Images at Librifly

Whitehall from the River, 1647, Wenceslaus Hollar, Czech, 1607-1677, Bohemia, Etching on ivory laid paper, 148 × 287 mm (plate/sheet

Kanda Myojin Shrine (Kanda Myojin), from the series Famous Views of the Eastern Capital (Toto meisho), c. 1835/38, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, chu-tanzaku, 37.4 x 12 cm (14 11/16 x 4

The Cat’s Lunch, c. 1863, Théodule Augustin Ribot (French, 1823-1891), printed by Auguste Delâtre (French, 1822-1907), published by Cadart & Luquet, Editeurs, France, Etching on ivory laid paper, 239 × 162 mm (image, incl. stray

Height, Breadth and Slope of Writing, from Encyclopédie, 1760, Aubin (French, active 18th century), after Charles Paillasson (French, 1718-1789), published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c.

Cadart’s Shop Window, 1879, Pierre-Georges Jeanniot, French, 1848-1934, France, Etching ond drypoint on dark cream laid paper, 150 × 195 mm (plate), 259 × 362 mm (sheet

Pen Pictures of The Leading Events of the Week, from Chicago Tribune, published December 30, 1894, H. R. H., American, 19th century, United States, Lithograph on newsprint, 90 x 417 mm

Almanac, 1883, Matsui Toka, Japanese, 19th century, Japan, Color woodblock print, surimono, 25.2 x 18.5 cm

Two Gentlemen with Walking Sticks, 1893, Philipp William May, English, 1864-1903, England, Pen and black ink over traces of graphite on ivory wove paper, 318 × 258 mm

Landscape with Waterfall, n.d., Pendleton’s Lithography, American, active 19th century, United States, Lithograph on cream wove paper, laid down, 218 x 274 mm (image), 227 x 285 mm (sheet

Picture, 17th century, England, Probably linen, plain weave, appliquéd with silk, warp-float faced 4:1 satin weave over bast fiber padding, embroidered with silk, silk-wrapped-metal-wire coils, silvered-metal-strip-wrapped silk and feathers

Skirt, c. 1810, France, Silk, plain weave with supplementary brocading wefts, supplementary patterning wefts, and self-patterned by ground weft floats, two panels and two fragments pieced, woven on loom with Jacquard attachment, 108.4 ×

Narumi: Famous Tie-dyed Fabrics of Arimatsu (Narumi, meibutsu Arimatsu shibori), from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi no uchi), also known as the Hoeido Tokaido, c. 1833/34, Utagawa Hiroshige 歌川 広重,

Cup and Saucer, 1777, Sèvres Porcelain Manufactory, French, founded 1740, Painted by Guillaume Noël (French, 1734/5-1804, active 1755-1800), Sèvres, Soft-paste porcelain, polychrome enamels, and gilding, Cup: H. 4.5 cm (1 3/4 in.),

A Passing Palanquin, from the series Scenes of Flower-viewing at Ueno (Ueno hanami no tei), c. 1681/84, Hishikawa Moronobu, Japanese, (?)-1694, Japan, Woodblock print, oban, sumizuri-e, 27.1 × 40.9 cm

The Whitesmiths, Impasse des Carmélites, 1894, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black with stumping, on cream laid Japanese vellum, 219 x 163 mm (image), 335 x 240 mm (sheet

Mandarin Fan, 18th century, China, Paper mount with painted figures, heads of applied ivory, costume of silk appliqué, sticks of filigree silver enriched with cloissoné enamel, silver rivet and loop, tassels, 26 cm (10 1/4 in

Apostle Spoon: St. Matthew, 1602/03, London, England, London, Silver, figure gilded, 18.7 x 5.1 cm (7 3/8 x 2 in

Paperweight, c. 1845/60, Clichy, France, 1837-1885, France, Glass, Diam. 4.5 cm (1 3/4 in

The Muse of Félicien Rops, 1895, Félicien Rops, Belgian, 1833-1898, Belgium, Heliogravure on cream wove paper, 177 × 135 mm (image), 235 × 154 mm (plate), 294 × 201 mm (sheet

