Italy, the italian country of visual history, Views of the Piazza della Liberta, the Torre dei Tre Orologi, the Palazzo Sangallo the palazzo Parisani, and also portals and a coat-of-arms from

Molise Isernia Isernia SS. Cosma e Damiano, this is my Italy, the italian country of visual history, Post-medieval Architecture frescos early 17th century altarpiece early 16th century Isernia environs

Marches Pesaro Fossombrone Museo Civico A. Vernarecci, this is my Italy, the italian country of visual history, Medieval Sculpture fragments early Christian sarcofagi. Post-medieval Architecture, begun in the 13th century and remodeled in the

Lazio Roma Bracciano S. Lorenzo, this is my Italy, the italian country of visual history, Medieval Architecture. Post-medieval Architecture, architectural sculpture, painting, sculpture. Exterior views of the front facade, and interior views

Lazio Rieti Poggio Nativo S. Paolo, this is my Italy, the italian country of visual history, Post-medieval Architecture with elements of original Medieval structure remaining, cosmati style decoration, stucco decoration, paintings on canvas,

Lazio Viterbo Capranica Chiesa della Madonna del Piano, this is my Italy, the italian country of visual history, Post-medieval Architecture, architectural sculpture, sculpture, painting, wooden ceiling decoration. Structure with simple

Lazio Viterbo Civita General views, this is my Italy, the italian country of visual history, Distant views of the town and surrounding countryside and views of unidentified buildings and neighborhoods. Antiquities Two views of Roman gravestone and

Tuscany Grosseto Montemerano S. Giorgio, this is my Italy, the italian country of visual history, Post-medieval 15th century architecture baroque additions to interior wall and ceiling frescos paintings on canvas and panel polychrome wooden altar

Tuscany Siena Montalcino environs Abbey of S. Antimo Abbey church, this is my Italy, the italian country of visual history, Medieval Architecture, architectural sculpture 9th century, 1118, c. 1250, wooden crucifix, painting, frescoes.

Lazio, Roma, Grottaferrata, Museo

Lazio Latina Priverno Palazzo Comunale, this is my Italy, the italian country of visual history, Medieval Architecture 13-14th century

Abruzzo Pescara Penne Palazzo Vescovile, Museo, this is my Italy, the italian country of visual history, Medieval Architecture architectural sculpture detatched sculpture. Post-medieval Sculpture, painting, architectural sculpture detached,