The actor Morita Kan’ya VIII as the Palanquin-bearer Uguisu no Jirosaku, 1794, Toshusai Sharaku 東洲斎 写楽, Japanese, active 1794-95, Japan, Color woodblock print, oban, 36.8 x 24.6 cm

Cheese Dish and Cover, 19th century, Bohemia, Czech Republic, Bohemia, Glass, cut, stained red and gilded, H. 15.2 cm (6 in

Plate, c. 1790, English for the American market, Leeds, England, Creamware, Diam. 24.3 cm (9 9/16 in

The Actor Nakamura Tomijuro I as the Courtesan Toyama in the Play Koi Nyobo Somewake Tazuna, Performed at the Nakamura Theater in the Ninth Month, 1777, c. 1777, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color woodblock

Armchair No. 8, 1898/99, Designed by Otto Wagner (Austrian, 1841-1918), Austria, Vienna, Vienna, Polished walnut, mother–of–pearl, and brass with leather seat, 90.2 x 66 cm (35 1/2 x 26 in.), Diameter: 59.1 cm (23 1/4 in

Fear, 1866, Odilon Redon, French, 1840-1916, France, Etching on tan China paper laid down on white wove, trimmed within plate mark, 108 × 202 mm (image/sheet), 232 × 306 mm (sheet, mount

The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with watercolor (in album), 29.2 × 41.9 cm

Nicolas Coeffeteau, Bishop of Marseilles, 1623, Claude Mellan (French, 1598-1688), after Daniel Dumonstier (French, 1574-1645), France, Engraving in black on ivory laid paper, 290 × 205 mm (plate), 318 × 205 mm (sheet

Goldfish and Water Plants, 1850, Ichimei, Japanese, active c. 1850-70, Japan, Color woodblock print

The Grand Châtelet, Paris, c. 1780, after an earlier drawing, 1861, Charles Meryon (French, 1821-1868), printed by Pierron (French, 19th century), published by Rochoux (French, 19th century), France, Etching and drypoint on ivory laid

Jacob’s Farewell to Benjamin, 1650/60, Follower of Rembrandt van Rijn, Dutch, 1606-1669, Netherlands, Oil on canvas, 113 x 110.5 cm (52 9/16 x 43 1/2 in

Otsuki Plain in Kai Province (Kai Otsuki no hara), from the series Thirty-six Views of Mount Fuji (Fuji sanjurokkei), 1858, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban, 34.7 x 22.9 cm (13 11/16 x

The Circumcision, c. 1762/63, Stefano Pozzi, Italian, 1699-1768, Italy, Oil on canvas, 69 7/8 x 46 1/8 in. (177.5 x 117.2 cm

Bowl in the Form of a Llama with Geometric Motifs, A.D. 600/1000, Tiwanaku-Wari, South coast Peru or northern Bolivia, Bolivia, Ceramic and pigment

Entrance Gate, 1887, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in black on ivory wove paper, 148 x 120 mm (image), 317 x 202 mm (sheet

Loading the Canon, plate eleven from The Military Exercises, published 1635, Jacques Callot (French, 1592-1635), published by Israël Henriet (French, 1590-1661), France, Etching on paper, 60 × 83 mm

Ammonites flexuosus costatus, Print, Ammonoidea, Ammonoids are a group of extinct marine mollusc animals in the subclass Ammonoidea of the class Cephalopoda. These molluscs, commonly referred to as ammonites, are more closely related to living

L’Esperance (verse to accompany Pont-au-Change), 1854, Charles Meryon, French, 1821-1868, France, Etching in brown on ivory laid paper, 63 × 126 mm (image), 63 × 126 mm (plate), 119 × 190 mm (sheet

Pair of Flintlock Holster Pistols, c. 1720/30, Belgian, Liège, Liège, Steel, silver, brass, wood (walnut), and mercury gilding, L. 48 cm (18 7/8 in

Christ, 1887, Odilon Redon, French, 1840-1916, France, Lithograph in black on ivory China paper laid down on white wove paper, 330 × 270 mm (image/chine), 447 × 348 mm (sheet

The Squirrel, 1860s/70s, Seymour Joseph Guy, American, born England, 1824–1910, United States, Oil on canvas, 51.3 × 35.6 cm (20 3/16 × 14 in

David Lewinsohn House, Chicago, Illinois, First Floor Plan, 1898, Fritz Frederick L. Foltz, American, born Germany, 1843–1915, Chicago, Ink on linen, 46.5 × 91 cm (18 5/16 × 35 13/16 in

Cup and Saucer, c. 1815, Wedgwood Manufactory, England, founded 1759, Burslem, Porcelain with polychrome enamels and gilding, Cup: 6 × 10.6 cm (2 3/8 × 4 3/16 in.), Diameter: 9.2 cm (3 5/8 in.), Saucer: Height: 2.9 cm (1 1/8 in.),

Aureus (Coin) Portraying Emperor Nerva, 97, issued by Nerva, Roman, minted in Rome, Rome, Gold, Diam. 1.9 cm, 7.64 g

Paperweight, Late 19th century, New England Glass Company, American, 1818-1888, United States, Glass, Diam. 6.4 cm (2 1/2 in

Vinaigrette, c. 1829, Possibly London, England, London, Silver, silver gilt, and shagreen, 4.1 x 3.2 cm (1 5/8 x 1 1/4 in

Paperweight, 19th century, Clichy, France, 1837-1885, Clichy, Glass, 2 1/2 in

Les jets d’eau sortant de terre, from Vues de la villa de Pratolino, 1653/55, Stefano della Bella, Italian, 1610-1664, Italy, Etching on paper, 325 x 450 mm

The Greedy Dog, Mughal period, late 16th century, India, Attributed to Farrukh Chela (active 1580-1604), India, Opaque watercolor and shell gold on paper, Image: 19.8 x 12.1 cm (7 13/16 x 4 3/4 in.), Outermost Border: 21.8 x 13.8 cm (8 9/16 x

The Actor Nakamura Nakazo I as a Monk, Raigo Ajari, in the Play Nue no Mori Ichiyo no Mato (Forest of the Nue Monster: Target of the Eleventh Month), Performed at the Nakamura Theater from the First Day of the Eleventh Month, 1770, c. 1770,

Antilope bubalis, Print, Blackbuck, The blackbuck (Antilope cervicapra), also known as the Indian antelope, is an antelope found in India, Nepal, and Pakistan. The blackbuck is the sole extant member of the genus Antilope. The species was

Venus and Mars with Putti (recto), Bearded Man Moving to Right (verso), c. 1550, Circle of Francesco Mazzola, called Parmigianino, Italian, 1503-1540, Italy, Pen and brown ink on cream laid paper (recto and verso), both laid down on ivory

Anceus rapax, Print

The Actor Nakamura Tomijuro I as Takenuki Goro in the Play Eho Soga Nen-nen-goyomi, Performed at the Morita Theater in the First Month, 1771, c. 1771, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color woodblock print,

The Divine Architect, Vishvakarman, Angkor period, c. 13th century, Cambodia, Cambodia, Bronze, 11.5 × 5.9 × 6 cm (4 1/2 × 2 5/16 × 2 3/8 in

Four Evangelists and the Vision of God Holding the Dead Christ with the Instruments of the Passion, 1550/85, Unknown Artist, Italian, mid/late 16th century, Italy, Pen and brown ink with brush and brown wash, over black chalk, on brown laid

Panel (From a Skirt), 19th century, Indonesia, Indonesia, Cotton, batik dyed, 207 x 109.8 cm (81 1/2 x 43 1/4 in

Leopoldo Magno, Caesar I, from Triumphus Novem Saeculorum Imperii Romano Germanici Leopoldo Magno, c. 1700, Christoph Elias Heiss, German, 1660-1731, Germany, Mezzotint on paper, 339 x 234 mm (plate), 401 x 296 mm (sheet

Goblet with Cover, 18th century, Germany, Rhineland, Rhineland, Glass, H. 29.2 cm (11 1/2 in

Altar Frontal, 1700/25, France, Linen, plain weave, underlaid with linen, plain weave, embroidered with silk and wool in satin and split stitches, laid work, couching, padded couching, and French knots, painted glass beads, backed with

The Apprentice, 1898, Théophile-Alexandre Steinlen, French, born Switzerland, 1859-1923, France, Drypoint from a zinc plate in black on ivory laid paper, 169 × 100 mm (image/plate), 416 × 302 mm (sheet

Pitcher, 1800/25, English for the American market, Shelton, Staffordshire, Staffordshire, Earthenware, H.: 11.4 cm (4 1/2 in

Corbeille, n.d., Jean Baptiste Monnoyer, French, 1636-1699, France, Hand-colored etching on paper

Yuhi Hill at Meguro in the Eastern Capital (Toto Meguro Yuhigaoka), from the series Thirty-six Views of Mount Fuji (Fuji sanjurokkei), 1858, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban, 34.6 x

The actor Sawamura Sojuro III as Oboshi Yuranosuke in the play Edo no Hana Ako no Shiogama, performed at the Kiri Theater in the fourth month, 1796, 1796, Utagawa Toyokuni I 初代 歌川 豊国, Japanese, 1769–1825, Japan, Color woodblock

True View of Takanawa (Takanawa shinkei), section of a sheet from the series Famous Places in the Eastern Capital (Toto meisho), 1840s, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, section of harimaze

Rain in the Fifth Month (Samidare), c. 1755, Ishikawa Toyonobu, Japanese, 1711-1785, Japan, Color woodblock print, hosoban, benizuri-e, 12 3/16 x 5 11/16 in

Plaque with Representation of Goddess Isis suckling Horus, Third Intermediate Period, Dynasties 21–25 (about 1069–656 BC), Egyptian, Egypt, Steatite, 0.6 × 1.9 × 1.3 cm (1/4 × 3/4 × 1/2 in

St. Peter, n.d., Conte Anton Maria Zanetti, Italian, 1680–1767, Italy, Chiaroscuro woodcut in green and black on off-white laid paper, 171 x 100 mm (image/sheet, trimmed to block

Iris Garden, c. 1781/89, Katsukawa Shuncho, Japanese, active c. 1780-1801, Japan, Color woodblock print, oban triptych, 37.1 x 24.2 cm (right sheet), 37.2 x 24.8 cm (center sheet), 37.3 x 25.2 cm (left sheet

Thirty-one Portraits in an Oval, 1817, Pierre Roch Vigneron (French, 1789-1872), printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849), France, Lithograph in black on ivory laid paper, 410 × 536 mm (image), 410 ×

Fragment of an architectural molding, Marinid dynasty (1244–1465), 14th century, Morocco, Morocco, Wood with relief carving and traces of polychrome decoration, 20.3 x 119.9 x 6.3 cm (8 x 47 1/8 x 2 7/16 in

Stéphane Mallarmé, 1892, James McNeill Whistler, American, 1834-1903, United States, Transfer lithograph in gray-black on ivory laid paper, 97 x 70 mm (image), 169 x 137 mm (sheet

The Cuman Sibyl, c. 1630, Claude Vignon, French, 1593-1670, France, Sanguine and black chalk on paper, 320 × 219 mm

Plate, c. 1825, Spode Pottery & Porcelain Factory, English, founded 1776, Stoke on Trent, Porcelain, polychrome enamels and gilding, 2.5 x 23.5 cm (1 x 9 1/4 in

Seated Infant Figurine, 900/500 B.C., Middle pre-Classic, Probably Central Mexico or Veracruz, Mexico, México, Stone, H. 4.8 cm (1 7/8 in

Sample (Dress Trimming), 1815/35, England or France, France, Cotton, twill weave, appliquéd with cotton, twill weave lined with cotton, plain weave, 31.12 × 37.78 cm (12 1/4 × 14 7/8 in

Panel (Furnishing Fabric), c. 1786, Designed by Jean Baptiste Huët (French, 1745-1811) after Jean Baptiste Pillement (French, 1728-1808), France, Jouy-en-Josas or Nantes, Nantes, Linen, plain weave, copperplate printed, 274 × 99.1 cm

Sampler, 1828, Europe, Europe, Cotton, plain weave, examples of darning in polychrome, embroidered around outer edges in silk and in cross stitch with tiny border of punched work held in place by cotton thread stitches, 37.1 × 37.1 cm (14

Paperweight, c. 1848–55, Saint-Louis, France, founded 1767, Saint-Louis, Glass, 6.4 × 4.8 cm (2 1/2 × 1 7/8 in

Italian Landscape with Ruins, n.d., Jonas Umbach the Elder, German, 1624-1693, Germany, Etching in black on ivory laid paper, 76 x 110 mm (image/plate), 780 x 115 mm (sheet

Amphisile scutata, Print, 1700-1880

Lagunas Caballo, or Horse Lakes, 14 miles, N. W. from Tierra Amarilla, New Mexico. The water of the lakes is strongly mineral and not fit for men or animals to drink, 1874, Timothy O’Sullivan (American, born Ireland, 1840–1882),

Pair of Shoes, c.1720s, England, Leather, silk, damask weave

Fragment (Band), A.D. 700/900, Nazca-Wari, Probably south coast, Peru, Peru, Slit tapestry, 42.6 x 7.0 cm (16 3/4 x 2 3/4 in

Entertainer (Tomb Figure), Northern dynasties, 6th century, China, Buff earthenware with pigment, H. 27 cm (10 in

Amulet of Pataikos, Third Intermediate Period–Late Period, Dynasty 25–31 (8th–4th century BC), Egyptian, Egypt, Ceramic, 4.1 × 1 × 1.3 cm (1 5/8 × 3/4 × 1/2 in

Selim Kahn III, from Portraits of the Emperors of Turkey, 1815, John Young, English, 1755-1825, England, Mezzotint, hand-colored with brush and watercolor, on ivory wove paper, 375 × 253 mm

Paperweight, Mid 19th century, Czech Republic, Bohemia, Bohemia, Glass, Diam. 7 cm (2 3/4 in

Untitled, 1839/60, 19th century, Unknown Place, Daguerreotype, 8.3 x 7 x 0.5 cm

Windsor, 1878, Francis Seymour Haden, English, 1818-1910, England, Etching on ivory wove paper, 330 × 445 mm (image/plate), 514 × 690 mm (sheet

Book of Woven Coverlet Designs (Draft), 1839, Daniel Stephenson (American, born England, 1823-1892), United States, Paper, sepia ink, Measuement of volume: 20.5 × 16.3 × 1.1 cm (8 1/16 × 6 7/16 × 7/16 in

Dance in the Country, c. 1890, Pierre Auguste Renoir, French, 1841-1919, France, Soft ground etching in brown-gray on ivory laid paper, 219 × 141 mm (image), 219 × 141 mm (plate), 361 × 276 mm (sheet

Forget Me Not (valentine), c. 1830, Unknown Artist, American or English, 19th century, United States, Engraving in blue ink with hand-coloring and traces of graphite on ivory card, 58 x 91 mm

Bottle, 2nd/3rd century AD, Roman, Levant or Syria, Syria, Glass, blown technique, H. 8 cm (3 1/8 in.), diam. 3.8 cm (1 3/8 in

Cup and Saucer, c. 1750/65, Staffordshire, England, Staffordshire, Lead-glazed earthenware (blackware), Cup 3.5 x 7.9 cm (1 3/8 x 3 1/8 in.), Saucer 1.9 x 11.4 cm (3/4 x 4 1/2 in

St. Mark, from The Four Evangelists, 1541, Sebald Beham, German, 1500-1550, Germany, Engraving in black on ivory laid paper, 43 x 29 mm (image/plate), 44 x 31 mm (sheet

Fragment, 17th century, Italy, Linen, plain weave, embroidered with wool and silk floss in flame stitch, 40.3 x 21.4 cm (15 7/8 x 8 3/8 in.), Carpet, 1850/1900, Turkey, Turkey

H.R.H. The Prince of Wales, 1860–69, John Jabez Edwin Mayall, American, 1813-1901, United States, Albumen print, 8.7 × 5.5 cm (image/paper), 10.4 × 6.3 cm (mount

Saint Lucy, About 1500, Vergós Workshop, Spanish, documented 1439–1503, Spain, Oil and gold on panel, Panel: 175.8 × 93.7 cm (69 1/4 × 36 7/8 in.), Painted Surface: 168.6 × 84.6 cm (65 7/8 × 33 3/8 in

An Irish Girl or Annie, 1894, Anders Zorn, Swedish, 1860-1920, Sweden, Etching on cream wove paper, 276 x 199 mm (image/plate), 374 x 283 mm (sheet